Dharma · AI Companion

一體

ekatattva

禅宗所说天地、我与万物万法同根不二、互摄为一之相。AI-generated

Type ViewDifficulty AdvancedTruth-level span III · nominal designation ⇢ IV · beyond wordsInitial AI estimate · evolves with use

一体为禅宗天地万物同根不二之说,第三重名言安立『万法同根』,第四重离言绝待。

A Contemporary ReadingAI-generated

What this concept is saying

一體 (*yītǐ*, “one body” or “one integral reality”) is a Chan way of saying that heaven and earth, oneself, and the innumerable things and phenomena do not possess sealed-off, mutually isolated existences. Its best-known formulation in the Chan records is:

「天地與我同根,萬物與我一體。」 “Heaven and earth share one root with me; the myriad things form one body with me.”

The *Recorded Sayings of the Ancient Worthies* (《古尊宿語錄》) also gives the variant 「天地與我同根,萬法與我一體」—“Heaven and earth share one root with me; the myriad dharmas form one body with me.” Here 萬物 (*wànwù*, “myriad things”) emphasizes the richly differentiated things appearing throughout the world; 萬法 (*wànfǎ*, “myriad dharmas”) is broader, encompassing all phenomena, experiences, conditions, and distinguishable events.

“One body” therefore does not merely mean that human beings belong to one ecological system, though ecology can offer a useful doorway into it. Nor does it mean that different things look alike. A tree, a headache, a memory, a traffic light, another person, and the awareness of them remain distinguishable. The claim is deeper: none stands outside the field of relations and conditions through which it is what it is, and the experiencing “I” is not an independent observer confronting that field from elsewhere.

The expression has several inseparable dimensions.

First is 同根 (*tónggēn*, “sharing one root”). “Self” and “world” are not two independently established domains that later enter into contact. The air in one’s lungs, the language in one’s thoughts, the food composing one’s body, the care and injury carried from relationships, and the social and natural conditions supporting this moment all expose the fiction of an entirely self-grounded individual. Chan, however, is not offering this merely as a causal theory. It asks us to examine the very division between “the one in here” and “everything out there.”

Second is 互攝 (*hùshè*, “mutual inclusion” or “mutual containment”). The *Recorded Sayings* expresses it through exact, reciprocal images:

- 「一塵纔舉,大地全收」—when a single mote of dust is raised, the whole earth is gathered in. - A lion on the tip of one hair appears upon a hundred billion hair-tips. - The lions upon a hundred billion hair-tips appear upon a single hair-tip.

The two directions matter. It is not only that the small belongs to the great; the great is disclosed in and through the small. One ordinary encounter carries language, history, habit, desire, institutions, bodily conditions, and an entire world of relationships. Yet Chan does not turn this into a diagram to be admired. After speaking of one hair-tip and a hundred billion hair-tips, the teacher raises his staff and asks, in effect, “Which is the one?” The image must return to present discernment.

Third is 不二 (*bù’èr*, “nonduality”). “One body” does not mean that two genuinely separate substances have been glued together. Hongzhi’s *Extensive Record* (《宏智禪師廣錄》) says 「二儀自然一體」—“the two cosmic principles are naturally one body”—and 「二儀同根,萬物一體」—“the two principles share one root; the myriad things are one body.” The unity is not manufactured by suppressing difference. It is “natural” in the sense that separation was never as absolute as discriminating attachment imagined it to be.

Fourth is 不混同 (*bù hùntóng*, “not collapsing distinctions”). This qualification is essential. The *Blue Cliff Record* (《佛果圜悟禪師碧巖錄》) places “one body” beside statements such as:

「聞見覺知非一一,山河不在鏡中觀。」 “Hearing, seeing, awareness, and knowing are not each the same; mountains and rivers are not to be observed inside a mirror.”

It then says, 「山是山水是水」—“mountains are mountains; waters are waters”—and cites 「法法住法位,世間相常住」—“each dharma abides in its dharma-position; the characteristics of the world constantly abide.” The last line ultimately derives from the *Lotus Sutra* (《法華經》), though the *Blue Cliff Record* employs it in its own Chan discussion.

