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借功

禅宗用语,指藉功用行履显明体位,或外绍者以功业成就承绍的施设。AI-generated

Type PracticeDifficulty AdvancedTruth-level span outside the four-fold two-truths frameworkInitial AI estimate · evolves with use

A Contemporary ReadingAI-generated

What this concept is saying

Jiè gōng (借功, “borrowing function, practice, or accomplishment”) is a technical Chan term, especially important in the Caodong school. Here “borrowing” does not mean appropriating someone else’s merit, and gōng does not simply mean moral merit or strenuous effort. It refers to function, practice, responsive activity, and—in one particular lineage metaphor—accomplishment through which succession is established.

The classical sources use the term in two related but distinct ways:

1. In the *Extensive Record of Chan Master Hongzhi* (*Hóngzhì Chánshī Guǎnglù*, 《宏智禪師廣錄》), it means using concrete activity and practice to disclose the fundamental position, without dividing essence from function. 2. In the *Eyes of Humans and Gods* (*Réntiān Yǎnmù*, 《人天眼目》), it can mean attaining “external succession” through accomplishments, in contrast to an “internal succession” said to be originally complete.

These two meanings share a concern: what is fundamentally true must not become an inert possession. But they belong to different explanatory frameworks and should not be collapsed into a single loose formula.

The first meaning is expressed through a carefully balanced pair:

「借功明位,用在體處;借位明功,體在用處」 “Borrow function to clarify the position: function is at the place of essence. Borrow the position to clarify function: essence is at the place of function.” —*Extensive Record of Chan Master Hongzhi*

Each term matters.

- Gōng (功, function, practice, or operative accomplishment) is what actually occurs: sitting, walking, speaking, listening, answering circumstances, serving others, and carrying practice into the particularities of life. - Wèi (位, position) is the fundamental or “correct” position—the dimension not confined by any particular appearance or circumstance. - Tǐ (體, essence or body) names the fundamental reality of the matter. It is not a metaphysical object hidden behind experience. - Yòng (用, function) is that reality’s concrete operation. It is not merely external behavior.

“Borrow function to clarify the position” therefore means that the fundamental is disclosed through its living operation. Silence may be manifested through a measured reply; freedom from self-clinging may be disclosed in how one receives criticism; nonattachment may become visible in the ability to act wholeheartedly without trying to own the result. Function is not evidence for an essence located somewhere else: “function is at the place of essence.”

The reverse statement is equally necessary. “Borrow the position to clarify function” means that action is illuminated by the fundamental position; “essence is at the place of function.” Otherwise, energetic practice can deteriorate into self-improvement, spiritual performance, or anxious striving. The position prevents function from being treated as a means by which an insufficient self manufactures enlightenment. Function prevents the position from hardening into a private experience of purity.

Thus the two movements are not stages in which one first finds an essence and later applies it. They correct one another continuously:

- If one clings to function, practice becomes achievement and identity. - If one clings to position, emptiness becomes withdrawal and passivity. - When neither is privately appropriated, Hongzhi calls it “essence and function without selfish possession” (體用無私).

The record gives this image:

「水向竹邊流出綠,風從華裏過來香」 “Water flowing beside bamboo comes forth green; wind passing through flowers comes bearing fragrance.” —*Extensive Record of Chan Master Hongzhi*

The correspondences must be kept distinct. Water does not seize the bamboo’s green as its own; bamboo does not manufacture another substance called “water-green.” Wind does not retain the flowers, and flowers do not imprison the wind; yet fragrance arrives through their meeting. Position and function disclose one another in the same way. Conditions remain particular, activity is unmistakable, but nothing establishes a separate ownership over what appears.

This is why Hongzhi places jiè gōng among the Caodong teachings of piān and zhèng (偏正, the partial and the correct), illumination and function, advance and return, turning, auxiliary investigation, and relinquishing one’s position. “Partial” here concerns differentiated phenomena and responsive activity; “correct” points toward the undifferentiated fundamental dimension. The teaching is not to discard the partial in favor of the correct. Hongzhi’s instruction is more exact: “the partial does not attach to things; the correct is not established as something mysterious.” One must then go a step further and appear throughout the ten directions—that is, return fully to the world of distinctions and relationships.

