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萬機

禅门指万般境缘所起之种种机用、应对与变化,兼含其休罢归寂之义。AI-generated

Type PracticeDifficulty AdvancedTruth-level span IV · beyond wordsInitial AI estimate · evolves with use

A Contemporary ReadingAI-generated

What this concept is saying

Wànjī (萬機, “the myriad responsive workings”) is a Chan expression for the countless functions, responses, and transformations that arise when one mind encounters innumerable conditions. *Jī* (機) here is not merely a “mechanism.” It carries the senses of a pivotal moment, a responsive capacity, an incipient movement, and an action precisely fitted to circumstances. *Wàn* (萬, “ten thousand”) means the indefinite multiplicity of situations and possible responses.

The term therefore points to something more demanding than versatility. A clever person may have many techniques yet remain driven by fear, vanity, habit, or the need to control. *Wànjī* describes responsive activity that is not imprisoned by a fixed position. It includes speaking and remaining silent, opening and gathering in, accommodating and cutting off, moving with conditions and letting every contrivance come to rest.

In the Chan records supplied here, its meaning unfolds through several inseparable dimensions.

First, there is 應萬機 (*yìng wànjī*, “responding to the myriad workings”): meeting different people and circumstances without obstruction. The *Recorded Sayings of Ancient Worthies* (*Guzunsu Yulu*, 《古尊宿語錄》) says:

“One sound discloses phrases numerous as dust and sand; open and spacious as empty space, it responds to the myriad workings.”

“One sound” and “dust-and-sand phrases” express the relation between one and many. The point is not that an awakened person possesses a rehearsed answer for every question. From an unobstructed source, different words and actions can arise according to what is actually present. Hence the related expressions “alive at every point” and “complete in every thing”: no circumstance is spiritually useless, and no single formula has to be imposed everywhere.

Such responsiveness requires discernment. The same collection speaks of “manifesting a form in response to things,” “functioning with the whole,” exercising pivotal authority through pleasure or anger, and “showing half the body.” It also examines encounters through the configurations “host seeing guest,” “host seeing host,” “guest seeing host,” and “guest seeing guest.” These are not a personality typology. “Host” and “guest” name shifting positions within an encounter: who sees the situation clearly, who is being carried by it, who can expose an attachment, and who mistakes another person’s frame for reality. To respond to *wànjī* is thus not simply to react quickly. It is to recognize the configuration without being unconsciously recruited into it.

Second, there is 斬萬機 (*zhǎn wànjī*, “cutting off the myriad workings”). The same work says:

“The teaching gate’s opening and gathering are hardly simultaneous; on going beyond the frontier, one must cut off the myriad workings.”

Some situations should not be answered by adding another explanation, compromise, or technique. Rumination may need to be stopped; manipulation may need a clean refusal; a student’s dependence on verbal answers may need to be cut through. “Cutting off” is itself a responsive function. It does not mean suppressing life indiscriminately. A cut made from anger creates another knot; a timely cut ends the proliferation that feeds the knot.

Third, there is 萬機起縷 (*wànjī qǐ lǚ*, “the myriad workings arising thread by thread”). “Before a single bubble has taken shape, the myriad workings arise in fine strands,” says the *Recorded Sayings of Ancient Worthies*. This evokes the extremely subtle beginning of differentiation: a tone is noticed, a memory stirs, an interpretation forms, a defensive impulse gathers, and soon an entire world of conflict appears. *Wànjī* includes not only conspicuous actions but these incipient threads. Chan attention goes close to the point at which a response is being born.

Fourth, there is 響應萬機 (*xiǎngyìng wànjī*, “resonantly answering the myriad workings”). The image in the record is of an object that sounds when hung in the Chan hall: touched, it rings; it does not reserve its response for a preferred visitor. This suggests immediacy and impartiality. Yet it does not imply mechanical stimulus-response. A bell rings according to what strikes it, but awakened responsiveness also discerns when a cry calls for comfort, when a provocation should not be fed, and when silence would merely be avoidance.

Fifth, the myriad functions arise in relation to one luminous, undivided ground. The *Extensive Record of Chan Master Hongzhi* (*Hongzhi Chanshi Guanglu*, 《宏智禪師廣錄》) says, “A single point of numinous clarity beyond the three times; complete wondrous purity before the myriad workings,” and also, “A fragment of mind beyond the multitude of images; one phrase before the myriad workings.” These poetic lines should not be converted into a theory of an eternal inner substance. They point away from fragmentation: before experience is divided into “my agenda,” “your threat,” “my success,” and “my failure,” there is an unobstructed capacity in which distinctions can appear and function.

