Dharma · AI Companion

機用

禅师接物应缘时活泼灵妙之作用,指临机施为、应变无碍的功能。AI-generated

Type PracticeDifficulty IntermediateTruth-level span outside the four-fold two-truths frameworkInitial AI estimate · evolves with use

A Contemporary ReadingAI-generated

What this concept is saying

Jīyòng (機用, responsive functioning) is the lively, precise, and unobstructed functioning of a Chan practitioner when meeting a person or situation. *Jī* (機) is the pivotal occasion: the conditions that set something in motion and the exact moment at which a response becomes possible. *Yòng* (用) is the functioning that arises in response to those conditions. Together, they name neither a doctrine one merely understands nor a technique one mechanically applies, but wisdom becoming effective at the point of contact.

Imagine a good physician seeing two patients with similar symptoms. One needs medicine; the other needs reassurance and rest. Treating both identically would look consistent but would not be responsive. Jīyòng is something like this discernment—except that in Chan it is rooted not merely in professional expertise, but in freedom from fixation on self, doctrine, method, and result.

This is why jīyòng must not be translated loosely as “cleverness,” “adaptability,” or “spontaneity.” A quick-witted person can improvise while remaining driven by vanity, fear, habit, or the desire to control. Jīyòng is not restless versatility. The *Recorded Sayings of Chan Master Hongzhi* (《宏智禪師廣錄》) places its root in stillness, emptiness, and clarity:

“In stillness, obtain the root; in movement, respond through the gate.” 「靜得其根,動應其門。」

The two halves belong together. Stillness without responsive functioning can become withdrawal, rigidity, or attachment to a peaceful state. Activity without the root becomes reactivity. Jīyòng is stillness that does not freeze and movement that does not lose its center.

Hongzhi’s text develops this through several inseparable dimensions.

First, jīyòng is response to conditions. “Conditions” are not obstacles to awakening that must first disappear. They are where awakened functioning is tested and expressed. Hence:

“Still able to respond well to conditions, one’s responsive functioning becomes more excellent and enduring.” 「因緣仍善應,機用更優長。」

The text accordingly associates jīyòng with responsive manifestation (*yìnghuà*, 應化), adaptive transformation (*biàntōng*, 變通), and establishing expedients as appropriate (*shīshè suíyí*, 施設隨宜). These expressions do not authorize arbitrary behavior. They indicate that compassionate means must fit the actual person, capacity, and occasion.

Second, jīyòng depends upon contact without obstruction. Hongzhi speaks of “wondrous contact emerging from obstruction” (「妙觸出礙」) and of meeting affairs as though “wielding a sword in empty space” (「觸事出礙兮虛空揮劍」). The point is not aggression. A sword moving through empty space is not caught by anything. Likewise, responsive wisdom meets sights, words, moods, and conflicts without becoming glued to them.

Another image is a bright pearl rolling freely on a tray. Its movement follows every tilt, yet it does not stick to the images reflected on its surface. A hollow valley offers a complementary image: because it is empty, it answers every sound with an echo. Emptiness here is not numbness or absence. It is the absence of the obstruction that would prevent an adequate response.

Third, jīyòng is related to samādhi (*sānmèi*, 三昧)—collected, undivided meditative presence. Hongzhi writes:

“The single pivotal functioning is vividly clear; samādhi is present in every dust.” 「一機歷歷,三昧塵塵。」

And:

“Through every gate, according with the matter, one attains samādhi.” 「門門隨事得三昧。」

This does not mean merely preserving a private meditative mood while doing chores. “Every dust” means that no ordinary object or encounter lies outside practice. Lanterns, pillars, green bamboo, and yellow flowers become occasions of Chan functioning. Samādhi is therefore not only composure before action; it can be the nonfragmented presence within action from which jīyòng operates.

The *Eyes of Humans and Gods* (《人天眼目》) presents the subject from a sharper interpersonal angle through the relation between illumination (*zhào*, 照) and functioning (*yòng*, 用). Illumination is discerning awareness; functioning is the response that awareness enacts. The text gives four configurations, each of which must be preserved rather than compressed into a vague ideal of “mindful action”:

1. Illumination first, functioning afterward (先照後用): the person or situation is first discerned, and a response follows. 2. Functioning first, illumination afterward (先用後照): the intervention comes first, with its discerning disclosure becoming evident afterward. 3. Illumination and functioning simultaneously (照用同時): seeing and responding are a single undivided event. The text represents this with severe images such as driving an ox, taking away food, breaking into the bone to obtain the marrow, and applying a painful needle. 4. Illumination and functioning not simultaneous (照用不同時): question and answer, host and guest, are provisionally established; the teacher “mixes water with mud” in order to respond to the occasion and receive the person (「合水和泥應機接物」).

