Dharma · AI Companion

借功明位

禅宗曹洞宗用语,藉修行或语言之功用,显明所证之位次。AI-generated

Type PracticeDifficulty AdvancedTruth-level span outside the four-fold two-truths frameworkInitial AI estimate · evolves with use

A Contemporary ReadingAI-generated


What This Concept Is Saying

The Basic Frame

"借功明位" is a precise technical term from the Caodong school (曹洞宗) of Chan Buddhism, one of the "Five Houses" (五家) that flourished after the classical period of Tang-dynasty Chan. The phrase literally breaks down as: (borrow / through) + (function, merit, practical operation) + (illuminate, make evident) + (position, station, level of realization). Together: *through the observable functioning of a person, their actual realized position is brought to light.*

It is never used alone in the sources. Its companion term is 借位明功 (*through one's realized position, one's function becomes evident*) — the reverse movement. The Caodong records treat these two as a single pair of lenses, like turning a coin. Hongzhi Zhengjue (宏智正覺), the great Song-dynasty Caodong master, fixed the most quoted formulation:

借功明位,用在體處;借位明功,體在用處。 *Through function illuminating position, the function resides in the essence; through position illuminating function, the essence resides in the function.*

The four characters 功 (gōng) 位 (wèi) 體 (tǐ) 用 (yòng) — function, position, essence, application — are the load-bearing vocabulary of the entire concept. The sources never replace them with other terms; to understand the phrase correctly you must hold all four together.

What "位" Actually Means Here

In this technical context, does *not* mean social rank, self-styled identity, or any label one gives oneself. It refers to the inner station a practitioner has actually arrived at on the path of awakening — most centrally the distinction between 正位 (the correct/true position) and 偏位 (the partial/biased position), the central axis of Caodong's Five Positions of Lord and Vassal (君臣五位) teaching. There are also sub-stations like 信位 (faith-position) and 人位 (person-position, i.e., the position of the genuinely realized human), and a classical Buddhist sequence — *信位, 思位, 修位, 行位, 捨位* from the *Vajrasamādhi Sūtra* (《金剛三昧經》) — which the *Congrong An Lu* explicitly notes is not necessarily identical with the Caodong usage.

This is a crucial guardrail: 借功明位 is a *Caodong pedagogical term*, not a generic Buddhist phrase. It belongs inside a specific tradition's way of reading students.

What "功" Means Here

is the practitioner's actual functioning — the language that comes out, the response that arises under pressure, the manner of meeting situations. The sources repeatedly emphasize that 功 is not limited to verbal performance. Caoshan Benji (曹山本寂) writes:

功在臨時,看語來勢,不負來機。 *The function lies in the moment; read the trend of the words as they come; do not fail the opportunity the visitor brings.*

So 功 is situationally responsive. It includes but is not exhausted by what one says. It can be the quality of one's silence, the way one walks into a room, the gesture that meets a question. Wansong Xingxiu's *Congrong An Lu* (《從容庵錄》) makes this wider by describing 功 as the entire practical operation of cultivation — what the doctrinal tradition calls (cultivation). This is why Wansong can gloss 借功明位 as 「因修而悟,從凡入聖」 — *by the cultivation-function one awakens, ascending from ordinary to sage* — and illustrate it with a striking image:

白衣庶民直拜冢宰。 *A commoner in plain white robe is directly appointed Prime Minister.*

And the reverse, 借位明功, he renders as 「先悟後修,從聖入凡」 — *first awaken then cultivate, descending from sage into the ordinary* — illustrated by:

積代簪纓,暫時落薄。 *A lineage of noble officials for generations, temporarily fallen on hard times.*

Two directions, one pair: in the first, function is the engine and position is what becomes visible; in the second, position is already settled and function flows from it.

The Variants

Caoshan lists a constellation of paired expressions that all operate by the same borrow-and-illuminate logic:

| Paired Term | Direction | |---|---| | 借功明位 / 借位明功 | function → position / position → function | | 借功明物 / 借物明功 | function → thing / thing → function | | 借過明功 / 借功明過 | fault → function / function → fault |

The structural form — *borrow X to illuminate Y* — is preserved across all six. This is not a flourish; it shows that Caodong thought understood awakening and functioning as mutually revealing, never as one-directional.

