Dharma · AI Companion

大機大用

「大机大用」指禅宗祖师于无碍境界中当机施设、卷舒纵夺的宗门作用,为大见大智之人回光作事之力用。AI-generated

Type AttainmentDifficulty IntermediateTruth-level span II · emptiness ⇢ IV · beyond wordsInitial AI estimate · evolves with use

无碍境界中之力用依第二重性空见地而起,究竟读为真如无住之活用,故至4

A Contemporary ReadingAI-generated

What this concept is saying

*Dàjī dàyòng* (大機大用, “great pivotal responsiveness and great functioning”) is a Chan term for the liberating activity of an accomplished master: grounded in profound realization and wisdom, the master meets a person at the living point of their confusion and responds in whatever way can loosen the knot.

This is necessarily an awkward translation. Here *jī* 機 does not mean a machine, an intellectual faculty, or merely a student’s “spiritual capacity.” It is the pivotal point at which the truth, the person, and the present situation meet—the opening that must be recognized and acted upon. *Yòng* 用 is not usefulness in a practical or utilitarian sense. It is realization functioning: illuminating, questioning, allowing, denying, gathering in, releasing, speaking, remaining silent, or performing an ordinary action. “Great” does not mean theatrical or superhuman. It means unobstructed by attachment to a single doctrine, method, identity, or result.

The two terms cannot be separated in practice. Without *jī*, action is blind technique: one copies a shout, a sharp remark, or an enigmatic gesture without seeing the person or the moment. Without *yòng*, insight remains sterile: one may speak elegantly about emptiness while still being governed by approval, aversion, gain, loss, and self-protection. Great *jī* is the unhindered discernment of the living pivot; great *yòng* is the liberating response arising there.

The *Recorded Sayings of Chan Master Yuanwu Foguo* (《圓悟佛果禪師語錄》) therefore connects “great function” with great wisdom and speaks of “rousing the great pivot and manifesting the great function” (奮大機顯大用). It describes a person capable of cutting through nets of views and acting within the conditions of ignorance and sentient beings. Yet the same passage warns, “尚未為的”—even such extraordinary effectiveness is “still not the final point.” This qualification is decisive. Chan does not invite us to replace attachment to doctrine with attachment to spiritual power, charisma, spontaneity, or dramatic behavior.

The same record says that the practitioner must “shoulder the great pivot and great function” (荷擔大機大用). “Shoulder” makes this an existential responsibility rather than a verbal accomplishment. One must rest securely where even buddhas and patriarchs do not manufacture anything, while also being able to stand on the highest peak or walk at the bottom of the sea—images for freedom amid radically different circumstances. This freedom is described as no longer fastening upon love and hate, gain and loss, right and wrong. It is not withdrawal from ordinary activity but non-abiding participation in it.

This reveals the concept’s place on the path of liberation. Great pivot and great function are not the beginner’s first technique, nor an independent doctrine competing with ethics, meditation, and wisdom. They name the mature functioning of realization after clinging to self, views, methods, and attainment has been penetrated. Ethical and contemplative training help expose compulsive reactions; wisdom sees that neither self nor phenomena possess an independent fixed nature; great function is that freedom becoming responsive conduct. It is realization returning to the marketplace.

The *Recorded Sayings of Chan Master Hongzhi* (《宏智禪師廣錄》) makes this relation especially clear through the language of *tǐ-yòng* (體用, “ground and functioning” or “essence and activity”):

借位明功,體在用處;借功明位,用在體處。

The ground is disclosed in its functioning, and functioning discloses the ground. This must not be turned into two substances—an invisible metaphysical essence hidden behind visible behavior. The point is that awakening is known in the way seeing, speaking, silence, movement, and relationship actually occur. Conversely, authentic functioning is not personal improvisation floating free of the ground. Hongzhi accordingly speaks of “illumination and functioning simultaneous” (照用同時), and says that this capacity is established from the “original ground” and can be drawn upon anywhere without a fixed rule.