These are not four personality types or a decision tree to run mentally. They are analytical descriptions of living encounters. Indeed, the text warns against treating the categories themselves as substitutes for discernment. After a shout, one cannot determine whether it was “illumination” or “functioning” merely by labeling its outward form. Its significance depends on what was happening between the participants and what attachment the act exposed or released.

This explains the notorious Chan stories of shouting and striking. In the source material, a teacher may ask a monk to answer his own question, shout immediately, answer one shout with another, or finally strike. These actions test whether the student can “be host”—that is, stand free rather than merely imitate a posture or hide inside a borrowed answer. They are not universal Chan methods, magical gestures, or permission for abusive conduct. Copying a master’s shout while lacking the relevant realization, relationship, discernment, and context is exactly the transformation of a living function into a dead routine.

The *Eyes of Humans and Gods* calls the full disclosure of this capacity “the total pivotal function and great activity” (*quánjī dàyòng*, 全機大用). It describes this through “staff and shout crossing,” “light and dark interweaving,” “an edge hidden in the phrase,” and “a resonance within the words.” The language conveys speed, penetration, and many-sided skill. Yet the same text supplies the indispensable warning:

“Before the pivotal moment there is a standard; once one tries to aim toward it, one goes astray. Beneath the phrase there is no partiality; once it moves, it forms a habitual nest.” 「機前有準,擬向則乖;句下無私,動成窠臼。」

Jīyòng therefore has integrity but no reproducible formula. It is not arbitrary, because wisdom and compassion give it a “standard.” It is not programmable, because clinging to a predetermined form misses the living conditions. The paradox is central: the response is disciplined without being formulaic and spontaneous without being impulsive.

Its place on the path of liberation can now be stated clearly. Buddhist practice loosens ignorance, craving, and identification with a fixed self. Meditative stillness makes habitual reactions visible; insight sees their conditioned and empty character; ethical discipline prevents self-deception from masquerading as freedom; compassion turns nonattachment toward the welfare of beings. Jīyòng is the point at which these cease to be merely inward attainments and become effective in relationship. It is not a separate shortcut around ethics, concentration, and wisdom. It is their mature, situation-sensitive functioning.

A walk-through in everyday life

Consider a familiar scene. You are commuting after a difficult day. Your phone displays a message from your partner: “You never listen. Don’t bother coming home early.” Your chest tightens. A reply begins forming: “That is completely unfair.”

Here is how the situation unfolds through the structure of jīyòng.

The pivotal occasion—機. The occasion is not simply “a message arrived.” It includes the wording, your fatigue, the history of the relationship, the bodily surge, the impulse to defend yourself, and the small interval before pressing Send. The *jī* is this whole configuration reaching a point where bondage may be repeated or a freer response may emerge.

The common mapping error is to identify *jī* with a clever opportunity: “Here is my chance to say the perfect thing.” In Chan usage, it is first the living juncture disclosed by conditions—not an opening for tactical advantage.

Obtaining the root in stillness. You do not immediately suppress the anger or construct a spiritual reply. You stop typing. You feel the tightening without declaring, “This feeling is who I am” or “This feeling proves I am right.” Stillness here may last three breaths rather than thirty minutes. Its significance is not duration but noncapture.

The common error is to treat stillness as passivity. You are not deciding never to address the accusation. You are preventing the first conditioned reflex from impersonating clear action.

Illumination—照. You see several things at once: the literal accusation, your wish to win, your exhaustion, and perhaps the possibility that “You never listen” expresses loneliness rather than a factual claim about every past conversation. Illumination does not mean mind-reading. You do not pretend to know your partner’s hidden state. You discern what is present, what is inferred, and what remains uncertain.

Functioning—用. What should you do? There is no universally correct Chan-style sentence. Perhaps illumination comes first and functioning afterward: after seeing the defensive pattern, you write, “I can hear that you’re hurt. I don’t want to fight by text. I’ll come home, listen, and then tell you what today was like for me.”

