Dharma · AI Companion

śrotra

听取声音的感官AI-generated

Type ViewDifficulty IntroductoryTruth-level span I · dependent arising ⇢ II · emptinessInitial AI estimate · evolves with use

十二处法数之初教(1);般若读耳处无自性(2),无更高正面重立。

A Contemporary ReadingAI-generated

What This Concept Is About

In the Buddhist path of liberation, the "ear" (耳, śrotra, "ear") is by no means merely the two fleshy ears on the sides of our head, nor is it the eardrum and auditory nerve of modern biology. In the rigorous system of classical scriptures and treatises, the ear is called the "ear faculty" (耳根, śrotra-indriya), one of the "six faculties" (六根, ṣaḍ-indriya, the six sense faculties, also known as the inner six sense bases / six emotional roots).

To understand the position of the ear in the path of liberation, one must first clarify its operating mechanism — the harmonious union of the three factors: root, object, and consciousness (根、境、識三事和合): 1. Ear faculty (耳根, "root" / inner sense base): the auditory perceptive potential and organ mechanism inherent in living beings. 2. Sound object (聲塵, śabda-viṣaya, "sound object" / outer sense base): the various sounds emitted by the outside world (pleasant beautiful sounds, unpleasant noises, neutral miscellaneous sounds). 3. Ear consciousness (耳識, śrotra-vijñāna, "ear consciousness"): the clarity and awareness that is instantly aroused when the ear faculty and sound object collide.

When the ear faculty meets the sound object and ear consciousness arises, the moment of these three harmonizing triggers “ear contact” (耳觸, śrotra-sparśa). With “ear contact” as cause and condition, the mind inevitably gives rise to “feeling” (受, vedanā, "feeling") — painful feeling (the irritation of harsh noise), pleasant feeling (the pleasure of beautiful music), or neither-painful-nor-pleasant feeling (the numbness of flat background noise) [1, 2, 4].

1. The Nature of the Ear Faculty: Impermanence, Suffering, No-Self

The *Saṃyuktāgama* (《雜阿含經》) opens by revealing that the ear faculty is a dharma arisen from causes and conditions, whose nature is “impermanent” (無常, anitya, "impermanence") [1]. Being impermanent, it necessarily brings the oppression of “suffering” (苦, duḥkha, "suffering"); sentient beings simply cannot have mastery over the ear faculty, cannot force it to “hear only what I want to hear, and not hear what I don’t want to hear” (“make it thus, not make it thus,” 令如是、不令如是) [1]. The arising, abiding, and destruction of the ear faculty is essentially the arising of suffering, the abiding of illness, and the manifestation of aging and death [1].

2. Traps and Metaphors: The Ear's Savoring of Sound, the Demon's Hook, and the Waves of the Great Ocean

In the world of ordinary beings, the ear faculty is one of the most direct entry points for suffering and affliction:

* The demon's hook and the five desires (魔鉤與五欲): The scriptures compare the ear faculty's greed for pleasant sounds (“ear savoring sound,” 耳味著聲) to a “demon's hook” (魔鉤) [1, 2]. When we indulge in praise, sweet words, or pleasing melodies, it is like a fish swallowing a baited hook — the throat is caught, we fall into the bondage of the demon's hands, and lose the freedom of the mind [1]. The lovable sounds touched by ear consciousness are precisely one of the “qualities of the five desires” (五欲功德, pañca-kāmaguṇa) that tempt sentient beings [1, 2]. * The metaphor of the great ocean and its waves (大海與濤波的比喻): The scriptures compare the “ear faculty” to a great ocean and the complex external “sound objects” to the waves of that ocean [1, 2]. Ordinary beings in the ocean of sound may be capsized at any moment by emotional waves, devoured by vicious insects and rākṣasī demons (afflictions and desires); only those who can “endure the waves of sound” can safely cross the ocean of the ear faculty and reach the other shore [1, 2]. * Latent karmic offenses (the ear's root offenses, one hundred and eight practices (耳本罪百八行)): The *Mahāvaipulya-mahāsaṃnipāta-sūtra* (《大方等大集經》) further points out that if one does not guard the ear faculty (“not stopping the guarding,” 不止守), then when hearing good or bad sounds, in the subtle process of a sound's “arising, functioning, and ceasing,” invisible yet real traces of subtle afflictions and karma are left in space (“the ear's root offenses, one hundred and eight practices,” 耳本罪百八行), entangling future lives [1, 3].