How It Functions as Pedagogy

Caoshan is explicit about *when* a teacher uses 借功明位: it is for 「小小得力者」 — practitioners who have just gained a small foothold. He describes his own teaching as tiered:

若是藥山與新豐並前諸德所出,超過入正位,是玄談奇特句已;次到小小得力者,即且抽入正位。此例吾常用也。 *For those whose words surpass and enter the correct position, like Yaoshan and Xinfeng and the earlier worthies — that is the register of mysterious and wondrous words. For those who have just gained a small foothold, I draw them into the correct position. This method I use constantly.*

So 借功明位 is diagnostic and therapeutic simultaneously. The teacher reads the student's response — that is the 功 — and from its quality infers the student's 位, then steers them toward 正位. The phrase "令渠知有正位" (*so that they come to know there is a correct position*) makes the purpose explicit: the function-revealing-position is in service of bringing the student to a recognized, true station.

Caoshan's discussion of 兼帶 (combined/carrying together) further sharpens the diagnostic. There is a 病兼帶 (diseased combination), where "language contains language" (語中有語), the student is still caught in verbal formulations; and a 正兼帶 (right combination), illustrated by Chan cases like 文殊喫茶 (Mañjuśrī drinks tea) or 藥山答雲巖帶刀語 (Yaoshan's reply to Yunyan's sword-bearing words) — moments where position and function appear together without distortion.

The Two Great Image-Clusters

Hongzhi's Light-and-Substance Pair (the most faithful preservation of pairing structure):

借功明位:光在體時常湛湛,體含光處却靈靈。 *Light, when in the substance, is always luminous-pure; the substance, when containing light, is also wholly responsive.* 借位明功:紛擾擾時常隱隱,鬧嘈嘈處却閑閑。 *In the midst of bustle, always subtly hidden; in the midst of noise, also wholly at ease.*

The pairing here is exact: in one, function operates from within essence (light in the substance); in the other, essence stands revealed through function (quiet hidden within noise). Neither direction is privileged — they are mutually illuminating.

Hongzhi's Mountain-and-Cloud Pair:

青山不用白雲朝,白雲不用青山管 — each is free, none dependent. 雲常在山山在雲 — yet each is always already in the other.

And the result of 体用無私 (essence-and-function without private boundary):

水向竹邊流出綠,風從華裏過來香。 *Water flows by the bamboo's edge carrying green; wind passes through the flowers bringing fragrance.*

Function follows the situation naturally; essence does not stand apart from it.

The Limit: 「不借借」

Both Hongzhi and Wansong warn that 借功明位, even when fully lived ("履踐得十成"), is still 「傍參邊事」 — a side matter, a peripheral reference. Hongzhi presses further:

不借借時,落在何處? *When you are not-borrowing the borrowing, where do you land?*

The hint comes in the verse:

星前人臥千峯室,佛祖無因識得渠。 *Beneath the stars a person sleeps in a thousand-peak chamber; Buddhas and Patriarchs have no way to recognize him.*

This is the dimension that cannot be turned into a diagnostic formula. After all the work of reading function and inferring position, there remains an actual lived place — utterly ordinary, utterly ungraspable — that the framework points toward but does not capture. The technical concept of 借功明位, taken seriously, dissolves itself into what it points to.


A Walk-Through in Contemporary Life

This is a refined teaching tool from a contemplative tradition, not a pop-psychology label. But because it speaks to how inner realization and outer expression relate, you can see it operating in everyday settings — and you can see where contemporary people misread it.

Scenario 1: The Mindful Colleague

You've been at a company for three years. A new teammate is hired, and within weeks she's already telling people at lunch about her meditation practice, her vipassanā retreats, her "embodied presence." She uses the language fluently.

Now a real situation arrives. A long-running project she's been leading suddenly loses a major client. Her team is nervous. In the meeting she calls — the one where she has to inform the executives — you watch carefully.

Does her voice carry the calm she preaches? Does her face tighten around blame, around saving herself, around framing others as the cause? Or does something quieter come through — a willingness to sit with what just happened, an acknowledgment that doesn't perform?

