Dharma · AI Companion

觸目菩提

禅宗用语,谓当前所见境物当体即是菩提,无所别求。AI-generated

Type ViewDifficulty AdvancedTruth-level span IV · beyond wordsInitial AI estimate · evolves with use

A Contemporary ReadingAI-generated

What this concept is saying

*Chùmù pútí* (觸目菩提, “awakening wherever the eye meets”) is a Chan expression meaning that the very things presently encountered—the mountain, pillar, staff, Buddha hall, a spoken reply, an ordinary task—are not outside awakening. Bodhi (菩提, awakening) is therefore not a hidden spiritual object to be found behind the visible world, nor a special state that a separate self can seize and possess.

Its point is not merely, “Notice beauty in everyday life.” It is more radical: the mind that divides reality into “this ordinary world here” and “awakening somewhere else” is itself producing the distance it hopes to cross.

The classical records expose that habit through concrete encounters. Asked, “What is awakening before the eyes?”, Yunmen replies, “Remove the Buddha hall for me,” or elsewhere, “Remove the exposed pillar.” Another master simply answers, “The Buddha hall before you.” Daowu calls a novice; when the novice responds, he tells him to add water to the clean vase. Still another master drives the questioner away with his staff. These are not several competing definitions. Speech, response, object, movement, bewilderment, and even the blow are all ways of preventing the student from turning awakening into an object beyond the present event.

“Remove the pillar” does not mean physically demolishing it. It removes the student’s conceptual arrangement: pillar here, bodhi elsewhere, and a seeker standing between them. Yet Chan equally rejects the opposite mistake—erasing the pillar in the name of emptiness. The *Recorded Sayings of Chan Master Yunmen Kuangzhen* (《雲門匡真禪師廣錄》) says:

見露柱但喚作露柱,見拄杖但喚作拄杖,有什麼過。

“When you see an exposed pillar, simply call it an exposed pillar; when you see a staff, simply call it a staff—what fault is there in that?”

This preserves both sides of the teaching. The pillar is not a screen concealing some metaphysical “true reality”; but neither should one use emptiness to deny the pillar actually appearing. To force a mystical meaning onto it is excess. To say that nothing is there is deficiency. The encounter is complete without either addition.

That is why the phrase must not be flattened into “everything is literally the same.” The records can say, “Mountain is mountain, water is water, monastic is monastic, layperson is layperson,” precisely while declaring that nothing stands outside mind. Non-separation does not abolish distinctions. A mountain does not become a cup, pain does not become pleasure, and harmful conduct does not become harmless. What falls away is the imagined independent essence and the possessive stance that divides experience into a self-contained observer and a world of objects to grasp or reject.

The same point appears in several interconnected Chan formulations:

- “Phenomena and principle are unobstructed” (*shì-lǐ wú’ài*, 事理無礙): awakening is not an abstract principle opposed to concrete events. Principle is disclosed only in and as particular phenomena.

- “Saṃsāra itself is bodhi” (*shēngsǐ jí pútí*, 生死即菩提): birth-and-death is not made pure by renaming it. Rather, when its impermanent, ungraspable nature is directly known, there is no separate substantial saṃsāra that must be discarded to obtain a separate substantial awakening.

- “Nothing to attain” (*wú suǒdé*, 無所得): the *Recorded Sayings of the Ancient Worthies* (《古尊宿語錄》) says, “菩提無所得”—“Bodhi is nothing that can be acquired”—and adds that it cannot be obtained through the body or sought by the mind. This does not deny cultivation; it denies converting cultivation into acquisition by an imagined owner.

- Non-clinging at the six sense entrances (*liùrù wúrǎn*, 六入無染): the practical expression of this insight is to see, hear, smell, taste, touch, and cognize without greedily attaching to “being” or “non-being.” “Before the eyes” is therefore not confined to visual perception. It points to the whole field of sensory and mental encounter.

This places *chùmù pútí* within the path of liberation. Buddhist practice begins amid dissatisfaction, craving, aversion, and ignorance. Ethical discipline steadies conduct; concentration steadies attention; wisdom sees that neither self nor things possess the independent solidity projected onto them. Chan’s phrase speaks especially from the side of wisdom: when the dual construction of seeker and sought is released, the ordinary world is no longer an obstacle standing between us and awakening.