“One” and “many” are therefore not competitors. The one is not a blank realm that must be protected from multiplicity; the many are not contaminants that destroy contemplative purity. From undivided clarity, uses can be inexhaustible—what Hongzhi calls “borrowing companions and coming forth, its functioning never exhausted.” Conditions supply the companions: a child, a deadline, illness, a difficult question, or the sound of rain. None dictates a fixed response, but each affords an appropriate one.

Sixth, *wànjī* can mean appearing throughout the field of conditions. Hongzhi writes, “The sole firm and intimate body appears within every dust,” then speaks of the body of space, lands, sentient beings, and buddhas. He also says, “Across the dust-realms, vertically and horizontally, all are transforming affairs,” and asks, “Where now does one not divide the body?” These expressions do not claim supernatural multiplication as the ordinary meaning of the term. They portray activity no longer confined by a rigid spiritual identity. One can “accord with convention” without losing truth and “verify truth” without withdrawing from conventional life. Cooking, teaching, administering, caring, and correcting can all become sites of liberative function.

Seventh—and essential to the definition—is 萬機休罷 (*wànjī xiūbà*, “the myriad workings resting and ceasing”). Hongzhi repeatedly writes of the myriad functions being “all at rest,” “resting and ceasing,” their “shadows dissolving,” being “quietly pared away,” “ceasing of themselves,” or being “suddenly cut off.” His accompanying images—an empty valley, wind and moon at night, a cold moon, snowy woods, a night pool—evoke lucid stillness rather than torpor.

This is not the destruction of the world, the freezing of thought, or the discovery of a separate metaphysical object called “stillness.” What ceases is the compulsory manufacture of positions: rehearsing the insult, defending the self-image, calculating every advantage, and turning each perception into material for “me” and “mine.” When these workings rest, experience is not annihilated. It is unobscured.

Eighth, rest and function interpenetrate. In Hongzhi’s imagery, after the myriad workings cease, “the illusory arising still comes forth from the Buddha’s mouth”; when all functions are at rest, “the empty valley has spirit, and grasses and trees contain spring.” Elsewhere, as the myriad workings suddenly fall away, thunder breaks the creatures’ winter seclusion and peach and plum trees make a path. Stillness is fertile. Speech can emerge from silence without violating it; action can occur without inward compulsiveness.

This is the heart of 寂用相即 (*jì-yòng xiāngjí*, “stillness and function mutually coinciding”). Stillness is not postponed until life stops, while functioning is not a regrettable fall from contemplation. In mature practice, quiet is present within response, and responsive potential remains within quiet. “Opening and gathering,” “fully releasing and fully collecting,” are not two spiritual identities.

Finally, *wànjī* rejects attachment to either movement or immobility. The *Recorded Sayings of Ancient Worthies* preserves the verse:

“The mind turns along with the myriad circumstances; at the place of turning, it can truly be subtle. Recognizing the nature while following the stream, there is neither joy nor sorrow.”

The surrounding teaching warns against mistaking an “unmoving pure state” for the Chan ancestors’ Dharma, but also against clinging to movement; moving and unmoving are both without fixed self-nature. “Neither joy nor sorrow” should not be read as emotional numbness. It points to freedom from being possessed by attraction and aversion, even while emotions and appropriate responses occur.

This places *wànjī* within the path of liberation. It describes what practice looks like when insight is tested amid conditions. Meditative quiet that works only in a protected room is incomplete; worldly competence driven by craving and self-defense is not liberation. *Wànjī* names the passage from seeing through fixation to functioning without fixation—and from functioning back into a rest that does not become another refuge to grasp.

A walkthrough in everyday life

Imagine an evening commute. You have worked late. A message from your partner appears: “You forgot again. Don’t bother coming early now.” At nearly the same moment, your manager sends a new request, the train is delayed, and your phone begins recommending short videos calibrated to keep you scrolling.