Accordingly, jiè gōng operates in walking, standing, sitting, lying down, speaking, silence, movement, and composure. The record says it must be established from the “original ground” and then brought forth wherever needed. This is not permission for arbitrary conduct. “Whatever is needed can be used” describes responsiveness freed from fixation, not a person baptizing every impulse as spontaneous Zen.

Jiè gōng also has a second, more institutional and pedagogical meaning in the *Eyes of Humans and Gods*. That text distinguishes nèi shào (內紹, internal succession) from wài shào (外紹, external succession). Its imperial analogy is precise:

- A person born into the imperial house and succeeding by birth represents internal succession, described as “the accomplishment of no accomplishment” and as “originally complete.” - A minister raised to eminent rank through distinguished service represents external succession: one “borrows accomplishments” to establish succession. This is jiè gōng, also recorded there under the alternative name jiè jù (借句).

“External” does not simply mean false, and “internal” does not mean that conduct is unnecessary. The distinction belongs to the Caodong framework of the merit ranks, the five positions of the prince, and internal and external succession. Within that framework, external succession “has a beginning and an end,” whereas internal succession is “originally complete.” One speaks from the side of a course of accomplishment; the other speaks from the side of intrinsic nobility.

A verse about a noble prince culminates in the line:

「直扣堯階卻借功」 “Directly approaching Yao’s steps, he nevertheless borrows accomplishment.” —*Eyes of Humans and Gods*

The prince is noble by birth, yet still approaches the sovereign by traversing the steps. The image holds original dignity and enacted realization together without making them identical. What is inherent does not eliminate the path by which it becomes manifest.

The same text also warns that competence is not identical with the “noble” way. Someone may understand every situation and respond fluently to every phenomenon, yet be merely a person who has “finished the business,” not one called “noble.” Functional mastery can become another subtle possession. Conversely, the text’s language of “not borrowing” points to power manifesting directly upon meeting conditions. “Borrowing” and “not borrowing” therefore cannot be turned into a crude hierarchy in which effort is bad and effortlessness is good. They disclose different sides of realization and different pedagogical situations.

Nor should jiè gōng be equated with gōnggōng (功功), one of several technical merit-position terms listed in the *Eyes of Humans and Gods*. The source treats them as separate expressions; similarity of wording is not identity of doctrine.

Its place on the path of liberation is now clearer. Buddhism does not aim merely to provide a more satisfying self-image. Liberation involves seeing through appropriation—the repeated construction of “I,” “me,” and “mine”—and embodying that freedom amid conditions. Jiè gōng addresses a delicate point in this process: practice is indispensable, yet practice must not become private capital; the fundamental is ever-present, yet it must not become an excuse for remaining unchanged. Activity reveals the ground, and the ground releases activity from self-ownership.

A walkthrough in everyday life

Imagine that you are commuting after a difficult morning. The train is crowded. Your phone displays a message from your partner: “You never listen.” Almost immediately, you begin composing a defensive reply.

First, distinguish the fundamental position from the concrete function. The position is not an inner zone where the message cannot hurt you. Nor is it the doctrine “everything is empty” used to dismiss the conflict. It is the dimension in which the message, bodily tension, wounded self-image, and impulse to answer are all present without constituting a fixed owner or an unchangeable self.

Function is the actual response of this moment: noticing the tightening jaw, reading the message again, refraining from an immediate counterattack, remembering the context, and choosing whether to reply now or later. Function is not merely the visible act of typing. It includes attention, restraint, discernment, speech, silence, and the relational consequences of each.

Now “borrow function to clarify the position.” You do not prove emptiness by repeating a philosophical proposition. You let the position become evident in a concrete act: instead of defending the permanent identity “I am a good partner,” you write, “I can see that last night I answered your words before understanding them. Can we talk after work?” The loosening of self-defense appears through the response. This is function at the place of essence.