Hence walking, standing, sitting, lying down, speaking, silence, movement, and stillness may all become the performance of the Buddha’s work. The remarkable is not elsewhere. A master may answer with tea, a raised finger, a shout, a blow, a ball, a drum, silence, or an ordinary task. The *Yuanwu Record* gathers well-known Chan responses—Zhaozhou’s tea, Juzhi’s finger, Deshan’s staff, and Linji’s shout—under the description “cutting entangling vines straight through” and calls them great pivot and great function. Their outward forms differ; their work converges upon releasing fixation.

The *Blue Cliff Record* (《佛果圜悟禪師碧巖錄》) gives the term a more specific lineage accent. It associates it particularly with the style transmitted through Mazu, Huangbo, and Linji. Huangbo says that through Baizhang’s account he came to see “Master Ma’s great pivot and great function” (馬大師大機大用), and the record says that Linji uniquely continued its trace. Here the emphasis falls upon *juǎn-shū* (卷舒, gathering in and releasing) and *zòng-duó* (縱奪, granting and taking away): the master may affirm, strip away, expose, interrupt, or leave the student with nowhere conceptual to stand.

These paired movements are not arbitrary opposites:

- To “gather in” may remove the supports on which a student depends.

- To “release” may let the person act freely without additional explanation.

- To “grant” may acknowledge what is presently alive and unobstructed.

- To “take away” may dismantle the identity, answer, attainment, or viewpoint the student is protecting.

- *Zhào* 照, illumination, reveals the person and situation clearly.

- *Yòng* 用, functioning, responds without separating that clarity from action.

Linji’s teaching vocabulary—such as the Three Mysteries and Three Essentials (三玄三要), Four Selections (四料簡), Four Relations of Host and Guest (四主賓), the Diamond King’s Sword (金剛王寶劍), and the Lion Crouching on the Ground (踞地師子)—names particular modes of this testing, illuminating, taking away, and releasing. They should not be mistaken for subdivisions in a scholastic taxonomy. They are descriptions of a living Chan strategy whose meaning depends on whom it addresses and what attachment is operating.

The crucial criterion is therefore not whether an act looks “Zen.” It is whether wisdom is present, whether the response meets the actual bondage, and whether it releases rather than deepens delusion. A copied shout is merely noise. A rehearsed paradox is merely style. A cruel act defended as “cutting attachment” may only express the actor’s aggression. Great function is inseparable from great seeing and great wisdom.

A walkthrough in everyday life

Imagine an evening in which you are commuting home after an exhausting day. A message from your partner appears: “You never listen. Don’t bother coming over tonight.” Almost immediately, your body tightens, your mind composes a defense, and your thumb moves toward the keyboard.

First, locate *jī*, the pivot. It is not merely the phone notification, and it is not a mystical intuition. It is the whole live juncture: the words on the screen, the tightening chest, the fear of rejection, the remembered argument, the desire to win, and the small interval in which reaction has not yet become an irreversible message. To recognize the pivot is to see what is actually happening before reducing it to “I am right” or “they are attacking me.”

The common mapping error is to translate *jī* as “the opportunity to deploy a clever response.” That is already too late and too narrow. The pivotal point includes your own attachment. If that attachment remains invisible, whatever follows will likely be habitual reaction dressed up as insight.

Next comes illumination, *zhào*. You see that several impulses are competing: to retaliate, to withdraw, to explain, and to seek reassurance. You also see that the message may arise from hurt rather than from a final judgment about your worth. This does not mean pretending to know your partner’s mind. Clear seeing includes knowing what you do not know.

Then comes *duó*, “taking away.” Here it may mean not granting authority to the first defensive sentence your mind produces. You delete: “Maybe if you ever said what you actually wanted…” What is taken away is not your right to speak. It is the temporary throne occupied by the need to defeat the other person.

Then comes *juǎn*, “gathering in.” Instead of expanding the conflict into every previous grievance, you gather the situation back to the immediate knot: two tired people, a painful pattern, and a message sent at a bad moment. Gathering in does not suppress complexity; it stops proliferation from masquerading as completeness.