Start with 萬機起縷, the workings arising thread by thread. There is the screen’s brightness, the wording of the message, bodily fatigue, a remembered argument, the beginning of an interpretation—“I am never appreciated”—and an impulse to type a cutting reply. The classical expression includes this entire fine-grained emergence. It must not be reduced to the outward act of sending a message. Nor does *wànjī* mean the external notifications alone. It is the manifold responsive field taking shape as mind meets conditions.

Then comes the question of host and guest. The message is a condition, but are you seeing it, or has its tone silently become the ruler of the whole situation? If the sentence instantly defines your partner as unreasonable and yourself as the victim, the “guest” has occupied the host’s seat. Conversely, declaring yourself serenely detached while refusing to hear your partner’s hurt is not mastery; it is another position controlling the encounter.

Next is 應萬機, responding to the particular configuration. An unobstructed response does not mean producing the most “Zen” sentence. Perhaps the fitting reply is: “You’re right that I forgot. I’m on the delayed train. I want to talk when I arrive rather than answer defensively here.” This response recognizes the practical fact, the relational wound, your present agitation, and the limits of text communication. In another relationship or situation, the proper response might be a phone call, an apology without explanation, a boundary, or silence until safety is restored. Responsiveness is exact because it is not formulaic.

Now the manager’s request arrives. Opening and gathering, fully releasing and fully collecting may mean briefly opening to the facts—Is the request urgent? Who is affected? What was actually agreed?—and then gathering the field into a clear decision. You might accept it, renegotiate it, or say no. “Going with conditions” does not mean compliant availability. If chronic overwork is sustained by your fear of disappointing authority, accommodation is bondage wearing the mask of flexibility.

The stream of recommended videos illustrates a modern form of “the myriad workings arising in threads.” Algorithms can select and sequence stimuli that are likely to prolong engagement, but the analogy has limits: an algorithmic model is not the Buddhist analysis of mind, and present-day neuroscience has not “proved” Chan teaching. Scientific accounts of attention and habit remain methodologically bounded and contested in important respects. Still, the comparison can help us notice how a tiny cue, bodily fatigue, learned preference, and commercial design may combine before the hand appears to “choose” another clip.

Here 斬萬機 may be the appropriate function. You lock the phone. No counterargument, refined spiritual interpretation, or final satisfying video is required. The cut is not hatred of technology. It terminates a proliferating sequence that presently has no wholesome purpose.

On the train, however, you begin rehearsing both conversations. You win imaginary arguments, regret imaginary outcomes, and prepare explanations no one has requested. Now 萬機休罷 becomes relevant. It does not require forcing every thought out. You stop furnishing each thought with another thought. The train sounds, fatigue, embarrassment, and uncertainty are allowed to be present without being converted into a courtroom for the self.

For several moments the workings “cease of themselves.” This is not dissociation and not an achievement to display. Nothing dramatic needs to replace them. There is simply the carriage, breathing, reflected light in the window, and no urgent construction of a defendant called “me.”

Then an elderly passenger struggles with a bag. You help. This is stillness and function coinciding: activity comes out of non-preoccupation. The quiet did not have to be abandoned so that action could begin. Nor should the assistance be romanticized as proof of awakening. It is simply a clean illustration of function emerging without extensive self-reference.

When you reach home, *wànjī* continues. You listen, apologize, explain what must be explained, and do not use “emptiness” to erase consequences. If your partner raises three different issues, responsiveness may distinguish them rather than answer them with one defensive slogan. If the discussion turns abusive, “cutting off the myriad workings” may mean ending the conversation for the night and establishing a boundary. If both of you fall silent and the need to win subsides, “resting and ceasing” is not a communication failure; it may be the space from which an honest sentence can finally arise.

The common mapping error is to identify *wànjī* only with visible busyness: messages, tasks, gestures, and rapid decisions. The classical range is wider. It includes the subtle inception of responses, accurate discernment of the relational field, adaptive expression, decisive cessation, and complete rest. Another error is to assign activity to ordinary life and stillness to meditation. The Chan texts deliberately cross that boundary: stillness must be present in functioning, while quiet must remain capable of response.

Why contemporary people need it

Contemporary life prizes responsiveness but often trains reactivity. Notifications, workplace metrics, public commentary, family obligations, and personalized media repeatedly ask for an immediate answer. A person can become highly responsive in the commercial sense—always reachable, measurable, and adjustable—while losing the freedom either to answer appropriately or not to answer at all.