The common mapping error is to say: “My calm reply is function; the calm feeling inside me is essence.” Calmness is still a conditioned state. It may disappear in thirty seconds. The “position” is not one preferred mental state concealed beneath behavior.

Next, “borrow the position to clarify function.” Your reply is not valuable because it earns spiritual points or demonstrates that you are the mature person in the relationship. Remembering that neither self nor role is a fixed possession allows the response to remain responsive. Perhaps your partner needs an apology; perhaps a boundary must be stated; perhaps you genuinely need more time. Essence is at the place of function: the fundamental does not dictate one standardized Zen-like answer.

Then examine piān and zhèng, the partial and the correct. The exact wording of the message, the history of the relationship, fatigue, timing, and tone belong to the differentiated situation. Do not “transcend” them. At the same time, do not attach to any one detail as the entire truth: “They said ‘never,’ therefore they are irrational and I need hear nothing else.” The partial does not attach to things. Nor should the correct be established as a mysterious refuge: “At the ultimate level there is no partner and no conflict.” That would use the correct position to abandon the human being in front of you.

Finally, let essence and function become “without selfish possession.” You apologize where an apology is due, establish a boundary where one is needed, and continue listening without turning the outcome into proof of your attainment. Like water taking on bamboo-green and wind carrying floral fragrance, your response bears the color and scent of this particular relationship without becoming a trophy called “my wisdom.”

The same walkthrough applies while scrolling on a phone. The algorithm presents an inflammatory post; bodily agitation and a wish to display moral superiority arise. “Borrowing function” may mean putting the phone down, checking the source, declining to forward the claim, or writing a careful correction. But the gesture is not jiè gōng merely because it looks disciplined. Its significance lies in whether this functioning discloses nonappropriation and clear responsiveness—or merely constructs a new identity: “I am the one who is never manipulated.”

In parenting, a child has a public meltdown. The fundamental position is not emotional numbness, and function is not simply enforcing obedience. Function includes perceiving danger, recognizing exhaustion, protecting others, speaking firmly, and later repairing connection. Borrowing function to clarify position means that non-self-centered care becomes visible through those particular acts. Borrowing position to clarify function means that the parent does not reduce either adult or child to a fixed identity—“bad parent,” “difficult child”—even while setting a real limit.

At work, jiè gōng asks whether competence serves awakening or self-construction. Finishing a project, managing a crisis, or leading a team can all be “accomplishment.” They can disclose patience, clarity, and freedom from ownership. But the *Eyes of Humans and Gods* supplies a sharp warning: fluency in every matter does not by itself constitute nobility. Being able to handle everything may strengthen the very self that liberation is meant to expose.

Why contemporary people need it

Contemporary culture pulls strongly toward two extremes.

The first is relentless self-manufacture. Productivity systems, professional metrics, personal brands, wellness routines, and even meditation can become an account in which the self accumulates competence and legitimacy. In that world, practice means: “I perform, therefore I deserve to be.” The external-succession meaning of jiè gōng helps us see how accomplishment really operates: it has conditions, a trajectory, a beginning, and an end. It can establish a role or manifest a capacity, but it should not be confused with unconditional worth or intrinsic freedom.

The second extreme is an abstract language of original completeness. One hears: “Nothing is lacking, so there is nothing to practice.” Chan texts do speak of what is originally complete, but jiè gōng prevents this from becoming spiritual anesthesia. The prince is noble, yet he still walks up the steps. Original completeness that never enters speech, work, conflict, generosity, and ethical restraint is easily indistinguishable from a flattering belief.

The teaching therefore protects practice from both deficiency and complacency. You do not practice to manufacture a true nature that you lack. You practice so that what is not privately owned can become unobstructedly operative. And because practice itself can be appropriated, it must eventually become “without selfish possession.”

