Dharma · AI Companion

五樂

pañca-sukha

经偈中多指世间五欲(色声香味触)之乐与伎乐娱乐,为所应厌离者;不含瑜伽师地论因乐、受乐、苦对治乐、受断乐、无恼害乐之五乐法数。AI-generated

Type Mental factorDifficulty IntroductoryTruth-level span I · dependent arisingInitial AI estimate · evolves with use

A Contemporary ReadingAI-generated

What This Concept Is About

「五樂」— at first glance, the term looks like it means "five kinds of happiness." If you go searching through the classical scriptures, you will indeed find several lists of "five pleasures," but they do not all match one another. So let us begin with an overarching principle: 「五樂」 is not a monolithically fixed term; its meaning depends on which sūtra it appears in and which context. What we need to do here is not to find a single unified translation for it, but to sort out its main strands, and then see why they all share the two characters 「五」 and 「樂」— and that shared usage is precisely the key to understanding it.

First Sense: The Pleasures of the Five Desires — "Having Obtained the Sublime Five Desires of Heaven, One Does Not Take These Five Pleasures as Pleasure"

In the *Madhyama-āgama* (《中阿含經》, "the Medium-Length Discourses"), there is a verse that sets 「五樂」 and 「五欲」 side by side:

「得天妙五欲,不以此五樂,斷愛不著欲,等正覺弟子。」

*"Having obtained the sublime five desires of heaven, one does not take these five pleasures as pleasure; having cut off craving and not clinging to desires — such is a disciple of the perfectly awakened one."*

The meaning of these four lines is quite plain: even if a person possessed the five desires of heaven in all their subtlety — the five sense objects of form, sound, smell, taste, and touch — he would not take these five pleasures as pleasure. A true disciple of the awakened one is one who has cut off craving and does not cling to desires.

The 「五樂」 here means the five kinds of pleasant feeling that arise from the five classes of sense objects: form, sound, smell, taste, and touch (色、聲、香、味、觸). Note that it speaks of pleasure *arising from* the five desires, not of five independent forms of entertainment. The heavenly subtle forms, subtle sounds, subtle smells, subtle tastes, and subtle touches — each class can trigger its corresponding happiness. Taken together, these are called the 「五樂」.

The sūtra has an unsparing verdict on this kind of pleasure: it is "non-noble pleasure" (非聖樂) and "worldly pleasure" (凡夫樂); it is "the root of illness, the root of abscesses, the root of arrows and thorns." It has a crucial quality called 「有食」 (sāhāra, "having sustenance") — meaning this kind of pleasure must constantly "feed," must constantly have new sense objects to nourish it. Eat a good meal, feel happy for a while, then you must eat the next meal; scroll to an entertaining video, feel happy for a few minutes, then you must scroll to the next. It is forever consuming, forever demanding. Because it "has sustenance," it "has birth and death" — with arising comes ceasing, and with ceasing comes craving for the next arising.

Second Sense: The Five Names of Noble Pleasure — "Noble Pleasure, Desireless Pleasure, Seclusion Pleasure, Tranquility Pleasure, Pleasure of Perfect Awakening"

In the same *Madhyama-āgama*, there is another, entirely different 「五樂」— or rather, a use of the numeral 「五」 to name *one and the same* pleasure.

The sūtra sets out five names side by side: noble pleasure (聖樂, ārya-sukha), desireless pleasure (無欲樂), seclusion pleasure (離樂), tranquility pleasure (息樂), and the pleasure of perfect awakening (正覺之樂).

Here we must pay special attention: these are not five different pleasures, but five names for one and the same pleasure. Just as one person is a father at home, a colleague at work, and "Old Zhang" among friends — five names, one person. What is this pleasure? It is the pleasure obtained after separation from desire. The sūtra says it is "without sustenance, without birth and death," and therefore "can be cultivated, can be practiced, can be widely propagated."

