Dharma · AI Companion

掉悔蓋

auddhatya-kaukṛtya-nīvaraṇa

掉举与追悔所成的禅障。AI-generated

Type Mental factorDifficulty IntroductoryTruth-level span outside the four-fold two-truths frameworkInitial AI estimate · evolves with use

五盖之一

A Contemporary ReadingAI-generated

What This Concept Is Actually Saying

Among the Five Hindrances (五蓋, *nīvaraṇa*), 掉悔蓋 is the one most people misread on first contact — partly because it is two things welded into one, and partly because one of those two things (悔) sounds, in ordinary Chinese or English, like a virtue.

The *Za Āhán Jīng* (《雜阿含經》, *Saṃyuktāgama*) treats 掉悔 as a single hindrance, never splitting 掉舉 (auddhatya, restlessness/agitation) from 悔 (kaukṛtya, regret/worry) into two. The compound word 掉悔蓋 is the canonical unit throughout. This is not an oversight. It signals that the Buddha saw these two as one movement of mind, the way a wave's crest and trough are one wave: restlessness throws the mind outward into objects, and the mind's recoil — "I shouldn't have done that, shouldn't have said that, shouldn't have drifted" — is regret. They are cause and effect within a single disturbance.

The defining function of any of the Five Hindrances is described in the *Saṃyuktāgama* with three words used interchangeably: 覆, 蓋, 障蔽 — covering, lidding, obstructing. They "weaken wisdom" (羸智慧), are "neither clear nor oriented to awakening" (非明、非正覺), and "do not turn toward nirvāṇa" (不轉趣涅槃). Note carefully: the hindrance is not measured by how pleasant or unpleasant the experience feels. A quiet, pleasant day dream can be just as obstructive as a panic attack. The criterion is whether it blocks the mind's capacity to see clearly and proceed toward liberation. 掉悔蓋 is one of the most seductive in this respect, because its face — restless chasing, anxious second-guessing — looks like *doing something*, like a person who is actively engaged with life.

The mechanism by which it grows is given in one line that deserves to be quoted slowly: "When attention is unwise (不正思惟), the 掉悔蓋 that has not yet arisen arises, and what has already arisen grows heavier and wider." The remedy is stated with the same economy: wise attention (正思惟) prevents it from arising, and what has arisen gets cut. So the classical analysis is not "your feelings are bad, suppress them." It is: the *direction* of attention is wrong, and changing that direction changes whether the hindrance has fuel.

What is "wise attention"? In the Pāli parallel (yoniso manasikāra), it is attention that goes toward the relevant, the structural, the liberating — toward how things actually are rather than toward the self-referential story the mind is weaving. The *Saṃyuktāgama* makes this concrete in the case of Āshiboshi (阿濕波誓). He had previously entered a deep samādhi, fell ill, could not re-enter it, and panicked: "I have lost it." The Buddha did not tell him to relax or to try harder. He asked whether Āshiboshi had broken a precept — no — and then pointed out that the regret (變悔) was rooted in 不正思惟: Āshīboshī was assuming a "he" who could possess or lose attainments, taking the five aggregates as a self. Once Āshīboshī saw the aggregates as not-self (not mine, not I, not in me), the regret had no place to stand. Both his mind was liberated AND his physical illness resolved. The case demonstrates that the antidote to the 悔 side of 掉悔蓋 is insight into non-self, not reassurance.

The positive cultivation paired with cutting the Five Hindrances is the Seven Factors of Enlightenment (七覺支, *sambodhyaṅga*): 念 (mindfulness), 擇法 (investigation of dharma), 精進 (energy), 猗 (rapture/tranquility), 喜 (joy), 定 (concentration), 捨 (equanimity). The *Saṃyuktāgama* describes a bhikkhu who "makes his mind one-pointed and listens straight to the right Dharma" as someone in whom the Five Hindrances are abandoned and the Seven Factors are brought to fulfillment. The verse-formula in the same text links the abandoning of 掉悔蓋 together with abandoning sensual desire, leaving sorrow, awakening from torpor, and relinquishing hatred — all summed up in the line "wisdom-liberation, the darkness of ignorance extinguished" (智解脫, 滅除無明闇). This is important: the fruit of cutting 掉悔蓋 is not "I feel calmer now." It is the dawning of liberating wisdom.