*Wànjī* offers a more exact standard. Freedom is not having no conditions; it is meeting conditions without allowing any single condition to dictate the whole mind. It includes at least four capacities: noticing a response while it is still a fine thread, discerning the actual configuration, acting without a fixed script, and permitting activity to end completely.

This matters especially because contemporary identity is easily built from repeated reactions. An online platform presents a provocation; anger supplies a reply; the reply is rewarded by one’s group; repetition consolidates an identity; that identity then determines which provocations can be seen. The person feels expressive but is increasingly predictable. In Chan terms, many functions are operating, yet their operator is being operated.

The teaching also corrects a widespread misunderstanding of contemplative life. Practice is sometimes treated as self-optimization: one becomes calmer so as to endure a damaging workload, focus longer, or perform emotional stability for others. But *wànjī* includes “cutting off.” Clear awareness may reveal that the appropriate function is refusal, structural change, an apology, seeking help, or leaving a harmful situation. Tranquillity that merely makes bondage tolerable is not the whole liberative path.

At the opposite extreme, activism and care can become compulsive. Because suffering is real, one may feel morally forbidden to rest. Hongzhi’s language of the myriad functions ceasing is a necessary counterweight. Rest is not always withdrawal from compassion. Without the capacity to let functions cease, action is gradually colonized by resentment, grandiosity, and exhaustion. When rest is lucid rather than avoidant, responsiveness can renew itself—“the empty valley has spirit, and grasses and trees contain spring.”

The concept is therefore neither a productivity method nor a celebration of spontaneity. Its deepest question is: Can action arise without manufacturing a solid self at its center? Can it be complete when present and genuinely finish when finished? This is where *wànjī* belongs in the liberation path. Ethical discipline reduces responses governed by greed, hostility, and heedlessness. Meditative cultivation makes the arising threads visible and allows proliferation to settle. Wisdom sees that moving, unmoving, self, circumstance, success, and failure possess no fixed independent nature. Chan expression gathers these dimensions into the image of inexhaustible functioning inseparable from profound rest.

Common misreadings and clarifications

“It means being good at handling many tasks.” Not quite. Competence may be one manifestation, but multitasking can be fragmented compulsion. *Wànjī* includes discernment, fitting response, decisive cutting off, subtle inception, spontaneous resonance, and cessation. A person who cannot stop is not displaying the term’s full meaning, however efficient they appear.

“It means reacting spontaneously.” Spontaneity alone is morally and spiritually ambiguous. Habit, trauma, prejudice, and anger can all be spontaneous. Chan responsiveness is not mere speed; it is action unblocked by fixed attachment and fitted to the actual condition. The host–guest analyses emphasize seeing the situation rather than being swept away by it.

“Following circumstances means adapting to whatever happens.” The verse says that mind turns with the myriad circumstances while recognizing the nature at the very place of turning. It does not recommend passive conformity. Responding may mean accommodating, questioning, exposing, refusing, or cutting off. Flexibility without discernment becomes submission; firmness without openness becomes fixation.

“Cutting off the myriad workings means suppressing thought and emotion.” In the cited usage, 斬萬機 emphasizes timely decision and closure. Suppression is itself often an agitated operation: one thought attacks another, while the rejected feeling continues covertly. A Chan cut does not necessarily make experience disappear. It ends the unhelpful continuation of a particular entanglement.

“The myriad workings at rest means blankness.” Hongzhi’s imagery is lucid and generative, not inert. When the workings cease, there is “one point of light,” an eloquent silence, an empty valley containing spring, and new activity naturally emerging. A dull trance, emotional shutdown, or dissociative numbness should not automatically be dignified as contemplative stillness.

“Stillness is the essence; activity is only its inferior expression.” That interpretation breaks the text’s structure. Hongzhi repeatedly places cessation beside renewed manifestation: silence and speech, winter quiet and spring movement, complete gathering and complete release. Stillness that fears activity is still bound; activity that cannot rest is also bound.

“Activity and stillness are one, so there is no need to meditate or pause.” Nonduality is not a license to preserve one’s habits. If one cannot sit quietly without reaching for stimulation, or enter activity without losing clarity, saying that movement and stillness are “the same” merely conceals the division. Their non-separation has to be realized in conduct, not asserted as a slogan.