Thus, “one” does not erase “many.” Fire still burns; kindness and cruelty are not morally interchangeable; your pain is not mine in the ordinary experiential sense; and different people require different responses. If unity destroys particularity, it becomes a blank sameness. If particularity hardens into absolute separation, it becomes alienation. 一體 points to difference without isolation and intimacy without confusion.

This is also why “one body” is not a hidden cosmic substance. Asked, 「萬法歸於一體時如何?」—“What is it like when the myriad dharmas return to one body?”—a teacher replies, 「三斗喫不足」—“Three measures are not enough to eat.” Asked where they ultimately return, he answers, 「二斗却有餘」—“Two measures, however, are more than enough.” The exchange refuses to locate “the One” in a metaphysical warehouse behind appearances.

Likewise, after declaring that the myriad dharmas are one body, a teacher raises his staff: 「者個是南源拄杖子,那個是體?」—“This is Nanyuan’s staff; which is the body?” If “one body” has become something you can point to behind the staff, you have divided appearance from reality. If you merely repeat that the staff and everything else are one, you have taken the teaching as a slogan. Hence the warning: 「渡河須用筏,到岸不須船」—“To cross a river one needs a raft; on reaching the bank one no longer needs the boat.” The phrase is a means of seeing, not a final object to possess.

The *Blue Cliff Record* sharpens the same point through the story of the official Lu Gen, who presented the celebrated saying about heaven, earth, oneself, and the myriad things to Nanquan. The commentary acknowledges the profundity of “gathering the myriad things into oneself” and even says, 「盡乾坤大地,只是一箇自己」—“The whole expanse of heaven and earth is just one self.” But it then asks, 「同什麼根,同那箇體?」—“Sharing what root? One with which body?” Nanquan points to a flower in the courtyard and says, 「時人見此一株花,如夢相似」—“People nowadays see this single flower as if in a dream.”

The issue is not whether Lu Gen’s doctrine was eloquent. It was whether the flower was actually being met, before “self” and “flower” were arranged as observer and observed and before “unity” became an idea connecting them. To regard awareness as a mirror over here reflecting mountains and rivers over there still leaves reality split into two sections.

This locates 一體 within the path of liberation. Buddhism diagnoses suffering not only as the presence of unpleasant events but as a structure of appropriation: experience is repeatedly organized as “I,” “me,” and “mine,” defending itself against an apparently external world. Chan’s “one body” undermines that enclosure. It does not command a person to believe, “Everything is me.” It invites direct investigation of whether the defended, self-existing owner can be found apart from body, conditions, perceptions, relations, and the present activity of knowing.

When that enclosure loosens, compassion is no longer merely an ethical rule imposed on an isolated individual. Another being’s welfare is not wholly external to one’s own life. Yet liberation also requires wisdom: non-separation must not become sentimental fusion. Compassion answers the particular person and the particular wound; wisdom sees that neither helper nor helped exists alone. Practice therefore moves from conceptual understanding, through careful attention to present seeing and hearing, toward conduct in which less experience is seized as “mine against yours.”

A walk-through in everyday life

Imagine an evening commute after an exhausting day. You stand in a crowded train, scrolling through your phone. A delayed message from your partner appears: “We need to talk.” Someone beside you is playing a video without headphones. A child begins crying. Irritation, anxiety, and self-protection arise almost together.

Begin with the ordinary appearance of separation. There seems to be a solid “me” inside: tired, worried, and entitled to quiet. Outside are the noisy passenger, the crying child, the delayed train, the demanding partner, and the phone delivering bad news. The mind silently constructs a fortified center and an obstructing world.

Now examine 同根, “sharing one root.” Your current irritation is not self-produced. It includes lack of sleep, the body’s tension, workplace expectations, the train’s design, another passenger’s habits, the child’s distress, the partner’s history with you, and learned interpretations of the phrase “We need to talk.” Even the inner words with which you defend yourself came from a language received from others. This does not mean that “everything causes everything” in an undifferentiated way. It means that the supposedly independent self cannot be isolated from its conditions.