A final layer that the *Saṃyuktāgama* makes explicit: the word 悔 is ambiguous. It can be the hindrance-side 悔 — the worried, regretful, second-guessing mind that keeps the wheel spinning. Or it can be 悔過 — wholesome contrition, the sincere confession of wrongdoing that the text illustrates in the case of Kāshī (迦葉氏), who had objected to a monastic rule, later saw his own folly, and confessed to the Buddha. Same Chinese character, opposite nature. The first 悔 is an obstacle to liberation; the second is part of the path. Confusing the two is one of the most common modern mistakes with this concept, and we will return to it.

Life Investigation: Walking Through This Concept in a Familiar Day

Let us take an ordinary contemporary scene and map the classical framework onto it strictly. Picture a person who has finished a day of work, sat down on the sofa around 8 p.m., and picked up a phone.

Phase one — the 掉 side (restlessness). They open a chat app. There are new messages. They reply. They open a short-video feed. A creator is talking about something they have been vaguely curious about. They watch. The algorithm shows them something adjacent. They watch. An hour passes. They did not choose to watch an hour of videos. The choosing happened so fast that no conscious decision is recoverable. This is the classical signature of 掉舉: the mind keeps lifting itself off whatever its actual object is and flitting to a new object. The defining feature is not the content of the videos — they could be educational, politically serious, spiritually edifying — but the *involuntary succession*. The mind has stopped landing.

Crucially, do not narrow 掉舉 to "I cannot concentrate." Classical 掉舉 (auddhatya) is precisely the upward, outward, scattering motion of mind, the opposite of settling (猗, one of the Seven Factors). A modern person who spends three hours "researching" a topic with twenty-seven browser tabs open is in 掉舉. A person who jumps from one worry to another in a five-minute shower is in 掉舉. A person who lies in bed cycling through the contents of tomorrow's calendar is in 掉舉. The common modern mistake is to think of this as "productive curiosity" or "just how my brain works." The classical diagnosis says: this is a hindrance — it is covering wisdom (覆), lidding it (蓋), blocking it (障蔽) — because the mind is moving so fast that *seeing how things actually are* is structurally impossible.

Phase two — the 悔 side (regret/worry). The same person closes the app around 11 p.m. and lies down. Now the wave returns the other way. They should not have wasted that hour. They should have called their mother. They should have started the report that is due Monday. They should have answered that email from last Tuesday more thoughtfully. They did not do any of these things. Now they are paying for it — not in any concrete way, but in the inner currency of regret.

This is the 悔 side. Note how it follows 掉 the way a recoil follows a thrown stone. Classical 悔 (kaukṛtya) is not simply "feeling bad about something." It is the mind's backward-pointing, second-guessing motion — preoccupation with what was done or not done, with what might happen. The *Saṃyuktāgama* uses the specific term 變悔 for the heavier form, where the regret becomes a settled state of agitation about the past or future. Āshīboshī had it about a past attainment. A modern person has it about a past meeting, a past text message, a past five years of career choices. The diagnostic question the classical text puts into the Buddha's mouth is the same in both cases: *what is the object you are taking as "self" or "mine" such that loss of it produces regret?* When the person lies awake regretting the wasted hour, the unspoken premise is: "There is a me who should have done better, who possesses a potential that I have failed, who is falling behind an ideal version of myself." That premise is the 不正思惟 (unwise attention) that the *Saṃyuktāgama* identifies as the fuel of the hindrance.

The weld. Now watch what happens the next morning. The alarm goes off. The person picks up the phone again — because checking the phone is a way of *not having to feel* the regret. Within ten minutes, the 掉 side is active again, scrolling, flitting, lifting. Within an hour, the 悔 side will return, this time pre-loaded: "I should not have started the day on my phone." This is why the *Saṃyuktāgama* treats 掉悔 as one hindrance. The two faces generate each other. Restlessness creates material for regret. Regret creates urgency that masquerades as motivation to act, but the action is itself scattered, and so produces more regret. The wheel turns. The mind never lands, and so never sees.

