Dharma · AI Companion

人境俱奪

禅宗临济义玄四料简之一,扫荡主客、能所双泯之机用。AI-generated

Type PracticeDifficulty AdvancedTruth-level span outside the four-fold two-truths frameworkInitial AI estimate · evolves with use

A Contemporary ReadingAI-generated

What this concept is saying

*Rén jìng jù duó* (人境俱奪, “both person and object taken away”) is the third of Linji Yixuan’s *Four Discernments* (四料簡, *sì liàojiǎn*). It names a Chan intervention in which both sides of experience—the one who apprehends and what is apprehended—are simultaneously deprived of any fixed footing.

Each word matters.

- *Rén* (人, “person”) means the practitioner, questioner, or apparently knowing subject. It is not a denial that a human being conventionally exists. - *Jìng* (境, “object,” “field,” or “encountered condition”) includes whatever stands before that subject: a sight, situation, doctrine, meditative state, verbal formulation, or imagined spiritual attainment. It therefore means considerably more than the modern word “environment.” - *Duó* (奪, “take away,” “strip away,” or “dislodge”) is an active Chan term. It does not mean physically destroying either side. It means removing the practitioner’s ability to establish subject or object as an independently graspable position. - *Jù* (俱, “both together”) is decisive: the subject is not dissolved while an objective absolute remains; nor is the object declared unreal while a pure observer survives behind it.

The full Four Discernments are:

1. *Duó rén bù duó jìng* (奪人不奪境): take away the person, not the object. 2. *Duó jìng bù duó rén* (奪境不奪人): take away the object, not the person. 3. *Rén jìng jù duó* (人境俱奪), also written 人境兩俱奪: take away both person and object. 4. *Rén jìng jù bù duó* (人境俱不奪): take away neither person nor object.

These are not four ascending metaphysical doctrines, with the third serving as the final truth. They are four diagnostic and liberating responses. Linji’s tradition treats them as expedient means for different illnesses. One attachment may require the ground to be removed from the claimant; another requires the fascinating object to be dismantled; a third requires the whole subject–object structure to be cut through; still another calls for complete release, in which person and world function without obstruction.

The third discernment is therefore intelligible only within the whole set. If “both taken away” were the final commandment, Chan would culminate in blankness. But the fourth discernment—“neither taken away”—prevents that conclusion. The tradition can “gather in” and “release,” *shōu/fàng* (收/放). Yuanwu’s recorded answer to “person and object both taken away” is simply “收,” “Gather in”; to “neither taken away,” he replies “放,” “Release.” When the monk seeks something higher still, Yuanwu answers, “不可土上更加泥”—do not add mud on top of earth. Once the conceptual foothold has been cut off, manufacturing a superior explanation only supplies a new object for a new spiritual subject to possess.

Linji’s own image is “并汾絕信,獨處一方”: news from Bing and Fen is cut off; one dwells alone in one quarter. This is not a geographical definition but an image of radical severance. Nothing arrives to confirm an observer, and no observer stands apart to certify what remains.

Later masters preserve that structure through different images rather than reducing it to a formula:

- “霜結滿亭寒”—frost fills the pavilion with cold: no warm refuge remains for either side. - “萬人作一塚,時人盡帶悲”—ten thousand people make one grave: differentiation is swept away with uncompromising severity. - “有何佛祖?”—“What Buddha or patriarch is there?” Even sacred names cannot become objects before a spiritually accomplished subject. - “高空有月千門掩,大道無人獨自行”—the moon is high, a thousand gates are shut; on the great road no person walks, yet there is solitary going. - Xinghua’s “躡足進前須急急,促鞭當鞅莫遲遲” stresses urgency: do not turn the cutting-off into material for leisurely speculation.

These images are not interchangeable decorations. Cold, burial, sacred negation, solitary passage, and urgent advance disclose different aspects of the same intervention: severity, completeness, freedom from holy objects, absence of an appropriating traveller, and immediacy.