“The one mind behind the myriad functions is an eternal soul.” The language of “one point of numinous clarity” or “one phrase before the myriad workings” points to nonfragmented awareness and function in Chan poetry. Treating it as a permanent metaphysical ego would reintroduce precisely the fixed center that the practice loosens. Nor should it be reduced to a neurological object. Buddhist contemplative language and scientific models ask different kinds of questions; comparison can illuminate, but equivalence would exceed the evidence.

“An awakened person always has the perfect answer.” The records praise unobstructed responsiveness, not personal infallibility. Turning *wànjī* into a claim that a teacher’s every mood or action is enlightened would disable ethical discernment and invite abuse. Conduct still has consequences; claims of realization do not exempt anyone from scrutiny, precepts, or care for those affected.

“萬機 is a fixed doctrinal list.” It is not a numbered taxonomy like the five aggregates or the Noble Eightfold Path. Its meanings are carried by Chan combinations: responding to the myriad workings, cutting them off, their arising thread by thread, resonantly answering them, and their resting or sudden cessation. The *Recorded Sayings of Ancient Worthies* emphasizes lively encounter, discernment, and decisive response; Hongzhi emphasizes their emergence from undivided clarity and their return to silent illumination. Neither emphasis should erase the other.

Ultimately, *wànjī* asks us to abandon two fantasies: that liberation means escaping the changing world, and that freedom means answering every demand the world makes. The liberated capacity is subtler. When conditions call, a response can appear—perhaps many responses from one unobstructed source. When proliferation should end, it ends. When nothing is required, nothing is manufactured. And because the stillness is not dead, when the next condition arrives, spring can enter the forest again.

Canonical EntryAI-generated

定义与核心要义

万机,指面对万般境缘时所起的种种机用、应对与变化,是禅门描述悟者临境活用之语。此概念既含应机之通达,又含万象纷然展开之义,其核心在于一心对境而起无穷作用,又能于寂照中休罢归寂,体现一与多、寂与用之相即。

主要阐述

万机之义在禅门语录中有数重面向,兹合并各经所论,分述如下:

一、应万机——通达无碍、支遣自如。《古尊宿语录》以「一音剖出尘沙句,豁达虚空应万机」明之,显示面对各各不同之问、不同来机,支遣虽多而应处通达无碍;继而以「头头上活,物物上具」将此义落于每一当处皆能活用具足。 其要点不仅在有所反应,更在辨得所现之境、不被对方境界牵引,故原列举「应物现形」「全体作用」「把机权喜怒」「现半身」等作用,又以「主看客」「主看主」「客看主」「客看客」辨别相见时识境、夺境及彼此邪正。

二、斩万机——当机截断、决断收卷。《古尊宿语录》偈颂云「化门舒卷岂同时,出塞还须斩万机」,以「舒卷」写化门之开合,以「斩万机」凸显决断之势,此非通常之「应万机」,而是以截断显机。

三、万机起缕——微细发起、层层展开。「一沤未形,万机起缕」把未形之际与万机缕缕发起并置;其后「道极致淳,行敦亡矩」,显出万机虽起而所归仍淳厚、不滞于矩度。

四、响应万机——随触即鸣、无私唤应。《古尊宿语录》以「时时响应万机寒」为譬,说其物久藏深山非知音难辨,高挂禅堂便能时时响应,兼具触发即鸣、无私唤人之意味。

五、一与多之相即。《宏智禅师广录》以「片心群像外,一句万机前」「一点灵明三世外,十分妙净万机前」等句,将心、句、灵明、妙净安置于万机之前,显示万机从一心灵明中出现;又说「借伴能来用莫穷」,随缘而起之作用可以无穷。

六、万机之展开——遍应诸境、分身化事。《宏智禅师广录》言「唯一坚密身,一切尘中现」,分说现虚空身、国土身、众生身、诸佛身;又说「尘刹纵横俱化事」「而今何处不分身」,把万般机用写成随处显现、顺俗证真而不受固定地位拘着之活动。

七、万机休罢——归寂之相。《宏智禅师广录》大量使用此组用语:「万机俱罢,风月转夜」「万机休罢,三际齐平」「万机影销,一色功转」「万机寝削,一点光明」「万机自息一默谁参」「万机顿削,一句全提」。此非另立一可执取之物,乃藉万机止息,凸显一色、一点光明、一默与一句全提;相应景象常是空谷、风月、清秋、寒月、雪林、夜潭,呈现清明寂静之境。