Where the antidote actually goes. The classical remedy is not "use a focus app." It is not "stop scrolling." It is 正思惟 — wise attention, attention directed toward how things actually are. In the evening phase, this looks like: instead of merging with "I have wasted the hour," noticing that there is a tone of self-judgment operating, that the regret is being generated by an implicit standard the mind is holding itself to, and that the standard itself is a construct. In the morning phase, it looks like: noticing the very first impulse to reach for the phone, the small lift (掉) of attention toward the screen, and gently redirecting — not by willpower, which feeds the very same dynamic of self-judgment, but by *seeing* the impulse clearly. The Seven Factors are precisely what cultivate this capacity: 念 to remember, 擇法 to investigate what is actually happening, 精進 to keep returning, 猗 and 喜 to find some settling and ease in the settling, 定 to consolidate, 捨 to release the grip that was driving the cycle.

The mapping check. A common modern mis-mapping is to identify 掉悔蓋 with "anxiety" or "ADHD" or "smartphone addiction." These are partial overlaps, not equivalents. The classical definition is stricter than any of them. The criterion is not intensity, not frequency, not impairment of function — the criterion is *whether wisdom can arise*. A person can have zero anxiety and zero restlessness and still be deeply obstructed by another hindrance, like 疑 (doubt) or 貪欲 (sensual desire). Conversely, a person can have a highly active mind and still penetrate things if the activity is pointed by wise attention. The classical unit of measurement is liberation, not comfort.

Why Contemporary People Specifically Need to Understand This

Modern life is, structurally, an engine for generating both halves of 掉悔蓋.

The 掉 side is fed by an attention economy that is itself engineered. Infinite scroll, autoplay, notification loops, recommendation algorithms — these are not neutral environments. They are designed to exploit exactly the upward-scattering motion of mind (auddhatya) that the *Saṃyuktāgama* identified 2,500 years ago. A contemporary reader might be tempted to say "this is new, the Buddha could not have anticipated this." But the *Saṃyuktāgama* describes the obstacle without reference to its content. It describes the *shape* of the disturbance. The shape is unchanged whether the flitting objects are forest sounds, marketplace chatter, YouTube thumbnails, or Slack notifications. This is one place where the classical analysis has a quiet advantage over modern psychology: it does not need to enumerate the stimuli. It addresses the structure of attention.

The 悔 side is fed by an archival culture. People in previous centuries did not have a recorded version of every text they ever sent, every photo of themselves at every age, every comment they left at seventeen. The substrate on which regret grows — the sheer available past — is incomparably larger now. And the substrate on which anticipatory regret grows — calendars, performance metrics, social comparison feeds — is also larger. Modern life has, in effect, expanded the storage capacity for the 悔 side of 掉悔蓋 by several orders of magnitude, while doing nothing to increase the human capacity to process it.

And there is a subtler point. The classical analysis identifies the *fruit* of cutting 掉悔蓋 as wisdom-liberation (智解脫), the extinguishing of the darkness of ignorance (滅除無明闇). This is not a feeling-state. It is a structural change in how the mind relates to experience. Contemporary people often approach Buddhist practice as a way to feel better — calmer, kinder, less reactive. The classical text is saying something stronger and less comfortable: until 掉悔蓋 is cut through, the wisdom that sees things as they actually are cannot arise. This is why the Buddha did not comfort Āshīboshī. Comfort would have left the unwise attention intact. The liberation was on the other side of seeing correctly.

The practical consequence for a contemporary reader is that activities aimed merely at reducing restlessness (breathing exercises, focus apps, sleep hygiene) can be helpful without touching the hindrance at its root. The root is the direction of attention, the question of whether the mind is attending to *what is actually here* or to the self-referential story that 不正思惟 is generating. A person can meditate daily for twenty minutes and spend the other twenty-three hours and forty minutes in the 掉悔 cycle unchanged, because the *direction* of attention during those hours has not shifted. The classical framework insists: it is the direction that matters, not the minutes of practice.