Perhaps functioning comes first: recognizing that continued texting will deepen the conflict, you call immediately, and the call itself interrupts the spiral before either of you has fully articulated what is happening.

Perhaps illumination and functioning are simultaneous: just as you notice yourself preparing a courtroom defense, you delete it and ask one direct question—“What happened today that made you feel alone?” Seeing and redirecting occur as one movement.

Or illumination and functioning are not simultaneous: your partner is too activated to hear an explanation, so you first acknowledge the hurt, later establish clearer boundaries around accusatory language, and only afterward discuss the underlying problem. You temporarily “mix water with mud,” entering the untidy human situation rather than insisting that perfect clarity must precede contact.

The common error is to map “functioning” onto visible action alone. A fast reply, a dramatic confrontation, or walking out of the room is not jīyòng simply because it is decisive. Refraining from sending a message can be functioning; asking for time can be functioning; apologizing can be functioning; naming manipulation firmly can also be functioning. Its quality depends on whether the response arises from clear, nonclinging discernment and fits the conditions.

Contact without sticking. Your partner’s words still touch you. Nonattachment does not mean that nothing gets through. The bright pearl reflects what appears; the hollow valley answers sound. But you need not carry the phrase “You never listen” as a permanent verdict about your identity, nor seize it as permanent evidence against the other person. Contact occurs; fixation need not.

Compassionate adaptation. If this is a rare outburst from an overwhelmed person, tenderness may be fitting. If it belongs to a continuing pattern of coercion, tenderness without boundaries may perpetuate harm. “Establishing expedients as appropriate” means that compassion is responsive to actual consequences, not confined to an image of perpetual softness.

Samādhi amid the dust. The subway announcement, the vibrating phone, your pulse, the strained conversation, and the silence between sentences are all “dusts” in which presence can either scatter or remain undivided. Jīyòng does not require escaping the train, the phone, or the relationship. This is “samādhi in every dust”: not a claim of mystical attainment, but the direction of practice in which ordinary conditions become the field of liberation.

A second, shorter example shows why the same outward response cannot be copied. A child knocks over a glass while playing at dinner. On one day the child is frightened and ashamed; a calm invitation to help clean it up teaches responsibility without humiliation. On another day the child is repeatedly testing a clearly stated limit; a firm interruption is needed. On yet another day you realize that your own insistence on spotless order is the chief source of conflict, and the appropriate “blow” falls on your attachment rather than on the child.

The wording and tone change because the conditions change. Jīyòng is not always gentle, always fierce, always silent, or always verbal. Its consistency lies deeper: the response does not simply serve the practitioner’s self-image.

Why contemporary people need it

Much of contemporary life separates information from transformation. We can know how algorithms capture attention and still refresh the feed compulsively. We can learn the vocabulary of boundaries and use it to avoid every uncomfortable conversation. We can understand emotional regulation while composing a devastating reply. Knowledge illuminates something, but functioning does not necessarily follow.

Jīyòng asks a more demanding question: when the conditions actually arrive, what can your understanding do?

Algorithmic environments are designed to shorten the interval between stimulus and response. Notifications solicit immediate attention; outrage invites immediate redistribution; recommendation systems learn which signals keep a user engaged. Jīyòng restores the pivotal interval—not always by slowing everything down, but by freeing response from automatic capture. Sometimes wisdom pauses. Sometimes it acts before hesitation becomes evasion. The point is not slowness but freedom.

Artificial intelligence offers a useful but limited contrast. An AI system may generate context-sensitive language and appear remarkably adaptable. But surface adaptability should not be equated with Chan realization. Jīyòng belongs to a path concerned with suffering, attachment, ethical responsibility, insight, and liberation. Whether machines possess consciousness is philosophically and scientifically unsettled; fluent output cannot by itself establish the realization described in Chan. The analogy helps us distinguish fixed scripts from contextual response, but it does not prove that computational responsiveness is awakened functioning—or that neuroscience or AI has “verified” Buddhism.

The concept is equally important for contemplative practitioners. Meditation can become a protected identity: “I am calm, spacious, and nonreactive”—provided nobody contradicts me, interrupts me, or needs something inconvenient. Hongzhi’s “in stillness, obtain the root; in movement, respond through the gate” refuses this division. Stillness is genuine not merely when it feels peaceful, but when it can meet movement without collapsing into habitual grasping.