3. The Noble Practice: “Supreme Cultivation of the Faculties” and “the Bodhisattva's Celestial Ear”

Facing the ear faculty, where should practice begin? The heretic Parāśarya (波羅奢那) once proposed a crude view: thinking that “not listening to sound” (plugging one's ears, going to an absolutely quiet place) constitutes cultivating the faculties [1, 2]. The Venerable Ānanda immediately refuted this: if “not hearing sound” were cultivating the faculties, then wouldn't a deaf person be the great teacher of liberation [1, 2]?

The Buddha then set forth the true “supreme cultivation of the faculties” (無上修根): practice is by no means the physical shutting down of the senses, but rather, at the moment the ear faculty contacts pleasant, unpleasant, or neutral sounds, the mind is able to skillfully tame, guard, and hold them, abiding in right mindfulness and right wisdom, giving rise to “dispassion,” “non-dispassion,” or an undisturbed “mind of equanimity” (the mind of equanimity that is free from both aversion and non-aversion, 厭、不厭俱離舍心) [1, 2].

At the level of the Mahāyāna bodhisattva, the ear faculty is further elevated to the “celestial ear” (天耳, divya-śrotra) and the “unimpeded ear-faculty superknowledge” (無礙耳通): the bodhisattva no longer flees from sound; his celestial ear can equally hear everything from the cries of hell-beings to the chirping of insects, and can perceive the greed, hatred, and delusion behind speech; hearing the Dharma-sound of the noble does not give rise to greed or attachment, hearing the evil speech of the non-noble does not give rise to obstruction in the mind — toward noble sounds he is fully endowed with great loving-kindness, toward non-noble sounds he is fully endowed with great compassion, transforming the pure ear-realm into a vessel for delivering sentient beings far and wide [1, 3].


A Walkthrough in Everyday Life

To truly see how the ear faculty operates, let us bring this classical concept into a life scenario extremely familiar to contemporary people: a voice message at work, or a sudden notice of overtime.

At the end of a tiring day, you are sitting on a packed subway car during rush hour. Your earphones are playing your favorite soothing music, and you are immersed in comfort. Suddenly, “ding-dong” — WeChat. Your supervisor sends a 50-second voice message, in a stern tone demanding to know about a loophole in your project's progress, and telling you that you must work overtime tonight to redo it.

Let us follow Buddhist logic closely and walk through what happens in this moment, step by step:

1. The ear faculty meets the sound object (耳根與聲塵相遇): Your auditory sense organ (the ear faculty) receives the WeChat notification sound and your supervisor's agitated voice (the sound object) [1, 2, 4]. 2. Ear consciousness and ear contact arise (耳識與耳觸生起): The auditory nerve and brain decode the sound information (ear consciousness), and the three factors harmonize in that instant, completing “ear contact” [1, 2, 4]. 3. The eruption of “feeling” (受的爆發): * While listening to soothing music, you are in a state of “pleasant feeling” (樂受), and toward the sweetness of the music you give rise to “savoring attachment” (味著) — being hooked by the “demon's hook” [1, 2]. * At the instant of hearing your supervisor's stern questioning, “painful feeling” (苦受) erupts violently; your chest tightens, and in the ocean of the ear faculty, the “waves” of anger and anxiety surge up [1, 2]. 4. The arising of greed and hatred, and the accumulation of “ear root offenses” (貪瞋的生起與「耳本罪」的累積): * You feel regret over the loss of the pleasant music a moment ago (six modes of worry, 六憂行) [1, 2]. * Toward your supervisor's grating tone you produce intense aversion and rebound; in your mind you begin to silently curse and make excuses (the mental fabrication of hatred) [1, 3]. Although the sound lasts only a few dozen seconds, arising and ceasing as it goes (“arising, functioning, then ceasing,” 生轉便滅), your inner resentment and defiance continue to ferment in space — this is the trace of the “ear root offense” (耳本罪) left by not guarding the ear faculty [1, 3].