This is also why the *Saṃyuktāgama* pairs the cutting of 掉悔蓋 so explicitly with listening to the right Dharma (側聽正法). The text is not advocating a purely inward, somatic practice. It is saying that this hindrance is cut by the *content* of what the mind is attending to — by attuning to teaching that exposes the unwise premises generating the disturbance. Wisdom is not generated by stillness alone. It is generated by attending to what breaks the spell of the self-story.

Common Misreadings and Clarifications

Misreading 1: Splitting 掉悔 into two hindrances. Modern Theravāda commentarial literature (notably the *Visuddhimagga*, 《清淨道論》) does split 掉舉 (restlessness) and 悔 (worry) into two separate hindrances, bringing the count to six to maintain the standard five. This is a legitimate later development within the tradition, but it is *not* what the *Za Āhán Jīng* does. The *Saṃyuktāgama* consistently treats them as one. The interpretive consequence is significant: the two faces are not independent problems to be solved with two separate techniques. They are one movement, and the remedy is one — wise attention. A contemporary practitioner who treats them separately may succeed in calming the restlessness (through concentration practices) while leaving the regret/worry face unaddressed, or vice versa. The classical framing says this is like trying to suppress one face of a coin.

Misreading 2: Identifying 掉悔蓋 with anxiety disorders or ADHD. Overlap is real but not identity. A person diagnosed with generalized anxiety disorder is likely experiencing 掉悔蓋 much of the time, but the clinical category includes features (somatic symptoms, cognitive distortions specific to threat-detection) that are not coextensive with the Buddhist diagnosis. The Buddhist diagnosis is by *function* (does it obstruct wisdom and the path?) rather than by symptom profile. This means: not every case of clinical anxiety is necessarily the hindrance (some forms of anxiety may coexist with clear seeing), and not every case of 掉悔蓋 is severe enough to warrant clinical attention. The two frameworks ask different questions. Conflating them tends to either medicalize the spiritual problem (so the remedy becomes a prescription) or spiritualize the medical one (so a treatable condition goes unsupported).

Misreading 3: Confusing wholesome 悔 with the hindrance-side 悔. The *Saṃyuktāgama* itself flags this: Kāshī's 悔過 (wholesome contrition, confession of an error of judgment) is the *opposite* of the hindrance. It is part of the path. A contemporary reader who reads "the hindrance of regret" may interpret the practice as "stop regretting anything" — including the regret of having done harm. This is a serious error. The classical teaching is to *cultivate* the wholesome regret that sees one's mistake and turns from it, while *abandoning* the afflictive regret that keeps the mind churning over what was done or not done. The two 悔s are distinguished by their object and their fruit: one points toward change, the other spins in place.

Misreading 4: Treating 掉悔蓋 as a concentration problem. The classical framework locates the remedy in 思惟 (thinking, attention, consideration), not in samādhi alone. The verse from the *Saṃyuktāgama* lists 掉悔 alongside 貪欲, 瞋恚, 睡眠, 疑 — none of which is purely a concentration issue, and all of which are framed as 煩惱 (afflictions, troubles of mind) that weaken wisdom (羸智慧). A modern reader who treats 掉悔 as "I need to focus better" misses this. The point is not focus. The point is whether the mind's attention is *wise* — whether it is attending to the actual structural features of experience or to the self-referential story.

Misreading 5: Assuming positive thinking or affirmations cure it. This is a particularly common modern misreading because positive-affirmation culture explicitly engages the 悔 face ("I should not have done that, but I am valuable and capable") in a way that feels therapeutic. The classical analysis says: the *direction* of attention is the issue, not the valence of the thoughts. Telling yourself a positive story about yourself is still self-referential thinking. It is still 不正思惟, only with a smile. The Āshīboshī story shows that even reassurance about a real attainment fails to address the underlying assumption — that there is a self to whom attainments belong. The remedy is not a better story about the self. The remedy is the seeing through of the self-story itself.