But this is not permission to skip the path. “Nothing to attain” addresses grasping at attainment; it does not say that greed, hatred, and delusion need no transformation. The records make the test quite practical: at the six sense entrances, does one cling and become entangled, or meet what appears without dependence and fixation? If “everything is bodhi” merely strengthens pride, impulsiveness, or indifference to suffering, it has become an idea protecting delusion.

The familiar line from the *Diamond Sutra* (《金剛般若波羅蜜經》), “應無所住而生其心”—“One should give rise to that mind without dwelling anywhere”—illuminates this balance. Non-dwelling is not blankness or withdrawal. The mind still arises: it sees, responds, cares, and acts, but does not construct a permanent home in an object, opinion, identity, or spiritual experience. *Chùmù pútí* emphasizes the same living immediacy: nothing encountered must be rejected, and nothing encountered can be possessed as “my awakening.”

A walk-through in ordinary life

Imagine commuting on a crowded train. Your phone displays a message from a colleague: “We need to discuss your work.” Almost immediately, anxiety begins.

First, there is the present sensory field: the light of the screen, the shape of the words, the sound of the carriage, bodily pressure against the seat, tightening in the chest. In the strict sense of this teaching, these are not symbols pointing toward bodhi elsewhere. They are the very present conditions in which awakening is either recognized or missed.

The first common mapping error is to think, “My anxious feeling is bodhi, so I should enjoy it or leave it unchanged.” That makes “bodhi” a label pasted onto distress. The instruction is subtler. Tightness is known as tightness, just as Yunmen says to call the pillar a pillar. It need not be dramatized into “My career is collapsing,” suppressed as spiritually impure, or decorated as a mystical revelation.

Next comes mental proliferation. The message becomes a future dismissal; the colleague becomes an enemy; “my work” becomes “my worth”; the imagined meeting becomes a courtroom in which an imagined self must survive. Here the mind has placed bodhi somewhere else: “I can be at peace after the meeting goes well,” “after I prove myself,” or perhaps “after meditation makes this feeling disappear.” This is precisely the structure that *chùmù pútí* interrupts.

To practise is to return—not by forcing thoughts to stop, but by seeing each element without making it a place to dwell:

- The message is a message, not yet a verdict.

- Anxiety is an arisen condition, not an enduring self.

- The mental rehearsal is mental rehearsal, not the future itself.

- The colleague is a person under conditions of their own, not merely a character in one’s fear.

- The train, screen, breathing, and next necessary action are already present.

Then response becomes possible. You might ask calmly what the discussion concerns, review the relevant work, acknowledge a mistake, or set a boundary. “Awakening before the eyes” does not dictate one standardized action. It removes enough fixation for action to answer the actual conditions rather than an invented world.

Consider a second scene: an argument with a partner. They say, “You never listen.” You instantly prepare a defense.

The sound is heard. Hurt arises. Memories assemble themselves. The body leans forward. The urge to interrupt appears. Every one of these is within the present field; none needs to be exiled before practice can begin. But “this anger is itself bodhi” must not become an excuse to shout. Anger is anger—conditioned, unstable, and consequential. To meet it without clinging means neither acting it out nor pretending it is absent.

The “exposed pillar” in this scene may be the partner’s tired face, which your argument has rendered almost invisible. To see it simply is already a break in self-enclosure. You may then hear the complaint beneath the exaggeration, say that the word “never” feels unfair, and still ask what has gone unheard. Bodhi here is not a pleasant mood floating above conflict. It is the unobstructed seeing that permits truthful and compassionate participation in the conflict.

A third scene occurs while scrolling on a phone late at night. An algorithm presents one attractive, alarming, or enraging item after another. The system is designed to predict and influence attention, but it does not single-handedly determine one’s response. Nor should a technological analogy be treated as a scientific proof of Chan teaching.