Where People Most Commonly Go Wrong:

* Error One: equating the “ear” with the “auricle / physical organ” (把「耳」等同於「耳廓/肉身器官」) * *Clarification*: Many people think that guarding the ear faculty means wearing noise-cancelling headphones. But noise-cancelling headphones can only block the sound object (external environment); they cannot block your “ear consciousness” and the mind's reaction to sound. As long as you hear a cough or read a text message clearly, the inner resistance still arises. The ear faculty is the hub that includes the inner perceptive capacity [1, 4]. * Error Two: thinking that “cultivating the ear faculty” means finding an absolutely quiet place to “retreat” (以為「修耳根」就是找個絕對安靜的地方「隱居」) * *Clarification*: This falls into the error of the heretic Parāśarya [1, 2]. When you are irritated by noise and voice messages on the subway, the true “supreme cultivation of the faculties” is not to immediately take off your earphones and flee, nor to fantasize “if only the world were quiet,” but rather, at the instant you hear the grating tone, to clearly perceive: “this is an unpleasant sound (sound object) + a segment of hearing arises (ear consciousness) + the body gives rise to a wave of discomfort (painful feeling)” [1, 2]. In right mindfulness and right wisdom, see clearly that this is only a phenomenon of causes and conditions coming together; do not dance to the sound, do not be provoked by the evil sound, abide in the pure mind of equanimity [1, 2].


Why Contemporary People Need It

Contemporary society can be described as an era of “auditory overload.” Algorithms precisely capture our attention through hearing: from the highly provocative soundtracks of short videos, the deep magnetic audio of podcasts, the sensory stimulation of ASMR, to the unceasing notification sounds of work software, verbal conflicts in intimate relationships, and the crying and clamor of childcare.

1. The Comparison and Limitations of Cognitive Science

Modern neuroscience research shows that hearing is one of the oldest and most direct senses for triggering emotion in humans. Harsh sounds bypass the rational brain and directly stimulate the amygdala to trigger a fight-or-flight stress response; rhythmically pleasing music can stimulate the secretion of dopamine and endorphins. Algorithm engineers precisely exploit this, using sound effects to strengthen users' attention stickiness.

* The limitation of science: Neuroscience tells us the “physiological mechanism” (how sound becomes electrical signals stimulating the brain), but it cannot resolve the “existential anxiety and clinging” of life. Even if brain science explains dopamine release, people are still provoked by one malicious sentence for days and nights, still lost by one hollow piece of flattery. * The transcendence of the Dharma: Buddhism pulls the gaze directly back to the height of life's liberation — it tells you that sound is only “sound object” and feeling is only “painful-pleasant feeling” [1, 2, 4]. It does not require you to change your neural structure; rather, it asks you to establish a “right mindfulness and right wisdom” buffer zone at the critical instant when “ear contact” occurs, and no longer be a slave to sound [1, 2].

2. From “Passive Victim” to “Helmsman amid the Waves”

Contemporary people often feel that life is unbearably noisy, and try to find peace by wearing noise-cancelling headphones or listening to white noise. But external peace is extremely fragile; a single untimely noise can shatter it.

The wisdom of the “ear” in the path of liberation offers a fundamental stability: “the ear is like the great ocean, sound is like its waves” (耳如大海,聲如濤波) [1, 2]. The praise and blame, clamor and noise of the outside world are merely the waves on the surface of the ocean. If you understand the “supreme cultivation of the faculties,” you will not try to iron flat the waves of the whole ocean (because you cannot master the ear faculty, “making it thus or not making it thus”), but will learn to be a highly skilled surfer, crossing safely amid the rising and falling waves [1, 2].


Common Misreadings and Clarifications

* Misreading One: Listening to music or storytelling is “evil”; practitioners should completely reject auditory pleasure? * Clarification: The scriptures point out that sound itself is neither good nor evil; the lovable sounds touched by ear consciousness belong to the “qualities of the five desires” [1, 2]. What the Dharma guards against is not sound itself, but “ear savoring sound” (耳味著聲) — the adhesion, dependence, and craving toward a particular sound [1, 2]. When you must rely on certain music to fall asleep, or must hear a certain kind of praise to find self-confidence, you have already been hooked by the “demon's hook” [1, 2]. True liberation is “hearing without attachment” — able to appreciate beautiful sounds, and able to let go calmly when the sound disappears.