The *Book of Serenity* characterizes the operation as “截斷話頭,剗却問意,照用同時”: cut off the line of talk, remove the intention contained in the question, illumination and application occurring simultaneously. The teacher does not merely answer within the questioner’s frame. The answer exposes and interrupts the frame itself—including the questioner who hoped to stand outside it and receive an answer.

This is why the tradition describes the response as appearing wherever attachment emerges: “手上出來,手上打;眼上出來,眼上打;四方八面來,旋風打.” If it comes out through the hand, strike there; if through the eye, strike there; if it comes from every direction, respond like a whirlwind. The point is not admiration of violence. The “blow” is an image of exact, immediate intervention: grasping is met at the place where it forms.

Yet the same passage says this functioning not only sweeps away foxes and rabbits but can also transform fish into dragons, and it joins the “killing sword” to the “life-giving sword” (殺人刀/活人劍). “Taking away” kills fixation; it is life-giving when the energy tied up in defending a self and controlling a world becomes available for unobstructed responsiveness.

Its place on the path of liberation is therefore precise. Ordinary experience is organized around appropriation: “I encounter this; it affects me; I must secure, reject, explain, or transcend it.” Buddhist practice investigates how suffering is sustained by craving and grasping within that organization. *Rén jìng jù duó* is Linji Chan’s sharp method for a mature form of the same illness: the practitioner may have loosened worldly attachments but still preserve a subtle witness who possesses emptiness, awakening, purity, or “nonduality.” The discernment removes both the possessed spiritual object and its possessor.

This has an affinity with the *Heart Sutra’s* famous “照見五蘊皆空” (“clearly saw that the five aggregates are empty”), but the expressions must not be collapsed into one another. The *Heart Sutra* speaks through the emptiness of the five aggregates; Linji’s Four Discernments belong to a later Chan repertoire of encounter and instruction. The comparison illuminates a shared refusal to grant fixed own-being, but one phrase is not a translation or historical definition of the other.

A walkthrough in everyday life

Imagine an evening after an exhausting commute. You open your phone and see that a colleague has received public praise for work to which you contributed.

First comes the apparent *object*: the post, the colleague’s name, the manager’s words, the visible reactions. These are part of *jìng*. But the “object” is not merely the phone as a physical thing. It includes the interpreted situation—“they have been recognized and I have been overlooked”—and the status-world disclosed by that interpretation.

Then comes the apparent *person*: “I am the one being undervalued.” Memory supplies earlier grievances; imagination predicts future neglect; bodily tension gives the story urgency. This is *rén* in the present exercise: not the body alone, and not an eternal soul, but the claimant who takes up a position in relation to the situation.

Ordinarily, each side certifies the other:

- “This post objectively proves that I am invisible.” - “Because I feel injured, the post must mean what I think it means.”

The subject constructs an object saturated with threat; the constructed object returns and hardens the subject. Soon there appears to be a solid victim facing a solid insult.

“Taking away the object” would expose how much of the threatening object consists of selection, comparison, prediction, and interpretation. The screen contains words and reactions; it does not itself contain the complete verdict “you have no value.” But stopping here can leave behind a superior observer: “I see that the situation is merely constructed.” The object has been weakened while the person remains.

“Taking away the person” would challenge the fixed claimant: Where is the single, unchanging “me” who owns every contribution, injury, memory, and future fear? But stopping here could leave the event untouched as a supposedly self-evident reality.

“Person and object both taken away” does not alternate between these analyses. At the live point of recognition, it ceases to grant either pole independent authority. There is no self-established insult waiting outside interpretation, and no self-established victim existing apart from body, memory, expectation, and encounter. “The one overlooked” and “the proof of being overlooked” arise together and support one another.

For a moment, the courtroom collapses: no prosecutor-self stands here, no verdict-object stands there. This need not feel mystical. There may still be heat in the face, disappointment, and a difficult workplace fact. What disappears is their automatic organization into a fixed subject confronting a fixed world.

