Dharma · AI Companion

取相

nimittodgraha

执取事物表相为实有AI-generated

Type Mental factorDifficulty IntermediateTruth-level span II · emptinessInitial AI estimate · evolves with use

取般若语脉「执相为实有」义,须性空见地立足;想蕴「于境取像」之取相属同名异指,不并入本跨度

A Contemporary ReadingAI-generated

What This Concept Is About

One-sentence definition: 取相 (nimittodgraha, "grasping at marks") is the mind's act of seizing the marks of all dharmas by means of 忆念 (smṛti, recollection) and 分别 (vikalpa, discrimination) — while these marks are originally without abode and unobtainable. It is the root cause that veils the wisdom-eye and prevents seeing the 如来 (tathāgata) 法身 (dharmakāya).

To truly understand 取相, one cannot treat it as a mere synonym for "attachment" or "thought." In the argumentation of the 《中论》 (Mūlamadhyamakakārikā, "Fundamental Verses on the Middle Way," composed by the bodhisattva Nāgārjuna (龙树), translated by Kumārajīva (鸠摩罗什), T1564), 取相 is a rigorously structured concept with layers and branches. It comprises several interlocking sub-arguments, each dismantling a presupposition we take for granted — that dharmas possess independent, graspable 相 (lakṣaṇa, mark / characteristic).

I. The Mark Does Not Abide Anywhere

The 《中论》 sets forth its pivotal verse: 「有相无相中,相则无所住;离有相无相,余处亦不住」. The meaning: the mark does not abide within that which possesses marks, nor within that which lacks marks; apart from these two, no third place of abode can be found.

The treatise explains in detail with the simile of the ox-mark: horns, a tuft of hair at the tip of the tail, and a dewlap hanging from the neck — these are called the "ox-mark." Apart from these specific features, the so-called "ox" has no basis for establishment; conversely, without the "ox" as the supporting object, the marks of "horn," "hair," and "dewlap" have no footing either.

This simile strikes a fact we routinely overlook: what we call "characteristics" are never independent entities floating in empty space. They must be attached to "some object" to be recognized; and that object itself is assembled out of those very characteristics — the two are mutually dependent, with neither having priority or independence.

II. Marks Do Not Interpenetrate

The treatise further argues: different marks cannot enter into other marks. 「水相中火相不住,先有自相故」 — the mark of water (wet, flowing, cold) does not abide in the mark of fire (hot, rising, dry), because the fire-mark already exists in itself first. The treatise also points out that if a "mark" were to abide in "the markless," that would amount to a mark arising without cause or condition, committing a fundamental logical error.

This layer reveals: each dharma's mark has its own boundary and cannot cross over to mix with another. But conversely, it also means that our seemingly solid judgments of "this is water" and "that is fire" are built on a tacit agreement that things "cannot cross boundaries" — and once you examine carefully, the respective "self-marks" of water and fire turn out to be nothing more than conventional labels themselves.

III. The Mutual Elimination of Mark and Characterizable

Going deeper, the 《中论》 says: 「是故今无相,亦无有可相;离相可相已,更亦无有物」.

Here a pair emerges: 相 (the mark) is the characteristic; 可相 (the "characterizable") is "that which can be characterized" — the thing with recognizable features. The two are mutually presupposing — only with something characterizable can there be characteristics; only with characteristics can there be a characterizable object to point to. The treatise eliminates both together: there is neither an independently existing "mark" nor an independently existing "characterizable"; when both are broken through, there is no "third thing" left to be grasped.

This is especially important for contemporary readers: do not understand "breaking the mark" as "having nothing at all." What Nāgārjuna breaks is the structure of the pair "mark" and "characterizable" — after the break, the world does not dissolve into nothingness; rather, you see that the so-called "real things" were always constructed by this pair of structures.

IV. Distinguishing the Difference-Mark and the Combined-Mark

The 《中论》 dismantles from yet another angle: 「异相不成故,合相则不成;于何异相中,而欲说合相?」.

「异相」 (the "difference-mark") is the characteristic of "this being different from that" — for example, the difference between 染 (dyeing, the state of being colored) and 染者 (the dyer, the thing being colored); 「合相」 (the "combined-mark") is the characteristic of "bringing different parts together" — for example, combining color and cloth to see a "dyed cloth."

The treatise points out: if the characteristic of "difference" itself cannot be established (what is called "the difference-mark does not form"), then the characteristic of "combining different parts" likewise has no basis for establishment. Because the act of "combining" itself presupposes "that there are different things that can be combined."