That is the — the function under genuine pressure. The she has been describing is one thing; the 位 her function actually reveals may be quite another. You do not need to judge her. But you will notice. And if you are a teacher, mentor, or trusted colleague, what you notice will inform how you respond.

The common mis-mapping: to take the talk of inner position as itself the position. Caoshan's "光境俱忘" example is precisely this — a beautiful phrase that "comes from the conditions" (從緣中得) but is "different from the biased-position way" (不同偏位來). It can sound realized while still being a doctrinal echo.

Scenario 2: The Parent Who "Doesn't Project"

A father tells you proudly: "I'm done projecting onto my kid. I see them for who they are."

Then his twelve-year-old comes home with a B-minus in math. Watch what happens.

Does the calm hold? Does he stay curious about what the B-minus means *to the child* — the embarrassment, the relief, the boredom, the actual trouble spot? Or does his voice shift, does he begin coaching without being asked, does his body subtly contract with disappointment?

This is 借功明位 in a small domestic moment. The function (how he handles the unfolding situation) reveals the position (the actual state of his "not projecting"). It is also 借位明功 simultaneously: if the position really is settled, the function will follow naturally — no performance required.

The common mis-mapping: assuming that having studied the concept of projection equals having transmuted it. The Chinese tradition calls this 認知的位 (a recognized/intellectual position), not an actually arrived 位. Wansong's "信位即是,人位未是" maps closely here — there is a position of faith or understanding, and there is a position of actual embodied realization; the diagnostic question is which one the function reveals.

Scenario 3: Yourself, Under the Algorithm

This one is harder to map, but probably the most relevant today. Scroll through your phone for twenty minutes. Now notice — without judging — what you are feeling. The next time a notification pulls you, watch the small impulse in your chest, the slight reaching. The next time you put the phone down, notice whether the reaching persists or dissolves.

The function here is the pattern of impulse and response. The position is the state from which the impulses arise. When you are genuinely present (and most people experience this occasionally — on retreat, after meditation, in the first moments of waking), the reaching has a different quality. When you are caught in compulsive tracking, the function is restless even when you sit still.

A sincere practitioner — or just a sincere human being — can use this as a moment of 借功明位 applied to oneself. Not as self-judgment, but as honest reading. "What is the function I just did?" "What does that function suggest about the position from which it came?" Then, gently, the steering-toward-正位 that Caoshan describes — even if you do not use that word.

The common mis-mapping: turning this into hyper-vigilant self-surveillance. The whole point of 不借借 is that there is a place beyond all such reading. If you cannot put the framework down, you have turned a tool into a prison.

Scenario 4: The Partner Who Has "Done the Work"

A friend gets out of a long therapy process and tells you: "I really understand my patterns now. I'm not going to repeat them."

Months later, a new relationship forms. Watch the function. When the first real disappointment arrives — when this new partner doesn't text back for two days, when a small betrayal surfaces, when a need isn't met — what comes out of your friend? The same old anxious looping? A defensive withdrawal? Or something genuinely different — slower, more spacious, willing to feel without immediately reacting?

If genuine 位 has been established through the of years of inner work, the function will show it. The body will be different. The pauses will be different. You do not need them to perform their transformation. The transformation will simply show.

This is Wansong's 白衣拜相 / 積代簪纓 in everyday clothes: either the working-class person has genuinely entered a new station, or the noble lineage has simply fallen on hard times for a while. The function tells you which.

The common mis-mapping: confusing *insight* about a pattern with *transformation* of it. Therapy, meditation, study — all are forms of 功. But 位 is what the 功 has actually wrought in you. The two are not identical, and the tradition is precise about not collapsing them.

Where It Easily Goes Wrong in Modern Application

1. Using it as a judgment tool for others. It is not a weapon. Its purpose in Caoshan's framing is 引導 (guidance toward 正位), not evaluation.

2. Fixating on others' 位 rather than your own function. The honest practice is to read your own function honestly. Reading others is for teachers; self-reading is for everyone.

3. Treating any framework as final. The 不借借 is the tradition's own corrective: the entire apparatus of 借功明位, however precise, is still 「傍參邊事」 — a peripheral pointer. The actual awakening is ungraspable by it.