At the sensory entrance there are color, movement, sound, and bodily fatigue. Then preference operates: “more of this,” “not that,” “tell me I am right.” Soon the hand seems to scroll by itself. Practising *chùmù pútí* does not require believing that the feed is sacred. It means that this exact moment—the thumb moving, the pull toward another item, the discomfort at stopping—is not spiritually second-rate. It is where grasping can be known.

See the video as a video, the recommendation as a recommendation, the urge as an urge. Then close the app if that is the wise response. Non-attachment is fully compatible with changing conditions. Indeed, clear seeing may make change more likely because one is no longer arguing that freedom will begin only after the environment becomes perfect.

Finally, imagine caring for a crying child after an exhausting day. The phrase does not romanticize sleep deprivation or claim that every circumstance is just. Crying is heard as crying; irritation is known as irritation; the child’s need is investigated as a concrete need. “Ordinary activity is Buddha-work” means that soothing, feeding, checking for illness, asking another adult for help, or safely stepping away for a moment can be the field of practice. Awakening is not postponed until the house becomes quiet.

Across all four scenes, the sequence is the same:

1. Something is actually present through a sense entrance or the mind. 2. Habit adds possession, rejection, prediction, and identity. 3. Practice neither denies the appearance nor turns it into an absolute. 4. Non-clinging restores contact with the particular situation. 5. Wisdom expresses itself as an appropriate response, not merely as a special inner feeling.

This is what the old stories enact through a pillar, a vase, a staff, or a Buddha hall. Their objects are ancient; their diagnostic precision is not.

Why contemporary people need it

Contemporary life constantly trains the mind to live one step away from itself. Work is endured for the promotion; the present task is instrumentalized for the résumé; exercise is performed for the future image; conversation is half-abandoned for the next notification; meditation itself can become a project for manufacturing an improved self.

*Chùmù pútí* identifies the spiritual form of the same habit: “Real life, real peace, and real awakening are elsewhere.” Even the search for bodhi, the records warn, can add another layer of dust when it becomes acquisition. One classical formulation is particularly sharp: “求菩提雖是勝求,重增塵累”—“Though seeking bodhi is a superior kind of seeking, it further increases the burden of dust.” The problem is not aspiration toward liberation. It is the subtle attempt to make liberation one more possession of the seeker.

The teaching is therefore an antidote to three contemporary tendencies.

First, it counters chronic deferral. If practice can begin only in silence, on retreat, after the children grow up, after work improves, or after anxiety disappears, most of life is excluded from the path. Chan returns practice to the six sense entrances: the email being read, the door being opened, the person speaking now.

Second, it counters abstraction. Digital and algorithmic life encourages rapid classification: useful or useless, attractive or unattractive, ally or enemy. Categories are necessary, but we easily mistake them for the whole person or event. “See the pillar and call it a pillar” asks for disciplined simplicity before conceptual excess. It does not prohibit thought; it prevents thought from erasing what it claims to explain.

Third, it counters spiritual self-optimization. One may approach Buddhism as a technology for making “me” calmer, more productive, or invulnerable. Those benefits may sometimes occur, but the liberating question is deeper: what is this “me” that expects to own awakening? If bodhi cannot be obtained by body or sought as an object by mind, practice turns from accumulating spiritual credentials toward releasing appropriation.

There is also an ethical consequence. When the world is experienced mainly as material for “my” success, other beings become instruments or obstacles. When fixation loosens, their particularity becomes visible again. Non-duality does not replace moral discernment; it can make moral responsiveness less self-centered. The crying child is not an interruption to enlightenment. The colleague is not merely a threat. The damaged environment is not scenery outside the mind’s concern.

Modern cognitive science can offer suggestive comparisons: perception is shaped by attention, expectation, memory, and prediction rather than being a perfectly neutral recording. But such comparisons have limits. Scientific models investigate measurable cognitive and neural processes; they do not by themselves establish the Buddhist claims about liberation, emptiness, or bodhi. Chan likewise is not presenting an early theory of neuroscience. At most, both can help contemporary readers question the naïve assumption that we simply encounter a ready-made world without interpretive construction.