This layer breaks: we assume the world is composed of "different things" — first there is A, first there is B, then A and B are combined into C. But if the "difference" between A and B is itself conventional rather than real, then the C of the "combined-mark" is merely a more complex convention.

V. Mark-Grasping as the Core Structure of Conceptual Proliferation

In the 《中论》·《如来品》 (Tathāgata chapter), Nāgārjuna gathers all the above analyses of "mark" into a single verdict: 戏论 (prapañca, conceptual proliferation, linguistic elaboration) is precisely 「忆念取相分别此彼」 — recollection, grasping marks, and discriminating "this" from "that."

This is a tripartite structure:

- 忆念 (recollection): the grasping of past objects — bringing yesterday's experience, the last evaluation you heard, a childhood wound, into the present judgment. - 取相 (grasping marks): the grasping of the marks of the present object — fitting the person, thing, or matter before you into a fixed "mark" (characteristic, appearance, label). - 分别 (discrimination): the adjudication of this/that, good/bad, right/wrong — on the basis of the first two, making the divisions "this is good," "that is bad," "I belong to this side," "he belongs to that side."

All three are indispensable. Without recollection, grasping marks has no material; without grasping marks, discrimination has no handle; the three operate in a tangled loop, constituting the entire "processing pipeline" by which the ordinary mind makes sense of the world. Nāgārjuna says the result of this pipeline is that "the wisdom-eye is veiled, and one cannot see the dharmakāya of the Tathāgata" — our wisdom-eye is blocked by layer upon layer of our own conceptual processing, preventing us from seeing the true nature of dharmas.

The Place of Mark-Grasping in the Path to Liberation

Placing 取相 back into the whole picture of the 中观 (madhyamaka) path to liberation: its opposite is not "thinking nothing" (that would be 无记 (avyākṛta, neutral indeterminacy) or annihilation), but rather directly seeing the true nature of dharmas. The 《心经》 (Heart Sūtra) says 「照见五蕴皆空,度一切苦厄」 — "seeing clearly that the five aggregates are all empty, and crossing beyond all suffering and calamity." That "照见" (seeing clearly) is not seeing nothingness, but seeing that the various "marks" we grasp — 色相 (form-mark), 受相 (feeling-mark), 想相 (perception-mark), 行相 (volition-mark), 识相 (consciousness-mark) — have no independent, unchanging, graspable self-nature.

The 《金刚经》 (Diamond Sūtra) says 「凡所有相,皆是虚妄;若见诸相非相,即见如来」 — "all marks are delusive; if you see that marks are not marks, you see the Tathāgata." This is precisely the reverse of 取相: not leaving the marks, but seeing through the "non-mark" nature of marks.

Why 取相 is the pivotal node on the path to liberation: it is not an occasional illusion, but the default mode of ordinary cognition. You think you are "knowing the world," but in fact you are always "grasping marks"; you think you are "making judgments," but in fact you are always "recollecting + grasping marks + discriminating." Seeing this mechanism itself is the starting point of liberation.


Walkthroughs in Daily Life

To bring this classical argumentation down to contemporary life, we need to map terms strictly according to the definitions; otherwise it is all too easy to reduce 取相 to moralizing like "don't label people" or "stay neutral." Let us walk through step by step.

Scenario One: Scrolling Short Videos and Moments

Lying in bed at night, your finger absentmindedly swipes through short videos. You come across a young person who graduated from a prestigious school, earns a six-figure salary, has a perfect body — in the video she is celebrating her birthday at a Michelin-starred restaurant. Your finger pauses for one second.

— What happened in that second?

According to the 《中论》's analysis:

1. 忆念 (recollection) activates: You recall a certain comparison among peers at the last gathering, the number on your mortgage statement, a casual "Look at other people's kids" your mother once said. 2. 取相 (grasping marks) occurs: The person before you is compressed by your cognitive system into several "marks" — the "prestigious-school mark," the "high-income mark," the "refined-lifestyle mark," the "young-and-beautiful mark." You may not think through each one, but these marks are indeed "grasped" and assembled into a fleeting integrated image. 3. 分别 (discrimination) settles: A emotional label follows immediately — envy, jealousy, inferiority, discontent, or the reverse, contempt (feeling that such a life is empty). Whichever it is, it is the result of "discrimination" — "this is good, that is bad," "I am less than others," "her life has no meaning."

The Madhyamaka dismantling does not ask you to "stop comparing" — comparison itself is a natural reaction. What Nāgārjuna dismantles is: that "her" you grasped — assembled from the "prestigious-school mark + high-income mark + refined-lifestyle mark" — is it real?