This is where the most common mapping error occurs. “The object is taken away” does not mean the colleague’s post vanishes or that unfairness is imaginary. “The person is taken away” does not mean your needs do not matter. Conventional distinctions remain available. You can verify who did what, speak to your manager, document your contribution, congratulate your colleague, or decide that the workplace is unhealthy. The fourth discernment—neither person nor object taken away—shows why such functioning is not a betrayal of the third.

The difference lies in the action’s source. Before the cutting-off, you may send an accusatory message to restore a threatened identity. After it, you may still speak firmly, but the speech need not serve a solidified “injured me” fighting a solidified “enemy.” “Both taken away” opens the space; “neither taken away” lets the person answer the situation freely.

The same pattern appears in intimate relationships. A delayed reply becomes “rejection,” while “I” become “the abandoned one.” An algorithmically curated feed becomes a world in which everyone else is thriving, while “I” become the uniquely deficient observer. A child’s tantrum becomes “deliberate disrespect,” while the parent becomes “the one losing control.” In every case, the practice is not to chant that nothing exists. It is to notice how a positioned subject and a charged object co-produce and confirm one another—and to let both positions lose their claim to ultimacy before responding.

Why contemporary people need it

Contemporary life continually recruits us into rigid subject–object arrangements. Platforms offer an endless field of things to desire, condemn, rank, and identify with. Metrics then turn the observer into another measured object: a profile, productivity score, audience, diagnosis, or market segment. We oscillate between controlling the world and viewing ourselves through the world’s imagined gaze.

Recommendation algorithms intensify this loop. They present material shaped by prior attention; the presented material then shapes future attention and identity. That makes a useful analogy for mutual conditioning: “my feed” and “the me for whom this feed is relevant” develop together. But it remains only an analogy. Algorithmic systems are technically describable social artifacts; Chan is examining attachment and liberation. Neither computer science nor brain research has scientifically proved the Buddhist account of awakening, and current research does not settle the philosophical status of subjectivity.

The teaching is especially valuable because contemporary spirituality can reproduce the very structure it hopes to escape. The practitioner may acquire a refined self-image—calm, mindful, awakened—standing over against inferior states such as anger, distraction, or confusion. Emptiness then becomes a prized object, and “the one who understands emptiness” becomes more strongly defended than the ordinary ego.

*Rén jìng jù duó* gives that spiritual self nowhere to sit. If one says, “I have entered nonduality,” the sentence may already have rebuilt a subject who owns a special state. If one says, “Everything is empty, so nothing matters,” emptiness has become a totalizing object used by a detached observer. Linji’s “taking away” cuts both constructions at once.

This is not merely philosophical elegance. It interrupts several engines of suffering:

- Shame depends on a fixed defective self facing an imagined tribunal. - Resentment depends on a fixed injured self facing a fixed offender. - Compulsive comparison depends on a measurable self facing a ranked world. - Spiritual pride depends on an accomplished self possessing a privileged realization.

The teaching does not promise that pain instantly ends. It removes the architecture that converts pain into an identity and a world-view. Once that architecture loosens, ethical action can become more exact. One can oppose harm without needing an essentially evil enemy, admit fault without becoming an essentially defective self, and love another person without turning them into the object that must complete one’s identity.

That is the liberating force behind the tradition’s “illumination and application simultaneously” (照用同時). Insight is not first stored as a private understanding and later applied to life. Seeing the fixation and cutting its authority are one event. In mature functioning, clarity is already responsive action.

Common misunderstandings and clarifications

“It means that neither people nor things exist.” No. *Duó* names a pedagogical and liberating operation, not a simple ontological assertion. What is removed is the footing from which subject and object are grasped as self-established. After Yuanwu’s “Gather in” comes “Release”; after both are taken away, the Four Discernments also include neither being taken away.

“It is a permanent state of blank consciousness.” The cold, solitary, and death-like images express thorough severance, but they must be read alongside “release,” “life-giving sword,” transformation, and “full functioning” (全體作用). A trance-like blankness that cannot answer circumstances would itself be a *jìng*—a state possessed by a subtle *rén*.