Then comes *shū* or *zòng*, “releasing” or “granting.” You allow space. Perhaps you write: “I can hear how fed up you are. I’m too reactive to answer this well on the train. I’ll give you space tonight, and I’d like to listen tomorrow if you’re willing.” In another relationship, the appropriate response might be a direct boundary: “I want to discuss this, but I won’t continue while we are insulting one another.” Great function has no universally correct sentence. Fidelity to a script would contradict responsiveness.

Finally comes *yòng*, functioning. It includes sending—or deliberately not sending—the message, honoring the promised space, returning to the conversation, listening without secretly preparing a rebuttal, and changing conduct where necessary. Insight that produces one polished text but no altered behavior is not yet liberating function.

Even this is only an analogy at the level of ordinary practice. A moment of emotional regulation is not thereby the “great pivot and great function” of an awakened Chan master. Yet the scene shows the direction of training: recognize the pivot, illuminate the attachment, take away false supports, gather or release as appropriate, and let understanding become conduct.

Consider a second, quieter scene: scrolling on a phone late at night. An algorithm presents outrage, beauty, envy, fear, and novelty in rapid succession. Here the pivot repeatedly appears at the instant attention is captured. The common mistake is to identify *yòng* with the outward action of putting down the phone. Sometimes that is appropriate, but outward restraint alone is not the whole function. One may put the phone down while inwardly continuing the same craving.

Illumination notices the promise embedded in the next swipe: “One more item will complete, soothe, or vindicate me.” Taking away refuses to treat that promise as a command. Gathering in may mean returning attention to the body and the room. Releasing may mean using the device for a chosen task without declaring the device intrinsically impure. Function may be closing the app, setting a boundary, answering one necessary message, or going to sleep.

Algorithms can help illustrate conditioned capture, but the comparison has limits. Contemporary neuroscience and behavioral research can investigate attention, reward learning, and habit formation; they do not by themselves establish Chan claims about awakening, non-abiding, or liberation. Nor does Chan terminology substitute for empirical explanation. The two may illuminate different dimensions of experience without being made identical.

A third scene occurs at work. A colleague presents an idea you privately suggested, and receives the credit. “Spiritual” passivity would say, “There is no self, so it does not matter.” That is not great function; it may be fear hiding behind emptiness-language. Blind retaliation is not great function either.

The pivot is the meeting of real institutional consequences with your wounded self-image. Illumination distinguishes them. Taking away removes the fantasy that you must either destroy the colleague or erase yourself. Gathering in returns the issue to verifiable facts. Releasing permits an unembellished response: documenting your contribution, speaking privately with the colleague, or clarifying authorship with the team. Functioning without attachment does not mean functioning without discernment, accountability, or boundaries.

In parenting, the same flexibility becomes particularly visible. A child’s refusal may require firmness, curiosity, humor, silence, or immediate protection. Applying the same response every time is not freedom; it is attachment to a parenting identity. Yet “spontaneity” without stability can become unpredictability that frightens the child. Great function is not mood-driven improvisation. Its Chan ideal is conduct issuing from a ground no longer dominated by self-centered grasping. At an ordinary level, this asks a parent to see the child, the danger, the developmental capacity, and the parent’s own agitation together—and then to respond proportionately.

Across all these scenes, the structure remains consistent: *jī* is the living pivot, not a clever opening; *zhào* is clear discernment, not detached surveillance; gathering, releasing, granting, and taking away are responsive movements, not formulas; *yòng* is realization expressed in the whole act, not merely its visible gesture.

Why contemporary people need it

Contemporary life rewards pre-programmed response. Platforms learn which stimulus will keep us engaged; workplaces turn personalities into repeatable professional performances; political communication offers ready-made outrage; self-help culture can turn even vulnerability into a script. Under these conditions, we often mistake rapid reaction for freedom.

Great pivot and great function asks a more demanding question: Can there be action that is neither compulsive nor inert—neither captured by conditions nor withdrawn from them?