4. Confusing fluency with realization. Someone who can use the language of awakening fluently may have a "光境俱忘" type of 功 — beautiful words "from the conditions" but not yet the thing itself.

5. Missing that 借功明位 and 借位明功 are a pair, not alternatives. Most contemporary summaries flatten them into a single slogan about "actions revealing character." That flattening throws away the entire 體用 (essence-function) reciprocity which is the heart of the teaching.


Why a Contemporary Person Needs This

Three reasons, each pointing to something our present moment especially lacks.

First, we live in an age saturated with self-claimed 位. LinkedIn bios, Instagram captions, podcast monologues, retreat credentials — everywhere, people present their "position." The tradition's insight that 位 is shown by 功, not by claim is a quiet and devastating corrective. It does not require cynicism. It requires the willingness to watch function, including one's own, as more truthful than self-description.

Second, we over-prize cognitive understanding and under-prize embodied realization. A culture of information rewards people who can speak fluently about awakening, attachment, presence, trauma, shadow. The borrowed-function-illuminating-position teaching insists that there is a difference between 信位 (the position of faith/understanding) and 人位 (the position of the truly realized human), and that this difference shows itself in function — not in talk. For a culture drowning in self-help discourse, this distinction is medicine.

Third, we have largely lost the vocabulary for the relationship between essence and function. Modern talk tends to either ignore the inner ("just behave better") or ignore the outer ("just feel better"). The Caodong 四字 framework — 功 位 體 用 — names a delicate reciprocal relationship: function resides in essence, essence reveals itself in function, neither is prior, neither is reducible to the other. Holding all four together is a discipline our everyday language does not support. Learning this vocabulary is, in itself, a small practice of integration.

There is also a deeper reason. Hongzhi's image — 星前人臥千峯室,佛祖無因識得渠 — reminds us that the actual awakened life is something neither self nor others can definitively identify by formula. After all the borrowing and illuminating, there is something that escapes the framework. Contemporary people, especially those drawn to contemplative life, often end up trapped inside one diagnostic system or another (psychological, contemplative, somatic, theological). The 借功明位 teaching, taken to its end, releases its grip. That release is itself part of what a contemporary practitioner needs.


Common Misreadings and Clarifications

Misreading 1: "It just means actions speak louder than words."

This English folk-wisdom captures only a thin slice. The full concept includes the reciprocal pairing with 借位明功, the 體用 (essence-function) structure, the recognition that 功 is situationally responsive (功在臨時), and the 不借借 transcendence of the whole framework. Reducing it to "actions speak louder" loses the entire contemplative and pedagogical architecture.

Misreading 2: "It's a method for judging where people are spiritually."

In one sense, yes — the teacher reads the student's function to discern position. But the *purpose* of the reading is steering toward 正位 (correct position), not assessment as such. And the tradition is firm that the teacher who uses this well has already undergone a corresponding internal transformation. A diagnostic used as gossip or ranking is a misuse, not an application.

Misreading 3: "借功明位 and 借位明功 mean the same thing — they're just two ways of saying position and function go together."

They are reciprocal, but they are not interchangeable. 借功明位 emphasizes that function is the trustworthy indicator of position — start from what someone actually does, and you will see where they truly are. 借位明位 emphasizes that a settled position naturally expresses in function — when inner realization is genuine, outer action is its spontaneous flowering. The Caodong sources preserve both directions precisely because collapsing them flattens the teaching.

Misreading 4: "This is a generic Buddhist concept about practice and realization."

It is not. It belongs to the Caodong school and is closely tied to the 五位君臣 (Five Positions of Lord and Vassal) framework, which is a Caodong-specific structural teaching. While general Buddhist culture has many phrases about practice and realization, 借功明位 is a precise diagnostic term with its own lineage, used by Caoshan, codified by Hongzhi, and glossed by Wansong. The Congrong An Lu explicitly distinguishes its 信位/人位 sequence from the *Vajrasamādhi Sūtra*'s five-position sequence and notes they are "not necessarily entirely the same" (未必全同). The specificity matters.

Misreading 5: "It says you can read someone's station perfectly."