The distinctive Buddhist issue is not merely how perception is constructed, but whether grasping at that construction produces suffering—and whether seeing without appropriation frees compassionate action. That is a soteriological claim, tested in the transformation of life rather than settled by analogy.

Common misunderstandings and clarifications

“It means that every object is secretly divine.” Not in the sense of a sacred substance hiding inside things. Chan directs attention away from an invisible essence behind the pillar. The pillar itself is enough. Turning it into a container for metaphysical holiness again divides appearance from truth.

“It means everything is literally bodhi, so no distinctions matter.” The records explicitly preserve distinctions: mountain is mountain, water is water; pillar is pillar, staff is staff. Non-duality means that these distinctions do not establish independently existing, mutually sealed substances. It does not mean that medicine and poison, kindness and cruelty, or truth and deception have identical consequences.

“If saṃsāra is bodhi, suffering should be accepted passively.” “Saṃsāra itself is bodhi” does not glorify abuse, illness, exploitation, or grief. It says liberation is discovered through insight into this conditioned field, not by reaching a second reality outside it. Clear seeing may require leaving danger, seeking treatment, confronting injustice, apologizing, or changing institutions.

“Nothing to attain means there is no need to practise.” This confuses the absence of a possessable result with the absence of cultivation. The classical material gives a concrete discipline: at the six entrances, do not greedily cling to phenomena construed as either existing or nonexistent. If attachment, aversion, and delusion remain unchecked, repeating “nothing to attain” is only conceptual shelter.

“Calling a pillar a pillar means ordinary common sense is already complete awakening.” The words may be identical while the manner of seeing differs. One person calls it a pillar while unconsciously organizing the entire encounter around possession, utility, and self. Another sees it without adding an independent essence or denying its conventional presence. Chan’s plain language is the expression of released fixation, not a celebration of unexamined perception.

“Awakening before the eyes means maintaining intense mindfulness of every detail.” Hypervigilance is another form of grasping. The teaching does not demand that consciousness clamp onto each sensation. “Non-dwelling” is spacious: experience appears and passes, while attention responds according to conditions. Sometimes careful observation is appropriate; sometimes wholehearted conversation or swift action is appropriate.

“The phrase concerns vision alone.” Although 觸目 literally evokes what meets the eye, the records extend the principle to speech and silence, movement and stillness, all sounds and forms, and ultimately the six sense entrances. Hearing a reply, answering a call, adding water, and being chased by a staff all belong to its field.

“Mind outside which there is no dharma” means my private mind invents the universe.” That is an unjustified idealist reading. In this Chan context, the statement dismantles the imagined separation between an internal observer and an independently graspable external domain. It should not be reduced to the claim that one individual ego creates mountains, other people, or their suffering.

“The masters’ blows authorize harsh or abusive teaching.” No. A recorded encounter belongs to a particular monastic and literary context; it is not a general license to strike, humiliate, or dominate students. Copying the outward gesture without the context, relationship, insight, and ethical responsibility is precisely the kind of fixation on form that Chan warns against.

“The stories contain a secret answer that intellectual analysis can decode.” They certainly invite careful interpretation, but their form also frustrates the student’s attempt to stand outside experience and possess a formula. Daowu’s “Add water to the vase” is not a cipher for an abstract proposition. The call, response, need for water, and action constitute the teaching event.

The mature understanding of *chùmù pútí* therefore avoids both enchantment and disenchantment. It does not cover the ordinary world with spiritual glitter, and it does not reduce life to inert objects. It meets each thing completely as it is—without placing awakening behind it, without denying its empty and conditioned nature, and without making it serve the project of a separate self.

The concept’s place on the path can finally be stated quite simply. At first, we seek liberation because suffering is real. Along the way, practice exposes the grasping that turns even liberation into an object. At maturity, seeking no longer divides the world into an impure here and an awakened elsewhere. Mountains, messages, quarrels, fatigue, care, and silence remain exactly particular. Yet none stands outside the field of awakening.

The exposed pillar is still an exposed pillar. What has disappeared is the extra distance.