Its first gift is freedom from method-worship. Methods are necessary, but any method can become another shelter for the self. “Always validate,” “always set a boundary,” “always let go,” “always speak truth,” and “always remain silent” can each be wise in one setting and destructive in another. Chan’s language of gathering and releasing prevents one pole from becoming absolute. Sometimes compassion comforts; sometimes it refuses. Sometimes wisdom speaks; sometimes it leaves the question open.

Its second gift is the reunion of insight and conduct. Contemporary people can accumulate extraordinary amounts of psychological, philosophical, and spiritual knowledge while repeating the same patterns in conflict. The Chan distinction between ground and functioning refuses to let understanding hide from embodiment. If an insight never reaches speech, money, power, care, apology, or restraint, one must ask what has actually been understood.

Its third gift is non-abiding engagement. “Non-abiding” does not mean indecision or perpetual detachment. It means not constructing a fixed residence in a role, view, success, failure, or even a spiritual state. The master may stand on the peak or walk beneath the sea because neither elevation nor obscurity defines the awakened activity. In contemporary terms, one can lead without living inside “I am the leader,” yield without becoming “the defeated one,” and correct an error without becoming “a failure.”

Its fourth gift is protection against spiritual spectacle. Chan literature contains blows, shouts, abrupt reversals, and enigmatic gestures, so it is especially vulnerable to aesthetic imitation. Yuanwu’s warning that even world-turning activity is “still not the final point” punctures fascination with extraordinary performance. The liberation of the person—not the impressiveness of the teacher—is the measure.

Finally, the concept restores responsiveness to wisdom. Liberation is sometimes imagined as leaving the troublesome world behind. Great function presents another picture: when fixation is released, the world of conditions becomes the field of compassionate and discerning activity. The practitioner does not merely possess calm; calm can now become patience, refusal, humor, precision, protection, or silence. Wisdom does not remain on the meditation cushion. It grows hands and eyes—what Hongzhi calls “the present hands and eyes manifesting the whole pivot” (現前手眼顯全機).

Common misunderstandings and clarifications

“*Jī* means the student’s spiritual capacity.”

That is a possible meaning of 機 in other Buddhist compounds and contexts, but it is too narrow here. In *dàjī dàyòng*, particularly in the cited Chan records, *jī* points to the total pivotal activity or decisive juncture disclosed in encounter. It includes discernment, timing, the living situation, and the movement of realization. It cannot be reduced to an aptitude possessed by the recipient.

“*Yòng* means an effective technique.”

A technique can be repeated independently of realization. Great function cannot. The same silence may liberate one person and abandon another; the same sharp question may awaken inquiry or merely humiliate. The external form does not determine the function.

“It means doing whatever arises spontaneously.”

Compulsion also feels spontaneous. Anger, appetite, trauma, vanity, and habit can all move faster than reflection. Chan spontaneity is not the unchecked expression of impulses. The sources connect great function with great seeing, great wisdom, freedom from attachment, and establishment in the original ground. “No fixed rule” does not mean no ethical discernment.

“Shouting or striking is proof of authentic Zen.”

No. The classical encounters belong to particular monastic, literary, pedagogical, and lineage settings. Copying their surface form removes the very responsiveness the stories are meant to display. In contemporary life, striking a student or subordinate is not made wise, lawful, or compassionate by calling it a Chan method. Power differences, consent, safety, and foreseeable harm matter. The tradition’s rhetoric of cutting through attachment must never become a screen for abuse.

“It is a paranormal power.”

The records use vast language—turning heaven and earth, displaying great supernatural activity, performing the Buddha’s great work—but their concrete emphasis is liberation from conceptual nets and unobstructed functioning in ordinary conduct. Great function is not magic, clairvoyance, dominance, or charismatic force.

“It is merely a dramatic Linji technique.”