The meditative background of this pleasure is the four dhyānas (四禪, catur-dhyāna): from the first dhyāna up to the third, there are still the moving components of applied thought, sustained thought, and joy; hence the sūtra calls the first three dhyānas "the noble one's teaching of movement" (聖說移動). Arriving at the fourth dhyāna, pleasure ceases and pain ceases, and one abides in the equanimity of radiant mindfulness that is neither pleasant nor painful — this is called "the noble one's teaching of non-movement" (聖說不移動). The fourth dhyāna is the ultimate ground of this noble pleasure. Why? Because the pleasure of the first three dhyānas still has "movement" — still within the rise and fall of the breath, still within the waves of joy. The pleasure of the fourth dhyāna is complete stillness; even the thought of "pleasure" is no longer needed.

Third Sense: Narrative Usage in the *Ekottarika-āgama* — "Amusing Oneself with the Five Pleasures"

The 「五樂」 in the *Ekottarika-āgama* (《增壹阿含經》, "the Numerical Discourses") has a more lived-in flavor. It appears in sentences like 「嚴服作五樂」 ("in splendid attire, making the five pleasures") and 「五樂恆自娛」 ("ever amusing oneself with the five pleasures") — wearing majestic garments, adorned with gold and silver necklaces, men and women taking delight in one another, plucking lutes and strumming strings, gentle singing that can dispel sorrow and worry.

Here 「五樂」 is a holistic expression, referring broadly to the various sensory entertainments of worldly life. It does not itemize the contents of the 「五」 one by one; rather, it uses 「五」 to encompass the entire domain of sensory enjoyment. The sūtra's attitude toward it is equally explicit: the pleasure is little, and the suffering is much. There is a verse that says it with complete directness:

樂少而苦多,智者所摒棄。 受樂詎幾時,輒受地獄痛。

*"Pleasure is little and suffering much — the wise reject it. How long does one enjoy pleasure, before one falls straight into the pain of hell?"*

There is also a very subtle point: 「不樂五樂」 ("not delighting in the five pleasures") is not necessarily a virtue. In the *Ekottarika-āgama* there is a story of the elder 婆提 (Pó-tí), who possessed immense wealth yet "did not delight in the five pleasures" — he could neither enjoy them himself, nor support his parents, brothers, wife, servants, or friends, nor give alms to ascetics, brahmins, or the venerable elders. This "not delighting in the five pleasures" was not the attainment of desirelessness; it was the karmic retribution of miserliness (慳吝, mātsarya). In a previous life, after making offerings to a pratyekabuddha (辟支佛, "a solitary awakened one"), he had felt regret and said, "I would rather give the food to my servants than to this shaven-headed ascetic." Because of that karmic cause, although he gained great wealth, he could not enjoy it.

The same phrase "not delighting in the five pleasures" is transcendence in a practitioner, and punishment in a miser. This reminds us: Buddhism always judges a state by where it comes from and where it is heading. Not enjoying things — if it comes from desirelessness, it is liberation; if it comes from being trapped by karma, it is a dead end.

An Important Clarification: The Five Pleasures of the *Yogācārabhūmi-śāstra* Are Not in This Category

The *Yogācārabhūmi-śāstra* (《瑜伽師地論》) also has its own set of "five pleasures": the pleasure of causes (因樂), the pleasure of experience (受樂), the pleasure of counteracting suffering (苦對治樂), the pleasure of the cessation of feeling (受斷樂), and the pleasure free from harm (無惱害樂). This is a fine-grained classification of types of well-being from the standpoint of the bodhisattva's self-benefit and benefit of others. But it is not the same system as the 「五樂」 of the *Madhyama-āgama* and the *Ekottarika-āgama*, and it is not our subject here. The 「五樂」 we are dealing with follows the usage of the two Āgamas — one, the pleasures of the five desires; two, the five names of noble pleasure.

Why is it necessary to state this explicitly? Because the term 「五樂」 too easily leads one to assume there is a single unified five-fold classification. In fact, it is one word used in different ways in different contexts. Understanding this is more important than memorizing any single list.