Canonical EntryAI-generated

触目菩提

定义与核心要义

「触目菩提」为禅宗常用术语,谓当前所触对之一切境物——青山、露柱、拄杖、佛殿乃至日用动静——当体即是菩提,无须于境外别求,亦不可以身得、不可以心求。其要义在破除菩提可离境而求、可作为对象而得的执心,直示凡圣一如、触目即是。

主要阐述

《古尊宿语录》就此概念反复申明,指出「语默动静,一切声色,尽是佛事,何处觅佛?……山是山,水是水,僧是僧,俗是俗,山河大地,日月星辰,总不出汝心。三千世界,都来是汝个自己,何处有多般?心外无法,满目青山,虚空世界,皎皎地无丝发许与汝作见解」,直陈眼前万象即心即佛,更无一法可于眼所触之外别立。就「菩提」本身,此经力破其可求、可得、可住之执,云「菩提无是处,佛亦不得菩提,众生亦不失菩提。不可以身得,不可以心求。一切众生即菩提相」;论发菩提心则云「菩提无所得,一切众生本是菩提,不应更得菩提」;「求菩提虽是胜求,重增尘累」。修行实践上,此经以六入无染为具体落实:「眼耳鼻舌,各各不贪染一切有无诸法,是名受持四句偈,亦名四果。六入无迹,亦名六通」,又云「祇如今鉴觉,但不依住一切有无诸法,是不入众数」。

《景德传灯录》以偈颂铺陈义理背景:「心地随时说,菩提亦只宁,事理俱无碍,当生即不生」;又云「万法一如不用拣,一如谁拣谁不拣,即今生死本菩提,三世如来同个眼」,强调生死当下即是菩提,三世诸佛共此一只眼。此经更记四位禅师之接对,呈现「触目」二字的多元落实:道吾禅师不假语言,「唤沙弥,沙弥应诺,吾曰:添净缾水着」;福清院玄讷禅师以「阇梨失却半年粮」「只为图他一斗米」反诘;洪州凤栖山同安丕禅师直答「面前佛殿」;泉州睡龙山和尚则「以杖趁之」,棒打驱逐本身即是答案。

《云门匡真禅师广录》先标未悟之病:「触目不会道,运足焉知路」,直指世人日日所对万境即是道体,举足动念早已乘违。对于「如何是触目菩提」之问,云门或答「与我拈却佛殿」,或答「拈却露柱」,学人若云「露柱岂干他事」,师便喝云「驴年会么」;并举雪峰古则,拈起拄杖云:「有底体上会事,见露柱秖唤作露柱……有处道不见有露柱,解见偏枯」,末后断语「见露柱但唤作露柱,见拄杖但唤作拄杖,有什么过」。

不同部类与译本的表述差异

三部典籍所用术语一律作「触目菩提」,未见其他异译或别名。

同本异文方面:《古尊宿语录》引雪峰答「如何是触目菩提」之语,一本作「好个露柱」,他本或作「还见露柱么」;《云门匡真禅师广录》亦记雪峰此则,同样兼存「好个露柱」与「还见露柱么」两种文本。

各部类公案答语之差异:《古尊宿语录》主录「拈却露柱」一系,附评唱「见露柱但唤作露柱」之语;《景德传灯录》广记四种不同接对,涵盖语言(福清、凤栖)、动作(道吾、沙弥添水)、棒喝(睡龙以杖趁之)三类;《云门匡真禅师广录》则集中于「佛殿」「露柱」「拄杖」三种眼前实物作答。

用语风格方面,《云门匡真禅师广录》刻意避开「真如」「佛性」「自心」「本来面目」等抽象名相,唯一以目前实物——佛殿、露柱、拄杖——对机;《古尊宿语录》除具体事物外,亦以「心外无法」「众生即菩提相」等抽象命题并陈;《景德传灯录》则兼摄偈颂之理与公案之事两种层面。

与相关概念的关系

「触目菩提」与「理事无碍」「生死即菩提」之义理相通。《景德传灯录》以「事理俱无碍,当生即不生」及「即今生死本菩提」概括此层关联。

修行实践上,与「六入无染」「六通」相涉。《古尊宿语录》云「六入无迹,亦名六通」,并以眼耳鼻舌不贪染一切有无诸法为「受持四句偈,亦名四果」,此即触目菩提于六根门头的具体落实。