Hongzhi's 不借借 section explicitly contradicts this. Even when 借功明位 is "fully lived" (履踐得十成), it is still 「傍參邊事」 — a peripheral, partial reference. There is a dimension of actual lived realization that escapes all such reading. Wansong's "星前人臥千峯室" image makes the same point: Buddhas and Patriarchs have no way to definitively recognize the realized person by external criteria. The diagnostic is useful, not omniscient.

Misreading 6: "If someone uses the language of awakening, they must be awakened."

Caoshan addresses this directly. He distinguishes words that "come from the conditions" (從緣中得) — beautiful formulations encountered in teaching and absorbed into speech — from words that arise from genuine 正位. He calls the first kind "different from the 偏位 way of going" (不同偏位來) and the second "different from玄學" (玄學 here meaning speculative Chan talk, not Chan as a whole). The diagnostic is precisely designed to tell these apart, because in practice they can sound identical.

Misreading 7: "It's a fixed formula to memorize."

Caoshan's own words — 功在臨時,看語來勢,不負來機 — directly forbid this. The function is in the moment; you read the trend as it comes; you do not fail the opportunity that arrives. Wansong reinforces this by treating the entire framework as a tool that ultimately releases its grip. Memorizing 借功明位 as a fixed template would itself be the kind of 偏位 Caoshan warns against.

Misreading 8: "It's only relevant within monastery walls."

If it is taken seriously — that inner realization shows in actual functioning, not in claims — it is relevant wherever human beings live, work, parent, relate, and seek. Its monastic origin gives it a precision; its underlying insight is not bounded by setting. A parent applying it honestly to themselves, a friend using it without weaponizing it, a colleague noticing their own function under pressure — these are all legitimate, ordinary applications. The framework is a contemplative one, but the human situation it addresses is universal.


A Final Word

To hold 借功明位 properly is to hold several things at once: that function is the trustworthy indicator of position; that position and function mutually reveal each other; that the diagnostic serves guidance toward true position, not judgment; that the diagnostic itself points to something it cannot capture; and that all of this is a flexible tool, not a fixed formula. The Caodong tradition built a careful, layered vocabulary for a reason — because the relationship between inner realization and outer life is delicate, and collapsing it in either direction (either "all interior" or "all exterior") loses the truth.

Read someone's function without contempt. Read your own without flattery. Notice when the framework you've been holding dissolves into the ungraspable thing it was pointing toward. That dissolution, Hongzhi suggests, is closer to the matter than any of the borrowings and illuminations.

Canonical EntryAI-generated

一、定义与核心要义

「借功明位」为禅宗曹洞宗拣别修证位次之用语,指透过语言施用、修行功勋之作用(功),反显当人所证之位次(位);与之对举者为「借位明功」,即以本位之体显作用之功。二者并非定法,端在随机施设。《抚州曹山元证禅师语录》明言「功在临时,看语来势,不负来机」,强调此乃活格接引之方。《宏智禅师广录》则定式为「借功明位,用在体处;借位明功,体在用处」,以「功」「位」「体」「用」四字贯通全义。

二、主要阐述

《抚州曹山元证禅师语录》将「借功明位」与「借位明功」并举,并衍生「借功明物、借物明功、借过明功、借功明过」等变式。曹山举例「定慧等学明见佛性」,自述为初举例语,指出此语虽从缘中得,不同于「偏位来」之向去一路;又举「光境俱忘」,判为「教中之则,不同玄学」;又举「出息不依众缘,入息不居蕴界而住」,判为「此语全是功,不同缘中认得」,且举「有一人无出入息」之语,「令渠知有正位」,此即由功用之语引入正位之例。曹山进一步辨析「兼带」之病与正,谓真正「相带兼来者」当如「文殊吃茶」「药山答云岩带刀语」等方为正格。曹山自述教学层次:「药山与新丰并前诸德所出,超过入正位,是玄谈奇特句已;次到小小得力者,即且抽入正位。此例吾常用也」,可知「借功明位」乃依学人根器施设之接引手段。