Walking Through It in Daily Life

Now let us bring this concept into the daily life of a contemporary person, step by step.

Suppose it is nine o'clock in the evening. You have just finished a day of work, collapse onto the sofa, and pick up your phone.

The screen lights up. A short video begins to play.

What is happening here? Let us break it down with the classical framework.

Step one: The objects of the five desires are present. The images on the screen are form (色); the music and voices are sound (聲); the feel of your finger gliding across the screen is touch (觸) — what the sūtras call 細滑 ("fine smoothness"). The contemporary smartphone is almost an integrated device for the five desires — form, sound, and touch are the main forces, while smell and taste occasionally participate indirectly through food videos. You do not even need to leave the house; the five desires deliver themselves to your door.

Step two: Pleasant feeling arises. You scroll to a funny video and the corners of your mouth turn up. This is what the sūtra means by "pleasure and joy arising from the qualities of the five desires" (五欲功德). You did not think it into being; it was generated automatically when the sense faculties came into contact with suitable objects. In the sūtra's words, this is "non-noble pleasure" and "worldly pleasure."

Step three: The nature of "having sustenance" begins to operate. How long did that pleasant feeling last? About a dozen seconds. Then what? You swipe, instinctively, looking for the next one. Why? Because that pleasant feeling has already ceased. It arose, so it ceased. Once it ceases, you need a new object to feed it. The sūtra says this pleasure "has sustenance" — it requires constant feeding. You cannot stop scrolling, not because your willpower is weak, but because the very structure of this pleasure is "having sustenance." Every mouthful leaves you hungry again, and when you are hungry, you must eat again.

Step four: The structure of "pleasure is little and suffering much" reveals itself. You have scrolled for an hour. When you finally put the phone down, what do you feel? Most likely not satisfaction, but an unnameable emptiness, even a faint unease. In that hour, you received many dozen-second fragments of happiness, but their sum is not happiness — it is a feeling of being hollowed out. The sūtra says "how long does one enjoy pleasure" — each individual pleasure lasts a very short time, yet the chain of craving it sets in motion can stretch "across billions of eons." The urge to keep scrolling after you put the phone down is far more durable than any happiness you actually obtained.

Now let us walk through the same scene again, using the framework of the "five names of noble pleasure."

Suppose you decide to put the phone down and sit quietly for ten minutes. At first it is unpleasant — you want to grab the phone, you want to check messages, your mind is buzzing. In those ten minutes, if you can hold on, what happens?

At the beginning, you are probably still agitated — these are the aftershocks of the five desires. But if you keep sitting, and let that "I want to scroll" impulse die on its own — not by suppressing it, but by watching it die — you will experience a subtle release. That craving for "something must come feed me" grows hungry, but you do not feed it. It cries out for a while, and then it quiets down.

That quietness is the initial taste of "noble pleasure, desireless pleasure, seclusion pleasure, tranquility pleasure, and the pleasure of perfect awakening."

Note: it is not intense happiness. It is more like a contentment that does not need happiness to fill it. You do not need anything to "feed" it; it is complete on its own. The sūtra says noble pleasure is "without sustenance, without birth and death" — no food, and therefore no arising and ceasing. You do not have to keep acquiring something to maintain it. It is not like the pleasure of short videos, which demands the next, and the next, and the next.

Here there is one of the most common mistaken mappings, and it must be called out: many people imagine that Buddhism's "pleasure of desirelessness" is some higher, more intense kind of happiness — an "even more thrilling" bliss. It is not. It is precisely a different state that arises after abandoning the dimension of "thrill" altogether. If you go looking for it with the standard of "even more thrilling," you will not find it. It is the stillness of "not needing thrills."


Why Contemporary People Need It

The predicament of contemporary people is precisely that the supply of 「五樂」 has never been more abundant — while its nature of "having sustenance" has not changed at all.

