Dharma · AI Companion

十二時

「十二时」以十二地支配昼夜为十二时段,亦泛指一切时中,用于修行践履之检验。AI-generated

Type PhenomenaDifficulty IntroductoryTruth-level span outside the four-fold two-truths frameworkInitial AI estimate · evolves with use

A Contemporary ReadingAI-generated

What this concept is saying

十二時 (*shí’èr shí*, “the twelve periods”) begins with an old way of arranging a full day and night. The twelve Earthly Branches divide the cycle into twelve periods:

1. 夜半子 — midnight, *zǐ* 2. 雞鳴丑 — cockcrow, *chǒu* 3. 平旦寅 — daybreak, *yín* 4. 日出卯 — sunrise, *mǎo* 5. 食時辰 — mealtime, *chén* 6. 禺中巳 — late morning, *sì* 7. 日南午 — midday, *wǔ* 8. 日昳未 — afternoon, when the sun declines, *wèi* 9. 晡時申 — late afternoon, *shēn* 10. 日入酉 — sunset, *yǒu* 11. 黃昏戌 — dusk, *xū* 12. 人定亥 — the time when people settle for the night, *hài*

These are not twelve modern sixty-minute hours. Each is a broad phase of the day, conventionally corresponding to roughly two modern hours. The names also preserve a lived world: people wake to cockcrow, eat when the day has advanced, recognize afternoon by the sun’s decline, and settle when darkness gathers. Time here is not merely a number on a device; it is the changing texture of embodied life.

But in Chan literature, 十二時 rarely remains a matter of timekeeping. 十二時中 (*shí’èr shí zhōng*, “throughout the twelve periods”) comes to mean “at all times”: while walking, standing, sitting, lying down, eating, speaking, working, resting, meeting others, or being alone. Its central question is therefore not, “What time is it?” but:

At this very time, how are you living?

The *Jingde Record of the Transmission of the Lamp* preserves several versions of that question: “Throughout the twelve periods, what is taken as the object?” “How does one use the mind?” “How can one avoid passing the time in vain?” “How can one go without doubt and confusion?” and “How is it right here?” The replies are often abrupt—“A monkey eating a caterpillar,” “A roughly made wooden basin,” “Where would you put this question?” or “Look upon the crown of the vajra.” They are not definitions to memorize. Their very strangeness frustrates the student’s attempt to stand outside life and obtain a portable formula for living it.

This does not mean that Chan rejects discipline, ethics, meditation, or doctrinal understanding. It means that none of them is complete while confined to a special compartment called “practice.” If composure exists only on the meditation cushion, generosity only when one feels appreciated, and non-attachment only when nothing desirable is present, realization has not yet entered the twelve periods.

Zhaozhou’s famous saying, recorded in the *Recorded Sayings of the Ancient Worthies* and cited in the *Recorded Sayings of Chan Master Dahui Pujue*, gives the concept its sharpest formulation:

“All of you are driven by the twelve periods; this old monk can drive the twelve periods.”

To be “driven by the twelve periods” is not merely to have a busy calendar. It is to be continually carried away by conditions: sleepy at one hour and therefore resentful, praised at another and therefore inflated, anxious before a deadline, lonely at night, grasping when pleasure appears, and defensive when blame arrives. The clock changes; the mind is conscripted by every change.

To “drive the twelve periods” does not mean controlling time, maximizing output, or becoming immune to fatigue and sorrow. Zhaozhou still lived through hunger, aging, weather, duties, and bodily limits. Freedom means that changing conditions can be answered without automatically becoming one’s master. One eats when eating is needed, rests when rest is needed, speaks when speech is beneficial, and refrains when silence is called for. The situation is used as the place of practice rather than treated as an interruption to practice.

Dahui’s verse deliberately prevents us from turning this freedom into a spiritual possession:

“Able to drive the twelve periods—calling them here, then ordering them away; relying on official rank and wielding power to bully people; boundless, with no root on which to depend.”

The verse is teasing as well as admiring. If someone grasps “I am now master of time” and displays spiritual command, the supposed mastery has already become another identity. “No root on which to depend” points toward freedom without a fixed ground that can be possessed. Even “being the one who drives the twelve periods” must not harden into a self.