Next examine 互攝, mutual inclusion. The single glowing message contains an entire relationship: remembered quarrels, affection, fear of rejection, future plans, assumptions about tone, and the social conventions of texting. In that sense, “one mote is raised and the whole earth is gathered in.” Conversely, the larger relationship is now present through this one small arrangement of pixels. The mapping error to avoid is treating the message as a magical fragment literally containing every event. Mutual inclusion here concerns how a whole field is expressed through a particular event, not the physical compression of the universe into a screen.

Then examine nonduality. The noise is not merely an object outside awareness; “noise-as-intolerable” is arising together with fatigue, expectation, hearing, and resistance. This does not imply that the passenger is imaginary or that your mind created the sound waves. It means the lived event cannot be divided cleanly into a complete subject on one side and a complete object on the other. Hearing, bodily contraction, judgment, and environment occur as one conditioned episode.

Now preserve difference. The crying child is not the phone notification. The passenger’s behavior may still be inconsiderate. Your partner’s needs may differ from yours. “One body” does not require passivity, agreement, or the abandonment of boundaries. You may move to another carriage, politely ask for the volume to be lowered, and later tell your partner that you need twenty minutes to settle before talking. “Mountains are mountains; waters are waters.” A wise boundary distinguishes roles and needs without turning distinction into hatred or absolute estrangement.

Finally, return to immediate experience. Feel the train’s movement. Hear sound before completing the story “They are ruining my evening.” Notice the hand gripping the phone, the impulse to rehearse a defense, and the child’s cry entering the same field of hearing as the announcement. Do not manufacture a mystical mood called “oneness.” The teacher’s staff is simply this staff; Nanquan’s flower is simply this flower. The practical question is whether experience can be met without instantly building a separate owner at its center.

Consider a second, shorter example from algorithmic life. You open a social-media feed intending to spend five minutes and emerge forty minutes later, agitated by strangers. “One body” does not mean that you and the recommendation algorithm are spiritually identical. It does reveal a coupled field: your attention trains the system; the system arranges what solicits your attention; advertisers, creators, interface design, social comparison, bodily fatigue, and your own habits meet in each swipe. The feed is neither wholly “done to me” nor wholly “my free choice.” Seeing the network of conditions makes a freer response possible: putting down the phone, changing settings, or noticing the craving before the next swipe.

AI provides a similarly limited analogy. A generated answer depends upon training data, infrastructure, prompts, design choices, and human interpretation; it does not arise from a sealed, autonomous source. That can help contemporary readers question fantasies of isolated authorship. But the analogy stops there. Technical interdependence is not identical to Chan realization, and debates about machine consciousness remain unresolved. Neither neuroscience nor AI research has “proved” 一體. At most, contemporary inquiry supplies provisional examples through which the Buddhist challenge to self-sufficient existence becomes easier to approach.

Why contemporary people need it

Contemporary life repeatedly trains the opposite perception: the self as a private project competing for attention, status, security, and optimization. Even practices intended to heal us can be absorbed into this structure—my productivity, my brand, my peace, my enlightenment. 一體 interrupts that architecture.

It first corrects loneliness at the level of view. Loneliness cannot always be solved by remembering interdependence; people also need friendship, safety, and material support. Still, the belief “I am a sealed consciousness who must somehow cross an abyss to reach others” intensifies isolation. “One body” asks whether that abyss was ever as complete as assumed. Language, memory, care, conflict, culture, and the living world are already present in what one calls oneself.

It also deepens responsibility. If the consequences of consumption, work, technology, and speech are treated as externalities belonging to someone else, ethical concern remains fragile. Seeing “one body” does not provide automatic answers to policy questions, but it changes what counts as relevant. The distant worker, polluted river, anxious child, and future community no longer stand wholly outside the field of one’s life.

In relationships, it offers a middle way between defensive individualism and unhealthy fusion. Defensive individualism says, “Your pain is your problem.” Fusion says, “Because we are one, I know exactly what you feel, and you may not refuse me.” 一體 supports neither. Non-separation makes another’s suffering matter; the distinctness of dharmas requires listening rather than projection. Real intimacy does not abolish two perspectives. It frees them from becoming two fortresses.