Misreading 6: Treating 掉悔蓋 as a problem to be permanently eliminated in one stroke. The *Saṃyuktāgama* speaks in terms of 未起不起, 已起令斷 — what has not arisen does not arise, what has arisen is cut. This is a description of a cultivated capacity, not a one-time event. The hindrance will arise again. The point is whether attention is oriented in such a way that the arising does not take root, does not grow "heavy and wide" (增廣). A contemporary practitioner who treats this as a personal failure each time the hindrance returns is, ironically, feeding the very same hindrance through self-referential regret about the regret. The classical framework is more forgiving than that: the work is in the orientation of attention, moment by moment, not in a final victory.

Misreading 7: Reading 七覺支 as a list of techniques to be executed. The Seven Factors of Enlightenment are not a checklist. They describe the *shape* of a mind in which the Five Hindrances have been abandoned. 念 is not "set a timer for mindfulness." 擇法 is not "do vipassanā after concentration." They describe a unified way of attending. The *Saṃyuktāgama* describes them as "growing wisdom, being clarity, being oriented to awakening, turning toward nirvāṇa." Treating them as separate techniques tends to produce a fragmented practice in which one cultivates 念 and 精進 while 捨 (equanimity) is absent, and the very effort of cultivation becomes a new form of 不正思惟.


What the *Za Āhán Jīng* finally asks of a contemporary reader is not that the mind never scatters, never regrets, never lifts itself off its object. It asks that the reader notice the *direction* in which attention is moving. When the mind is flitting outward (掉), there is something to notice. When the mind is recoiling into second-guessing (悔), there is something to notice. The thing to notice is not the feeling — the feeling is downstream. The thing to notice is the *attending itself*, the question of what the mind is taking as its object and as its owner. The Five Hindrances, including 掉悔蓋, are called 障蔽 (covering, obstructing) precisely because they make this noticing impossible while they are running. When they are cut, what remains is not a perfected concentration state. It is the capacity to attend to what is actually here, and that is what the classical text calls the dawning of wisdom-liberation (智解脫).

Canonical EntryAI-generated

定义与核心要义

掉悔盖(auddhatya-kaukṛtya-nīvaraṇa)为五盖之一,与贪欲盖、瞋恚盖、睡眠盖、疑盖并列,遮蔽众生令不见正道。《杂阿含经》始终合称「掉悔」为一盖,未将掉举与悔分拆为二。本经亦以「五障」称五盖,谓其「烦恼于心,能羸智慧,障阂之分,非明、非正觉,不转趣涅槃」。本经以「覆」、「盖」、「障蔽」等词形容其遮障功能,偈颂更言「此五覆世间,深着难可度,障蔽于众生,令不见正道」。

主要阐述

本经论述掉悔盖的核心框架为「正思惟」与「不正思惟」的对治关系。不正思惟则「未起掉悔盖则起,已起者重生令增广」;正思惟则「未起者不起,已起者则断」。与之对应,七觉支(念、择法、精进、猗、喜、定、舍)为正面修习法,能「增长智慧,为明、为正觉,转趣涅槃」。经又言比丘「专一其心,侧听正法」即能断五盖、修七觉支,「令其转进满足」。

偈颂中以「灭除掉悔盖」与断爱欲想、离忧苦、觉悟睡眠、舍贪恚并举,总结其果为「智解脱,灭除无明暗」,显示掉悔盖之灭除直接通向解脱智。

本经另以具体事例展现「悔」之生起机制。阿湿波誓因病不能入先前所得三昧,遂生「变悔」,忧虑退失。佛问其是否破戒,答否;佛遂指出其悔之根源在于「不正思惟」,既不见五阴是我、异我、相在,即不应生悔,当作「贪恚痴永尽无余」之觉知。阿湿波誓闻法后心得解脱,身病即除。此例显示本经将「悔」的对治归结于无我正见与不正思惟之矫正,而非仅止于止息散乱。

迦叶氏之例则展示另一种悔:因对佛制戒心生不忍不喜,事后自觉愚痴而向佛悔过,佛受其忏悔。此处「悔」为善性之追悔(悔过),与作为盖障的掉悔性质不同,但同用「悔」字。

不同部类与译本的表述差异

本经固定使用「掉悔盖」此一合称,未将掉举与悔分拆为二。「悔」之具体心理状态则以「变悔」一词描述,为本经特有之用语。五盖亦称「五障」。经中以「覆」、「盖」、「障蔽」并用,形容五盖之遮障功能。