This is where 十二時 belongs on the path of liberation. It turns insight into a continuous test. Buddhist teaching diagnoses bondage not simply as unpleasant experience, but as ignorance and craving operating through experience: taking the changing as secure, the conditioned as fully controllable, and passing mental and bodily events as “I” or “mine.” Meditation allows these movements to be seen clearly; ethical discipline restrains the harm they produce; wisdom loosens appropriation. 十二時 asks whether that work survives contact with the whole day.

The records also place the short span of twelve periods beside the vast span of a 劫 (*jié*, kalpa or cosmic age). One exchange answers the question “How does one conduct oneself throughout the twelve periods?” with “one thought, ten thousand years.” Elsewhere the master says that it does not follow time and is not obtained from “a thousand kalpas or ten thousand kalpas.” The point is not a supernatural theory in which an ordinary thought literally lasts for millennia. It unsettles our assumption that awakening is an object produced by accumulating enough time. Whether the scale is a moment, one day, or many kalpas, liberation is not manufactured merely by duration.

Nor should “not following time” be mistaken for denying sequence or causality. Appointments still occur, bodies age, actions bear consequences, and cultivation takes patience. What is exceeded is bondage to mentally constructed time: regret endlessly recreating a past, anxiety inhabiting an imagined future, and the hope that freedom exists everywhere except in the conditions actually present.

The terse exchange “When a sudden thought arises, what then?”—“On noticing it, it is lost”—is especially easy to over-explain. At minimum, it directs attention to the moment in which a discriminating movement becomes an object of awareness. Once clearly seen, its unnoticed authority is no longer intact. The record does not license the broader claim that awakened people cease to perceive chronological time. The practical point is more intimate: a thought can arise without being granted the power to organize the whole world around itself.

A walk-through in everyday life

Imagine one ordinary day. The old twelve-part frame can be retained without pretending that contemporary life follows an agricultural schedule exactly.

At 夜半子, midnight, your phone lights up beside the bed. A work message has arrived. Before you even read it fully, the body tightens; an image of tomorrow’s failure appears; an impulse says, “Answer now or everything will go wrong.”

Practice here is not the slogan “time is unreal.” The message is real as a present condition, and it may require action. The walk-through is more exact:

- Visual form and light are seen. - Bodily and affective discomfort arises. - Perception recognizes names, tone, and implications. - Volitional formations produce urges: reply, avoid, rehearse, blame. - Consciousness operates through the relevant sense and mental fields. - Appropriation adds, “This threat is happening to me; I must secure myself immediately.”

The twelve-period teaching concerns the entire event, not merely the clock or the final action. To “drive” this period is to know what is occurring well enough to respond rather than be propelled. Perhaps the message truly is urgent and you answer. Perhaps it can wait and you return to sleep. Freedom is not identified with either choice; it lies in the reduction of blindness, craving, and compulsion within the choice.

At 雞鳴丑 and 平旦寅, sleep is shallow and the mind rehearses the future. Here people often map practice incorrectly: they think awareness means replacing anxious thoughts with positive ones. Positive reframing may sometimes help, but Buddhist observation goes deeper. An anxious thought is known as a conditioned event. One need not suppress it, believe it, or build a self from it. The key question is not “How do I win the argument inside my head?” but “What is this movement when it is neither obeyed nor attacked?”

At 日出卯, you begin commuting. Someone pushes ahead of you. Heat rises, the person is categorized as rude, and the mind drafts a prosecution. “Throughout the twelve periods” means that the station platform is not outside the path. Ethical restraint may be as simple as not retaliating. Concentration is the capacity to remain with what is actually occurring. Wisdom sees how rapidly contact becomes feeling, recognition, intention, narrative, and “my offended dignity.” Compassion remembers that the stranger, too, is being driven by conditions that cannot be seen from the platform.

At 食時辰, breakfast is eaten while scrolling. The hand keeps moving after hunger has eased. Images are selected by recommendation systems to prolong attention; novelty, comparison, irritation, and anticipation alternate quickly.

It can be useful to compare this with algorithmic feedback loops: prior engagement shapes what appears next, and what appears next shapes future engagement. But the comparison is limited. A platform’s model does not exhaust the biological, social, ethical, and contemplative dimensions of human experience, and no account of recommendation algorithms proves Buddhist teaching. The analogy simply makes one form of conditioning visible.