Most importantly, 一體 serves liberation from grasping. The ordinary self continually tries to stabilize itself through possession, opposition, and narration: “This confirms me; that threatens me; this belongs to me; that person is against me.” When phenomena are seen as neither external possessions nor components of an independent owner, grasping loses some of its foundation. The result is not disappearance into a cosmic whole. It is greater freedom to respond to each thing in its place.

This is why Chan repeatedly brings exalted language back to bells, facial expressions, flowers, staffs, hunger, and quantities of grain. A person may declare love for all beings while remaining unable to hear one colleague, apologize to one partner, or attend to one child. The liberation path is tested there. If “the myriad things are one body with me,” the proof is not a grand feeling but decreasing appropriation, clearer perception, and conduct less governed by hostility, greed, and delusion.

Common misunderstandings and clarifications

1. “One body” means everything is literally one object. No. The Chan sources preserve differentiation: “mountains are mountains; waters are waters,” and hearing, seeing, awareness, and knowing are “not each the same.” Unity without difference is homogenization, not the teaching presented here.

2. It means the universe is a giant Self. The expression 「盡乾坤大地,只是一箇自己」 can sound like cosmic egoism when detached from its setting. But “gathering the myriad things into oneself” is meant to undo the boundary of the possessive ego, not inflate that ego until it claims the universe. If the ordinary “me” announces that everything is mine, appropriation has expanded rather than ceased.

3. It teaches a permanent substance called “the One.” The Chan exchanges refuse precisely this capture. Asked where the myriad dharmas return, the teacher does not identify a metaphysical location. Asked which is the “body,” he raises a concrete staff. The raft is useful for crossing; it is not something to carry after reaching the bank.

4. Non-discrimination means abandoning discernment. Hongzhi warns, 「莫向諸緣分彼此」—“Do not divide self and other amid the various conditions.” This targets attachment to reified opposition, not the functional ability to distinguish medicine from poison, consent from coercion, or care from abuse. Buddhist wisdom loosens delusive division; it does not disable moral and practical intelligence.

5. If we are one body, boundaries are unspiritual. Healthy boundaries may be an expression of nondual compassion. Preventing harm protects the whole situation, including—where possible—the person acting harmfully. The particular dharma must be met in its particular position. Non-separation is not permission for intrusion, control, or self-erasure.

6. Another person’s pain is therefore exactly my pain. The classical records sometimes use startling questions—such as asking whether the official who strikes the bell causes one’s own heart to ache—to force close examination. But “one body” does not authorize claiming another person’s experience. Compassionate intimacy must coexist with epistemic humility: I may be deeply implicated in your suffering and still need you to tell me what it is like.

7. It is enough to understand the doctrine. The *Blue Cliff Record* portrays attachment to the elegant statement itself as insufficient. Nanquan’s flower exposes the gap between an idea of unity and undivided seeing. A concept can orient practice, but repeating “all is one” may become another dream laid over the flower.

8. A powerful feeling of oneness is realization. Feelings of expansiveness may be meaningful, but they arise and pass. Chan’s point is not dependence on a special state. Can one meet noise, fear, disagreement, fatigue, and ordinary objects without immediately restoring the fortified observer? The quiet ancient pool with the moon—「靜而愈明古潭有月」—suggests lucid presence, not intoxication with an experience.

9. Science has confirmed the teaching. Ecology, systems theory, neuroscience, and studies of socially shaped cognition can illuminate forms of dependence and challenge naïve pictures of an isolated individual. Their findings remain domain-specific, method-dependent, and open to revision. They neither establish Chan awakening nor settle metaphysical questions. A comparison may guide understanding; it is not an identity or a proof.

10. One body is the final truth to cling to. This is perhaps the subtlest error. “One body” heals the habit of fragmentation, but once it becomes a position opposed to “difference,” it recreates duality. The records therefore speak one moment of one body and the next of each dharma abiding in its own position. The teaching performs a liberating work and then relinquishes itself.