* Misreading Two: As long as I don't hear or pay attention to others' criticism, I am “guarding the ear faculty”? * Clarification: This is a kind of indifference or avoidance, not “guarding the ear faculty.” The *Mahāvaipulya-mahāsaṃnipāta-sūtra* (《大方等大集經》) specifically mentions the bodhisattva's “celestial ear”: when the bodhisattva hears the evil speech, criticism, or even abuse of non-noble people, his mind gives rise to “no obstruction,” and he can generate “great compassion” toward these sounds; hearing the good speech of noble people, he does not give rise to “attachment,” but generates “great loving-kindness” [1, 3]. True guarding of the ear faculty is not closing the mind's door and playing deaf and mute, but having extremely high awareness and tolerance, able to perceive the suffering behind words, transforming confrontation into compassion [1, 3].

* Misreading Three: When the sound stops, the matter is over; the ear leaves no trace. * Clarification: The scriptures offer a very profound warning — “the offense entering space” and “the ear's root offenses, one hundred and eight practices” (罪入空中與耳本罪百八行) [1, 3]. When you hear a hurtful sentence, although the sound only vibrates in the air for three seconds and then disappears (“arising, functioning, then ceasing,” 生轉便滅), if you give rise to hatred, cursing, and calculation in the mind, the ripples of these emotions will settle in your subconscious (in space) and form a hundred and eight kinds of invisible karmic traces, continuously polluting your future physical and mental health and interpersonal relationships [1, 3]. Therefore, guarding the ear faculty means guarding not only the moment of hearing, but also the purity and vigilance of the mind after the sound has faded [1, 2, 3].

Canonical EntryAI-generated

一、 定义与核心要义

「耳」(梵语:śrotra)在佛教经典中是「六根」或「六情根」之一,亦即「内六入处」之一。它是众生感知声音、产生耳识与相应感受的生理及精神枢纽。在阿含部《雜阿含經》中,耳根被阐释为具有无常、苦、无我本质的因缘生起法,是产生执著与魔网系缚的根源,也是修行者通过「无上修根」达成解脱的关键;在大集部《大方等大集經》中,耳根不仅是如来悉知因缘的对境,也是菩萨成就「天耳」与「无碍耳通」以广度众生的清净功德体现,同时也是若不守护则会生起「百八本罪」的修行关要。

二、 主要阐述

1. 耳根的因缘生起与本质

耳根并非恒常存在,而是具有「无常」与「苦」的本质。因为耳是无常的,所以必然会带来逼迫之苦,众生无法主宰耳根「令如是、不令如是」。耳根的生起、存在与转出,即代表着苦的生起、病的安住与老死的出现;反之,耳根的灭尽则意味着苦与生老病死的息没。在因缘法中,耳根是产生感受的必要条件。有耳根作为前提,才能因耳、声、耳识三者和合而生起「耳触」,并因耳触因缘而生起苦、乐或不苦不乐的感受;若无耳根,则无耳触,亦不会生起相应的感受。此外,如来能悉知一切众生诸根的利钝与因缘果报,指出耳根与其他诸根存在微细的因缘关系,如「知耳根因作眼根缘」。

2. 耳根带来的贪爱、魔网系缚与罪业

众生常因耳根对声音的感知而生起贪著,陷入痛苦与魔网。经中将「耳味著声」定义为「魔鈎」。若沙门、婆罗门在耳根上生起味著、习近于声,就会被魔钩钩住咽喉,落入魔手与魔系之中,不得自在。耳根听闻声音时,会生起「喜」或「忧」,从而于声处行,称为「六喜行」与「六忧行」。耳识所触的可爱、可意、可念之声,能长养欲乐,属于「五欲功德」之一,对此贪著者即名为「欲」。若于耳根生喜,即是于苦生喜,无法解脱于苦。若耳根听闻可爱、可意之声而生起欣悦、赞叹、系著、欢喜、乐著、贪爱与阨碍,就会「去涅槃远」;反之,若能不欣悦、不系著,则能「渐近涅槃」。

在罪业的生起上,若对「耳」不加以守护(「不止守」),则耳在听闻好声、中声、恶声时,皆会产生「耳本罪百八行」。这些声尘在「生转便灭」的过程中,其「灭」中仍隐含着百八种罪业,导致后世当复生受而不灭。这种罪业在「生空中复灭空中」的过程中,存有百八种不可见的罪业,如同人说话的声音在空中不可见却确实存在一样。