The essence of algorithmic recommendation is to arrange the objects of the five desires into an optimal permutation, so that "form, sound, smell, taste, touch" trigger pleasant feeling with maximum efficiency. Every time you scroll to a video, the system is calculating what kind of "form" and "sound" will keep you there longer. Essentially, it is doing one thing: providing an unlimited supply of food for a pleasure that "has sustenance."

But no matter how much food there is, it cannot change the structure of this pleasure. It is still "the root of illness, the root of abscesses, the root of arrows and thorns." Why? Because what it feeds is a craving, and craving by nature can never be filled. You scroll to this video, and the system immediately prepares the next; you buy this piece of clothing, and the merchant immediately recommends a trendier one; you eat this meal, and the food blogger has already prepared the next check-in spot. The defining feature of the five pleasures is that they promise satisfaction but actually deliver only "the pleasure of eating."

This is also the contemporary footnote to "pleasure is little and suffering much." Sensory stimulation grows ever denser, while satisfaction grows ever thinner. This is not a coincidence; it is structural — because the nature of this pleasure is to require constant feeding. However much it is given, it demands more. It is like an organ with an infinite appetite: the more you feed it, the larger it grows.

And the contemporary value of "noble pleasure" appears precisely here: it is the only pleasure that does not need to be fed.

You do not need to keep acquiring new things to maintain it, because it does not arise from acquisition — it arises from stopping. Stop chasing, stop feeding, stop the impulse for "one more" — and in that stopping, there is a satisfaction that is not consumed. Contemporary people are so habituated to "solving problems by acquiring" that they have forgotten there is another possibility: putting things down is itself a solution.

There is also another, very practical dimension. The story of the elder 婆提 tells us: not being able to enjoy the five pleasures is not necessarily transcendence; it may also be being stuck on something. There is a widespread contemporary condition of "enjoyment impotence": people have money, have leisure, have resources — but they simply cannot feel happy. Perhaps it is not that the five desires are insufficient, but that there is some stinginess or remorse lodged in the mind — like the elder 婆提, whose wealth was right there, but who was locked away from it by his own karma. If you find yourself in a state of "I have everything but I am not happy," do not rush to label yourself "I have seen through the world." Perhaps you should look at whether something inside you is stuck — something that needs to be seen and dissolved.


Common Misreadings and Clarifications

Misreading one: 「五樂」 means "five things that make you happy."

No. 「五樂」 is not an itemized list — it is not "fine food, travel, shopping, romance, and games." It refers to the pleasant feelings triggered by each of the five classes of sense objects (form, sound, smell, taste, touch). It is not "five things" but "pleasure along five dimensions." You can understand it as: whatever the five desires offer, that is what it delights in.

Misreading two: "Noble pleasure, desireless pleasure, seclusion pleasure, tranquility pleasure, and pleasure of perfect awakening" are five progressively higher levels of happiness.

No. They are five names for one and the same desireless pleasure. The sūtra states it plainly: what these five names jointly manifest is the pleasure that is "without sustenance, without birth and death." It is not a matter of upgrading from "noble pleasure" to "desireless pleasure" to "seclusion pleasure" — it is one thing, named from five angles. This point must be stated precisely, or you will go looking in the sūtras for a ladder of practice that does not exist.

Misreading three: "Not delighting in the five pleasures" is always praiseworthy.

Not necessarily. As noted above, in the *Ekottarika-āgama* the elder 婆提 "did not delight in the five pleasures" — not because of desirelessness, but because of the karmic retribution of miserliness. The same outward state, with different inner causes, has entirely different value. The "not delighting" of one who has left desire is freedom; the "not delighting" of a miser is a shackle. When judging a person's state, do not look only at outward behavior; look at whether the mind within is loose or tight.

Misreading four: Buddhism negates pleasure; practice means making yourself numb.