To walk this period accurately, do not reduce the problem to “phones are bad.” Notice the whole circuit: a pleasant or unpleasant tone, recognition of an attractive or threatening cue, the urge to continue, the small act of swiping, and the strengthening of a tendency. Driving the period might mean closing the app; it might mean using it deliberately for a genuine purpose. Merely feeling guilty while continuing to scroll is still being driven—now by both craving and self-condemnation.

At 禺中巳 and 日南午, meetings and deadlines accumulate. A colleague praises your proposal. Pleasure appears, then the wish to preserve an image of being competent. Later another colleague questions it, and the same image feels endangered. The external events differ, but appropriation binds both: “I must keep the version of me that praise seemed to establish.”

Here 十二時 becomes a test of equanimity rather than indifference. You can enjoy praise without feeding on it and examine criticism without collapsing into it. If the criticism is sound, freedom permits correction. If it is mistaken, freedom permits a clear response. Equanimity does not abolish discernment; it removes some of the self-defensive distortion that prevents discernment.

At 日昳未, afternoon energy falls. The productivity-minded person may misread “make no period empty” as a command to optimize every minute. But the *Jingde Record* answers the question “How can I not pass the twelve periods in vain?” by asking, “Where would you put this question?” It does not provide a schedule of meritorious tasks.

A period is not wasted merely because you rest. Rest can be wise, necessary, and attentive. Conversely, an hour filled with impressive activity can be “empty” in the liberative sense if it intensifies greed, hostility, conceit, or delusion. The issue is not how much experience has been packed into time, but whether time is being converted into further bondage.

At 晡時申, a difficult message from your partner arrives: “We need to talk.” Perception instantly supplies a meaning; imagination supplies the missing conversation; defensive intentions prepare their case. A common mapping error is to label the eventual argument “karma” while ignoring the small formations that prepared it. The practice of the twelve periods catches the process earlier. You feel the fear without making it the other person’s crime. You notice the defensive script before sending it. You may reply, “I’m unsettled and don’t want to guess what you mean. Can we talk after work?” This is not guaranteed serenity. It is a less deluded use of the period.

At 日入酉, you return home to a child who is overtired and refuses dinner. Awareness does not turn parenting into perpetual calm. Irritation, exhaustion, love, and urgency may all be present. “Using the period” means responding within these conditions while protecting the child and reducing harm. Sometimes this requires firmness; sometimes play; sometimes admitting, “I spoke too harshly.” Repentance and repair belong to the twelve periods too. Mastery does not mean never making a mistake; it includes becoming available to see and repair one without constructing an elaborate defense of the self.

At 黃昏戌, you sit formally in meditation. This is valuable, but it is not the only authentic period. If sitting becomes a refuge from the consequences of one’s speech, the quiet may conceal rather than uproot attachment. Formal practice trains stability and discernment so that they can operate during messages, meetings, arguments, and fatigue. Daily activity, in turn, reveals attachments that a quiet room may leave untouched.

At 人定亥, the house settles. The mind reviews the day and announces either “I practiced well” or “I failed.” Both can become possession. Review is useful when it reveals conditions and guides future conduct; it becomes bondage when it manufactures a permanent hero or defendant. Dahui’s “no root on which to depend” applies here: do not turn even a good day of practice into a ground for “I am a spiritually accomplished person.”

Then midnight returns. The circular form matters. 十二時 is not a heroic performance completed once. Each period exposes conditioning and offers another occasion for restraint, attention, compassion, and release. No hour is intrinsically profane; no hour guarantees awakening.

Why contemporary people need it

Contemporary life fragments attention while making every fragment measurable. Calendars quantify availability, platforms quantify engagement, watches quantify sleep and movement, workplaces quantify output, and social media quantifies approval. These tools can be useful. The problem begins when measurement quietly defines value: an untracked hour seems unreal, rest seems guilty, and a person becomes the manager of a permanently underperforming self.

十二時 offers a different question. Instead of asking only, “Did I use my time efficiently?” it asks, “What used me during this time?”