3. 贤圣法律的「无上修根」

关于如何对待耳根的修行,经典展开了深刻的辩证。外道波罗奢那主张「耳不听声」即是修根。尊者阿难对此提出反驳,指出若照此逻辑,则「聋者」因为耳不闻声,岂不成了修根之人? 佛陀随即阐明了贤圣法律中的「无上修根」:修行并非物理性地关闭耳根不听声音,而是在耳根与声缘生耳识时,面对可意、不可意、或可意不可意之声,心中能善调伏、善关闭、善守护、善摄持、善修习,生起「厌离」、「不厌离」或「厌、不厌俱离舍心」,并安住于正念正智之中。

4. 菩萨天耳与无碍耳通的清净功德

与凡夫因耳根起执不同,菩萨在「耳」这一感官上能成就超凡能力与清净境界。菩萨的「耳根所对」极广,能听闻包括地狱、饿鬼、畜生及蝇蚁蚊䖟在内的一切众生之声。菩萨成就的「无碍耳通」能如实了知众生因贪、瞋、癡等不同心态所产生的各种口业音声。菩萨的「天耳」在听闻「圣声」时不生爱著,听闻「非圣声」时心不生障碍,并能对圣人声具足大慈,对非圣人声具足大悲。菩萨的「耳界」与法界其性清净,能随众生的「耳识」所解所受,以天耳悉皆闻知,并随顺众生的根器与理解力而为其说法,最终将此天耳功德回向于如来所得的「耳界」。

5. 耳根的解脱与灭尽

要达到「正尽苦」或「越生、老、病、死苦」,修行者必须对耳根进行彻底的断除与超越。必须对耳根进行「识、知、断、离欲」,若对耳根不离欲、心不解脱,则不堪任正尽苦。修行者应当「断耳欲」或「耳欲贪断」,一旦断除其根本,就像「截多罗树头」一样,使其在未来世永不复生。经中将耳根比喻为「大海」,而将「声」比喻为海中的「涛波」。若能堪忍声之涛波,就能度过耳根大海,免受涛波回澓、恶虫、罗刹女鬼的侵害。在最终的解脱境界中,「耳入处」与名色、诸识皆当「灭尽令无余」,如此才能彻底断除萦髻(烦恼的缠缚)。

三、 不同部类与译本的表述差异

在不同部类与经典中,对于「耳」这一概念的称呼和侧重点存在差异: 1. 称谓差异:在《雜阿含經》(阿含部)中,多使用「耳」、「耳入處」、「內六入處」等术语,强调其作为十二入处之一的分类属性;而在《大方等大集經》(大集部)中,则常将耳与其他感官合称为「六情根」之一,并使用「耳界」这一带有界限、体性意味的术语,以及「耳本罪」等大乘特有术语。 2. 功德与神通表述:在《大方等大集經》中,详细区分了「天耳」、「耳界」、「耳識」与「無礙耳通」,强调菩萨通过清净耳界来普度众生;而《雜阿含經》则侧重于凡夫耳根的无常、苦、空,以及如何通过「無上修根」来断除「耳欲」以达解脱。

四、 与相关概念的关系

1. 耳与声、耳识、耳触、受:耳根(内入处)与声境(外入处)相对,缘此生起耳识,三事和合产生「耳触」。因耳触因缘而生起苦、乐、不苦不乐之「受」。 2. 耳与魔钩、五欲:耳根对声境的味著被比喻为「魔鈎」,而耳识所触的可爱之声则是「五欲功德」之一,是修行者需要警惕和断除的对象。 3. 耳与天耳通、无碍耳通:在菩萨修行中,耳根的清净能转化为「天耳」与「无碍耳通」,使其能够平等听闻圣非圣声,并了知众生口业。 4. 耳与涅槃、苦的灭尽:耳根的「灭尽无余」是彻底断除烦恼缠缚、证得涅槃的标志。