另与「无所得」「一切众生本菩提」之命题相贯。《古尊宿语录》明言「菩提无所得,一切众生本是菩提,不应更得菩提」,又云「求菩提虽是胜求,重增尘累」,与触目即是不另求取的宗旨相互发明。

代表性原文引用

「如何是触目菩提?」师云:「拈却露柱。」进云:「露柱岂干他事?」师云:「驴年会么。」

「有底体上会事,见露柱祇唤作露柱;有处道不见有露柱,解见偏枯。见露柱但唤作露柱,见拄杖但唤作拄杖,有什么过?」

「山是山,水是水,僧是僧,俗是俗,山河大地,日月星辰,总不出汝心。三千世界,都来是汝个自己,何处有多般?心外无法,满目青山,虚空世界,皎皎地无丝发许与汝作见解。」

「菩提无是处,佛亦不得菩提,众生亦不失菩提。不可以身得,不可以心求。一切众生即菩提相。」

「菩提无所得,一切众生本是菩提,不应更得菩提。」「求菩提虽是胜求,重增尘累。」

「心地随时说,菩提亦只宁,事理俱无碍,当生即不生。」

「万法一如不用拣,一如谁拣谁不拣,即今生死本菩提,三世如来同个眼。」

「触目不会道,运足焉知路。」

By SutraAI-generated

雲門匡真禪師廣錄T1988 · 諸宗部

《雲門匡真禪師廣錄》中「觸目菩提」一詞凡三見開示,皆以當前實物為機鋒,茲依原文條述其論述如下:

一、上堂垂示,先標未悟之病。上堂良久云:「觸目不會道,運足焉知路。」直指世人日日所對萬境,其實即是道體,而終日不會;舉足動念,早已乘違本真。隨即有僧問「如何是觸目菩提」,師云:「與我拈却佛殿。」此答非真欲令搬去殿堂,乃欲學人於佛殿當下便見本地,不向別處覓求。其後進問「如設是最初一句」,師以「九九八十一」相答,且令僧近前即打,不容於言下死定。

二、另一會中,僧復舉前問「如何是觸目菩提」,師云:「拈却露柱。」學人卻云:「露柱豈干他事。」意謂露柱與菩提何干?師便喝云:「驢年會麼。」此段顯示觸目菩提原不於露柱之外別覓,亦不可執露柱與菩提不相干,學人若作「無涉」之解,早已錯過。

三、舉雪峯古則,並自下一轉語,是全書對此概念最為詳備之說明。先舉僧問雪峯「如何是觸目菩提」,峯答:「好箇露柱。」復舉有處云:「還見露柱麼。」師拈起拄杖云:「有底體上會事,見露柱秖喚作露柱。」此指一類人於形色上強作會通。又云:「有處道不見有露柱,解見偏枯。」此指另一類執空撥有之人。末後自下斷語云:「見露柱但喚作露柱,見拄杖但喚作拄杖,有什麼過。」全段掃除兩種偏差,令學人當下直認,不加知見,不起絲毫修飾,便是觸目菩提之全旨。

四、本經用語之獨特處。全書不依「真如」、「佛性」、「自心」、「本來面目」等抽象名相作答,唯一以目前實物——佛殿、露柱、拄杖——為對機之具,旨在令人於見色聞聲處當下承當,非離此外別有玄妙可得。此即雲門全錄呈現之特殊風格。

景德傳燈錄T2076 · 史傳部

《景德傳燈錄》是一部以禪宗師徒問答與傳記為主體的史傳,其中論及「觸目菩提」之處,並非以教義系統闡釋的方式展開,而是大量透過具體的公案問答呈現。本經所用術語一律作「觸目菩提」,未見其他異譯或別名。