Conversely, people devoted to service and activism may mistake exhaustion for compassion. Jīyòng reminds us that responsive activity requires a root. Without stillness and emptiness, action is easily captured by rage, saviorism, tribal identity, or compulsive usefulness. Without action, stillness can become self-enclosure. The liberation path joins root and function.

Jīyòng also offers a mature account of freedom. Freedom is not doing whatever first occurs to us; the first impulse is often the least free part of the mind. Nor is freedom maintaining one approved response in every circumstance. It is increasing freedom from the compulsions that make only one response seem possible. When defensiveness is not compulsory, one may apologize or disagree. When the need to appear kind is not compulsory, one may comfort or set a boundary. When attachment to being right loosens, one can examine what the moment actually asks.

Ultimately, jīyòng shows why liberation in Chan cannot be reduced to a private inner state. Awakening must have hands, speech, timing, and consequences. “The total pivotal function and great activity” is not supernatural performance. It is wisdom no longer stranded as an idea—present enough to discern, empty enough not to cling, and compassionate enough to respond.

Common misreadings and clarifications

“Jīyòng means being quick and clever.” Speed is sometimes part of its classical portrayal—“lightning flash” imagery emphasizes a response not delayed by conceptual entanglement. But rapid reaction can be pure conditioning. Hongzhi’s account grounds movement in stillness and emptiness. A delayed answer may be more responsive than an instant one.

“It is just spontaneity.” Not if spontaneity means expressing whatever one feels. Jīyòng is uncontrived, but it is not undisciplined. The *Eyes of Humans and Gods* says there is a “standard” before the pivotal moment, even while warning that consciously aiming at a preset model misses it. Ethical formation, meditation, wisdom, compassion, and intimate knowledge of one’s delusions make trustworthy spontaneity possible.

“No fixed formula means anything goes.” This confuses nonfixation with relativism. A response must answer actual conditions and conduce to release rather than strengthen delusion and harm. “Skillful means” is not a blank cheque for conduct that protects the teacher’s authority or appetite. The more unconventional an intervention, the greater—not smaller—the need for discernment, ethical accountability, and attention to consequences.

“Shouting and striking are the essence of Chan jīyòng.” They are historically prominent forms in encounter literature, especially in presentations of rigorous teacher–student testing. They are not the definition of jīyòng. The texts themselves emphasize “a thousand directions and a hundred faces,” adapting to beginners and accomplished practitioners differently. Reproducing the outward gesture creates the very “habitual nest” the tradition warns against.

“A harsh act is profound because its meaning cannot be explained.” Obscurity is not depth. Classical encounter narratives presume a demanding context of practice, mutual testing, and questions about liberation. Invoking jīyòng cannot exempt contemporary religious authority from consent, safeguarding, law, or ordinary moral scrutiny. A teacher’s claim to spontaneous wisdom is not proof of it.

“Illumination and functioning are two permanent stages.” The fourfold scheme in the *Eyes of Humans and Gods* includes illumination before functioning, functioning before illumination, both simultaneously, and both nonsimultaneously. It therefore refuses a single sequence. Moreover, the text’s challenge after a shout shows that one cannot classify a living encounter merely from its appearance.

“Jīyòng is the same as jīfēng (機鋒).” They overlap but are not interchangeable. *Jīfēng*—literally the “pivotal edge”—often highlights the sharp style or distinctive edge displayed by a Chan teacher. The *Eyes of Humans and Gods* speaks of teachers having different *jīfēng* while describing Yunmen’s *jīyòng* as uniquely severe. Jīyòng places greater emphasis on the functioning enacted in the concrete encounter; jīfēng can emphasize its characteristic edge or style.

“Jīyòng is identical with samādhi.” Hongzhi closely connects them but does not simply collapse them. Samādhi names collected, undivided presence; jīyòng names its responsive functioning amid conditions. “Samādhi in every dust” prevents concentration from becoming confinement, while jīyòng prevents activity from losing its contemplative root.

“Emptiness makes the response detached and impersonal.” The classical images suggest the reverse. The hollow valley answers because it is empty; the pearl moves freely because it does not stick. Emptiness removes the self-centered obstruction that distorts contact. Properly understood, it permits greater intimacy with circumstances, not indifference toward them.