This is particularly relevant to life shaped by algorithms and artificial intelligence. An algorithm’s output appears through data, objectives, design decisions, infrastructure, and user behavior; an AI system’s fluent answer likewise depends on many conditions. That can serve as a limited analogy for activity without a single, simple author. But it is only an analogy. Computational dependence is not Buddhist realization, and scientific or engineering descriptions do not prove Chan teachings about liberation. Current research also does not settle the philosophical questions of consciousness, agency, or selfhood. The useful comparison is humbler: complex functioning need not be explained by the sovereign little controller we instinctively imagine.

Jiè gōng further reminds us that liberation must survive contact with particulars. It is comparatively easy to feel spacious while alone and undisturbed. The harder question is whether spaciousness can answer an unfair accusation without hatred, revise a cherished opinion, care for an aging parent, admit an error at work, or stay present with grief. Circumstances are not merely obstacles to the fundamental position; they are where it is disclosed.

Yet the teaching does not glorify busyness. Hongzhi joins jiè gōng with “clarifying silent stillness” and describes a manner at once silent and subtly functional. Genuine function may be a word, an intervention, waiting, declining, or doing nothing unnecessary. Stillness and activity are not measured by bodily motion. A silent person may be internally grasping at identity; a person handling many tasks may be inwardly unencumbered.

In the larger path of liberation, then, jiè gōng is not the whole map. It does not replace ethical discipline, meditation, wisdom, compassion, or the examination of craving and ignorance. It illuminates how realization and cultivation meet: wisdom must function, function must not obscure wisdom, and neither may be retained as “mine.”

Common misunderstandings and clarifications

“Borrowing merit means relying on someone else’s good karma.” This is not the meaning here. Jiè gōng belongs to specialized Chan discourse. Depending on context, gōng concerns living function and practice or accomplishments through which external succession is established.

“Function means outward action, while essence is an invisible substance inside.” That divides what the source deliberately refuses to divide. “Function is at the place of essence; essence is at the place of function.” Essence is not a metaphysical object behind appearances, and function includes attention, discernment, silence, and responsiveness—not only bodily action.

“Borrowing function means using ordinary events as symbols of an ultimate truth elsewhere.” The events are not merely illustrations pointing away from themselves. The bamboo-water and flower-wind image shows mutual disclosure here and now. The ultimate is not reached by evacuating the particular.

“If original nature is complete, cultivation is unnecessary.” This mistakes the language of internal succession for a cancellation of practice. The sources preserve both original completion and enacted manifestation. The prince still approaches the steps; the fundamental position becomes livingly evident in conduct.

“If effort is involved, realization cannot be genuine.” This turns “not borrowing” into a slogan. The texts distinguish borrowing accomplishment, accomplishment-free accomplishment, and power emerging without borrowing when conditions are met. These expressions address different perspectives; they do not justify despising disciplined practice.

“Any spontaneous behavior is the free function of awakening.” Habit, anger, trauma, vanity, and impulsiveness can also feel spontaneous. Chan responsiveness is not authenticated by speed or unconventionality. Its tests include freedom from fixation, clarity concerning the partial and the correct, responsiveness to conditions, and the absence of private appropriation.

“Mastering every situation proves enlightenment.” The *Eyes of Humans and Gods* explicitly resists this conclusion. One may understand “item after item” and pass freely through “thing after thing” yet still not embody the path described as noble. Competence may remain centered on achievement and ownership.

“External succession is inferior and therefore worthless.” The metaphor says that external succession is established through accomplishment and has a beginning and an end. It does not say that training and demonstrated capacity have no value. It says they should not be confused with what the text calls originally complete internal succession.

“Internal succession means inherited institutional authority.” In this teaching it is a metaphor drawn from royal succession, not a simple claim about clerical inheritance. Reading it only as organizational legitimacy misses its contrast between original completion and attainment through accomplishment.

“Jiè gōng and gōnggōng are interchangeable.” They are not. The *Eyes of Humans and Gods* lists gōnggōng among other merit-position expressions, but does not directly identify it with jiè gōng. Technical proximity is not equivalence.