Using the ox-mark simile to walk through:

- Horns (prestigious school), tuft of hair at tail tip (high income), dewlap (refined lifestyle) — you "grasp" these features and assemble "a successful and happy person," this "ox." - But apart from these features, where is that "ox"? The "her" that slipped past your fingertip is nothing more than a few frames in a video + a pile of awakened memories in your head + content labels pushed to you by the platform's algorithm. - "The mark does not abide": this "success-mark" does not abide in the person in the video — you know nothing of her real life; nor does it abide in "the markless" — you clearly feel a very real envy. - "Marks do not interpenetrate": if you take apart her "prestigious-school mark" and "high-income mark" and apply them separately to different people, you get entirely different "oxen" — this shows these "marks" do not really abide in her; it is your cognitive system that is processing.

The easiest place to map wrongly: Many people understand 取相 as "don't judge others" or "be inclusive of diversity." But what Nāgārjuna dismantles is the constructive process inside your own mind, not a call to be tolerant toward others. Being tolerant of others is of course good, but Nāgārjuna's pointer here is — how the "comparison → self-negation" loop inside you gets ignited by 取相.

Scenario Two: Arguing with Your Partner

You and your partner are arguing about the division of household labor. You blurt out: "You're just the kind of person who never takes responsibility!"

— The instant that sentence is spoken is a textbook case of "忆念取相分别此彼" (recollection, grasping marks, and discriminating this from that).

1. 忆念: You recall the past ten times the other person forgot to take out the trash, the time you came home from overtime to find no meal prepared, the time you had a fever and the other person only said "drink more water." 2. 取相: The other person is compressed in your eyes into a single "mark" — the "irresponsible partner mark." Every detail is subsumed into this label. 3. 分别: "You (bad, irresponsible) vs. Me (good, always giving)" — a clear line drawn.

The Madhyamaka dismantling points to three layers:

- The mark does not abide: The "irresponsible person" you speak of is a collective concept — the lazy partners you have seen, a family pattern you witnessed growing up, a character from a TV drama — all assembled into this label. This "mark" does not abide in the person before you — perhaps he is genuinely exhausted today, perhaps he expresses love in his own way, perhaps he is simply not good at housework but excels at other things. - The mutual elimination of mark and characterizable: The "mark" of "irresponsibility" and the "characterizable" of "him" are mutually constructed — it is because you first determined he is "irresponsible" that you can see those "pieces of evidence"; and those "pieces of evidence" are collected precisely because the "irresponsibility" framework was already waiting there. Break down the "irresponsible" mark, and "he" does not disappear — on the contrary, he becomes complex and three-dimensional again. - Difference-mark and combined-mark: You are also combining. You combine "the past ten trash incidents" and "this time he did it again" into "he is just this kind of person" — but "if the difference-mark does not form, the combined-mark does not form": each individual incident appears "homogeneous" only because you have already stuffed them into the same framework in advance.

The easiest place to map wrongly: Treating Nāgārjuna's dismantling as "so don't have emotions" or "communicate rationally" — this is itself adding another discrimination of "rational mark vs. emotional mark" on top of the original discrimination. Nāgārjuna's dismantling does not ask you to "exchange for a better mark," but to see that the action of "grasping marks" itself is operating — when you can notice in the middle of an argument, "I'm starting to 'grasp marks' again," the automatic reaction pattern gains a gap.

Scenario Three: Someone Steps on Your Foot on the Commute

On the subway, a hurried commuter steps squarely on the top of your foot and squeezes off the train without even looking back. A surge of anger rises in your chest.

- 忆念: Perhaps your work has been going badly these past few days; perhaps your parents told you as a child, "When you're out in the world, be careful not to get pushed around." - 取相: The other person is instantly fixed in your eyes — the "person without decency mark" (the rude mark, the doesn't-care-about-others mark, the arrogant mark). - 分别: "They are the bad one (cold and rude), I am the victim (offended)."

If the timing were different — say a friend was stepped on in front of you, and you were in a good mood — you would probably just think, "Wow, that person is really in a hurry." Same event, different "marks" grasped, and the entire version of the story changes.

Nāgārjuna would say: that "person without decency mark" does not abide in that stranger — you know nothing about them; nor does it abide in "the markless" — the anger in your chest is very real. This "mark" is actually constructed from your own recollection + the present situation + cultural scripts working together.