The heart of 一體 is consequently neither “everything is the same” nor “I am the universe.” It is the collapse of imagined isolation without the loss of concrete difference. Heaven and earth, self and other, one mote and the great earth are not sealed compartments; yet the flower still blooms as this flower, the staff stands as this staff, and another person must be met as this person. When that is no longer merely a beautiful theory, compassion becomes less forced, responsibility less optional, and the self less burdened by the impossible task of existing alone.

Canonical EntryAI-generated

1. 定义与核心要义

「一体」于禅宗语录中,系指天地、我与万物万法非各据孤立之体,而是同根不二、互摄为一之相。其核心表述为「天地与我同根,万物与我一体」或「天地与我同根,万法与我一体」。「同根」与「一体」相联,显示天地、我与万物或万法并非彼此隔绝;此义不仅止于义理上的奇特说法,亦须于现前见闻觉知中亲自体辨。

2. 主要阐述

《古尊宿语录》以「天地与我同根,万物与我一体」与「天地与我同根,万法与我一体」为固定语式,既用「万物」指称天地间森然呈现者,也用「万法」指称一切法。然而本经并不把「一体」仅作抽象义理解说:师于说出该语后,立即以钟声是否令维那心痛、是否含笑上来等现前感受发问,令学人「直须子细」;又竖起拄杖直问「者个是南源拄杖子,那个是体?」以具体之拄杖逼问「体」在何处,并以「渡河须用筏,到岸不须船」明言相关语句可供指示而不应执持。对于「万法归于一体时如何」之问,本经以「三斗吃不足」「二斗却有余」相对作答,不顺「归于何处」作处所或本体性之解释。另以「一尘才举,大地全收」及「一毛头师子于百亿毛头现,百亿毛头师子亦于一毛头现」等互摄形象,从侧面显示多与一并非彼此隔绝,末后仍以拄杖追问「那个是一头」,保持现前勘辨之方式。又于上堂中以「天地与我同根,万物与我一体」连举北俱卢洲火发、帝释眉毛被烧、东海龙王忍痛、霹雳震动、十字街头之人惊觉大笑等远近异地之事,使不同方所与人物连成一气,师末后只拈杖连称「贼,贼」,不作义理之解说。

《宏智禅师广录》以诗偈形式论「一体」,所用术语为「一体」二字,未见其他异名替换,相较于一般经论中「一如」「一相」「法界一体」等表述,更为直截简要。其核心表述以「二仪」与「万像、万物」对举为框架,三段文字皆将二分收归于「一体」:「二仪自然一体」,言二仪并非勉强合一,而是本来如此、浑然相即;「二仪同根,万物一体」,进一步指出天地同根、万物同体;「彻见二仪成一体」,从悟者观照之眼,揭示二仪当下成就一体之相。本经亦重破除分别之执,如「莫向诸缘分彼此」明诫不可于诸因缘上妄加判别,「万像不他形」意谓万象之外无别体、当体即是——此即「一体」之消极面,扫荡分别而归于无外。又以自然意象烘托一体之境界,如「天苍苍而无空无缺,云闲闲而乍出乍没」衬托圆满无碍,「静而愈明古潭有月」喻澄明朗照。另从悟者之风姿侧写一体之体证,如「气清骨贫。烟霞面目。丘壑精神」描摹悟者与山水云霞同体之相;「面皮微紫。眸子深青。默臻阃奥。妙得门庭」以形貌之端严表彻悟之深。