“The correct is reality, while the partial is illusion.” That would narrow the Caodong structure into a crude opposition. The differentiated world is where function occurs. The instruction is neither to cling to things nor to establish the correct as a mysterious absolute. One must turn and appear amid the ten directions.

The heart of jiè gōng can therefore be stated simply, though not cheaply: do not wait for truth to appear somewhere outside your life. Let it be disclosed in the way you answer this message, take this step, keep this promise, or release this defense. But do not seize the resulting action as proof that truth belongs to you. Borrow the work to reveal the ground; borrow the ground to free the work. Then, like green appearing where water passes bamboo and fragrance arriving where wind passes flowers, the path becomes visible without anyone possessing it.

Canonical EntryAI-generated

1. 定义与核心要义

借功为禅宗(尤指曹洞宗)重要语汇,于不同经论中含两层意涵。其一,由作用、行履与万象显明本来体位,而又不使体、用凝滞为二;其二,藉功业成就外在承绍,如外绍之喻。两义于不同经论中各有侧重。

2. 主要阐述

《宏智禅师广录》以「借功明位,用在体处」与「借位明功,体在用处」对举:前者由功用显明体位,作用不离本体;后者由体位显明功用,本体正在作用之中。二者须进至「体用无私」,其现成景象被表作「水向竹边流出绿,风从华里过来香」,即体用相资而各无私取。

本录又把这组语汇置于曹洞家法的具体行履中,明言「借位明功,体在用处;借功明位,用在体处」,并与「偏正去来」「暗中着眼,明里藏身」「照用同时」「人境俱夺」并列。其落实处不是停在名相,而是「却从本地建立得来」,于经行坐卧、语默动容中「拽来便用,无可不可」,乃至运神通、作佛事;借功因而被写成从本地发起而遍在日用的活用。

借功亦与正偏、转身和旁参相连。本录说「借功自有旁参事,历历机头看正偏」,显示借功须在当下机用中辨明正偏,不是附著于物,也不是把正位立成玄妙境界;其相应行履则是「偏不附物,正不立玄」,并须更跨一步而于十方现身。 另以「里许借功方得活,那时退位不知闲」指出,借功使人于「里许」得活,且与退位相接,呈现宗家密密绵绵、相续不断的一面。

在功位转换方面,本录有「向去莫教迷一色,却来须识借功人」之语,把「借功人」置于向去、却来的往复中,提醒不可滞于一色,回转时须识得能借功者。 又说家风「穷而却通」,于其中「转功借功」,其结果被形容为「至游而默,妙用而冲」,兼具默然与妙用,气象温活而心地湛空。

本录还以数种凝缩形式铺陈此义。「借功明寂默,借伴入樊笼」将借功与显明寂默相连,而其周遍之相是十方、三世混融,刹尘说法,见闻互换相通。 「借功光历历,借伴老垂垂」则突出借功所显之光明历然,同时说文彩纵横而机头本不挂丝,显示显现虽繁而不留造作痕迹。 「借功分照用,借位解提持」又把「借功」落在分明的照用,把「借位」落在提持,并以万象森罗同说一音收束。

《人天眼目》论「借功」,最直接的界定见于「内绍、外绍」之辨。书中以帝王承统为喻:生于帝王之家而承绍者,譬为「内绍」;如郭中令、李西平以勋劳而至显位者,譬为「外绍」。其中,「内绍」是「无功之功」,「外绍」则是「借功业而然」。因此,本经所谓「借功」,重点正在藉功业而成其外在承绍,并非本自具足的内绍。

本经记录的另一项重要用词,是「借功」又名「借句」。这是本经对此概念所保存的术语形式:以「借功业而然」解释其义,又将「借功」与「借句」并列为异名。

偈颂以王子入朝的形象呈现「借功」:「贵胤」生时本来尊贵,佩玉居于东宫,至月堂照处朝见君父,最后说「直扣尧阶却借功」。此处并不另作抽象定义,而以登阶朝君的动作显示:在本有尊贵的叙事中,仍藉一段功用或行履而显其承绍,所以偈末特别落在「却借功」三字。