The easiest place to map wrongly: Treating Nāgārjuna's dismantling as "so you should swallow your anger" or "cultivate 忍辱 (kṣānti, patience)." But the key here is not about enduring or not: it is whether, in the instant the anger rises, the "grasping-marks mechanism" behind it can be seen even a little. If it is seen, the anger may not disappear, but your relationship with it changes — you are no longer fully pushed around by it.

Scenario Four: Mark-Grasping in the Age of AI Algorithms

The environment we live in today could be described as the most automated and most dense environment for 取相 in human history.

- Platform recommendations: YouTube, Douyin (TikTok), Netflix, Spotify — the core of these systems is "tagging you" (you like this kind of mark, that kind of mark), then repeatedly pushing more "marks" of the same kind to you. - Search engines: You type keywords; the system extracts features from each webpage and matches them against your query — this is itself commercialized "mark-grasping" in operation. - Facial recognition, personalized advertising: Your facial features are extracted, compared, and sold — this is a way in which "marks" are extracted, traded, and used to locate you. - Workplace evaluation: KPIs, performance reviews, personality tests — compressing a complex human being into a few numbers and labels. - Self-presentation on social platforms: The photos you upload, the self-introduction you write, the interest tags you set — you yourself are repeatedly practicing "grasping marks" (presenting a certain mark you want to be seen as) and "being marked" (being judged by others based on the features the platform displays).

The Madhyamaka perspective is razor-sharp here: this entire system works precisely because the object it operates on — your mind and mine — is by nature a "mark-grasping machine." The platforms did not invent 取相; they amplified, automated, and scaled up the mark-grasping mechanism inherent in the ordinary mind.

From this angle, Nāgārjuna's analysis of 戏论 (prapañca) acquires a new sharpness in the contemporary era — we think we are "using tools," but in fact the tools and we are mutually reinforcing a reaction loop of "grasping marks → discriminating → acting." It must be emphasized that algorithms are only amplifiers of human cognitive tendencies; they do not "prove" the truth of Buddhism — the "grasping marks" spoken of in Buddhism is observed from within, through the operation of consciousness, and shares a structural similarity with how algorithms work, but one cannot say algorithms "prove" Buddhism — the former is a discipline of liberation describing the mind; the latter is merely statistical and information-processing engineering.


Why Contemporary People Need It

By this point, why contemporary people need to understand 取相 should be fairly clear. It can be stated on several levels:

First, we live in an era of unprecedented density of "being marked."

The ordinary person of the past encountered at most a hundred people a day; information came mainly through word of mouth; the familiar society of one's immediate circle had a strong "de-labeling" force — you would not summarize your aunt or your neighbor Uncle Wang with a few labels. The ordinary person of today is pushed content involving tens of thousands of strangers, each stranger arriving in the form of one image, one fifteen-second video, one keyword — each form is a highly compressed "mark." In such an environment, recognizing the mechanism of 取相 is not esoteric spiritual cultivation but basic mental-health literacy.

Second, the automation of 取相 is manufacturing new suffering.

Comparisons on social media, label-based evaluation in the workplace, categorizations in intimate relationships like "you're just like your parents" — all of these directly cause anxiety, depression, and the collapse of self-worth. On the surface, the root of this suffering is "others don't understand me," "society is too competitive," "my partner doesn't care" — but the Madhyamaka analysis points deeper: it is 取相 itself that keeps forcing ourselves and others into frameworks; when things don't fit, we become anxious; when they do fit, we become closed. Understanding this mechanism may not immediately stop the pain, but it allows you to see the source of the pain.

Third, 取相 is the invisible engine behind all sorts of contemporary "discrimination."

Labeling, political polarization, group antagonism, discrimination and prejudice — the deep mechanism of these phenomena is often: first recollection (how this group has been), then grasping marks (they dress like this, speak like this, behave like this), then discrimination (us vs. them, we are good and they are bad). When we say "we must fight discrimination," we tend to stop at changing behavior and policy; but Madhyamaka points deeper: each of us carries within us a "grasping marks → discriminating" machine, and if that machine is not loosened, even the best policies and laws will be circumvented by it.

Fourth, 取相's interference with self-knowledge is amplified in the contemporary era.

The ancients said, "The value of a person lies in knowing oneself." Modern people face a paradox: we understand "ourselves" better than any previous era (quantified-self wristbands, personality tests, MBTI), yet we may be more defined by "marks" than any previous era — I am the number on my wristband, I am the keywords on my résumé, I am the photo in my Moments feed. The so-called "self" is becoming a picture assembled from various "marks." Understanding 取相 means reserving a little space for this increasingly picturized self — so that one is not entirely defined, occupied, and driven by these "marks."