与相关概念的关系

掉悔盖与贪欲、瞋恚、睡眠、疑并列为五盖,于五盖中为散动与追悔之二相合一。其对治法为正思惟,相应之正面修习为七觉支(念、择法、精进、猗、喜、定、舍)。本经又以「智解脱,灭除无明暗」总结掉悔盖灭除之果。此外,本经所示「悔」既可指作为盖障之烦恼(掉悔盖),亦可指善性之追悔(悔过),二者同用「悔」字而性质迥异。

代表性原文引用

- 「烦恼于心,能羸智慧,障阂之分,非明、非正觉,不转趣涅槃」 - 「此五覆世间,深着难可度,障蔽于众生,令不见正道」 - 「不正思惟,未起掉悔盖则起,已起者重生令增广」 - 「专一其心,侧听正法」即能断五盖、修七觉支,「令其转进满足」 - 「智解脱,灭除无明暗」 - 阿湿波誓生「变悔」,佛指出其因「不正思惟」而悔 - 迦叶氏自觉愚痴而向佛「悔过」,佛受其忏悔

By SutraAI-generated

雜阿含經T0099 · 阿含部

《雜阿含經》論「掉悔蓋」,主要將其置於「五蓋」之列,從障道之性與斷除之道兩端加以闡明。

一、作為「五蓋」之一的定性。本經明確將「掉悔蓋」列為「五障、五蓋」之一,與貪欲蓋、瞋恚蓋、睡眠蓋、疑蓋並舉。經文明言此五蓋「為覆為蓋,煩惱於心,能羸智慧,障閡之分,非明、非正覺,不轉趣涅槃」。又以偈頌重宣其要:「斷於愛欲想,憂苦亦俱離,覺悟於睡眠,滅除掉悔蓋,捨貪恚清淨,現前觀察法,我說智解脫,滅除無明闇」,指出「掉悔蓋」亦在當斷之列,唯有滅除此蓋並捨離貪瞋、觀察於法,方證「智解脫」,究竟滅除無明闇冥。此顯示本經視「掉悔蓋」為遮蔽心性、削弱智慧、阻礙趣向涅槃的禪障煩惱。

二、對治與斷除之道。經中另一段記載:若比丘「專一其心,側聽正法」,便能「斷五法,修習七法,令其轉進滿足」;所斷五法即貪欲蓋、瞋恚蓋、睡眠蓋、掉悔蓋、疑蓋,所修七法則為念、擇法、精進、猗、喜、定、捨等七覺支。可見本經以「專心聽法」為前行,以「七覺支」為轉進之具,且明標「斷」字以顯示五蓋必須徹底斷除的決斷語氣。此段經文亦突顯「掉悔蓋」與「七覺支」之間的對治關係:五蓋為翳、七覺支為明,兩者於本經中常被對舉而說。

三、術語形式之特徵。本經始終以「掉悔蓋」三字連稱,作為一個固定的複合名相,未拆解為「掉舉」與「追悔」兩個獨立概念分別立目,亦未對「掉」、「悔」二字各別作義訓。「掉悔」合言為一蓋,是本經的一貫用語形式,與後世義疏中分立「掉舉」與「追悔」二名之作法有所不同。

四、相關語境之辨析。第條引文作「我今悔其過,世尊不納受,內懷於惡心,抱怨而不捨」,此雖有「悔」字,然其語境為人於佛前自陳悔過而世尊不納,屬一般追悔、怨嫌之義,與本條作為禪障之「掉悔蓋」概念有別,記錄時應予區分,不宜混攝。

大智度論T1509 · 釋經論部

《大智度論》以「掉悔蓋」合稱此一禪障,先別明掉、悔二法之體相,復以偈頌雙破,末以呵責之語作結。以下分四層述其論述脈絡。

一、總標與合稱。本論將「掉」與「悔」合為一蓋,於敘畢二者之後,以「如是等種種因緣,呵掉、悔蓋」一句作為此蓋之總結語(),可知掉、悔二法在本論中被視為同一禪障而共同對治,並與後文之「疑蓋」相接,次第列為五蓋中之一。