原文又引曹山章禅师偈「妙明体尽知伤触,力在逢缘不借中」,并引云居弘觉禅师说,即使能够「头头上了,物物上通」,也只可称为「了事人」,终不称为「尊贵」。本经因而指出「尊贵一路自别」:功用通达与尊贵并不等同,而「不借」亦被置于逢缘显力的语境中,与前述外绍之「借功业」形成原文明示的差别。

在全书对曹洞宗门施设的总述中,「借功」所属的语义背景包括功勋五位、王子五位及内外绍等事。书中说功勋五位是明示参学功位直至「非功位」,王子五位则明示「内绍本自圆成,外绍有终有始」。因此,借功作为外绍的说法,与「有终有始」相连;内绍则以「本自圆成」表述。全段最后将曹洞家风概括为体用、偏正、宾主,以明向上一路。

3. 不同部类与译本的表述差异

两部经虽同属诸宗部,但用语与侧重不同:

《宏智禅师广录》以曹洞体用、功位观念为主,常用「借功明位」「借位明功」「转功借功」「借功人」「借功分照用」等形式,与「功」「位」「体」「用」「正」「偏」「照用」「旁参」「退位」交织。

《人天眼目》以内外绍、功勋五位、王子五位为框架,重在外绍之「借功业」义,并标明「借功」异名为「借句」。

此外,本经另列「向、奉、功、共功、功功」等功位术语,并以「不共」「混然无讳处」回答「如何是功功」。原文并未将「功功」直接等同于「借功」,故宜分别记录,不宜互相代换。

4. 与相关概念的关系

借功与借位对举而互显,与体用、正偏、照用、旁参、退位、转功等概念交织。内绍为「无功之功」,外绍(借功)为「借功业而然」,二者有明确区别。「功功」等功位术语并行使用,原文未将「功功」直接等同于「借功」。

5. 代表性原文引用

- 「借功明位,用在体处;借位明功,体在用处」《宏智禅师广录》 - 「水向竹边流出绿,风从华里过来香」《宏智禅师广录》 - 「借功自有旁参事,历历机头看正偏」《宏智禅师广录》 - 「里许借功方得活,那时退位不知闲」《宏智禅师广录》 - 「借功明寂默,借伴入樊笼」《宏智禅师广录》 - 「借功光历历,借伴老垂垂」《宏智禅师广录》 - 「借功分照用,借位解提持」《宏智禅师广录》 - 「直扣尧阶却借功」《人天眼目》 - 「妙明体尽知伤触,力在逢缘不借中」(曹山章禅师偈)引自《人天眼目》 - 「内绍本自圆成,外绍有终有始」《人天眼目》

By SutraAI-generated

宏智禪師廣錄T2001 · 諸宗部

《宏智禪師廣錄》以「借功」說明由作用、行履與萬象顯明本來體位,而又不使體、用凝滯為二。其核心對舉是「借功明位,用在體處」與「借位明功,體在用處」:前者由功用顯明體位,作用不離本體;後者由體位顯明功用,本體正在作用之中。二者須進至「體用無私」,其現成景象被表作「水向竹邊流出綠,風從華裏過來香」,即體用相資而各無私取。

本錄又把這組語彙置於曹洞家法的具體行履中,明言「借位明功,體在用處;借功明位,用在體處」,並與「偏正去來」「暗中著眼,明裏藏身」「照用同時」「人境俱奪」並列。其落實處不是停在名相,而是「却從本地建立得來」,於經行坐臥、語默動容中「拽來便用,無可不可」,乃至運神通、作佛事;借功因而被寫成從本地發起而遍在日用的活用。