Fifth, understanding 取相 is the entry point for cultivating 无住 (apratiṣṭhita, non-abiding) and 无所得 (anupalambha, non-attainment).

The Diamond Sūtra's core line 「应无所住而生其心」 — "should give rise to the mind without abiding anywhere" — many people read it as chicken soup or a slogan. But if you first see 取相 clearly — see how "marks" operate, how they are without abode, how they are unobtainable — then return to the Diamond Sūtra, that "non-abiding" is no longer a vague slogan but has concrete content: it does not mean your mind should be empty of everything, but that the mind no longer sticks to those "marks" — letting them come and go, not fixing them, not treating them as real. From this angle, 取相 is a very concrete, very contemporary point of entry on the path to liberation.


Common Misreadings and Clarifications

Having understood the above, there are still several misreadings one can easily fall into that need clarification:

Misreading One: "取相 = labeling / making judgments / having biases"

The problem with this misreading is that it narrows 取相 into a phenomenon in "cognitive bias" or "psychology of discrimination." But the 取相 of the 《中论》 is deeper — it points to the structural feature of "grasping at marks" in all cognitive activity. People are not occasionally labeling; rather, all ordinary cognition presupposes the premise that "there are marks to be grasped." 取相 is not a few specific biases but the mode of operation of the ordinary mind itself.

A finer distinction: modern psychology speaks of "confirmation bias" (确认偏误), meaning we tend to seek evidence supporting our existing views — this is one consequence of "recollection + grasping marks + discrimination," but it is not the same as 取相 itself. What Nāgārjuna dismantles is a more fundamental structure: before any specific bias has even formed, the action of "grasping marks" is already in operation.

Misreading Two: "Breaking 取相 = thinking nothing / not taking a stand / having no opinions"

This misreads Madhyamaka as nihilism or indifference. But the 《中论》 never says "no thought," "no mindfulness," "no judgment" — if it did, the 《中论》 itself, a great work full of judgments and analysis, should not exist. What Nāgārjuna breaks is the "reality of marks," not the "appearance of marks." Marks will appear, labels will be attached, judgments will be made — but when you can see that these marks are "originally without abode," your relationship with them loosens.

To use a simile: waves will rise on the water's surface, but if you know that waves are not the nature of water, you need not panic when waves come, nor pine when they go. Breaking 取相 is not about making the water's surface motionless, but about knowing "waves are waves, water is water, and you need not be swept away by the waves."

Misreading Three: "取相 = self-centered attachment"

Many people read about 我执 (ātma-grāha, attachment to self) in Buddhist texts and assume 取相 is some kind of "selfishness" or "arrogance." This actually reverses the direction. 取相 is not merely "attachment to self-image"; it includes "attachment to images of others," "attachment to the image of an event," "attachment to the reality of a concept." Every "mark" — whether of self, of what is outside self, or of what is within self — is broken apart one by one by Nāgārjuna. If one only focuses on dismantling the "self" mark, one misses the grasping of the broader "marks" of "others," "things," "concepts," and "groups."

Misreading Four: "取相 = psychological projection"

Psychology speaks of "projection" (投射) — the mechanism of treating something internal as if it were external. This mechanism is indeed related to 取相 — but 取相 is broader than projection. Projection is one specific cognitive distortion, whereas 取相 is the fundamental structure of ordinary cognition. When you "grasp" a certain mark of another person, it may or may not be projection (it could be genuine observation, a cultural script, or the replay of a past trauma), but whichever it is, the action of "grasping" itself carries the quality of "seizing a mark as if it were real."

Misreading Five: "Not grasping marks = not discriminating good from evil"

This is the more dangerous misreading. Some people, hearing Nāgārjuna's dismantling of marks, assume "all marks are empty, so good and evil are not differentiated, and cause and effect do not matter" — this vulgarizes Madhyamaka into "moral nihilism." Nāgārjuna never denies good and evil, karmic retribution, or causes and conditions — what he breaks is the deeper tendency to "grasp concepts like good and evil as real things." In fact, a person who truly sees the mechanism of 取相 is more likely (following the teachings of many patriarchs) to act with clarity, responsibility, and non-clinging, rather than falling into indifference or indulgence.

Misreading Six: "Understanding 取相 means liberation"

This is the trap intellectuals most easily fall into. Treating 取相 as a psychological concept to "understand," "analyze," and "write papers about" — this itself is another instance of grasping marks: grasping the concept of "取相," seizing it, treating it as an object that can be mastered. But Nāgārjuna's "breaking marks" is not about conceptualizing 取相 into knowledge; it is about having, in each moment when grasping marks occurs, a little "ah, here I go again" of awareness. This awareness is not a concept; it is a living experience — once you conceptualize it, it becomes another "ox" you have caught.