《宏智禅师广录》以「光」具体说明:「光在体时常湛湛,体含光处却灵灵」,即借功明位之写照;「纷扰扰时常隐隐,闹嘈嘈处却闲闲」,则为借位明功之写照。又以青山白云为喻:「青山不用白云朝,白云不用青山管」,各自自在;「云常在山山在云」,彼此相即;进而提出「体用无私」,以「水向竹边流出绿,风从华里过来香」表作用自然流行。经文并未将两句定式视为终局,认为虽能「履践得十成」,仍只是「傍参边事」,须追问「不借借时」落在何处,所举「星前人卧千峰室,佛祖无因识得渠」即着重不可由外在识取之实际行履。另有以主宾尊用之语明此义者,如云似鹤而行者须「知有我」,安坐披衣者须「识得渠」,见「主中而用」,援引二法后说能如此者「身心独脱,动静两忘」,乃至「云水是阇黎,阇黎是云水」。经中亦把此对举置于曹洞家法实际运用中,于「偏正去来」「暗中着眼,明里藏身」之际,使人「通身及尽」,「照用同时,人境俱夺」。另有「借功明位,借伴入廛」之并列表述。

《万松老人评唱天童觉和尚颂古从容庵录》直接称「借功明位」为曹洞宗门之语,并以教中「性修二门」说明:大抵是「因修而悟,从凡入圣」,藉修行之功显明所至之位;以「白衣庶民直拜冢宰」为譬。反面「先悟后修,从圣入凡」,譬「积代簪缨,本来尊贵」,纵一时飘零落薄,其尊贵骨骼仍在。此因洞山与密师伯见白兔而发,密师伯以「白衣拜相」形容,洞山以「积代簪缨,暂时落薄」翻转其意,从两种方向呈现修悟与凡圣位次之关系。

三、不同部类与译本的表述差异

三部经典同属诸宗部,术语记录略有差异:

1. 曹山录中,「寄功明位」与「借功明位」并用,如「此一例语寄功明位」,可视为同一概念之别称。 2. 曹山录列举之变式最多,包括「借功明位、借位明功、借功明物、借物明功、借过明功、借功明过」,宏智录仅存「借功明位、借位明功」之核心对举及「借功明位,借伴入廛」之配套。 3. 宏智录独出之定式语为「借功明位,用在体处;借位明功,体在用处」,曹山录未见此四字对举。 4. 万松老人评唱以「性修二门」「因修而悟」「先悟后修」「从凡入圣」「从圣入凡」等成对语句,配合「白衣庶民」「冢宰」「积代簪缨」「落薄」等身分譬喻刻画「功」与「位」之关系,此为曹山、宏智二录所无。 5. 万松老人评唱另记「信位」「人位」之辨:仰山说「无圆位,亦无可断」,沩山指出其见处仍有「心境法」,判为「信位即是,人位未是」,别本作「信位即得,行位即未」;又引清居牧牛图说明「信位渐熟」尚存鼻索,「人位本空」则身心无着。此「位」之序列与借功明位之关系,经中明示「未必全同」于《金刚三昧经》之「信位、思位、修位、行位、舍位」。

四、与相关概念之关系

「借功明位」与「借位明功」为一对核心对举,前者重「用归于体」,后者重「体处于用」,互为表里。曹山录中另有「兼带」「正位」「偏位」诸名,借功明位即用作区分此三者之判教标准:曹山判「十二时中将何奉献答无物」一例「可同于功勋」,「不得呼为偏位及兼带」,「是借功明位,借位明功,同于此也」。宏智录更提出「不借借」之语,逼显超出言句安排之实际行履。万松老人评唱则以「信位/人位」「白衣拜相/积代簪缨」等不同譬喻系统刻画「功」「位」之互发关系。又,万松评唱以曹山「驴覻井」与「井覻驴」之翻覆语呈现「应底道理」,虽未直接标作借功明位,然属曹洞家风重视宾主翻覆而相互显发之表述方式。万松评唱谈君臣、父子、家业、儿孙等关系语汇时,亦以「理事双彰,真俗并举」概括,警示只在「光影门头」用事。

五、代表性原文引用

- 曹山:「于中或有借位明功借功明位。缘绪多端。功在临时。看语来势。不负来机。妙在佳致尔。」 - 曹山:「此一例语寄功明位。」 - 曹山:「是借功明位。借位明功。同于此也。」 - 宏智:「借功明位,用在体处。」 - 宏智:「光在体时常湛湛,体含光处却灵灵。」「纷扰扰时常隐隐,闹嘈嘈处却闲闲。」 - 宏智:「云常在山山在云……水向竹边流出绿,风从华里过来香。」 - 宏智:「借功明位,借伴入厮。」 - 万松:「借功明位……因修而悟,从凡入圣……白衣庶民直拜冢宰。」 - 万松:「信位即是,人位未是。」 - 万松:「驴覻井……井覻驴……触类而长之。」