“A realized person always knows exactly what to do.” This turns liberation into omniscience and denies human limitation. Context-sensitive wisdom can acknowledge uncertainty, ask a question, seek help, revise an action, or say, “I do not know.” Jīyòng is unobstructed response, not infallibility. Sometimes the most exact functioning is to stop pretending certainty.

The heart of the teaching is therefore neither theatrical Zen nor effortless charisma. Jīyòng is what becomes possible when stillness is no longer opposed to movement, emptiness is no longer confused with absence, and insight is no longer separated from relationship. At the decisive point of contact, the practitioner is not compelled to repeat the self. Conditions arrive; they are clearly met; an appropriate function emerges—and leaves no method behind to worship.

Canonical EntryAI-generated

定义与核心要义

机用,禅宗用语,指禅者临机接物时活泼灵妙之作用与功能。机,原指发动之缘、临事之际;用,则为应缘而起之作用。机用合言,强调在因缘现前时自然酬应、随方应变、无碍自在的施为力量,并非躁动式的灵活,而是由静定、空明之根本所发出的应物之功。

主要阐述

《宏智禅师广录》的论述

《宏智禅师广录》以「应」与「变」写机用之活泼:慈悲方便须于「触处」有工夫,能「应变随声色」,其运转如珠在盘中团团走动;又说「因缘仍善应,机用更优长」,显示机用落在因缘现前时自然酬应,而非凝滞不动。

本经常将「机用」与「应化」「变通」「施设随宜」并举。由根源处自然随顺,繁枝远派遂有「应化机用」;面对百般时事,则称「机用千变」;以「变通不倦,施设随宜」形容其随机施作;甚至说刹尘之中机用安稳,石火电光反嫌迟缓。

机用之本不离静定、空明与本体。经中说「本体无生,诸尘幻成」,由「妙触出碍」而至「机用超情」;又说「静得其根,动应其门」,静时得根,动时应门。另以「心空观身」「本来无物」为底,而在动止之间如行云应物、虚谷传声,遂能「机用纵横不倩人」。本经所写并非以躁动为灵活,而是由静、空、明中发出的应物之用。

机用尤重「触」与「无碍」。本经有「回途妙触了机用」「妙触出碍」等语,并以「触事出碍兮虚空挥剑」形容遇事即通;机用又如明珠走盘,运转而不黏着众影,亦如谷虚而随声相应。这些譬喻共同突出接触境缘而不受境缘拘滞的侧面。

机用亦与「三昧」相连。本经说「一机历历,三昧尘尘」,又说「门门随事得三昧」;乃至灯笼露柱皆成机用,翠竹黄华总在说禅,诸尘三昧则化为纵横之句。

在人物赞语中,机用还以成熟、自得及锻炼人的力量呈现:「闹市谁嫌机用熟」写其在人事纷扰中纯熟;「机用纵横不倩人」与「穷通有自,机用输谁」写其不假外求;「何妨机用见锤钳」则以「锤钳」标示其接人时可见的锻炼作用。

《人天眼目》的论述

《人天眼目》以「照」与「用」的四种配合揭示禅者接物时的灵活作用:或「先照后用」,或「先用后照」,或「照用同时」,或「照用不同时」。经中分别以「有人在」「有法在」说明先后次第,又以驱牛、夺食、敲骨取髓、痛下针锥形容照用同时之峻烈直接;至于照用不同时,则表现为有问有答、立主立宾,以及「合水和泥应机接物」。本经直接使用「应机接物」一语,将机用落实于问答、宾主与临时施为之中。

本经以反复的喝、打及宾主互验具体展示机用。僧问佛法大意,师或令其自道,或当下便喝;僧喝,师亦喝,继而再喝、便打。这些施为并非固定程式,而在察验对方能否作主、能否应变。古德之语以主喝验宾、宾喝验主,四喝之后则「无宾主」,最终由主家「夺却」,不再容对方停留。经文又说「主家须夺而用之」,并警示学人须「急着眼看」,凸显机用关涉当下辨验、夺转与决断。

慈明的示众仍沿用照用四式,并进一步配以「有明有暗,有起有倒」。然而他在一喝之后追问此喝究竟是照是用,并要求能辨缁素者当场呈现。这显示「照」与「用」虽可作四类说明,实际临机时却不容仅依名相判定,而须在当下作用中辨别。