首先,就概括性的偈頌而言,本經以兩處詩偈作為對「觸目菩提」義理背景的鋪陳。其一云:「心地隨時說,菩提亦只寧,事理俱無礙,當生即不生」(),強調心地的當下即是菩提,凡聖、生死皆無障礙;其二云:「萬法一如不用揀,一如誰揀誰不揀,即今生死本菩提,三世如來同箇眼」(),直指眼前生死即是菩提,三世諸佛共此一隻眼。這兩處偈語為後續具體問答提供了「當下即是、理事無礙」的義理基調。

其次,就師徒問答的公案形式而言,本經記錄了四位禪師對「如何是觸目菩提」的不同接對,展示了該概念在實踐場域中的多元側面:

其一,潭州石霜山慶諸禪師所參之道吾禪師的回答最為奇特——他不以語言回答,而是「喚沙彌,沙彌應諾,吾曰:添淨缾水著」(),以日常動作當下指點,顯示觸目菩提並非義理名相,而是於一呼一諾、一添水之間當體顯露。

其二,泉州福清院玄訥禪師則以反詰的方式回應:「闍梨失却半年糧」,再問為何,便答:「只為圖他一斗米」(),以「失糧」「圖米」等日常困頓之事,顯示觸目菩提即在現前困頓的覓食生涯之中。

其三,洪州鳳棲山同安丕禪師的回答最為直接:「面前佛殿」(),不加任何詮釋,直指眼前所見之物即是,體現出「觸目即是」的最簡詮釋。

其四,泉州睡龍山和尚則「以杖趁之」,令僧奔走,再囑「住住,向後遇作家舉看」(),以棒打驅逐的動作作為答案,顯示觸目菩提不必透過任何語言指向,連追逐棒打本身即是呈現。

整體而言,本經論及「觸目菩提」時,呈現出兩種不同的表現層面:一為詩偈層面,以「理事無礙」「生死即菩提」概括其理;二為公案層面,則以各師獨特的動作、語言、棒喝接對,呈現「觸目」二字的多樣落實。值得注意的是,本經始終以「觸目菩提」一詞為準,未見改用其他名稱,亦未將此概念抽象化為系統教義,而是保留其於具體禪接中的活潑面貌。

古尊宿語錄X1315 · 禪宗語錄部

《古尊宿語錄》對「觸目菩提」的論述,以問答形式直接展開。有僧問「如何是觸目菩提」,師答「拈却露柱」;其人追問「露柱豈干他事」,師以「驢年會麼」截斷擬議。此段復引雪峰答同問曰「好箇露柱」,他本或作「還見露柱麼」。師評唱云:「有底體上會事,見露柱祇喚作露柱;有處道不見有露柱,見解偏枯。見露柱但喚作露柱,見拄杖但喚作拄杖,有什麼過?」 直指當下所見之物即名即體,不另起知解,便是觸目處的菩提。

此經更就「觸目」與「菩提」的關係反覆申明。卷中另一則問答云:「語默動靜,一切聲色,盡是佛事,何處覓佛?……山是山,水是水,僧是僧,俗是俗,山河大地,日月星辰,總不出汝心。三千世界,都來是汝箇自己,何處有多般?心外無法,滿目青山,虗空世界,皎皎地無絲髮許與汝作見解。」 眼前的青山、露柱、拄杖當體即是,並無一法在眼所觸之外。

就「菩提」本身,此經力破其可求、可得、可住之執。問「何處是菩提」,師答「菩提無是處,佛亦不得菩提,眾生亦不失菩提。不可以身得,不可以心求。一切眾生即菩提相」。論發菩提心則云「菩提無所得」,「一切眾生本是菩提,不應更得菩提」。「求菩提雖是勝求,重增塵累」,故不可以有所求之心為菩提。

修行實踐上,此經以六入無染為觸目菩提的具體落實:「眼耳鼻舌,各各不貪染一切有無諸法,是名受持四句偈,亦名四果。六入無迹,亦名六通。」又云「祇如今鑑覺,但不依住一切有無諸法,是不入眾數」。見色聞聲而能不染、不依、不守,即是觸處皆菩提。

整體而言,此經以「露柱」「青山」「拄杖」等眼前現成事物為指歸,強調菩提無可得、無可住、一切聲色當體即是,與觸目即是的宗旨相貫。

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