The *Blue Cliff Record* gives the phrase a strong Mazu–Huangbo–Linji lineage association, and Yuanwu describes Linji forms such as host and guest, illumination and function, taking away and granting. But Hongzhi’s record elucidates the same expression through ground and functioning, illumination, the whole pivot, and conduct in walking, sitting, speech, and silence. The term has a lineage-specific history without being reducible to shouting and striking.

“It means that an awakened person has no standards.”

Freedom from fixed rules is not freedom from wisdom or compassion. A rigid rule may fail the living situation, but arbitrariness fails it as well. “Anything goes” centers the actor’s preference; great function centers release from bondage. The former resists accountability, while the latter should be visible in greater clarity, freedom, and non-appropriation.

“It is just skillful means.”

The ideas overlap because both concern responsive teaching, but they are not interchangeable labels. *Upāya* (方便, skillful means) is a broad Mahāyāna category for teachings or methods adapted to beings and circumstances. *Dàjī dàyòng* belongs to the vocabulary and performative culture of Chan, emphasizing realization functioning directly through the encounter—especially its illuminating, gathering, releasing, granting, and taking-away movements. Calling it simply “skillful means” loses its distinctive concern with the inseparability of the original ground and present action.

“It is the same as sudden enlightenment.”

Sudden awakening concerns penetration or realization; great pivot and great function emphasizes realization in operation. A glimpse, however genuine, is not automatically mature freedom in every relationship and circumstance. This is why Yuanwu speaks of shouldering it and warns against stopping at extraordinary functioning. The term carries the weight of embodiment and responsibility.

“It belongs only to famous masters.”

Strictly speaking, the classical designation praises the activity of accomplished Chan masters; it should not be casually awarded to every moment of intuition or emotional flexibility. Yet it also gives practitioners a direction. Practice moves from being unconsciously used by anger, fear, doctrine, and self-image toward the capacity to see the pivot and respond without clinging. The ordinary examples above are training analogies, not claims of attainment.

The deepest point is simple but exacting: great pivot and great function is not possession of the perfect response. It is freedom from the one who needs to possess a response. Because there is no fixed position to defend, the situation can be seen more completely; because it is seen more completely, action can gather or release, affirm or remove, speak or remain silent. And because the ground is not separate from its functioning, liberation is tested not by what one claims to have realized, but by what one’s presence actually does in the world.

Canonical EntryAI-generated

定义与核心要义

「大机大用」是禅宗用以标举宗师作略的固定名相,指具有大见地、大智慧的证悟者,于无明众生境界中随机施设、当阳显用的宗门作用。此概念既非抽象义理,亦不停于奇特功能,而是行者在承担根本后,于棒喝指掌、卷舒擒纵之间自然流露的解黏去缚之力。

主要阐述

《圆悟佛果禅师语录》直接以「大机大用」标举禅门宗风,以「大智得大用」「奋大机显大用」将「机」与「用」连系于过量之见地、智慧与解脱作用。具大见、大智者能在无明与众生境界中放光作事,回天转地、斩除见网、摧破权宜而显示超越寻常量度的作用;然而即使如此,原文仍说「尚未为的」,不许停在奇特功能上。

本录强调此作用须由行履承担,原句勉参禅者「荷担大机大用」,于「佛祖不为处」安稳而坐,又能时而立于高峰、时而行于海底,任运自在。其状态是不着憎爱、得失、是非,歇却攀缘而识得根本;既非仅有高妙见解,也不是离开日常动用另立境界。

在宗风的实际表现上,本录列举赵州吃茶、秘魔擎扠、雪峰辊毬、禾山打鼓、俱胝一指、德山棒、临济喝等,总称为「透顶透底,直截剪断葛藤,大机大用」。其作用虽「千差万别」,却「会归一源」,落实为替人解黏去缚;若只随语作解,便失去本分。

本录特别以临济正宗叙述「大机大用」:自马祖、黄檗以来,其风格是脱罗笼、出窠臼,虎骤龙驰、星飞电激,卷舒擒纵皆据本分;相关术语包括「三玄三要」「四料简」「四主宾」「金刚王宝剑」「踞地师子」,以及「一喝分宾主,照用一时行」。