本经另以「全机大用」概括机用充分显发的形态,并列举「棒喝交驰」「剑刀上求人」「电光中垂手」「明暗交驰」「句里藏锋」「言中有响」等语,呈现其迅疾、峻利而多面的特色。「千方百面」皆可成为方便,对初机则「曲为初机」,对俊流则「不留朕迹」。同时,经文强调「机前有准,拟向则乖;句下无私,动成窠臼」,指出机用虽有准则,一落拟议或形成固定套式便已乖失。

不同部类与表述差异

两部经典对「机用」之表述各有侧重:

- 《宏智禅师广录》多用「机用」并衍出「应化机用」「妙触了机用」「机用超情」「机用千变」「机用纵横」等语,并旁及「机锋」「一机」「万机枢」「变通」「应变」等词。其中「机锋不敏」与「机用」并非同一句中的同义替换;「一机历历」着眼于当下作用的昭明,「性静万机枢」则以静性为万机之枢纽。

- 《人天眼目》则以「照用」配合「机用」之说,另有「全机大用」「应机接物」之语;论及云门时既说古来同禀一师者「机锋各别」,又称云门「机用独峻」,并以「机不触犯」描述其特色。其中「机用」偏指临事施为的峻利作用,「机锋」则见于不同禅者风格的比较,但经文并未将风格相似等同于师承相同。

两经皆用「机用」一词,但《宏智禅师广录》侧重由静定、空明本体所发的应物之用,以「触」「无碍」「三昧」为辅翼;《人天眼目》则侧重以「照用」配合下临机施为的峻利作用,以宾主问答、喝打辨验为具体展现。

与相关概念的关系

- 机锋:与「机用」相近而不尽相同。《宏智禅师广录》中「机锋不敏」与「机用」并非同义替换;《人天眼目》以「机锋各别」比较不同禅者风格,以「机用独峻」描述云门临事施为的特色,两者一偏风格比较,一偏临事作用。 - 三昧:《宏智禅师广录》说「一机历历,三昧尘尘」「门门随事得三昧」,将机用与三昧相连,机用即诸尘三昧中的纵横作用。 - 照用:《人天眼目》以「照」与「用」的四种配合(先照后用、先用后照、照用同时、照用不同时)展开机用之说,「照」为观照,「用」为施为,二者交织成机用之不同面向。 - 全机大用:《人天眼目》以此概括机用充分显发的形态,为「机用」之最高表现。 - 应化、变通、施设随宜:《宏智禅师广录》常与「机用」并举,皆为其随缘施为之相关表述。

代表性原文引用

- 「因缘仍善应,机用更优长。」《宏智禅师广录》 - 「应化机用。」「机用千变。」「变通不倦,施设随宜。」《宏智禅师广录》 - 「妙触出碍」「机用超情」《宏智禅师广录》 - 「静得其根,动应其门。」「机用纵横不倩人。」《宏智禅师广录》 - 「回途妙触了机用。」「触事出碍兮虚空挥剑。」《宏智禅师广录》 - 「一机历历,三昧尘尘。」「门门随事得三昧。」《宏智禅师广录》 - 「闹市谁嫌机用熟。」「何妨机用见锤钳。」《宏智禅师广录》 - 「先照后用」「先用后照」「照用同时」「照用不同时」「合水和泥应机接物」《人天眼目》 - 「主家须夺而用之。」「急着眼看。」《人天眼目》 - 「全机大用」「棒喝交驰」「剑刀上求人」「电光中垂手」「明暗交驰」「句里藏锋」「言中有响」《人天眼目》 - 「机前有准,拟向则乖;句下无私,动成窠臼。」《人天眼目》 - 「机锋各别」「机用独峻」「机不触犯」《人天眼目》

By SutraAI-generated

宏智禪師廣錄T2001 · 諸宗部

《宏智禪師廣錄》論「機用」,首先以「應」與「變」寫其臨事接物之活潑作用:慈悲方便須於「觸處」有工夫,能「應變隨聲色」,其運轉如珠在盤中團團走動;又說「因緣仍善應,機用更優長」,顯示機用落在因緣現前時自然酬應,而非凝滯不動。

本經直接使用的核心術語是「機用」,並常與「應化」「變通」「施設隨宜」並舉。祖師由根源處自然隨順,繁枝遠派遂有「應化機用」;面對百般時事,則稱「機用千變」,又以「變通不倦,施設隨宜」形容其隨機施作,甚至說剎塵之中機用安穩,石火電光反嫌遲緩。