This is a great misunderstanding. The *Madhyama-āgama* states very clearly: worldly pleasure "cannot be cultivated, cannot be practiced, cannot be widely propagated," while noble pleasure "can be cultivated, can be practiced, can be widely propagated." Buddhism does not negate pleasure as such; it distinguishes two kinds of pleasure: one that requires feeding, has arising and ceasing, and is little pleasure with much suffering; and one that requires no feeding, has no arising or ceasing, and is still and secure. The former is not to be destroyed but to be seen through; the latter is not to be chased but to manifest naturally in the process of seeing through the former. Practice is not becoming numb; it is moving from "the pleasure that can never be fed full" to "the pleasure that needs no feeding."

**Misreading five: Conflating 「五樂」 with the five pleasures of the *Yogācārabhūmi-śāstra*.**

As noted above, the *Yogācārabhūmi*'s pleasure of causes, pleasure of experience, pleasure of counteracting suffering, pleasure of the cessation of feeling, and pleasure free from harm constitute a fine-grained classification of bodhisattva well-being and belong to a different system. When studying the śāstras, one may use it to enrich one's understanding of "pleasure," but it is not the direct counterpart of the term 「五樂」 in the Āgamas. Scriptural interpretation demands attention to context; mixing homonymous concepts from different systems is the easiest place to go wrong.

**Finally, regarding the line 「照見五蘊皆空」 ("seeing that the five aggregates are all empty") from the *Heart Sūtra* (《心經》) — what is its relationship to 「五樂」?**

「五樂」 belongs to the aggregate of feeling (受蘊, vedanā-skandha) among the five aggregates — it is "feeling," the experience of pleasure and pain. "The five aggregates are all empty" means: the five heaps that constitute our experienced world — form, feeling, perception, volition, consciousness (色受想行識) — are none of them a fixed, independent, substantial self. They are all dependently arisen, arising and ceasing in every moment. 「五樂」, as pleasant feeling within the aggregate of feeling, is naturally no exception — it has sustenance, it arises and ceases, it has no self-nature. "Seeing that the five aggregates are all empty" does not deny the existence of the five aggregates; it sees through the fact that they offer no real place to abide. The five pleasures are seen through not because they are bad, but because they are not enough — they cannot give you what you truly want. When you see this as it is, the mind naturally releases its grip on the pursuit of the five pleasures.

And what is there after the release? It is the ease that was always already yours, the one that needs no feeding. It is not manufactured; it is discovered — like the sky after the clouds part, which was there all along.


To say it all in the end:

The term 「五樂」 appears to be about "happiness," but in fact it is about "the boundaries of happiness." The pleasure of the five desires has sustenance, has birth and death, is little pleasure and much suffering — it is "the root of illness, the root of abscesses, the root of arrows and thorns." This is not alarmism; it is a precise description of a structure. As long as you live within the loop of "acquire → satisfy → lack → acquire again," you are still on the track of the five pleasures. And the five names of noble pleasure — noble, desireless, secluded, tranquil, perfectly awakened — all speak of one and the same possibility: when you no longer need to be fed, you are no longer hungry.

Contemporary people live in an age of unprecedented abundance of the five pleasures. Abundance is not the problem; seeing through it is. If you see through it, the abundant world is no longer a jungle hunting you, but only phenomena coming and going. If you do not see through it, no amount of the five pleasures will do anything but feed the appetite that is forever hungry.

The choice has always been yours.

Canonical EntryAI-generated

1. 定义与核心要义

「五樂」(pañca-sukhāni)在所见经文中并非始终指同一套固定分类。《中阿含經》一方面以「五樂」指天界五欲所带来的五种感官之乐,另一方面并列「聖樂、無欲樂、離樂、息樂、正覺之樂」五名,以五种称谓共同彰显离欲乃至第四禅所依之乐。《增壹阿含經》则多在衣饰、男女相娱、音乐歌舞及财物受用等场合直接使用「五樂」,主要表示世俗生活中的欲乐与娱乐。因此,解释此词必须依据具体语境,不宜把欲乐之五与圣乐五名混为一类。