Was the period driven by fear of insignificance? By the wish to be seen? By resentment rehearsed until it felt righteous? By compulsive stimulation? Or could those conditions be known without surrendering conduct to them?

This reframes freedom. We often imagine freedom as possessing more unscheduled time. More spacious conditions can certainly help, and overwork or economic precarity should not be spiritualized as personal failures. Yet an empty calendar does not by itself free the mind; craving can colonize leisure just as thoroughly as anxiety colonizes work. Conversely, an unavoidable responsibility need not eliminate all inward freedom. The teaching neither excuses exploitative conditions nor postpones practice until conditions become perfect.

It also answers a recurring split in spiritual life: “real life” versus “practice.” If liberation concerns the ending of greed, hatred, and delusion, then emails, caregiving, consumption, fatigue, conflict, and pleasure are not distractions from the path. They are where the relevant habits become observable. The twelve periods provide the continuity through which ethics, meditation, and wisdom become one path rather than three unrelated subjects.

This is also why the old twelve-period songs matter. Their lines move through moonlight, sunrise, meals, afternoon, dusk, error, insight, and ordinary activity. The literary frame gives every part of the day a place in contemplation. It does not flatten the periods into one vague metaphor: midnight remains midnight, sunrise remains sunrise, mealtime remains mealtime. Yet each distinct condition can disclose the same fundamental question of bondage or freedom.

Some contemporary discussions compare this continuous responsiveness to metacognition or the brain’s capacity to monitor its own processes. Such research may illuminate attention, habit, emotional regulation, and the constructed character of some experience. But the comparison has limits. Scientific models remain contested and method-dependent; they do not by themselves establish Buddhist claims about liberation, karma, or non-self. Buddhist practice also includes ethical and soteriological aims that cannot be reduced to a neural description. At most, the comparison helps contemporary readers understand how an impulse can be noticed before it becomes an unquestioned command.

The deepest contribution of 十二時 is therefore not better time management. It is the relocation of liberation into the entirety of conditioned life. One does not wait for a sacred hour to become aware, or for a future identity to become worthy of practice. Yet this “right now” is not an excuse for passivity. Precisely because this period is the available field, speech must be examined now, harm restrained now, delusion recognized now, and kindness enacted now.

Common misreadings and clarifications

“十二時 means twelve modern hours.”

No. It refers first to twelve named divisions covering the full day and night, conventionally about two modern hours each. In Chan usage, “throughout the twelve periods” then expands into “at all times.” The concrete calendar meaning and the extended contemplative meaning should both be retained.

“It is simply an ancient version of mindfulness all day.”

That is too narrow. Continuous awareness is central, but the Chan questions concern one’s object, use of mind, conduct, freedom from doubt, and whether life passes in vain. The issue includes ethical action, attachment, wisdom, and liberation—not bare attention alone. A thief may be intensely attentive while stealing; attention without right view and ethical orientation is not the whole path.

“To drive the twelve periods means controlling one’s schedule.”

Zhaozhou is not teaching executive productivity. A perfectly organized person may remain driven by fear, ambition, and aversion. “Driving” the periods means not being helplessly carried away by their changing conditions. It includes flexible response, not domination of time.

“An awakened person is beyond time and therefore ignores deadlines, aging, or consequences.”

This confuses liberation from attachment to temporal constructions with denial of conventional sequence. Chan masters still ate, taught, traveled, aged, and died. “Not following time” does not cancel causality or responsibility. It points to not deriving a fixed self—and not postponing freedom—from the mind’s divisions of past, present, and future.

“‘One thought, ten thousand years’ describes a mystical alteration of clock time.”

The phrase is better read in its Chan setting as overturning calculations of attainment. Awakening is not a commodity earned merely by accumulating hours or kalpas. The expression does not require the claim that subjective or physical time literally becomes ten thousand years.

“‘On noticing it, it is lost’ means one must eliminate every thought.”

No. Deliberately fighting thought easily creates another layer of agitation and self-judgment. The exchange points toward the loss of an unnoticed thought’s authority when it is clearly seen. Functional thinking—planning a journey, caring for a child, remembering a commitment—continues. What weakens is blind identification and compulsion.

“Not letting the twelve periods pass in vain means constant religious or productive activity.”