By SutraAI-generated

撫州曹山元證禪師語錄T1987A · 諸宗部

《撫州曹山元證禪師語錄》論「借功明位」之義,主要見於曹山本寂禪師揀別五位君臣旨訣之語。其核心表述為「借功明位」與「借位明功」並舉,並衍生「借功明物、借物明功、借過明功、借功明過」等變式,用以說明機鋒問答中如何透過「功」(語言施用、功能顯現)來反顯「位」(正位、偏位之當體)。

一、與「借位明功」對舉並用

載:「於中或有借位明功借功明位。緣緒多端。功在臨時。看語來勢。不負來機。妙在佳致爾。」明此二法皆為隨機接引之方,並非定法,端在看話之勢與來機如何而定。曹山又將此歸結為「功在臨時」,強調其活用的性質。

二、以功顯位之語例

載:「此一例語寄功明位。」此處「寄功明位」即「借功明位」之別稱,並列舉具體例證。如云「定慧等學明見佛性」,曹山自述為「余初舉例語」,指出此語雖從緣中得,卻不同於「偏位來」之向去一路。又如「光境俱忘」,曹山指出「為是教中之則,不同玄學」,旨在區分教門與宗門之別。又如「出息不依眾緣,入息不居蘊界而住」,曹山判為「此語全是功,不同緣中認得」,且舉「有一人無出入息」之語,「令渠知有正位」,此即由功用之語而引入正位之例。

三、與「兼帶」之辨析

載:「是借功明位。借位明功。同於此也。」曹山進一步辨析「兼帶」之病與正。例如「獨脫物外,起眾聖前,云是正位却圓,其實屈正位也」,此例「呼為有病兼帶,為語中有語故,不得呼為相兼帶來」。曹山明言真正的「相帶兼來者」,當如「文殊喫茶」及「藥山答雲巖帶刀語」等,方為「兼帶」之正格。

四、功用之層次與教學功能

又揭示曹山自身之教學層次:「若是藥山與新豐並前諸德所出,超過入正位,是玄談奇特句已。次到小小得力者,即且抽入正位。此例吾常用也。」可知「借功明位」實為曹山依學人根器而施設之接引手段,「小小得力者」即用此法以引入正位。

五、相關語例之歸屬

中,曹山將「十二時中將何奉獻答無物」一例判為「可同於功勳」,並明言「不得呼為偏位及兼帶」,「是借功明位,借位明功,同於此也」,說明此等語例在五位分類中自有其特殊位置。

綜上,曹山論「借功明位」之特色,在於將其與「借位明功」、「借功明過」等並列為隨機施設之方法,並以之作為區分正位、偏位、兼帶之判教標準,且明言「功在臨時」,不以定法拘之。

宏智禪師廣錄T2001 · 諸宗部

《宏智禪師廣錄》以「借功明位,用在體處」為核心定式,並與「借位明功,體在用處」相對並舉。「借功明位」所顯者,是作用歸於本體、光明在體中呈現;「借位明功」則是本體處於作用之中。全書使用的關鍵語彙正是「功」「位」「體」「用」,未另換其他名目,記錄此義時宜保存其原有對舉形式。

本經以「光」具體說明借功明位:「光在體時常湛湛,體含光處却靈靈。」光在體中,常自湛然;體能含光,又顯靈明。相對而言,借位明功則說「紛擾擾時常隱隱,鬧嘈嘈處却閑閑」,在紛擾作用之中,本體仍隱然閑靜。這一組問答直接把「用在體處」寫成光與體相含,把「體在用處」寫成鬧中之閑。

本經又以青山、白雲申明體用關係:「青山不用白雲朝,白雲不用青山管」,二者各自自在;然而「雲常在山山在雲」,又彼此相即。由此重申借功明位與借位明功,進而提出「體用無私」;其境況以「水向竹邊流出綠,風從華裏過來香」表示,作用自然流行,體用之間不設私礙。