八、寂用相即。寂止与显用并非截然两段。万机休罢之后仍有「幻起还从佛口生」;万机俱罢之际仍见空谷有神、草木含春;万机自息而春入丛林;万机顿削而风雷破蛰、桃李成蹊。故万机一端是乍卷乍舒、全收全放之应用,一端是影销、寝削、自息之默照;即使无言无作,化机仍可自然流行。

九、动静不执。《古尊宿语录》引「心随万境转,转处实能幽;随流认得性,无喜亦无忧」,将随境而转与转处识性并陈;继而警诫不可把「不动清净境」认作祖门佛法,亦不可执著于动,动与不动「俱无自性」。应对万境之活用非守住湛然不动之境,亦非单以动转为道,而是于动、不动之间不落执取。

不同部类与表述差异

《古尊宿语录》(禅宗语录部·X1315)所用固定词形为「万机」,兼用「应万机」「斩万机」「万机起缕」「响应万机」等组合;描写临境辨验时常以「机权」「境」「主客」「作用」等语并用,重在机用之活泼通达、当机截断、随触响应之诸面。

《宏智禅师广录》(诸宗部·《宏智禪師廣錄》)直接使用之主要术语为「万机」,并有「真机旋转」「应机」等相关说法;除描写应用外,更多以「万机俱罢」「万机休罢」「万机影销」「万机寝削」「万机自息」「万机顿削」等描写归寂之相,呈现寂用相即之结构,重在由应用转入寂照之层面。

两部皆用「万机」一词,然《古尊宿语录》侧重机用之活泼通达与临境辨验,《宏智禅师广录》侧重寂用相即、休罢归寂,着眼点不同。

与相关概念之关系

万机与「境」相关:《古尊宿语录》以「心随万境转」并陈随境而转与转处识性,并辨别相见时主客之邪正。

万机与「真机」相关:《宏智禅师广录》有「物汇发萌,真机旋转」之语,着重生发运转。

万机与「应机」相关:《宏智禅师广录》有「应机也乍卷乍舒,据令也全收全放」之语,以卷舒、收放刻画应对之灵活。

万机之展开与「化事」「分身」相关:《宏智禅师广录》以「唯一坚密身,一切尘中现」「尘刹纵横俱化事」「而今何处不分身」等句,把万般机用写成随处显现之活动。

代表性原文引用

- 《古尊宿语录》:「一音剖出尘沙句,豁达虚空应万机。」 - 《古尊宿语录》:「心随万境转,转处实能幽;随流认得性,无喜亦无忧。」 - 《古尊宿语录》:「化门舒卷岂同时,出塞还须斩万机。」 - 《古尊宿语录》:「一沤未形,万机起缕。」 - 《古尊宿语录》:「时时响应万机寒。」 - 《宏智禅师广录》:「片心群像外,一句万机前。」 - 《宏智禅师广录》:「一点灵明三世外,十分妙净万机前。」 - 《宏智禅师广录》:「物汇发萌,真机旋转。」 - 《宏智禅师广录》:「应机也乍卷乍舒,据令也全收全放。」 - 《宏智禅师广录》:「万机俱罢,风月转夜。」 - 《宏智禅师广录》:「万机休罢,三际齐平。」 - 《宏智禅师广录》:「万机影销,一色功转。」 - 《宏智禅师广录》:「万机寝削,一点光明。」 - 《宏智禅师广录》:「万机自息一默谁参。」 - 《宏智禅师广录》:「万机顿削,一句全提。」 - 《宏智禅师广录》:「幻起还从佛口生。」「空谷有神,草木含春。」

By SutraAI-generated

宏智禪師廣錄T2001 · 諸宗部

《宏智禪師廣錄》以「萬機」指涉面對萬境時紛然展開的種種作用、變化與應接,而其論述重心不在逐一列舉機用,乃在顯示萬機如何從一心靈明中出現,又如何於寂照中休罷。其核心結構是一與多、寂與用的相即:一方面「片心群像外,一句萬機前」,又說「一點靈明三世外,十分妙淨萬機前」,將心、句、靈明與妙淨安置於萬機之前;另一方面又說「借伴能來用莫窮」,顯示隨緣而起的作用可以無窮。