2. 主要阐述

就欲乐而言,两经皆将其与五欲及贪爱相联系。《中阿含經》说凡夫因「五欲功德」而生喜、生乐;这种乐又称「非聖樂」「凡夫樂」,被形容为「病本、癰本、箭刺之本」,并具有「有食、有生死」的性质,故「不可修、不可習、不可廣布」。与此相应,偈中说虽得天界微妙五欲,正觉弟子也「不以此五樂」,而以断爱、不著欲为要。

《增壹阿含經》中的「五樂」更具叙事性和生活色彩。经文以「嚴服作五樂」「五樂恒自娛」描写服饰严整、夫人姿容、金银璎珞以及男女相娱,又接叙弹琴、鼓弦、歌唱之声柔和,可以遣除愁忧。这里没有逐项建立抽象的五类,而是以「五樂」概括多种感官娱乐。 另一偈颂则说欲望难以满足,所得之乐少而后患多;即使享受天界欲乐、「五樂而自娛」,也不如断除爱心、成为正觉弟子。福报享尽之后仍可能受苦,故此乐是修行者应看破、舍离的对象。

「五樂」也可侧重财富所能提供的受用。婆提长者虽有大量财货,却「不樂五樂之中」,既不能自用,也不供养父母、兄弟、妻子、仆从、朋友与知识,又不布施沙门、婆罗门及诸尊长者。此处“不乐五乐”不是对离欲修行的赞叹,而是悭惜、布施后悔所招致的不能受用之果。

与欲乐相对,《中阿含經》提出「聖樂、無欲樂、離樂、息樂、正覺之樂」。五者不是五个依次排列的快乐,而是同一离欲之乐的五种称名;经文将其界定为「無食、無生死」,并说它「可修、可習、可廣布」。其禅定背景是从初禅、第二禅、第三禅进至第四禅:前三禅尚有觉、观或喜等动相,称「聖說移動」;第四禅乐灭、苦灭,住于不苦不乐、舍念清净,称「聖說不移動」,为该段所谓圣乐的究竟所依。

此外,《中阿含經》说五下分结已尽者「受法現樂、當來亦受樂報」,从现法与当来二时说明修行所得之乐。 经中又以「妙業、妙合會、妙為命、妙見、妙尊祐」五种称誉,显示如来「聖無漏樂,寂靜止息而得樂覺」;这里的“五”属于成就圣无漏乐的五项称誉,并不是另立五种乐。

3. 不同部类与译本的表述差异

《中阿含經》(东晋瞿昙僧伽提婆译)有两种须分别记录的表达:偈颂独用「五樂」,承接「天妙五欲」,表示五欲之乐;散文则完整并列「聖樂、無欲樂、離樂、息樂、正覺之樂」,以五名同指离欲所得之乐。凡夫一侧称「非聖樂」「凡夫樂」,其所缘称「五欲功德」。

《增壹阿含經》多直接说「五樂」,常与「自娛」「不樂」等词连用,指衣饰、男女、歌舞或财物受用。该经在逐项说明感官对象时则使用「五欲」,列为色、声、香、味、细滑,其中以「細滑」表示触觉对象;不能因义理相关而将原文的「五樂」与「五欲」改记为同一用词。

《增壹阿含經》另有「沙門之樂」「沙門四果之樂」,涉及二禅至四禅的喜、乐、护念清净,以及须陀洹至漏尽解脱等果乐,但这些段落并未称作「五樂」。它们属于“先苦而后乐”的修行论述,应与世俗欲乐之「五樂」分别记录。 所给材料未列同经异译本,故无从据此记录异译词形。

4. 与相关概念的关系

「五欲」是理解欲义「五樂」的直接相关概念,所指对象为色、声、香、味、触或「细滑」;「五樂」则偏重由这些对象而生的享受、娱乐与欢悦。「凡夫樂」强调其有欲、有食、有生死的一面;「聖樂」及其无欲、离、息、正觉等名称,则强调离欲、止息与可修习。四禅说明圣乐所依的禅定层次;「現樂、當來樂報」说明乐的受报时间;「聖無漏樂」说明如来寂静止息所得的乐觉。这些相关说法各有自身语境,不能仅因都论及“乐”而归入同一套五项分类。