“The person is the ego, and the object is the material world.” That is too narrow. “Person” is the practitioner or claimant occupying the knowing position; “object” includes physical things but also doctrines, words, questions, emotions, meditative experiences, holiness, emptiness, and awakening as objects of appropriation.

“It is just the modern psychological idea that perception is constructed.” Construction is a helpful doorway, but it does not exhaust the teaching. A person can understand cognitive construction while retaining a secure theorist-self who looks down upon constructed experience. Linji’s discernment also takes away that observer.

“If subject and object are removed, ethical responsibility disappears.” The Four Discernments point in the opposite direction. Taking away fixed positions does not erase conventional consequences. It can make responsibility less defensive: an action can be acknowledged without protecting a permanent innocent self, and harm can be stopped without turning another person into an eternal enemy. Non-grasping is not non-responsiveness.

“A shocking reply, shout, or blow is automatically profound.” The records explicitly warn against repeating the label “illumination and application simultaneously, person and object both taken away” while lacking discernment—“眼目未辨東西,” unable to distinguish east from west. The *Book of Serenity* says the staff’s head “has an eye” and permits not half a speck. The point is precision responsive to the practitioner, not theatrical aggression. Imitating an old gesture without its diagnostic wisdom merely turns Chan style into another object of attachment.

“This is the highest doctrine, so one should always apply it.” It is called a particularly high expression of Linji’s style in the supplied records, but it remains one discernment among four. A medicine becomes harmful when detached from diagnosis. Sometimes a person’s inflated claim must be dislodged; sometimes a bewitching object must be exposed; sometimes both positions must fall; sometimes person and world should be allowed to stand in complete, ordinary vividness.

“Understanding the explanation is the same as undergoing the discernment.” This is the subtlest error. A correct account can become precisely the *jìng* possessed by a learned *rén*. Yuanwu’s warning against adding mud to earth matters here. The concept succeeds not when we can define “nonduality,” but when, at the moment we seek somewhere to stand—ordinary or sacred—the claimant, the claimed object, and their mutual contract are seen through together.

Then the phone is still in the hand, the colleague is still a colleague, disappointment may still be present, and a conversation may still be needed. Yet there is no necessity to build a permanent “me” here and a final “world” there. Nothing has been annihilated. What has been taken away is captivity—and what remains is the possibility of meeting the situation without being bound beneath its names.

Canonical EntryAI-generated

一、定义与核心要义

「人境俱夺」为禅宗临济义玄所立「四料简」之第三项,与「夺人不夺境」「夺境不夺人」「人境俱不夺」并列,共同构成四种料拣学人之方便框架。其中「人」指学人、问者之主体,「境」指所对之境界、言诠所及之对象,「夺」为扫荡遣除之义;「人境俱夺」即同时遣除能所主客,使二者皆不立,归于双泯之境。此乃临济为破学者大病所设之施设,犹如以楔出楔,凡有言说若滞于凡情即堕圣解,故须以此料拣之。

二、主要阐述

《古尊宿语录》收录临济义玄本人之示答为「并汾绝信,独处一方」,取并州汾水之地绝于音信、孤处一方之孤绝意象,以喻主客俱遣之境。此录集录历代尊宿对同一料简之不同示答,形成丰富之意象丛林:兴化存奖答「蹑足进前须急急,促鞭当鞅莫迟迟」,以行动之急切喻荡除之果断;某师以「霜结满亭寒」作答,以严冬肃杀之景象征主客双泯之寒寂;另一师答以「万人作一冢,时人尽带悲」,取万人同归一墓之死亡意象,喻扫荡之惨烈而彻底;又有答以「有何佛祖?」者,直破能所对待,连圣凡之名皆不立;亦有以「高空有月千门掩,大道无人独自行」作答者,以月隐千门、独行大道之冷寂景象呈现主客双遣之孤诣。各家所答虽意象迥异,然其指归皆在主客双泯、能所皆空之悟境,保留禅宗不落言诠、随机应答之家风。