Misreading Seven: Narrowing 取相 to "a certain kind of disturbance in meditation"

Some practice traditions treat 取相 as one type of phenomenon to be handled in meditation (such as "grasping at the mark of light," "grasping at the mark of emptiness," etc.). This is certainly one angle of entry, but it should not replace the comprehensive view Nāgārjuna presents in the 《中论》. Nāgārjuna's view of 取相 covers everyday cognition, linguistic activity, concept construction, judgment and decision-making — it is the fundamental mode of ordinary existence, not merely a disturbance at a certain moment in the meditation hall.


Conclusion

取相 is the basic unit action by which the ordinary mind knows the world: seizing "marks," treating "marks" as real things, and making discriminations on the basis of "marks." In the 《中论》 it is dismantled layer by layer — marks do not abide, marks do not interpenetrate, mark and characterizable are mutually eliminated, difference-mark and combined-mark do not form — ultimately revealing: the so-called "real world" is itself a finished product of the operation of "recollection + grasping marks + discrimination."

Understanding 取相 is not for the sake of acquiring one more psychology vocabulary item, but so that in each moment of scrolling a phone, each argument, each comparison, each judgment, there can be a little gap of "ah, so that's how it is." That gap is not large, but it is a genuine entry point on the path to liberation — not that the world outside the entry point has changed, but that your relationship with that world has loosened, just a little.

The Heart Sūtra says 「照见五蕴皆空」 — "seeing clearly that the five aggregates are all empty." That "seeing clearly" is not seeing nothingness, but seeing that the various marks we grasp — the form-mark, feeling-mark, perception-mark, volition-mark, consciousness-mark — have no independent self-nature and no place to abide. The Diamond Sūtra says 「若见诸相非相,即见如来」 — "if you see that marks are not marks, you see the Tathāgata." That "非相" (not-marks) is not a negation of marks, but seeing through the "non-mark" nature of marks — they were never the solid, independent, permanently graspable things you took them to be.

The breaking apart of 取相 is neither the starting point nor the end point of the path to liberation, but a middle section — it is a seeing clearly. Once this seeing occurs, it quietly leaves traces in all our relationships: with the world, with others, with ourselves.

Canonical EntryAI-generated

定义与核心要义

取相,指以忆念、分别之心执取诸法之相状。《中论》(《中論》)从「相」之实在性的根本否定出发,层层论证相无所住、不可得,并将「取相」明确定义为戏论的核心构成要素之一,视为覆障慧眼、不能见如来法身之根本原因。

主要阐述

一、相不住于任何处

《中论》以「有相无相中,相则无所住;离有相无相,余处亦不住」之偈为核心论证:相既不住于有相法中,亦不住于无相法中,除此二处外更无第三处可住。论中以牛相为喻详加解释——角、尾端有毛、颈下垂𩑶,是名牛相;离此诸相则无牛,若无牛,是诸相无所住。此表明相是依于所认知的对象而立,离所依则无独立自性可住。

二、相不互入

论中以「水相中火相不住,先有自相故」为例,说明各法自有其相,火相不得住于水相之中;同理,有相中相亦不住,因相先已有。论并指出,若无相中有相住,则为无因、无法而有相之过。以此证明相之实在不可得。

三、相与可相的双遣

偈颂「是故今无相,亦无有可相;离相可相已,更亦无有物」进一步遣除相与可相二者,论证离此二者更无实在之物可取。

四、异相与合相的辨析

偈颂「异相不成故,合相则不成;于何异相中,而欲说合相?」指出:若异相不成立,合相亦随之不成立。论中以「染、染者」之异相不成为例,具体说明合相无从建立。此从异、合两层面破相之集合与关系。

五、戏论之构成要素

至〈如来品〉,明确定义戏论为「忆念取相分别此彼」,将「取相」与忆念、分别并列为戏论的核心构成,视为覆障慧眼、不能见如来法身之因。

不同部类与译本的表述差异

本条目所据为《中论》(《中論》,中观部)。该论以「相」为核心词汇,立「有相」「无相」「可相」「异相」「合相」等子概念;「取相」一词在〈如来品〉作为戏论之构成要素出现,与「分别」「忆念」并列。论中似未以「自相」「共相」等术语为主要框架,而是以「有相/无相」与「相/可相」两组对立展开论证。