5. 代表性原文引用

《中阿含經》:「聖樂、無欲樂、離樂、息樂、正覺之樂。」

《中阿含經》偈:「得天妙五欲,不以此五樂,斷愛不著欲,等正覺弟子。」

《增壹阿含經》:「五樂恒自娛。」

《增壹阿含經》:「不樂五樂之中。」

By SutraAI-generated

中阿含經T0026 · 阿含部

本部《中阿含經》對「五樂」之論述,散見於不同段落,呈現出兩層不同意涵:

其一,與如來聖解脫相關的五分結構()。本段雖未直接以「五樂」立名,然說如來正心解脫後得「五稱譽」。經文先列眾生受苦樂之五因——本作、合會、為命、見、尊祐,繼而指出如來於此五者皆有「本妙」之德,因彼妙故,「於今聖無漏樂,寂靜止息而得樂覺」。此五者分別是:本妙業、本妙合會、本妙為命、本妙見、本妙尊祐。每一稱譽皆以「聖無漏樂」為究竟所證,顯示如來之樂乃出世間寂滅之樂,不同於依五因而受之世俗苦樂。

同段又論「五因緣,心生憂苦」與「五因緣,心滅憂苦」之對列結構。此五因緣為:婬欲纏、瞋恚纏、睡眠纏、掉悔纏、疑惑纏。值得注意的是,本經以「纏」字名之(如「婬欲纏者」、「瞋恚纏者」),其他經典或稱「五蓋」,本經用詞有別。五纏若除,「憂苦便滅」,「於現法中而得究竟,無煩無熱,常住不變,是聖所知、聖所見」——此即滅憂苦之究竟安穩,亦與聖者之樂相通。

其二,直接標舉「五樂」之名()。偈頌云:「得天妙五欲,不以此五樂,斷愛不著欲,等正覺弟子。」此處「五樂」與「五欲」並舉,明示五樂乃對應五欲(色聲香味觸)所生之五種感官的安樂,是天界妙欲所伴隨之快樂。經文以此明示:雖獲天界五欲之妙樂,若能不染著此五樂、斷愛、不著欲者,方為等正覺之真弟子。此處之「五樂」屬世間感官安樂,恰與前段「聖無漏樂」構成染與淨、世與出世之對比。

綜觀本經,「五樂」之概念分指二端:一者以本妙業、妙合會、妙為命、妙見、妙尊祐為因而證之聖無漏出世寂滅樂;二者以五欲為緣而生之五種世間感安樂。兩者同名為「樂」,本質迥異——一為寂止之覺證,一為染著之境用;前者為如來所獨證之究竟安隱,後者乃等正覺弟子所當超越、不染著之對象。

增壹阿含經T0125 · 阿含部

《增壹阿含經》對於「五樂」一詞的論述,散見於多處偈頌與因緣故事中。經文雖未對「五樂」作嚴格定義式的列舉,但從其使用脈絡可知,此詞在本經中主要用以指稱五欲之樂——即以聲色、歌舞、瓔珞莊嚴、彈琴鼓絃等形式呈現的感官與世間享樂。

一、以「五樂」指世俗感官之娛。在描述在家欲樂的場景中,本經以「五樂恒自娛」、「嚴服作五樂」等語,刻劃眾生沉溺於金銀瓔珞之身、彈琴鼓絃之音的享樂狀態,並明言此等「五樂」能「除諸愁憂」,使人於林間自娛。此處「五樂」與「天欲」並舉,可知其涵蓋人間與天界兩種層次的欲樂。