《佛果圜悟禅师碧岩录》以陆亘大夫所举肇法师语「天地与我同根,万物与我一体」为核心,评唱言陆亘久参南泉,留心于理性,游泳《肇论》,视此二句为奇特,并以「肇公大意论性皆归自己」概括其旨;此处「一体」非仅说天地万物外相相同,而是就万物之性皆归自己而说其根本不二。本经进一步引述「夫至人空洞无象,而万物无非我造。会万物为自己者,其唯圣人乎」,明言神、人、贤、圣虽各有差别,皆「同一性一体」。其表述并列使用「同根」「一体」「同一性一体」「会万物为自己」等语;「一体」常与「一性」相连,既不抹去名相上的各别,又指出各别者同具一性、同属一体。又以「尽乾坤大地,只是一个自己」申明一体之义,并列举寒、热、有、无、是、非遍于普天普地之句式,呈现自己与乾坤万物不可割裂;引法眼「渠渠渠,我我我。南北东西皆可可」显示四方万象与「我」相通。石头读至「会万物为自己处」而豁然大悟,后作《参同契》,评唱说其意亦不出于此。然而本经并未将「一体」停留在义理上的奇特说法,评唱追问「同什么根,同那个体」,指出陆亘之问仍「不出教意」;南泉指庭前花说「时人见此一株花,如梦相似」,以当前所见打破陆亘在义理中的窠窟。雪窦颂语又从「前头说一体」转到「这里说不同」,提出「闻见觉知非一一,山河不在镜中观」,警戒不可把山河大地当作镜中对象来鉴照;若立一面镜去观,便把能观与所观分成「两段」;转而说「山是山水是水」「法法住法位,世间相常住」,在不作镜中对待之观的同时,保留诸法各住其位、闻见觉知「非一一」的面貌。

3. 不同部类与表述差异

三部经之用语各有特色,并列如下:

《古尊宿语录》之固定语式为「天地与我同根,万物与我一体」「天地与我同根,万法与我一体」,二者并用「万物」「万法」二名;又保留问答中「万法归于一体」一语;另有「一尘才举,大地全收」及「一毛头师子/百亿毛头师子」之互摄表述。

《宏智禅师广录》用词以「一体」一贯到底,不作其他替换;其框架为「二仪自然一体」「二仪同根,万物一体」「彻见二仪成一体」,以「二仪」代天地、以「万像」「万物」代万法。

《佛果圜悟禅师碧岩录》以「天地与我同根,万物与我一体」为肇论原文之引用,并展开为「同一性一体」「会万物为自己」「尽乾坤大地只是一个自己」「渠渠渠,我我我。南北东西皆可可」等术语形式;又以「山是山水是水」「法法住法位,世间相常住」「闻见觉知非一一」等语显示诸法各住其位之侧面。

4. 与相关概念的关系

「一体」于诸经中常与「同根」「同一性」「会万物为自己」「只是一个自己」并举,相互申说。《宏智禅师广录》以「万像不他形」「莫向诸缘分彼此」从消极面扫荡分别。《古尊宿语录》以「一尘与大地」「一毛头与百亿毛头」之互摄,显示一与多之不相隔。《佛果圜悟禅师碧岩录》又以「山是山水是水」「法法住法位,世间相常住」显示一体之说不可混同诸法,须与「闻见觉知非一一」「莫将镜鉴」并观,方免能所对立之病。

5. 代表性原文引用

- 「天地与我同根,万物与我一体。」 - 「天地与我同根,万法与我一体。」 - 「万法归于一体时如何?」「三斗吃不足。」「毕竟归于何处?」「二斗却有余。」 - 「一尘才举,大地全收。其或未然。一毛头师子,百亿毛头现。百亿毛头师子,一毛头现。但识取一头了。……者个是南源拄杖子,那个是一头。」 - 「二仪自然一体。」 - 「二仪同根,万物一体。」「莫向诸缘分彼此。」「天苍苍而无空无缺,云闲闲而乍出乍没。」「静而愈明古潭有月。」 - 「彻见二仪成一体,万像不他形。」「面皮微紫。眸子深青。默臻阃奥。妙得门庭。」 - 「肇公大意论性皆归自己。」 - 「夫至人空洞无象,而万物无非我造。会万物为自己者,其唯圣人乎。……神、圣、贤、愚皆同一性一体。」「尽乾坤大地,只是一个自己。寒则普天普地寒,热则普天普地热。」「渠渠渠,我我我。南北东西皆可可。」 - 「同什么根,同那个体?」「时人见此一株花,如梦相似。」 - 「闻见觉知非一一,山河不在镜中观。」「山是山水是水。」「法法住法位,世间相常住。」