《圆悟佛果禅师语录》以「收」一字当机回答「人境俱夺」,与「人境俱不夺」之「放」相对,形成收放相照的简峻表达;僧再问向上是否有事,师答「不可土上更加泥」,显示不再增添言说,以「恁么恁么。如虎带角」收束,着重当下截断与机用,而非建立概念定义。本录另以「照用同时人境俱夺」为固定连称,评乌臼打二僧之公案时,批评有人「只管说照用同时人境俱夺」而「眼目未辨东西」,转以「放行」「把住」「据令而行」说明宗师机要。在大悲菩萨手眼公案之颂语中,再次明言「正眼寥廓。照用同时人境俱夺」,一面将此语与「照用同时」并举,一面警戒在棒喝之际作错误承当或自缚。

《万松老人评唱天童觉和尚颂古从容庵录》直接以「人境俱夺」标举此一机用,并以「截断话头,刬却问意,照用同时」作为核心表述:不循问者原有的话头与意向铺陈,而于当下截断、刬除;其作用又不是先照后用或先用后照,而是照用同时。本经另用「人境两俱夺」称说同一义,将它置于临济「有时夺人不夺境,有时人境两俱夺」的收放格调中,称遇着「其中人」便「全体作用」,视之为「临济格调最高处」。对此机用的具体描写,以棒喝之势展开:「手上出来,手上打;眼上出来,眼上打;四方八面来,旋风打。」这种四面应现、当处截断的作用,被形容为「棒头有眼,明如日月,半点也不容」;其锋芒不但在于扫除、断绝,也包含转化与活用,故又说「不唯扫除狐兔,亦能变化鱼龙」,并连举「杀人刀活人剑」以显示其机用兼具杀活。本经对临济收放之力另以「能放能收,呼得聚,喝得散」加以说明,具体展示其所属的临济收放力用:既可聚、可散,又可收、可放,不滞于所说之境,也不容承当之人依语作解。

三、不同部类与译本的表述差异

「人境俱夺」一语在不同部类中出现异文:

- 《古尊宿语录》中「人境俱夺」与「人境两俱夺」二种写法并行混用:、 作「人境两俱夺」,、、、 则作「人境俱夺」。 - 《万松老人评唱天童觉和尚颂古从容庵录》亦并行使用二式: 作「人境俱夺」, 作「人境两俱夺」;「俱遣」为题目所作概括,并非所引正文的原词。 - 《圆悟佛果禅师语录》明确使用「人境俱夺」,并屡以「照用同时人境俱夺」连文。 - 《古尊宿语录》中「夺境不夺人」一语在 出现「夺境不境人」之异文,当系传抄讹误。

四、与相关概念的关系

「人境俱夺」为四料简之一,与同组其他三项构成完整框架:夺人不夺境(扫荡学人而不废境界)、夺境不夺人(遣除所对之境而留人)、人境俱夺(主客双泯)、人境俱不夺(君民各安、圆融无碍)。本概念在《圆悟佛果禅师语录》中常与「照用同时」「把住/放行」等机用术语相连,其中「照用同时人境俱夺」为固定连称,显示其为临济照用门之核心表述。在《万松老人评唱天童觉和尚颂古从容庵录》中,则与「截断话头」「刬却问意」「全体作用」等语并用,强调其迅疾截断之机用。本录中临济家风之施设,除四料简外,另兼录「三句」及「三玄三要」之教法,显示义玄门庭施设之多元面貌。

五、代表性原文引用

- 临济义玄答「人境俱夺」:「并汾绝信,独处一方」;答「人境俱不夺」:「王登宝殿,野老讴謌」。 - 兴化存奖答「人境俱夺」:「蹑足进前须急急,促鞭当鞅莫迟迟」。 - 某师答「人境两俱夺」:「霜结满亭寒」;「万人作一冢,时人尽带悲」;「有何佛祖?」;「高空有月千门掩,大道无人独自行」。 - 《圆悟佛果禅师语录》僧问「人境俱夺」,师答「收」;问「人境俱不夺」,师答「放」。 - 「只管说照用同时人境俱夺。眼目未辨东西」。 - 「正眼寥廓。照用同时人境俱夺。棒头喝下错承当。背手拈来也失却」。 - 《从容庵录》:「截断话头,刬却问意,照用同时」;「有时夺人不夺境,有时人境两俱夺」。 - 「棒头有眼,明如日月,半点也不容」「不唯扫除狐兔,亦能变化鱼龙」。 - 「能放能收,呼得聚,喝得散」。