The source itself refuses such a checklist. Sleep, recovery, play, and quiet can serve the path; feverish spiritual achievement can strengthen attachment. The decisive question is what qualities are being cultivated and relinquished—not whether every minute looks impressive.

“The bizarre Chan answers conceal a secret doctrine.”

They should not be converted too quickly into coded propositions. Replies such as “A monkey eating a caterpillar” or “A roughly made wooden basin” operate within live encounter: they interrupt abstraction, test the questioner, and return attention to immediacy. Their exact force depends on context that the brief records do not fully preserve. Intellectual humility is therefore part of reading them well.

“All periods are practice, so formal meditation and study are unnecessary.”

This reverses the teaching. Daily life is the field of verification, but an untrained mind often cannot see its own conditioning in that field. Ethical precepts, meditation, study, teachers, and spiritual community provide the stability and correction that make all-day practice possible. “Everything is practice” becomes empty if it means “nothing needs to be cultivated.”

“Being free throughout the twelve periods means feeling serene all day.”

Serenity is a conditioned state and cannot be held permanently. Freedom may appear as calm, but it may also appear as grief without self-drowning, firm refusal without hatred, energetic work without self-exploitation, or rest without guilt. The test is not an unchanging mood. It is decreasing servitude to craving, aversion, and delusion.

The mature meaning of 十二時 can finally be stated quite simply: every portion of life is both conditioned and workable. Midnight anxiety, morning hurry, midday praise, afternoon exhaustion, evening conflict, and nighttime self-evaluation need not be romanticized. Each reveals how the mind is driven; each also offers the possibility of not being wholly driven.

The twelve periods thus form a small map of the whole path. They begin as divisions of a day, become the entirety of daily conduct, expose bondage to changing conditions, and culminate in freedom that cannot be claimed as a possession. The point is not to escape time, fill time, or conquer time. It is to meet each changing period so clearly that time can perform its ordinary work—arrival, departure, growth, decline—without continually manufacturing a captive self.

Canonical EntryAI-generated

一、定义与核心要义

「十二时」为佛教(尤以禅宗为盛)所用之时序概念,有二层意涵:其一,以十二地支(子丑寅卯辰巳午未申酉戌亥)将一昼夜划分为十二个时段,每段冠以特定名称,如夜半子、鸡鸣丑、平旦寅、日出卯、食时辰、禺中巳、日南午、日昳未、哺时申、日入酉、黄昏戌、人定亥;其二,引申为「十二时中」之泛称,指一切时刻、日常行住坐卧间,用以提问修行人于一切时中如何用心、如何行履、如何不空过、如何得不疑不惑。禅宗对此概念之运用,不重时辰之计算,而重一切时中之自在与觉照。

二、主要阐述

(一)十二时之名称与格式

十二地支配以昼夜时段,依次为:夜半子、鸡鸣丑、平旦寅、日出卯、食时辰、禺中巳、日南午、日昳未、哺时申、日入酉、黄昏戌、人定亥。此一格式反复出现于禅门歌颂中,将全日切割为十二节,各以诗意之句描绘该时段之景象或心境。

(二)十二时即「一切时中」之泛指

禅录中常问「十二时中如何行履」,所谓「十二时中」即昼夜十二时之泛指,义为一切时刻、日常行住坐卧之间,涵盖修行人全日之分位。

(三)十二时作为修行践履之检验

问者提出「十二时中如何行履」,即问于一切时中当如何践履;又问「只者个什么劫中有」,师答「不随时」,学者再问「谁是不随时者」,师云「汝与么问不得」,复云「不从千劫万劫得」。此组问答以「十二时」为前提,揭示凡夫随时流转,而悟者不随时、不从劫得之超越义。

(四)一念万年之超越义

师答「十二时中如何行履」之问,以「一念万年」作答,并云「瞥起时如何?」「觉即失」。此语显示十二时虽为凡夫所居之分段时序,而悟者则于一念中摄尽万劫,超乎时序流转之外。「觉即失」一句,更点出时序分别乃觉念所成,觉照之下时相顿失。