开篇先以问答形式提出「六种各有定相,有定相故则有六种」之难,作为下文观破之对象。

与相关概念的关系

取相与「忆念」「分别」并列为戏论之三要素:忆念为过去境界之执取,分别为当下境界之推度,取相则为对境界相状之执着;三者皆是虚妄分别之作用。取相之对象为「相」,然相本身依于所认知的对象而立,无独立自性,故取相本质上无所可取。又,「相」与「可相」构成一对相互依存之概念,二者俱遣方能显示诸法实相;「异相」与「合相」则从横向关系进一步破相之集合与构成。

代表性原文引用

- 「有相无相中,相则无所住;离有相无相,余处亦不住」 - 以牛相为喻,角、尾端有毛、颈下垂𩑶,是名牛相;离此诸相则无牛,若无牛,是诸相无所住 - 「水相中火相不住,先有自相故」 - 「是故今无相,亦无有可相;离相可相已,更亦无有物」 - 「异相不成故,合相则不成;于何异相中,而欲说合相?」 - 以「染、染者」之异相不成为例,说明合相之不可立 - 戏论为「忆念取相分别此彼」 - 开篇以「六种各有定相,有定相故则有六种」之难为观破对象

By SutraAI-generated

大智度論T1509 · 釋經論部

《大智度論》以「取相」一詞統稱執取事物表相為實有的心行,常與「著心」並舉,如「以著心取相念薩婆若者,不名迴向阿耨多羅三藐三菩提」。所取之相涵蓋色受想行識等五眾之常無常相、六波羅蜜相、三解脫門相、內外空相,乃至諸佛戒定慧善根之相。本論另立「取心相」一語,特指分別慳心、施心、捨心等內心之相狀;又用「薩婆若」此音譯名稱(如來一切智)以與三世虛妄相對。

二、取相與迴向之失。彌勒與須菩提反覆討論「取相迴向」之過:若以著心取諸佛、善根之相迴向無上菩提,即墮「想顛倒、心顛倒、見顛倒」,「是不名為迴向」。論以「雜毒食」為喻:福德如食之香美,貪著取相如雜毒,初雖可口,後致「若死、若死等苦」,果報「少而不淨,終歸於盡」。

三、麁礙相與微細礙相之兩層。本論將取相分為兩階:上「我是與者、彼是受者」等施受分別為「麁礙」;下「取相念諸佛」、「念佛三昧」中微細心之取著為「微細礙」。佛自說「微細礙相」云:「有善男子、善女人發菩提心,取相念諸佛……所可有相,皆是礙相」。

四、取相與般若波羅蜜之得失。論明示:若菩薩作念「我今行般若波羅蜜、修般若波羅蜜」而取相,「則遠離般若波羅蜜」,「退阿耨多羅三藐三菩提,不得受記」。歸結三種失——著空故失、著無性故失、著「住般若能生檀等」之菩薩所行道故失;乃至自憶想「一切法不取相」而為他人演說開示,亦名為失。反之,若菩薩「從初發意已來……不取相」、「以離相心行布施、持戒乃至一切種智」,「不墮聲聞、辟支佛道,直至阿耨多羅三藐三菩提」。

五、無相相為般若自性。論云:「無相相是般若波羅蜜;佛從般若中出,亦是無相相」。行者應「不見有法可著、可住」,「以不著、不住法,行般若波羅蜜」。

六、取相通於業報、夢境、魔事。論以「取相故,有緣業生;不取相,無因緣則不生」貫通覺、夢,謂夢中布施持戒若取相迴向亦非實迴向;又謂「一切煩惱、取相,皆是魔事」;於諸法畢竟空中「取相生著心」,即成麁業,障淨佛國土。

中論T1564 · 中觀部

《中論》對「取相——執取事物表相為實有」此一概念之論述,散見於各品,可從三個層面歸納:

第一,相不可住。〈觀相品〉以牛為喻:牛之相即峯有角、尾端有毛、頸下垂𩑶;若離此等相則無牛。然相不能住於無相法中,無相法本無相故;亦不能住於有相之中,以有相法先已有其自相故。如水相中火相不住,火先有自相故。若無相中相住,即成無因之法而有相。「相、可相、常相」三者皆因待而立。偈云:「離有相無相,餘處亦不住」,明離此二邊之外,無第三處可容相之安住。

第二,相與可相互依而有。相無所住故,無可相法;可相法無故,相法亦無。何以故?「因相有可相,因可相有相」,二者共相因待而立,無有獨立實在之自性。此明執取表相為實有者,正墮於因待門中而不能自覺。