By SutraAI-generated

宏智禪師廣錄T2001 · 諸宗部

《宏智禪師廣錄》論「一體」之義,主要見於其頌古、讚詠之詩偈中,以禪悟語境闡發諸法不二之理。該經所用術語為「一體」二字,未見其他異名替換,相較於一般經論中「一如」「一相」「法界一體」等表述,此處用詞更為直截簡要。

首先,該經論「一體」之核心表述,在於以「二儀」與「萬像、萬物」對舉為框架。「二儀」原指天地或陰陽,乃宇宙之二分;而該經三段文字皆將此二分收歸於「一體」之中。如「二儀自然一體」一句,言二儀並非勉強合一,而是本來如此、渾然相即。又如「二儀同根,萬物一體」,進一步指出天地同根、萬物同體,不僅將陰陽之二攝於一,亦將萬物之多元攝於一。再如「徹見二儀成一體」,從悟者觀照之眼,揭示二儀當下成就一體之相。三處用詞雖有「自然一體」「一體」「成一體」之微差,而皆歸「一體」一義貫之。

其次,該經闡發「一體」之側面,重在破除分別之執。三段文字雖為詩偈形式,卻共同指向一義:若執著自他彼此,則不見一體。故云「莫向諸緣分彼此」,明誡不可於諸因緣上妄加判別;又云「萬像不他形」,意謂萬象之外無別體,當體即是。此即「一體」之消極面——掃蕩分別,而歸於無外。

復次,該經描述「一體」之境界,常以自然意象為烘托。如「天蒼蒼而無空無缺,雲閑閑而乍出乍沒」,以蒼天無欠、雲氣自在之相,襯托一體之圓滿無礙;又「靜而愈明古潭有月」,以古潭映月,喻一體之澄明朗照。此種意象與「一體」並陳,顯示該經將此義落於親證之境,而非徒為名相之談。

再者,該經亦從悟者之風姿側寫「一體」之體證。如「氣清骨貧。煙霞面目。丘壑精神」,描摹悟者與山水雲霞同體之相;又「面皮微紫。眸子深青。默臻閫奧。妙得門庭」,以形貌之端嚴表徹悟之深,與下句「二儀成一體」「萬像不他形」相應。這些描述雖非「一體」之直接闡釋,卻從另一側面顯示「一體」非離覺悟而別有。

整體而言,《宏智禪師廣錄》論「一體」,以「二儀成一體」「萬物一體」為核心命題,以破除彼此分別為關鍵工夫,以自然意象與悟者風姿為體證之描繪。其用詞為「一體」一貫到底,未見異名。

佛果圜悟禪師碧巖錄T2003 · 諸宗部

《佛果圜悟禪師碧巖錄》論「一體」,以陸亘大夫所舉肇法師語「天地與我同根,萬物與我一體」為核心。評唱說,陸亘久參南泉,平日留心於理性,游泳《肇論》,因而視此二句為奇特;又以「肇公大意論性皆歸自己」概括其旨。此處的「一體」不是僅說天地萬物外相相同,而是就萬物之性皆歸自己而說其根本不二。

本經進一步引述「夫至人空洞無象,而萬物無非我造。會萬物為自己者,其唯聖人乎」,並明言神、人、賢、聖雖各有差別,卻「皆同一性一體」。由此可見,本經表述此概念時,並列使用「同根」「一體」「同一性一體」「會萬物為自己」等語;其中「一體」常與「一性」相連,既不抹去名相上的各別,又指出各別者同具一性、同屬一體。

評唱又以「盡乾坤大地,只是一箇自己」申明一體之義,並用寒、熱、有、無、是、非皆遍於「普天普地」的一連串句式,呈現自己與乾坤萬物不可割裂的意涵。法眼所說「渠渠渠,我我我。南北東西皆可可」亦被援引,用來顯示四方萬象與「我」相通。石頭讀至「會萬物為自己處」而豁然大悟,後作《參同契》,評唱說其意亦不出於此,顯示「會萬物為自己」是本段解說一體的重要術語形式。