《宏智禅师广录》则以「大机大用」概括禅者于体用、照用、偏正、去来之间自在无碍的实际运作。其所描述的根本田地,是「一段光明亘古今」,能照破有无与情尘;行者须于当头触着处承当,并在「暗中着眼,明里藏身」之中通达离微出入。原文运用「借位明功,体在用处;借功明位,用在体处」说明体不离用、用不离体,又以「照用同时」「人境俱夺」标示其全体现成、无所依着的作用。这种作用「却从本地建立得来」,于一切处不存固定轨则,能够「拽来便用,无可不可」。经行坐卧、语默动容,皆可运大神通、作大佛事。

本录另一段以「现前手眼显全机,大用纵横何讳忌」正面描写其气象,前文又以「一窍虚通,八面玲珑」「无象无私」及「不留不碍」形容此作用所依的虚通、圆活与无碍;又说「遍身何似通身是」,使「大用」呈现为通身全体的显发。

本录亦以「真机旋转」描述万物发萌时的生动运转,并说其「生不生而何累,作无作而弗勤」。由一真心现虚空身、国土身、众生身与诸佛身,于各处分别呈现寥寥无碍、处处相亲、心心顺俗、念念证真的作用;原文称此为「大自在汉」所受用之事。

《佛果圜悟禅师碧岩录》论述「大机大用」,主要依马祖、黄檗、临济一系祖师的作略而展开。黄檗曾质于百丈:「子已后莫承嗣马大师么?」并自陈「今日因师举,得见马大师大机大用」。其具体表现则见于马祖接人之作略:僧问佛法大意,祖便打云:「我若不打尔,天下人笑我去在」;又问祖师西来意,祖令近前,却劈耳便掌云:「六耳不同谋」。

本经明言「大机大用。唯临济独继其迹」,将此作用归于临济一脉。其风格为「拈得将来不容拟议。或若踌躇便落阴界」,以雪窦颂「巨灵抬手无多子。分破华山千万重」为喻。 雪窦颂百丈「于祖域之中东走向西,西走向东,一来一往,七纵八横,殊无少碍,如天马驹相似」,并以「电光石火存机变」「机轮曾未转,转必两头走」等语形容此种作用只在刹那机变之处见出。

不同部类与译本的表述差异

三部语录均以「大机大用」四字为定称,未另立异名。但在相邻表述与拆用上各有不同:

《圆悟佛果禅师语录》固定称法为「大机大用」,亦作「奋大机显大用」;相邻表述另有「大智得大用」「真机有卷舒」「向上一机」「照用一时行」,以及「有卷有舒有照有用」「正令全提,主宾同用」「同得同用同杀同活」等组合拆用形式。

《宏智禅师广录》并非只用完整名相「大机大用」,还分别使用「全机」「真机」「大用」「照用同时」「体在用处」「用在体处」等形式铺陈;又以「宗师手段」称示夺牛、夺食般的截断作用,以「拽来便用」「用莫穷」表现作用之随取随施。

《佛果圜悟禅师碧岩录》凡三见「大机大用」,皆与马祖直接相关,分别称「马大师大机大用」与「马祖大机大用」,又以「黄檗大机大用」表述黄檗承此家风。本经以「机」「峻机」等词形容云门公案之迅速,但未径以「大机大用」称之。

与相关概念的关系

「大机大用」与「真机」「全机」「大用」「照用」「体用」等概念密切相关,但层次有别:「机」指当机触着之处与见地,「用」指由此展开的施设作用,二者不可分离。临济宗的「三玄三要」「四料简」「四主宾」「金刚王宝剑」「踞地师子」等均为大机大用的具体形式。 在《碧岩录》中,本概念明确归属马祖—黄檗—临济一系,作为此家风的专属标帜。