第三,戲論即取相。〈觀如來品〉明「戲論」之名義:「戲論名憶念取相分別此彼。」凡夫憶念過去、推度未來,取著種種表相而分別此彼,如計佛滅後為有為無等,皆是戲論。此等戲論覆慧眼,令人不能見如來法身。偈云:「初中後思惟,如來定性不可得」,即明於如來之相取為定性,亦不可得。

要者,《中論》論取相所用術語:稱所取之相為「相」(lakṣaṇa),所對之事物為「可相」,相之所在分「有相」與「無相」;以「因待」「共相因待」明相與可相之關係;以「戲論」一詞概括「憶念取相分別此彼」之執相活動,並特立〈觀相品〉〈觀如來品〉等品以破之。

瑜伽師地論T1579 · 瑜伽部

《瑜伽師地論》對「取相」之論述,主要從三個層面展開:一者就自心之觀察而論取相;二者就六根對境而論「取相」與「取隨好」之差別;三者就名言概念而論「假相有法」之建立。

一、自心取相與心染淨之關聯()

論云:「有苾芻先為煩惱染污心故,便於自心極善取相,如是如是心有染污,或無染污。由此方便,心處沈等;由此方便,不處沈等。」此處「取相」乃指行者觀察自心染淨之狀態,藉以調伏沈掉。論中亦廣列所觀之相:染污相、不染污相、外相(如光明相、淨妙相)、所依相、所行相、作意相、心起相、安住相、自相相、共相相、麁相、靜相、領納相、分別相、俱行相等。「已出離於斷不修方便者,觀有貪等;修方便者,觀略下等」,顯示取相之觀與修行位次相應。

二、六根對境之取相與取隨好(、)

此為本論對「取相」概念之主要發揮,論中先辨二者之別:

(一)取相:「謂於眼識所行色中,由眼識故取所行相,是名於眼所識色中執取其相。」即依眼識現行而執取所緣色境之相貌。

(二)取隨好:「謂即於眼識所行色中,眼識無間俱生分別意識,執取所行境相,或能起貪、或能起瞋、或能起癡,是名於眼所識色中執取隨好。」即眼識後俱生之分別意識,更執取境相而引生貪瞋癡。

(三)另立一類取相:「謂色境界在可見處,能生作意正現在前,眼見眾色。」另立一類取隨好:「眼見色已,然彼先時從他聞有如是如是眼所識色,即隨所聞名句文身,為其增上為依為住,如是士夫補特伽羅,隨其所聞,種種分別眼所識色。」即依先時所聞名句而起種種分別。

此二相於耳鼻舌身意所識法中皆可類推。

三、取相之過患與對治(、)

過患:「若於此中執取其相,執取隨好,不如正理,由此因緣、由此依處、由此增上,發生種種惡不善法,令心流漏。」所謂惡不善法即貪瞋癡及所起之身語意三種惡行;「令心流漏」即心意識於境界遊行流散,與貪瞋癡相應而起惡行。

對治:「不取其相,不取隨好,終不依彼發生諸惡不善尋思,令心流漏。」若因忘念或煩惱極盛而仍生雜染,便修律儀:「隨所發生而不執著,尋便斷滅、除棄、變吐,是名於彼修行律儀。」又應「策發」諸根令不雜染,是名「防護根門」。

四、「假相有法」之建立()

論從名言施設之角度立「假相有法」一門。事相狀者為識所取;所識相狀者為作意所取;淨妙等相狀者為觸所取;饒益等相狀者為受所取;言說相狀者為想所取;邪行等相狀者為思所取。依此施設六種言論:眾法聚集言論(如於內五蘊建立種種我等言論;於外色、香、味、觸等和合差別建立宅、舍、瓶、衣、車、乘、軍、林、樹等言論)、不遍一切言論(如舍宅言論隨諸舍宅轉,於村、聚落、亭邏、國等即旋還)、非常言論(由破壞、不破壞、加行、轉變四相)。論結云:「隨於諸物發起如是六種言論,當知此物皆是假有。是名假相有法。」明依名言施設之種種相狀皆是假有之建立。

五、偈頌總攝()

偈云「先諸根、愛味、前後有差別、取相、及諸纏、大果利為後」,以「取相」為染法次第中之一重要環節。

本論所用之獨特術語:除「取相」外,特立「取隨好」以與之並舉區別;又立「假相有法」專攝名言施設之假有。本論稱比丘為「苾芻」,稱五陰為「五蘊」。

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