機用之本不離靜定、空明與本體。文中說「本體無生,諸塵幻成」,由「妙觸出礙」而至「機用超情」;又說「靜得其根,動應其門」,靜時得根,動時應門。另以「心空觀身」「本來無物」為底,而在動止之間如行雲應物、虛谷傳聲,遂能「機用縱橫不倩人」。因此,本經所寫並非以躁動為靈活,而是由靜、空、明中發出的應物之用。

其作用尤重「觸」與「無礙」。本經有「回途妙觸了機用」「妙觸出礙」等語,並以「觸事出礙兮虛空揮劍」形容遇事即通;機用又如明珠走盤,運轉而不黏著眾影,亦如谷虛而隨聲相應。這些譬喻共同突出接觸境緣而不受境緣拘滯的側面。

機用亦與「三昧」相連。本經說「一機歷歷,三昧塵塵」,又說「門門隨事得三昧」;乃至燈籠露柱皆成機用,翠竹黃華總在說禪,諸塵三昧則化為縱橫之句。由此可見,其表述遍及一機、一塵、一門及尋常物象,著重隨處現成、門門活用。

在人物贊語中,機用還以成熟、自得及鍛鍊人的力量呈現:「鬧市誰嫌機用熟」寫其在人事紛擾中純熟;「機用縱橫不倩人」與「窮通有自,機用輸誰」寫其不假外求;「何妨機用見鎚鉗」則以「鎚鉗」標示其接人時可見的鍛鍊作用。

本經另用「機鋒」「一機」「萬機樞」等相近而不盡相同的語形。「機鋒不敏」與「機用」並非同一句中的同義替換;「一機歷歷」著眼於當下作用的昭明,「性靜萬機樞」則以靜性為萬機之樞紐。整理異名時,應記錄本經的主稱確為「機用」,相關表述尚有「應化機用」「妙觸了機用」「機用超情」「機用千變」「機用縱橫」,並旁及「機鋒」「一機」「萬機樞」「變通」及「應變」等詞。

人天眼目T2006 · 諸宗部

《人天眼目》對「機用」的論述,首先以「照」與「用」的四種配合揭示禪者接物時的靈活作用:或「先照後用」,或「先用後照」,或「照用同時」,或「照用不同時」。經中分別以「有人在」「有法在」說明先後次第,又以驅牛、奪食、敲骨取髓、痛下針錐形容照用同時之峻烈直接;至於照用不同時,則表現為有問有答、立主立賓,以及「合水和泥應機接物」。由此可見,本經直接使用「應機接物」一語,將機用落實於問答、賓主與臨時施為之中。

其次,本經以反覆的喝、打及賓主互驗具體展示機用。僧問佛法大意,師或令其自道,或當下便喝;僧喝,師亦喝,繼而再喝、便打。這些施為並非固定程式,而在察驗對方能否作主、能否應變。所引古德之語以主喝驗賓、賓喝驗主,四喝之後則「無賓主」,最終由主家「奪却」,不再容對方停留。經文又說「主家須奪而用之」,並警示學人須「急著眼看」,凸顯機用關涉當下辨驗、奪轉與決斷。

慈明的示眾仍沿用照用四式,並進一步配以「有明有暗,有起有倒」。然而他在一喝之後追問此喝究竟是照是用,並要求能辨緇素者當場呈現。這顯示「照」與「用」雖可作四類說明,實際臨機時卻不容僅依名相判定,而須在當下作用中辨別。

本經另以「全機大用」概括機用充分顯發的形態,並列舉「棒喝交馳」「劍刀上求人」「電光中垂手」「明暗交馳」「句裏藏鋒」「言中有響」等語,呈現其迅疾、峻利而多面的特色。「千方百面」皆可成為方便,對初機則「曲為初機」,對俊流則「不留朕跡」。同時,經文強調「機前有準,擬向則乖;句下無私,動成窠臼」,指出機用雖有準則,一落擬議或形成固定套式便已乖失。

在論及雲門時,本經使用「機鋒」與「機用」二詞:既說古來同稟一師者「機鋒各別」,又稱雲門「機用獨峻」,並以「機不觸犯」描述其特色。這些都是本經記述此概念時的實際術語;其中「機用」偏指臨事施為的峻利作用,「機鋒」則見於不同禪者風格的比較,但經文並未將風格相似等同於師承相同。

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