By SutraAI-generated

圓悟佛果禪師語錄T1997 · 諸宗部

《圓悟佛果禪師語錄》對「人境俱奪」的直接表述,見於一段僧問「四料簡」式的機鋒。僧依次問「奪人不奪境」「奪境不奪人」「人境俱奪」「人境俱不奪」,師分別答以「山僧有眼不曾見」「闍黎問得自然親」「收」「放」。其中「人境俱奪」不作義理解說,而以單字「收」當機回答;與「人境俱不奪」之「放」相對,形成收放相照的簡峻表達。僧再問向上是否有事,師答「不可土上更加泥」,顯示此處不再增添言說;末以「恁麼恁麼。如虎帶角」收束,著重當下截斷與機用,而非建立概念定義。

同一原文塊在問答之前,另以「於內無心於外無相」「兩頭坐斷中道不拘」「直下坐斷萬法。頭上孤危不立」描寫一種內外、兩頭及中道皆不住著的情狀;又說「若截斷眾流去。把住要津不通凡聖」,並進一步提出「二途不涉」。這些語句雖未逐句冠以「人境俱奪」之名,卻構成該問答所在語境的重要側面:不留內心、外相、凡聖與中道等可承當之處,所重在「坐斷」「截斷」「把住」及灑落解脫。

本錄又以「照用同時人境俱奪」為固定連稱。評烏臼打二僧之公案時,先批評有人「只管說照用同時人境俱奪」,指出僅以此語說解而「眼目未辨東西」,並不足以辨識宗師機要;隨後轉以「放行」「把住」「據令而行」說明烏臼之作用,顯出「人境俱奪」在本錄中常與照用、把住、放行及棒喝機用相連,而非孤立的名相。

在大悲菩薩手眼公案的頌語中,本錄再次明言「正眼寥廓。照用同時人境俱奪」,緊接著說「棒頭喝下錯承當。背手拈來也失却」,又以「水是水兮山是山」及「切忌無繩而自縛」作結。此處一面將「人境俱奪」與「正眼寥廓」「照用同時」並舉,一面警戒在棒喝、拈來之際作錯誤承當或自縛,顯示此語用來標舉同時截奪的機用,卻不可執著為可把捉之物。

就用詞而言,《圓悟佛果禪師語錄》明確使用「人境俱奪」,並屢以「照用同時人境俱奪」連文;與之成組的術語則是「奪人不奪境」「奪境不奪人」「人境俱不奪」,其操作性表述尤集中於「收/放」「把住/放行」。這些正是本錄記載此概念時應保留的原有語詞形式。

萬松老人評唱天童覺和尚頌古從容庵錄T2004 · 諸宗部

《萬松老人評唱天童覺和尚頌古從容庵錄》直接以「人境俱奪」標舉此一機用,並以「截斷話頭,剗却問意,照用同時」作為核心表述:不循問者原有的話頭與意向鋪陳,而於當下截斷、剗除;其作用又不是先照後用或先用後照,而是「照用同時」。因此,本經所寫的「人境俱奪」,首先呈現為迅疾而無可措手的截斷作用。

本經另用「人境兩俱奪」稱說同一義,將它置於臨濟「有時奪人不奪境,有時人境兩俱奪」的收放格調中。原文沒有在此詳列四料簡全體,而是著重兩種作用的對舉,並稱遇著「其中人」便「全體作用」,視之為「臨濟格調最高處」。就多名歸一而言,本經可明確記錄的術語形式有「人境俱奪」與「人境兩俱奪」二式;「俱遣」是題目所作概括,並非所引正文的原詞。