「借功」亦與正偏、轉身和旁參相連。本錄說「借功自有旁參事,歷歷機頭看正偏」,顯示借功須在當下機用中辨明正偏,不是附著於物,也不是把正位立成玄妙境界;其相應行履則是「偏不附物,正不立玄」,並須更跨一步而於十方現身。 另以「裡許借功方得活,那時退位不知閑」指出,借功使人於「裡許」得活,且與退位相接,呈現宗家密密綿綿、相續不斷的一面。

在功位轉換方面,本錄有「向去莫教迷一色,却來須識借功人」之語,把「借功人」置於向去、却來的往復中,提醒不可滯於一色,回轉時須識得能借功者。 又說家風「窮而却通」,於其中「轉功借功」,其結果被形容為「至游而默,妙用而冲」,兼具默然與妙用,氣象溫活而心地湛空。

本錄還以數種凝縮形式鋪陳此義。「借功明寂默,借伴入樊籠」將借功與顯明寂默相連,而其周遍之相是十方、三世混融,剎塵說法,見聞互換相通。 「借功光歷歷,借伴老垂垂」則突出借功所顯之光明歷然,同時說文彩縱橫而機頭本不掛絲,顯示顯現雖繁而不留造作痕跡。 「借功分照用,借位解提持」又把「借功」落在分明的照用,把「借位」落在提持,並以萬象森羅同說一音收束。

就本錄的專門用詞而言,它不只單用「借功」,更常用「借功明位」「借位明功」「轉功借功」「借功人」「借功分照用」等形式;又以「功」「位」「體」「用」「正」「偏」「照用」「旁參」「退位」彼此交織。這些正是《宏智禪師廣錄》呈現此概念時的原有術語面貌,不宜僅以一般性的「借事顯體」取代其細密對舉。

人天眼目T2006 · 諸宗部

《人天眼目》論「借功」,最直接的界定見於「內紹、外紹」之辨。書中以帝王承統為喻:生於帝王之家而承紹者,譬為「內紹」;如郭中令、李西平以勳勞而至顯位者,譬為「外紹」。其中,「內紹」是「無功之功」,「外紹」則是「借功業而然」。因此,本經所謂「借功」,重點正在藉功業而成其外在承紹,並非本自具足的內紹;二者在原文中有明確區別。

本經記錄的另一項重要用詞,是「借功」又名「借句」。這是本經對此概念所保存的術語形式:以「借功業而然」解釋其義,又將「借功」與「借句」並列為異名。就多名歸一而言,本經的用語不可僅記作「借功」,亦須記錄其「借句」之稱。

偈頌以王子入朝的形象呈現「借功」:「貴胤」生時本來尊貴,佩玉居於東宮,至月堂照處朝見君父,最後說「直扣堯階卻借功」。此處並不另作抽象定義,而以登階朝君的動作顯示:在本有尊貴的敘事中,仍藉一段功用或行履而顯其承紹,所以偈末特別落在「卻借功」三字。

原文又引曹山章禪師偈「妙明體盡知傷觸,力在逢緣不借中」,並引雲居弘覺禪師說,即使能夠「頭頭上了,物物上通」,也只可稱為「了事人」,終不稱為「尊貴」。本經因而指出「尊貴一路自別」:功用通達與尊貴並不等同,而「不借」亦被置於逢緣顯力的語境中,與前述外紹之「借功業」形成原文明示的差別。

在全書對曹洞宗門施設的總述中,「借功」所屬的語義背景包括功勳五位、王子五位及內外紹等事。書中說功勳五位是明示參學功位直至「非功位」,王子五位則明示「內紹本自圓成,外紹有終有始」。因此,借功作為外紹的說法,與「有終有始」相連;內紹則以「本自圓成」表述。全段最後將曹洞家風概括為體用、偏正、賓主,以明向上一路。

此外,本經另列「向、奉、功、共功、功功」等功位術語,並以「不共」「混然無諱處」回答「如何是功功」。這些是本經談功位時並行使用的名目;原文並未將「功功」直接等同於「借功」,故宜分別記錄,不宜互相代換。

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