二、明「掉」之體相。論中先標「掉之為法,破出家心」(),謂其體性在於攝心猶不能住,心念散亂奔馳。本論以「無鉤醉象」與「決鼻駱駝」二喻形容掉散之人:醉象無鉤、駱駝鼻決,皆不可禁制,象徵掉使心馳流散、不可收攝之相。

三、明「悔」之體相。論中別出「悔法」,以「犯大罪人,常懷畏怖」為譬():悔箭入心,堅不可拔,喻悔心一旦生起,即牢著於心,不可出離。

四、以偈頌雙破。論中引偈從「作」與「不作」兩面揭示悔之過咎():其一,「不應作而作,應作而不作;悔惱火所燒,後世墮惡道」,明不應作而作、或應作而不作,皆為悔惱之火所燒,致墮惡道。其二,「若人罪能悔,已悔則放捨,如是心安樂,不應常念著」,謂罪既能悔,已悔即應放捨,不應執著,方得心安。其三,「若有二種悔,不作若已作,以是悔著心,是則愚人相」,謂不應作而未作、已作之事已作,此二種悔若繫著於心,即愚人之相。其四,「不以心悔故,不作而能作;諸惡事已作,不能令不作」,明非以心悔可令未作者得作,惡事已作亦不能因悔而令不作。

五、結勵。由上諸因緣及偈頌,論主以呵責之語總結掉悔蓋之過患(),令行者離此禪障。

術語方面,本論以「掉、悔蓋」並稱此障,其中「掉」即散亂馳流之相,「悔」即罪咎畏怖之相,與其他經論或僅稱「掉舉」或僅稱「惡作」者不同,本論將二者合為一蓋並以「掉悔蓋」名之。

阿毘達磨俱舍論T1558 · 毘曇部

《阿毘達磨俱舍論》對「掉悔蓋」之論述,涵蓋煩惱所依、五蓋總立、二體合立之理、食治用之關係、所障之蘊、序位辯難等多個面向。

一、煩惱所依:論中以纒法(小煩惱類)列舉無慚、無愧、嫉、慳、悔、眠、掉舉、惛沈、忿、覆等十種,並明其煩惱根源——「無慚慳掉舉皆從貪所生,無愧眠惛沈從無明所起,嫉忿從瞋起,悔從疑起」。是則掉舉從貪、悔從疑,二者雖合為一蓋,體性實有別。

二、五蓋之總立與界地:經中佛說蓋有五——欲貪蓋、瞋恚蓋、惛眠蓋、掉悔蓋、疑蓋。論問此五是否通三界?答以「此五純是圓滿不善聚故」,色、無色界無有不善,故唯在欲界。

三、二體合立之理:惛眠與掉悔各有二體,何以各合為一蓋?論主以「食、治、用同」釋之——食謂所食資糧,治謂能治(亦名非食),用謂事用功能。惛眠二種事用同,能令心性沈昧;掉悔二種事用同,能令心不寂靜,故各合為一。

四、掉悔蓋之食與治:論具列掉悔蓋之食(資糧)為四種——親里尋、國土尋、不死尋、隨念昔種種所更戲笑歡娛承奉等事;其治(非食)則為奢摩他。

五、所障之蘊與序位:論主言貪恚蓋障戒蘊,惛沈睡眠障慧蘊,掉舉惡作障定蘊,定慧無故於四諦生疑,故建立此五為蓋。然而如此則掉悔應於惛眠前說,故有餘師言惛眠障定蘊、掉悔障慧蘊,並引經證:「修等持者怖畏惛眠,修擇法者怖畏掉悔」。

論中名相要點:本論以「蓋」譯遮障義(nīvaraṇa);「蘊」即五蘊(skandha);界地三分為欲界、色界、無色界;於掉悔之異名,論中亦稱「掉舉惡作」並用;煩惱根源依貪、瞋、疑、無明等分;定學名為等持(samādhi),慧學名為擇法(pravicaya),寂止名為奢摩他(śamatha),尋伺屬心所之散動。

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