然而,本經並未把「一體」停留在義理上的奇特說法。評唱追問「同什麼根,同那箇體」,指出陸亘之問雖奇特,仍「不出教意」;南泉則指庭前花,說「時人見此一株花,如夢相似」,以當前所見打破陸亘在義理中的窠窟。經文因而將一體之說與實際見花的迷夢狀態並置:若只執著於「天地同根、萬物一體」的理解,尚未抵達南泉答處所要顯出的目前之事。

雪竇頌語又從「前頭說一體」轉到「這裏說不同」,提出「聞見覺知非一一,山河不在鏡中觀」。這並非另立一個抽象說法來否定一體,而是警戒不可把山河大地、草木叢林當作鏡中對象來鑑照;若立一面鏡去觀,便把能觀與所觀分成「兩段」。因此經文轉而說「山是山水是水」「法法住法位,世間相常住」,在不作鏡中對待之觀的同時,保留諸法各住其位、聞見覺知「非一一」的面貌。

總括而言,本經的一體論述同時保有兩個側面:一方面以「萬物與我一體」「皆同一性一體」「盡乾坤大地只是一箇自己」說萬物歸己、同根同體;另一方面又以「說不同」「法法住法位」防止把一體理解成混同諸法,並以「莫將鏡鑑,若將鏡鑑,便為兩段」排除能所對立的觀法。就多種名稱而言,本經本段不用其他替代名目,而主要以「一體」為正面稱呼,並以「同根」「同一性一體」「會萬物為自己」「只是一箇自己」互相申說。

古尊宿語錄X1315 · 禪宗語錄部

《古尊宿語錄》論「一體」,最直接的語句有三種形式:一曰「天地與我同根,萬物與我一體」,二曰「天地與我同根,萬法與我一體」,三曰問語中的「萬法歸於一體」。由此可見,本經既用「萬物」指稱天地間森然呈現者,也用「萬法」指稱一切法;「同根」與「一體」相聯,表明天地、我與萬物或萬法並非各據孤立之體。這是本經表述此概念時最鮮明而固定的語式。

然而,本經並不把「一體」僅作抽象義理解說。說出「天地與我同根,萬物與我一體」之後,師立即問眾人:維那打鐘時是否也覺心痛;若不覺,便說與古人相違,若覺,又追問為何含笑上來。原文藉鐘聲、心痛與當下神情發問,使「一體」落在現前感受與應對上,但並未替學人立定一個概念答案,只令其「直須子細」。

另一處說「天地與我同根,萬法與我一體」後,師豎起拄杖,直問:「者個是南源拄杖子,那個是體?」這裡以具體的拄杖逼問「體」在何處,避免把「一體」停留於言句。末後又說「渡河須用筏,到岸不須船」,顯示相關語句可供指示,卻不應成為到岸後仍須執持之物;原文所重仍是親自辨明,而非建立一套關於「體」的名相論述。

本經亦以機鋒處理「歸一」之問。僧問「萬法歸於一體時如何」,師答「三斗喫不足」;再問「畢竟歸於何處」,師答「二斗却有餘」。此段保留「萬法歸於一體」的術語形式,卻不順著「歸於何處」作處所或本體性的解釋,而以不足、有餘相對作答。就原文可記者而言,一體不是由師明說為某個可指定的歸宿。

與此相應,本經另說「一塵纔舉,大地全收」,又說一毛頭師子能於百億毛頭現,百億毛頭師子亦於一毛頭現,並令眾人於「千頭萬頭」中「但識取一頭」。這些語句雖未直接出現「一體」二字,卻從一塵與大地、一毛頭與百億毛頭互相全現的側面,呈示多與一並非彼此隔絕;隨後仍以拄杖追問「那個是一頭」,保持本經一貫的現前勘辨方式。

在另一則上堂中,「天地與我同根,萬物與我一體」之後,原文連舉遠近異地之事:北俱盧洲火發、帝釋眉毛被燒、東海龍王忍痛、霹靂震動,乃至十字街頭之人驚覺大笑。這種鋪陳把不同方所與人物連成一氣,但師末後只拈杖連稱「賊,賊」,不另作義理解說。因此,本經論一體的獨特側面,在於反覆以問答、動作、日用感受及互攝形象顯示其義,而不將「一體」規定為可執取的固定名稱。

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