(五)使得十二时之自在义

《古尊宿语录》举赵州语云:「诸人被十二时使,老僧使得十二时。」此为对「十二时」之核心开示——凡夫被十二时驱使流转,而悟者反得自在驾驭十二时。此语于云门、东林颂中反复吟咏。

《大慧普觉禅师语录》亦举此公案,颂云:「使得十二时辰。呼来却教且去。倚官挟势欺人。茫茫无本可据。」其后「倚官挟势欺人」「无本可据」则点出此风光虽如「倚官挟势」,实则空无依傍、「无本可据」,不可执以为实。

(六)十二时作为修行用心之提问

《景德传灯录》中核心提问形式有「十二时中以何为境」「十二时中如何用心」「十二时中如何即得不空过」「十二时中如何得不疑不惑去」及「十二时中如何即是」;由此可见,禅语关注的不是时辰计算,而是人在一切时中如何面对境、如何用心、如何不令时光空过,以及如何离疑惑而当下相应。

各问之答语如下:对「以何为境」之问,道钦禅师不直接标举某种境界,只答「待汝回去时有信」;当智藏说即刻回去,又令其「传语却须问取曹溪」。 对「如何用心」之问,卧龙和尚答「猢狲吃毛虫」,芭蕉和尚答「栊樬一木盆」。 对「如何即得不空过」之问,答语是「向什么处着此一问」;僧人不会,禅师又索取笔砚作颂。 对「如何得不疑不惑去」之问,师讷仅答「好」。 对「十二时中如何即是」之问,契从禅师答「金刚顶上看」。

(七)逐时歌颂之形式

《景德传灯录》以「平旦寅、日出卯、食时辰、禺中巳、日南午、日昳未、哺时申、日入酉、黄昏戌、人定亥」等名称逐时铺陈。各时段所说反复涉及不向心头安立义解、不以作意施功求悟、不逐声色疎亲、不向外求知识,以及运用不离声色而又不居于世等内容;这是以具体时名展开昼夜用心之独特形式。

《古尊宿语录》亦保存多组十二时颂,每颂以十二句对应十二支,句式整齐而内容各异:或写景(如「晦魄山童速报来,金乌早向西方出」)、或喻理(如「月圆日满不曾亏」)、或斥迷(如「痴人捧龟首」「开眼尿床到如此」)、或示悟(如「信手拈来无不是」),以时序为骨架,贯穿禅机之开示。

《大慧普觉禅师语录》称「灵源十二时歌」,乃以「十二时」为题之禅门歌偈。佛眼和尚读此歌作偈云:「一日日一时时。龙门老心自知。」

(八)「十二时」与「十二时辰」之互用

《大慧普觉禅师语录》中同一公案,拈提语作「使得十二时」,颂中则作「使得十二时辰」,所指皆为昼夜划分之时段,非抽象之时间概念;此口语与韵文交错之情形,反映语录体文献兼采口语与文言之特色。

三、不同部类与译本之表述差异

就术语而言,三部禅宗语录所记通行之总称皆为「十二时」或「十二时中」,未另立抽象名目;至于「十二时辰」之表述,仅见于《大慧普觉禅师语录》颂文中,与「十二时」互见并用。

逐时文中,使用「平旦」「日出」「食时」「禺中」「日南」「日昳」「哺时」「日入」「黄昏」「人定」配合地支标时。《景德传灯录》与《古尊宿语录》所列十二时之名称大致相同,惟《古尊宿语录》首段作「夜半子、鸡鸣丑」,以「夜半」「鸡鸣」起首;而《景德传灯录》逐时文中则以「平旦寅」起首,可见两部对十二时起首之选用不同。