對此機用的具體描寫,本經以棒喝之勢展開:「手上出來,手上打;眼上出來,眼上打;四方八面來,旋風打。」這種四面應現、當處截斷的作用,被形容為「棒頭有眼,明如日月,半點也不容」。其鋒芒不但在於掃除、斷絕,也包含轉化與活用,故又說「不唯掃除狐兔,亦能變化魚龍」,並連舉「殺人刀活人劍」以顯示其機用兼具殺活,不可固定為一味的斷滅。

本經對臨濟收放之力另有一段相應說明:臨濟面對僧人措手不及,能「抽身不顧」,又能以「無位真人是甚乾屎橛」破除對語句與名目的繫著。評唱稱此為「能放能收,呼得聚,喝得散」,其要在於不使人「繫綴死在句下」,不令言句留在胸次成病。這段雖未直接再題「人境俱奪」,卻具體展示其所屬的臨濟收放力用:既可聚、可散,又可收、可放,不滯於所說之境,也不容承當之人依語作解。

綜合而言,本經不是以義理定義鋪陳此概念,而是用「截斷話頭」「剗却問意」「照用同時」「全體作用」等語,刻畫人與境同時不留的當機作用;又以旋風般的棒打、棒頭有眼、殺人刀與活人劍,以及能收能放、呼聚喝散等形象,突出其迅疾、嚴密而兼具殺活變化的一面。

古尊宿語錄X1315 · 禪宗語錄部

《古尊宿語錄》論述「人境俱奪」,係收錄臨濟義玄所立之四料簡而展開。此錄以「四料簡」或「四種料簡語」統稱此一框架,列舉四項分判:奪人不奪境、奪境不奪人、人境俱奪、人境俱不奪;其中「人」指學人、問者之主體,「境」指所對之境界、言詮所及之對象,「奪」則為掃蕩遣除之義,務使能所雙泯、執著全消。

臨濟本人對「人境俱奪」之示答為「并汾絕信,獨處一方」,取並州汾水之地絕於音信、孤處一方之孤絕意象,以喻主客俱遣之境;其對「人境俱不奪」則答以「王登寶殿,野老謳謌」,呈天下太平、君民各安之圓融景象。臨濟並明言,此四料簡乃為破學者大病而設之方便,猶如以楔出楔,凡有言說若滯於凡情即墮聖解,故須以此料揀之。

此錄集錄歷代尊宿對同一料簡之不同示答,形成豐富之意象叢林。興化存獎答「人境俱奪」為「躡足進前須急急,促鞭當鞅莫遲遲」,以行動之急切喻蕩除之果斷。某師以「霜結滿亭寒」作答,以嚴冬肅殺之景象徵主客雙泯之寒寂。另一師答以「萬人作一塚,時人盡帶悲」,取萬人同歸一墓之死亡意象,喻掃蕩之慘烈而徹底。又有答以「有何佛祖?」者,直破能所對待,連聖凡之名皆不立。亦有以「高空有月千門掩,大道無人獨自行」作答者,以月隱千門、獨行大道之冷寂景象呈現主客雙遣之孤詣。

就名相異文而言,此錄中「人境俱奪」與「人境兩俱奪」二種寫法並行混用,、 作「人境兩俱奪」,、、、 則作「人境俱奪」;又「奪境不奪人」一語在 中出現「奪境不境人」之異文,當係傳抄訛誤。此錄於臨濟家風之施設,除四料簡外,另兼錄「三句」(三要印開朱點窄等)及「三玄三要」之教法,顯示義玄門庭施設之多元面貌。

此錄之編纂體例為宋賾藏主集結歷代尊宿語要,對四料簡之呈現方式著重各家之隨機吟詠與譬喻,而非以義理逐項剖析。各家所答雖意象迥異——有取地理之孤絕者,有取行動之迅疾者,有取節候之寒肅者,有取死亡之慘烈者,有取反詰之峻烈者,有取夜景之冷寂者——然其指歸皆在主客雙泯、能所皆空之悟境,保留了禪宗不落言詮、隨機應答之家風。

Related