五、 代表性原文引用

1. 《雜阿含經》:「耳無常,若無常即苦,苦即非我,非我者亦非我所。如是觀者,名真實正觀。」 2. 《雜阿含經》:「有耳故耳觸因緣生受,內覺若苦、若樂、不苦不樂……若無耳者,則無耳觸,無耳觸者,憑何而生內覺苦、樂、不苦不樂?」 3. 《雜阿含經》:「於耳諸聲,若可意、不可意、可意不可意,生厭、不厭、厭不厭俱離捨心,正念正智。阿難!是名賢聖法律無上修根。」 4. 《大方等大集經》:「菩薩成就無礙耳通,以天耳聞地獄、餓鬼、畜生、蠅蟻蚊䖟及一切眾生之聲……聽聖人聲不生愛著,聽非聖人聲心不生障礙。」 5. 《大方等大集經》:「若菩薩於耳不止守,聞好聲、中聲、惡聲,生耳本罪百八行。」

By SutraAI-generated

雜阿含經T0099 · 阿含部

《雜阿含經》論「耳」這一感官,主要從內六入處的框架展開,將耳與眼、鼻、舌、身、意並列,論述其在解脫道中的角色。

第一,耳作為六入處之一,與其他感官共同構成認知世界的根門。全經多次以「眼耳鼻舌身意」並列的格式出現,例如「若於眼不識、不知、不斷、不離欲者,不堪任正盡苦。耳、鼻、舌、身、意亦復如是」(),以及在超越生老病死苦的語境下同樣並列();論離欲心解脫()、於耳生喜則不解脫於苦(),皆用此並列格式。此種並列多以「亦如是說」、「亦復如是」帶過,顯示經文採用歸納式的共通法則,並非單獨發揮耳之義涵。

第二,耳與聲的配對關係。此經明確認定耳的所緣境為聲(聲音),正如眼緣色。在「海喻」中,「眼是人大海,彼色為濤波」對應「耳……是人大海,聲……為濤波」(),以耳為大海、聲為濤波的譬喻,說明聲塵能動搖耳根,修行者須堪忍聲之濤波方能度脫。在「五欲功德」的定義中,亦說「眼識明色……耳、鼻、舌、身識觸,可愛、可意、可念,長養欲樂」(),耳緣於聲之可意可愛而長養欲樂。

第三,耳作為繫縛之根。經文指出「耳味著聲,是則魔鈎」(),凡夫於耳貪著聲味,即被魔羅以鉤鉤住咽喉,不得自在解脫(、)。又說若比丘「耳聞可愛、可樂之聲」而生欣悅、讚歎、繫著、貪愛、阨礙,便「去涅槃遠」()。相反,若斷除耳之欲貪,則「耳則已斷、已知,斷其根本,如截多羅樹頭,於未來世永不復生」(、)。

第四,耳的無常與苦。經文以簡明的三句式開示:「耳無常,若耳是常者,則不應受逼迫苦……以耳無常故,是故耳受逼迫苦生」();同樣地,「耳苦,若耳是樂者,不應受逼迫苦……以耳是苦故,受逼迫苦」();又說「若耳生、住、轉出,則苦生、病住、老死出……若耳滅、息、沒,苦生則滅,病則息,死則沒」(),確立耳之無常、苦與生死流轉的關聯。

第五,耳引發喜憂之行。經文明列「六喜行」:若「耳聞聲喜,於彼聲處行」();與之對應的「六憂行」亦以耳聞聲憂為例()。

術語方面,此經一律用「耳」字,未見異稱;感官總體並稱為「六入處」或「內入處」(),其對應的外塵則稱「聲」(未用「音」或「音聲」)。「耳」常以「耳鼻舌身意」五字並列簡稱出現。

大方等大集經T0397 · 大集部

《大方等大集經》對「耳——聽取聲音之感官」之論述,可從兩大主軸加以提煉:菩薩天耳通之究竟神用,以及耳根緣三種聲境所起之百八罪相。

一、菩薩天耳通之境界。經中以「無礙耳通」與「天耳」二名並用,顯示耳之聽取功能究竟圓滿之相。耳根能對一切處之聲,乃至地獄、餓鬼、畜生及蠅蟻蚊虻所有諸聲皆悉得聞;不僅聞聲,更能如實了知眾生由善、不善、無記口業所出之音聲,乃至因貪瞋癡交雜而說之聲亦皆能知。其特色有三:(一)能辨聖聲與非聖聲,聞聖聲不生愛著、聞非聖聲心不生礙,於聖人聲得具大慈,於非聖人聲得具大悲;(二)能聽受一切諸佛所說妙法,聞已憶念正智總持不忘,隨眾生器而為說法,並善知說法之「時與非時」;(三)明示「耳界法界其性清淨,知見我人眾生悉清淨故」,直指耳界本性寂淨。