代表性原文引用

- 「奋大机显大用,虽履声色之地,塞鸿踏雪,超然莫辨其踪;虽碎魔罗之胆,回天转地,更无竞美之者。尚未为的,盖为其透脱处未稳在。」 - 「荷担大机大用,佛祖不为处,正好一坐坐断,脚跟下不待施为;时而立于高峰之顶,时而行于海底之底,任运施为,无所住着。」 - 「一喝分宾主,照用一时行。……这些子是大机大用,透顶透底,直截剪断葛藤。」 - 「借位明功,体在用处;借功明位,用在体处。……却从本地建立得来,拽来便用,无可不可。岂不是大机大用?」 - 「现前手眼显全机,大用纵横何讳忌。」 - 「今日因师举,得见马大师大机大用。」 - 「大机大用。唯临济独继其迹。」

By SutraAI-generated

圓悟佛果禪師語錄T1997 · 諸宗部

《圓悟佛果禪師語錄》直接以「大機大用」標舉禪門宗風,並以「大智得大用」「奮大機顯大用」等語,將「機」與「用」連繫於過量之見地、智慧與解脫作用。其核心不是義理解說,而是具大見、大智者在無明與眾生境界中放光作事,能回天轉地、斬除見網、摧破權宜,顯示超越尋常量度的作用;然而即使如此,原文仍說「尚未為的」,不許停在奇特功能上。 本錄對此概念最明確的原句,是勉參禪者「荷擔大機大用」,在「佛祖不為處」安穩而坐,又能時而立於高峯、時而行於海底,任運自在。這顯示大機大用須由行履承擔,其狀態是不著憎愛、得失、是非,歇卻攀緣而識得根本;既非僅有高妙見解,也不是離開日常動用另立境界。 在宗風的實際表現上,本錄列舉趙州喫茶、祕魔擎扠、雪峯輥毬、禾山打鼓、俱胝一指、德山棒、臨濟喝等,總稱為「透頂透底,直截剪斷葛藤,大機大用」。其作用雖「千差萬別」,卻「會歸一源」,落實為替人解黏去縛;若只隨語作解,便失去本分。由此可見,本錄常以棒、喝、指、毬等當機施設呈現此義,著重截斷情解及驗證學人。 本錄又特別以臨濟正宗敘述「大機大用」:自馬祖、黃檗以來,其風格是脫羅籠、出窠臼,虎驟龍馳、星飛電激,卷舒、擒縱皆據本分;相關術語包括「三玄三要」「四料簡」「四主賓」「金剛王寶劍」「踞地師子」,以及「一喝分賓主,照用一時行」。這些名稱不是對大機大用的抽象定義,而是本錄記載其正按旁提、賓主照用與殺活卷舒的具體形式。 「機」與「用」在本錄中亦常拆開或組合運用,如「真機有卷舒」「有卷有舒有照有用」「正令全提,主賓同用」,並以「同得同用同殺同活」形容共同證用者;又說大解脫人方能當陽證驗,以「向上一機金剛王寶劍」傳持正見、施用真機。 就用詞而言,本錄的固定稱法正是「大機大用」,亦作「奮大機顯大用」;相鄰表述另有「大智得大用」「真機有卷舒」「向上一機」「照用一時行」。原文沒有另以部類名或經號代稱此概念,也未在所引文塊中另立同義名目的明確對譯,故應保留上述禪門原語,尤其不可將「大機大用」縮減為單純的才能或功效。

宏智禪師廣錄T2001 · 諸宗部

《宏智禪師廣錄》直接以「大機大用」概括禪者於體用、照用、偏正、去來之間自在無礙的實際運作。其所描述的根本田地,是「一段光明亘古今」,能照破有無與情塵;行者須於當頭觸著處承當,並在「暗中著眼,明裏藏身」之中,通達離微出入。此處特別運用「借位明功,體在用處;借功明位,用在體處」等語,說明體不離用、用不離體,又以「照用同時」「人境俱奪」標示其全體現成、無所依著的作用。