四、与相关概念之关系

「十二时」与「一切时中」相通:前者具体指昼夜十二时段,后者泛指一切时刻;然在禅门问答中,二者常互用,「十二时中」即「一切时中」之同义语。

「十二时」又与「劫」对举:「十二时」为分段之近时,「劫」为极长之远时。禅师以「不随时」「不从千劫万劫得」作答,显示悟者超越时之长短分别,于一念中摄尽万劫。

此外,「十二时」之歌颂形式与禅门之「颂古」「拈古」相辅:前者以时序为骨架逐时吟咏,后者以公案为题拈颂;二者皆为禅宗文学之重要体裁。

五、代表性原文引用

- 「诸人被十二时使,老僧使得十二时。」(赵州语,见《古尊宿语录》、《大慧普觉禅师语录》) - 「使得十二时辰。呼来却教且去。倚官挟势欺人。茫茫无本可据。」(《大慧普觉禅师语录》颂赵州语) - 「百年三万六千日,一日朝昏十二时。使杀老僧浑不管,不知閙里有谁知。」(东林颂,见《古尊宿语录》) - 「使得十二时辰,呼来却教且去。」(云门颂,见《古尊宿语录》) - 「一轮明月苏𠰷哩」(夜半子)、「森罗万象归元首」(鸡鸣丑)、「千门万户呈机巧」(日出卯)等十二时颂句,见《古尊宿语录》 - 「十二时中以何为境?」「十二时中如何用心?」「十二时中如何即得不空过?」「十二时中如何得不疑不惑去?」「十二时中如何即是?」(《景德传灯录》核心提问形式) - 「金刚顶上看。」(契从禅师答「十二时中如何即是」之问,见《景德传灯录》) - 「一日日一时时。龙门老心自知。」(佛眼读灵源十二时歌作偈,见《大慧普觉禅师语录》)

By SutraAI-generated

大慧普覺禪師語錄T1998A · 諸宗部

《大慧普覺禪師語錄》論及「十二時」凡三見,皆出於禪師拈古頌古與讀偈之語境,未見義理上之獨立闡釋。

一、卷中舉趙州「使得十二時」,頌云:「使得十二時辰。呼來却教且去。倚官挾勢欺人。茫茫無本可據。」「使得十二時」言趙州於十二時辰中皆得作主,故能「呼來却教且去」;其後「倚官挾勢欺人」「無本可據」則點出此風光雖如「倚官挾勢」,實則空無依傍、「無本可據」,不可執以為實。

二、「十二時」與「十二時辰」於本錄中互見。同一公案中,拈提語作「使得十二時」,頌中則作「使得十二時辰」,所指皆為晝夜劃分之時段,非抽象之時間概念;此口語與韻文交錯之情形,反映語錄體文獻兼採口語與文言之特色。

三、「十二時」亦作為詩偈題目之體裁出現。卷中稱「靈源十二時歌」,乃以「十二時」為題之禪門歌偈。佛眼和尚讀此歌作偈云:「一日日一時時。龍門老心自知。」偈以「日日」「時時」疊字,寫時光日夜相續;以「龍門老」「心自知」點出此中悟者一切自知、不假外求之心境。

綜觀本錄,「十二時」一詞承自「晝夜十二時,泛指一切時中」之總義,落實為二面:其一為具體晝夜之十二時段,用以描述趙州「呼來却教且去」之自在機用;其二為詩偈題目之名稱,如「靈源十二時歌」即以此形式行於叢林。本錄未對此概念另作義理專論,而是將其嵌入古德機用與歌偈吟詠之中,使讀者自公案頌古與讀偈之現場,體會「一切時中」皆得自在之旨。

景德傳燈錄T2076 · 史傳部

《景德傳燈錄》論「十二時」,主要不是為此詞作名義訓解,而是把它置於禪僧問答與逐時歌頌之中,用來指涉從早到晚、晝夜相續的一切時分,以及行者在一切時中的境界、用心與受用。其核心提問形式有「十二時中以何為境」「十二時中如何用心」「十二時中如何即得不空過」「十二時中如何得不疑不惑去」及「十二時中如何即是」;由此可見,本經所記禪語關注的不是時辰計算,而是人在一切時中如何面對境、如何用心、如何不令時光空過,以及如何離疑惑而當下相應。

對「以何為境」之問,道欽禪師不直接標舉某種境界,只答「待汝迴去時有信」;當智藏說即刻迴去,又令其「傳語却須問取曹谿」。記錄保存了答語的轉折與指向,並未把十二時中的境固定為一項可陳述之物。

對「如何用心」之問,臥龍和尚答「猢猻喫毛蟲」,芭蕉和尚答「櫳樬一木盆」。兩處皆以突兀、簡短的具象語作答,沒有提出條目化的修心方法;本經藉此保留了禪門問答中特有的語勢,而不另加解釋。