二、耳根對三品聲境之罪相分析。經中將耳所聞之聲三分為「好聲、中聲、惡聲」,與眼所見好色、中色、惡色及鼻所聞好香、中香、惡臭等並列,構成六根各對三境之完整架構。耳根聞好聲、中聲、惡聲時,因不止守故,各起百八罪;此罪生已轉滅,滅中更有百八後世當復生受不滅;推至究竟,罪入「空中」不可見,譬如人語有聲在空而不可得見。

術語方面,本經以「耳根」稱感官、以「耳界」稱其本性、以「天耳」或「無礙耳通」指菩薩所證之勝用;所聞之聲獨用「好聲、中聲、惡聲」三品之名,未見他經常用之「苦聲、樂聲、不苦不樂聲」或「可意聲、不可意聲」等分類,此乃本經獨特之用語形式。又,百八罪之說亦兼用「百八本罪」之名,強調其本具性。

阿毘達磨俱舍論T1558 · 毘曇部

《阿毘達磨俱舍論》以「耳」為聽取聲音之感官,稱之為「耳根」。此經首先以頌文標示耳根與眼根、意根之關係:「眼耳意根境,不至三相違」,謂眼耳意三者之根與境不相違故可取。

於感官取境量度之論述中,本論指出「前說至境鼻等三根,應知唯能取等量境」,即鼻、舌、身三根唯能取與根等量之境;而眼與耳則非如此——「眼耳不定」。眼於色有時取小(如毛端)、有時取大(如暫開目見大山)、有時取等(如蒲桃);耳根亦然,「聽蚊雷等所發種種小大音聲,隨其所應小大等量」。此明耳根所取之聲境可小可大、隨緣而應,不同於鼻舌身之拘於等量。

關於耳根極微之安布形相,本論有具體描述:「耳根極微居耳穴內旋環而住,如卷樺皮」——構成耳根的極微位居耳穴之內,以旋繞環轉之方式排列,有如捲起的樺皮。此與眼根極微之「在眼星上傍布而住,如香荾花清澈映覆令無分散」、鼻根之「居鼻頞內背上面下,如雙爪甲」、舌根之「形如半月」各有不同形態,足見本論就六根極微之形相各有專門安立。

於同分(與自身同類)與彼同分(異類)之辨析中,本論舉眼根為例:「眼根極微有時一切皆是同分,有時一切皆彼同分,有時一分是彼同分餘是同分」,並結云「乃至舌根極微亦爾」。以「如眼耳亦然」之例推之,耳根極微之同分分位亦應如是差別。頌文亦云「眼不下於身,色識非上眼,色於識一切,二於身亦然。如眼耳亦然」,以眼耳同理之例,說明眼與耳於根、境、識之依屬原理相通。

在功能層面,本論以頌區別五識所緣:「由眼耳意識,并餘三所證,如次第名為,所見聞知覺」——眼所見、耳所聞、意所知、鼻舌身所覺,此即各識各緣自境之次第。

至於「天耳」之特殊層次,本論頌云:「天眼耳謂根,即定地淨色,恒同分無缺,取障細遠等」。論釋中詳釋:「此言唯目天眼耳根,即四靜慮所生淨色,謂緣光聲修加行故。依四靜慮於眼耳邊引起彼地微妙大種所造淨色眼耳二根,見色聞聲名天眼耳」。天眼耳分三類:「一修得天,即如前說。二者生得,謂生天中。三者似天,謂生餘趣由勝業等之所引生,能遠見聞似天眼耳。如藏臣寶、菩薩、輪王、諸龍鬼神及中有等」。又修得天眼耳「過現當生恒是同分,以至現在必與識俱能見聞故。處所必具無翳無缺,如生色界一切有情,能隨所應取彼障隔極細遠等諸方色聲」。

綜觀本論對「耳」之論述,可歸為三個面向:一、耳根為聽取聲音之感官,其取境量度不限於等量,可隨緣取小取大,不同於鼻舌身三根;二、耳根極微之安布形態獨特,於耳穴內旋環而住如卷樺皮;三、就修證層次而言,有「天耳」之淨色根,乃四靜慮所造之微妙大種所成,分修得、生得、似天三類,能隔障聞聲、聞於極細遠音。

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