這種作用並非停留於玄理,而是「却從本地建立得來」,於一切處不存固定軌則,能夠「拽來便用,無可不可」。經行、坐臥、語默、動容,皆可運大神通、作大佛事。原文遂以臨濟之喝、德山之棒、打地和尚之打地、俱𦙁和尚之竪指,以及歸宗拽石、雲居般土為具體例證,並在末尾反問「豈不是大機大用」,顯示本經所謂「大機大用」,重在當下應物、隨處施為而不受成規拘束。

另一段以「現前手眼顯全機,大用縱橫何諱忌」正面描寫其氣象。「全機」顯露於現前手眼,而「大用」則縱橫展開,無所避忌;其前文又以「一竅虛通,八面玲瓏」「無象無私」及「不留不礙」形容此作用所依的虛通、圓活與無礙。又說「遍身何似通身是」,使「大用」呈現為通身全體的顯發,而非局部或造作所得。

本經亦以「真機旋轉」描述萬物發萌時的生動運轉,並說其「生不生而何累,作無作而弗勤」,既不為動靜所拘,也不為地位所著。由一真心現虛空身、國土身、眾生身與諸佛身,於各處分別呈現寥寥無礙、處處相親、心心順俗、念念證真的作用;原文稱此為「大自在漢」所受用之事,與大機大用所顯的自在無礙相互發明。

在術語方面,本經並非只用完整名相「大機大用」,還分別使用「全機」「真機」「大用」「照用同時」「體在用處」「用在體處」等形式來鋪陳其義;又以「宗師手段」稱示奪牛、奪食般的截斷作用,以「拽來便用」「用莫窮」表現作用之隨取隨施、無有窮盡。這些都是《宏智禪師廣錄》自身記述此概念時值得保留的用詞。

佛果圜悟禪師碧巖錄T2003 · 諸宗部

《佛果圜悟禪師碧巖錄》論述「大機大用」,主要依馬祖(馬大師、馬師)、黃檗、臨濟一系祖師的作略而展開,並非泛論根機,而是指祖師於建化門中卷舒自在、縱奪迅猛的宗門作用。

一、稱謂與所屬:本經凡三見「大機大用」一詞,皆與馬祖直接相關,分別稱「馬大師大機大用」與「馬祖大機大用」,又以「黃檗大機大用」表述黃檗承此家風。本經並未另立異名,始終以「大機大用」四字為定稱。

二、淵源於馬祖:黃檗曾質於百丈:「子已後莫承嗣馬大師麼?」並自陳「今日因師舉,得見馬大師大機大用」,明「大機大用」乃黃檗心目中馬祖之標幟。其具體表現則見於馬祖接人之作略:僧問佛法大意,祖便打云:「我若不打爾,天下人笑我去在」;又問祖師西來意,祖令近前,卻劈耳便掌云:「六耳不同謀」。評唱指出,馬祖「於建化門中,或卷或舒,有時舒不在卷處,有時卷不在舒處,有時卷舒俱不在」,故能得大自在。

三、傳承譜系:本經明言「大機大用。唯臨濟獨繼其蹤」,將此作用歸於臨濟一脈。其風格為「拈得將來不容擬議。或若躊躇便落陰界」,以雪竇頌「巨靈擡手無多子。分破華山千萬重」為喻,定上座「疑情如山堆岳積,被臨濟一掌,直得瓦解氷消」。

四、機變與頌古表述:雪竇頌百丈「於祖域之中東走向西,西走向東,一來一往,七縱八橫,殊無少礙,如天馬駒相似,善能交馳」,並以「電光石火存機變」「機輪曾未轉,轉必兩頭走」等語形容此種作用只在剎那機變之處見出,須是大丈夫漢識得些子機變始得。

五、相關峻機之旁證:本經雖以雲門公案示「機境迅速」,並引五祖法語「大小雲門元來膽小」為對照,顯示宗師家說話「絕意識絕情量」,然此處用「機」「峻機」等詞,未逕以「大機大用」稱之,足見「大機大用」在本經中是馬祖—黃檗—臨濟一系之專屬概念。

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