對「如何即得不空過」之問,答語是「向什麼處著此一問」;僧人不會,禪師又索取筆硯作頌。重點落在反問此問應安著於何處,原文並未直接列舉何種行持才算不空過。 對「如何得不疑不惑去」之問,師訥僅答「好」,僧人承當為得遇於師,師又以「珍重」收束;其表述極為簡約,不將不疑不惑說成一套漸次程序。 對「十二時中如何即是」之問,契從禪師答「金剛頂上看」,並在僧人說「人天有賴」時反詰其「誑人天」,顯示原文拒絕讓答語被輕率轉成普遍性的稱許。

本經另以「平旦寅、日出卯、食時辰、禺中巳、日南午、日昳未、晡時申、日入酉、黃昏戌、人定亥」等名稱逐時鋪陳。各時段所說反覆涉及不向心頭安立義解、不以作意施功求悟、不逐聲色疎親、不向外求知識,以及運用不離聲色而又不居於世等內容;這是以具體時名展開晝夜用心的獨特形式。

就術語而言,本經通行的總稱是「十二時」或「十二時中」,不是另立一個抽象名目;在逐時文中,又使用「平旦」「日出」「食時」「禺中」「日南」「日昳」「晡時」「日入」「黃昏」「人定」配合地支標時。這些正是《景德傳燈錄》記述此概念時值得保留的原有用詞。

古尊宿語錄X1315 · 禪宗語錄部

《古尊宿語錄》論「十二時」之要點,可歸納如下:

一、十二時之基本形式與時名 此錄多處以十二地支配晝夜時段,依次列舉:夜半子、雞鳴丑、平旦寅、日出卯、食時辰、禺中巳、日南午、日昳未、晡時申、日入酉、黃昏戌、人定亥。此一格式反覆出現於諸師頌偈中,將全日切割為十二節,各以詩意之句描繪該時段之景象或心境,如「一輪明月蘇嚧哩」(夜半)、「張公喫酒李公醉」(日昳)、「森羅萬象歸元首」(雞鳴)、「千門萬戶呈機巧」(日出)等。

二、十二時即「一切時中」之泛指 錄中問答云:「十二時中如何行履?」所謂「十二時中」即晝夜十二時之泛指,義為一切時刻、日常行住坐臥之間,涵蓋修行人全日之分位。此語顯示「十二時」並非僅指狹義之時辰分段,而是用以指代「一切時中」。

三、十二時作為修行踐履之檢驗 問者提出「十二時中如何行履」,即問於一切時中當如何踐履;又問「只者箇什麼劫中有」,師答「不隨時」,學者再問「誰是不隨時者」,師云「汝與麼問不得」,復云「不從千劫萬劫得」。此組問答以「十二時」為前提,揭示凡夫隨時流轉,而悟者不隨時、不從劫得之超越義。

四、一念萬年之超越義 師答「十二時中如何行履」之問,以「一念萬年」作答,並云「瞥起時如何?」「覺即失」。此語顯示十二時雖為凡夫所居之分段時序,而悟者則於一念中攝盡萬劫,超乎時序流轉之外。「覺即失」一句,更點出時序分別乃覺念所成,覺照之下時相頓失。

五、使得十二時之自在義 舉趙州語云:「諸人被十二時使,老僧使得十二時。」此為此錄對「十二時」一概念之核心開示——凡夫被十二時驅使流轉,而悟者反得自在駕馭十二時。此語於雲門、東林頌中反覆吟詠,東林頌云:「百年三萬六千日,一日朝昏十二時。使殺老僧渾不管,不知閙裏有誰知」,雲門頌云:「使得十二時辰,呼來却教且去」,皆在發揮此「使得」之自在義。

六、十二時頌之文學形式 此錄保存多組十二時頌,每頌以十二句對應十二支,句式整齊而內容各異:或寫景(如「晦魄山童速報來,金烏早向西方出」)、或喻理(如「月圓日滿不曾虧」)、或斥迷(如「癡人捧龜首」、「開眼尿床到如此」)、或示悟(如「信手拈來無不是」)。此種十二時分詠之形式,為此錄獨特之文體特色,以時序為骨架,貫穿禪機之開示。

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