本錄直接使用的主要術語是「萬機」,並有「真機旋轉」與「應機」等相關說法。「物彙發萌,真機旋轉」著重生發運轉,而「應機也乍卷乍舒,據令也全收全放」則以卷舒、收放刻畫應對之靈活;山谷之響、水鑑之像、白雲之心、太虛之量等譬喻,顯示其應現如響如像,舒卷無礙。故本錄記述此概念時,宜保留其特有用語「萬機」「真機」「應機」,不可逕以別經術語取代。

萬機的展開亦表現為遍應諸境、分身化事。「唯一堅密身,一切塵中現」,繼而分說現虛空身、國土身、眾生身、諸佛身:或寥寥無礙,或處處相親,或心心順俗,或念念證真;又說「塵剎縱橫俱化事」及「而今何處不分身」。這些語句把萬般機用寫成隨處顯現、順俗證真而不受固定地位拘著的活動。

然而,本錄更多以「罷」「休罷」「影銷」「寢削」「自息」「頓削」描述萬機歸寂:「萬機俱罷,風月轉夜」「萬機休罷,三際齊平」「萬機影銷,一色功轉」「萬機寢削,一點光明」「萬機自息一默誰參」「萬機頓削,一句全提」。這不是另立一個可執取之物,而是藉萬機止息,凸顯一色、一點光明、一默與一句全提;相應景象常是空谷、風月、清秋、寒月、雪林、夜潭,呈現清明寂靜之境。

寂止與顯用並非被寫成截然兩段。萬機休罷之後仍有「幻起還從佛口生」,萬機俱罷之際仍見空谷有神、草木含春;萬機自息而春入叢林,萬機頓削而風雷破蟄、桃李成蹊。故本錄所呈現的萬機,一端是乍卷乍舒、全收全放的應用,一端是影銷、寢削、自息的默照;即使無言無作,化機仍可自然流行。

古尊宿語錄X1315 · 禪宗語錄部

《古尊宿語錄》論「萬機」,最直接的表述是「一音剖出塵沙句,豁達虛空應萬機」。此語以「一音」對「塵沙句」,又以豁達如虛空者「應萬機」,顯示面對各各不同之問、不同來機,支遣雖多,而應處通達無礙。其後別語「頭頭上活,物物上具」,更把此義落在每一事物、每一當處皆能活用具足;本經在此所用的固定詞形正是「萬機」,並兼用「應萬機」表示隨機應對。

此種機用不是抽象議論,而在師資賓主相見、言論往來之際具體顯現。原文列舉「應物現形」「全體作用」「把機權喜怒」「現半身」等多般作用,又以「主看客」「主看主」「客看主」「客看客」辨別相見時能否識境、奪境及彼此邪正。由此可見,本經寫萬般機用時,常以「機權」「境」「主客」「作用」等語描寫臨境辨驗;其要不僅在有所反應,更在辨得所現之境,不被對方境界牽引。

同一段又引「心隨萬境轉,轉處實能幽;隨流認得性,無喜亦無憂」,將隨境而轉與轉處識性並陳。原文繼而警誡,不可把「不動清淨境」認作祖門佛法,也不可執著於動;動與不動「俱無自性」。因此,應對萬境的活用並非守住一個湛然不動之境,亦非單以動轉為道,而是在動、不動之間不落執取。

「萬機」在偈頌中又呈現收放、斬截與發起的側面。「化門舒卷豈同時,出塞還須斬萬機」,以「舒卷」寫化門之開合,以「斬萬機」寫當機截斷;此處不是通常的「應萬機」,而是用「斬」字凸顯決斷之勢。 另一頌云「一漚未形,萬機起縷」,把未形之際與萬機縷縷發起並置;其後「道極致淳,行敦亡矩」,顯出萬機雖起,而所歸仍淳厚、不滯於矩度。

此外,「時時響應萬機寒」以懸掛禪堂之物發聲作譬,先說其久藏深山、非知音難辨,後說高掛禪堂便能時時響應;「響應萬機」因而兼具觸發即鳴、無私喚人的意味。全經相關用語可歸納為「應萬機」「斬萬機」「萬機起縷」「響應萬機」:或通達支遣,或截斷收卷,或微細發起,或隨觸響應,共同刻畫禪門面對多端境緣時的活潑機用。

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