在行履上,本經說借功明位、借位明功雖能「履踐得十成」,仍只是「傍參邊事」,並追問「不借借時」落在何處。這表明經文並未把兩句定式當作終局,而以「不借借」逼顯超出言句安排的實際行履;所舉「星前人臥千峯室,佛祖無因識得渠」,亦著重其不可由外在識取。

另一段以主賓、尊用說明此義:如雲似鶴而行者,須「知有我」,方能在賓處而尊;安坐披衣者,又須「識得渠」,乃見「主中而用」。經文隨即援引借功明位與借位明功,並說能如此者「身心獨脫,動靜兩忘」,乃至「雲水是闍黎,闍黎是雲水」,顯示其著眼於主賓、動靜及人境互融的親身履踐。

本經亦把此對舉置於曹洞家法的實際運用中:於「偏正去來」「暗中著眼,明裏藏身」之際,借位明功、借功明位使人「通身及盡」,進而「照用同時,人境俱奪」;又能從本地重新建立,於經行坐臥、語默動容中「拽來便用,無可不可」。此處所述不是抽象名相,而是體用相即後的大機大用。

此外,本經有「借功明位,借伴入廛」的並列表述,說其「應無爽而理之平等,用不勤而道之自然」。其中「借伴入廛」是本段與借功明位相配的原有術語形式,著重應物而不差爽、起用而不勉強;遇到識者,便可直接開示。

萬松老人評唱天童覺和尚頌古從容庵錄T2004 · 諸宗部

《萬松老人評唱天童覺和尚頌古從容庵錄》直接以「借功明位」為曹洞宗門之語,並以教中「性、修二門」說明其義。所謂「借功明位」,大抵是「因修而悟,從凡入聖」:藉由修行之功,顯明所至之位。原文用「白衣庶民直拜冢宰」作譬,表示由凡庶而登尊位。與此相對者是「先悟後修,從聖入凡」,譬如「積代簪纓,本來尊貴」,縱然一時飄零落薄,其尊貴骨骼仍在。全段因洞山與密師伯見白兔而發:密師伯以「白衣拜相」形容,洞山則以「積代簪纓,暫時落薄」翻轉其意,從兩種方向呈現修、悟與凡聖位次的關係。

本經記錄此概念時,確切採用的術語是「借功明位」,不是「藉作用顯明本位」;後者可作概念說明,但不是此處原文的固定語形。經中又使用「性修二門」「因修而悟」「先悟後修」「從凡入聖」「從聖入凡」等成對語句,並以「白衣庶民」「冢宰」「積代簪纓」「落薄」等身分升降之譬,具體刻畫「功」與「位」如何互相發明。

與「位」相關的另一段,藉仰山與溈山問答辨析「信位」「人位」。仰山說「無圓位,亦無可斷」,溈山則指出其見處仍有「心境法」;其後判為「信位即是,人位未是」,別本作「信位即得,行位即未」。本經特別提醒,「信位、人位」未必全同於《金剛三昧經》所列「信位、思位、修位、行位、捨位」,又引清居牧牛圖說「信位漸熟」而尚存鼻索,至「人位本空」則身心無著、得失淨盡。這顯示本經的位次語彙並非單一固定序列,而須依當段問答分辨。

本經亦以曹山「驢覻井」與「井覻驢」的翻覆語,說明佛真法身「猶若虛空,應物現形如水中月」之「應底道理」。曹山認為「驢覻井」只說得八成,倒轉為「井覻驢」,並被評為「觸類而長之」及曹洞宗派之源。此段雖未直接標作「借功明位」,卻呈現本經論曹洞家風時重視應物現形、賓主翻覆而相互顯發的表述方式。

此外,本經說君臣父子之設施並非曹洞始創,溈仰父子已行此令;「刈茆」是臣子邊事,而兒孫紹承家業,皆是承力報恩。評唱以「理事雙彰,真俗並舉」概括此類說法,並警惕只在「光影門頭」用事。由此可見,本經談位與作用時,常借君臣、父子、家業、兒孫等關係語彙,使本位與承當之功在具體行履中一併顯出。

Related