二、對「五樂」的價值判斷——樂少苦多。本經對「五樂」持明確的貶抑態度,於偈頌中直言:「樂少而苦多,智者所屏棄。」即使享天欲而以五樂自娛,亦「不如斷愛心,正覺之弟子」。此一對比凸顯本經的核心教義:感官之樂短暫、輕微,而由此牽引的貪欲則「延億劫,福盡還入獄」,最終「受樂詎幾時,輒受地獄痛」。這是本經論「五樂」時最具教義色彩的段落,強調欲樂與解脫道之間的根本對立。

三、「五樂」與業報——不得享樂之因緣。在波斯匿王因緣中,本經透過一位迦葉佛時田家子的故事,揭示「五樂」與福報之間的關係。此人本以供辟支佛食而發願得大富貴,卻於施後生悔心,謂「我寧與奴僕使食,不與此禿頭道人使食」,以此業因,雖得「極富之貨」,終「不得食此極富之貨,不樂五樂之中」。此段以「不樂五樂」作為業報受困、不得自在享福的表述,將「五樂」置於業報框架中論述,強調慳貪、悔施等煩惱如何障礙福報的圓滿受用。

四、術語形式。本經使用「五樂」一詞時,未明確列舉其五項內容,而是以整體性概念指涉欲界之樂趣,與「天欲」、「貪婬」、「愛心」等概念相對待。經中未以其他異名替代此詞,故「五樂」即為本經論欲樂時的固定術語之一。

綜上,《增壹阿含經》論「五樂」呈現三個側面:一是作為世俗感官享樂的具體描寫;二是作為修行人所應「屏棄」的對象,與「斷愛心」的出世道相對;三是作為業報所得之果,能否享「五樂」反映過去業因的清淨與否。全文貫穿「樂少苦多」、欲為苦本的基本教義立場。

瑜伽師地論T1579 · 瑜伽部

《瑜伽師地論》以「五樂」揭示菩薩安樂種類的自利利他內涵,將菩薩安樂歸攝為五相:因樂、受樂、苦對治樂、受斷樂、無惱害樂。

一、因樂:以「樂因故」立名,非樂自性。指二種樂品(資具樂與定生樂)之諸根境界,依此為因能生順樂受觸;以及現法當來所有可愛果業,總攝為一,名因樂。

二、受樂:以「樂自性故」立名,非樂因故。須待苦息方生,由前因樂所攝三因緣(根、境、可愛果業)攝益身心而受生。略分有漏、無漏二種:無漏即學無學樂;有漏即欲、色、無色三界繫樂。三界繫樂隨六處別故分為六種(眼觸乃至意觸所生),復攝為身樂(五識相應)與心樂(意識相應)二種。

三、苦對治樂:以「息眾苦故、遣眾苦故」立名,非樂因亦非自性。因寒熱飢渴等事生起種種苦受,由能對治而息除此等苦時,即於苦息滅時生起樂覺。

四、受斷樂:即入滅想受定所得之樂。「非樂因故、非自性故,亦非息遣種種苦故」,然依勝義諸所有受皆悉是苦,入滅定時此勝義苦暫時寂靜,故名為樂。

五、無惱害樂:略說有四種——出離樂(正信捨家,解脫居家迫迮種種大苦)、遠離樂(斷除諸欲惡不善法,證初靜慮離生喜樂)、寂靜樂(第二靜慮已上諸定尋伺止息)、三菩提樂(一切煩惱畢竟離繫,於所知事如實等覺)。最後三菩提樂以當來世此勝義苦永寂滅故、現法煩惱品一切麁重永寂滅故立名;其餘三種以能隨順、能為彼分、能引彼故,亦得同名無惱害樂。

又《瑜伽師地論》在初靜慮之施設中別立五法修習圓滿——歡、喜、安、樂、三摩地,與五樂體系不同,係以斷除欲所引喜等五法為方便而證。又說四種歡喜——儉素、積習梵行、無悔、樂斷樂修,分別能引少欲樂、遠離樂、三摩地樂、三菩提樂,其中所引三菩提樂即與五樂中無惱害樂之第四種相呼應。

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