Dharma · AI Companion

身量

kāya-pramāṇa

身体形量或佛身的尺度。AI-generated

Type PhenomenaDifficulty IntroductoryTruth-level span outside the four-fold two-truths frameworkInitial AI estimate · evolves with use

A Contemporary ReadingAI-generated

1. What This Concept Is About

The term 身量 (kāya-pramāṇa, "bodily measure") occupies a very precise position in the 《阿毘達磨俱舍論》(Abhidharmakośa-bhāṣya): it is a numerical instrument specifically for measuring the height and breadth of a sentient being's body — not for measuring strength, not for measuring outward appearance, and not for measuring lifespan, merit, or any other attribute.

The treatise-master establishes it through a set of questions and answers: "如外器量別,身量亦別耶?亦別。" — *"Just as the measure of the outer receptacle differs, does the measure of the body differ as well? It also differs."* The receptacle world has its own measure (size, extent); do the sentient beings dwelling within it likewise each have their own measure? The answer is likewise affirmative. Thereby 身量 (bodily measure) is set in parallel with 器量 (receptacle measure), and the two are incorporated into the same metrological system. A concluding verse at the end of the treatise states: "如是已約踰繕那等辯器世間身量差別。" — *"Thus, in terms of yojanas and so on, the distinctions of bodily measure within the receptacle world have been discussed."* From this it is clear that bodily measure and receptacle measure both take the cubit (肘), the krośa (俱卢舍), the yojana (踰缮那), and other units as their standard, but the objects measured differ: receptacle measure applies to the external mountains, rivers, and earth; bodily measure applies to the internal sentient faculties and body.

What an outsider is most likely to overlook is the concept's internal, orderly, layer-by-layer hierarchical structure. To explain it clearly, four layers of information must be preserved: the system of units, the major categories of bodily measure, the progressive rules governing each category, and the boundaries with adjacent concepts.

1.1 The Unity of Units: From the Ultimate Particle to the Yojana

Both bodily measure and receptacle measure rest on a continuous system of units proceeding from the infinitesimal to the manifest. The system begins with the 极微 (paramāṇu, "ultimate particle") — the smallest indivisible scale — followed in sequence by gold-dust, water-dust, rabbit-hair-dust, sheep-hair-dust, cow-hair-dust, gap-wandering dust, louse, nit, barley-grain, and finger-joint — each subsequent category being seven times the preceding one. From the finger-joint one ascends one more step: twenty-four fingers make one cubit (肘), four cubits make one bow (弓), and five hundred krośas make one yojana (踰缮那).

This chain of units cannot skip any link. It is the technical foundation of bodily measure as a "measure": without this layered progression from the ultimate particle all the way up to the yojana, the "three and a half cubits" of Jambudvīpa humans and the "sixteen thousand yojanas" of the Akaniṣṭha heaven could not be placed on the same comparable scale. Bodily measure is not an isolated number, but a segment within an entire ladder of measurement stretching from the subtlest to the most manifest.

1.2 Three Major Categories, Each with Its Own Primary Unit

Bodily measure, according to the realm and ground in which a sentient being dwells, is divided into three major categories, each paired with a different primary unit:

Category One — Humans of the Four Continents, with the cubit (肘) as the basic unit. Most Jambudvīpa humans are three and a half cubits tall; a few are four cubits. Pūrvavideha humans are eight cubits, Aparagodānīya humans are sixteen cubits, and Uttarakuru humans are thirty-two cubits. The verse of the treatise summarizes the progression of the latter three continents with the four characters "倍倍增如次" — 4 → 8 → 16 → 32, each subsequent continent doubling the previous one. These are not arbitrary numbers; this is a hierarchy of exponential growth.

Category Two — the Six Heavens of the Desire Realm (欲界, kāma-dhātu), with the krośa (俱卢舍) as the basic unit. The bodies of the lowest devas are one quarter of a krośa; each subsequent heaven increases by one share per layer (one quarter of a krośa being one "share," 分), until the sixth heaven reaches one and a half krośas. The rule here is thus not doubling, but "後後一一分增" — 1/4 → 2/4 → 3/4 → 4/4 → 5/4 → 6/4. This is a hierarchy of arithmetic increment, completely different from the exponential hierarchy of the Four Continents.

Category Three — the Heavens of the Form Realm (色界, rūpa-dhātu), with the yojana (踰缮那) as the basic unit. The Brahmapāriṣadya heaven is half a yojana, Brahmapurohita is one yojana, Mahābrahman is one and a half, and "初四增半半" — the first four places (including Parīttābha at two yojanas) each increase by half a yojana. Above Parīttābha, the remaining heavens for the most part proceed by doubling — but there is one important exception: the Anabhraka heaven does not strictly follow the doubling number, but "减三踰缮那" (subtracts three yojanas). Beginning from Apramāṇābha, bodily measure doubles from two yojanas to four yojanas, and so on upward, until the Akaniṣṭha heaven reaches sixteen thousand yojanas.

When these three sets of rules are placed side by side, one can see that the sense of hierarchy among categories, among units, and among progressive models is deliberately distinguished — it cannot be collapsed into a vague statement like "devas have enormous bodies, humans have tiny ones."

1.3 Boundaries: Bodily Measure ≠ Bodily Expression ≠ Bodily Strength

To define the concept precisely, one must separate three concepts that all carry the character "body" (身) yet each refer to something different.

Bodily measure ≠ bodily expression (身表, kāya-vijñapti). In analyzing bodily expression, the treatise says: "身表許別形" — *"Bodily expression is admitted to be a distinct form."* Bodily expression is characterized by "distinct form" (別形), linked to the moment-to-moment cessation of all conditioned phenomena. This is a discussion of bodily karma — that is, the changes in bodily form that can serve as signals — not a permanent, measurable height-and-breadth dimension. One points to a "form" that arises and ceases in an instant; the other points to a "quantity" that accumulates continuously; the two address different things.

Bodily measure ≠ bodily strength (身力, kāya-bala). The treatise uses "身那羅延力" — *"the Nārāyaṇa strength of the body"* — to denote the maximum of a sentient being's bodily strength, measured by the strength of elephants and so on increasing seventyfold at each level. Both bodily strength and bodily measure depend on the body, and both can be graded — but the former measures strength, while the latter measures height and breadth — one is a vertical dimension, the other a capacity dimension; they cannot be conflated.

With these three lines separated, bodily measure's position in the 《俱舍論》 stands firm: it is a numerical distinction concerning the height and breadth of a sentient being's body, established in accordance with fixed units of length, sharing its origin with receptacle measure while differing in object, and sharing the character "body" with bodily expression and bodily strength while differing in what it discusses.


2. Walking Through Everyday Life

At first glance, 「身量」 may seem like pure cosmology, far removed from contemporary people. But once it is unfolded step by step according to the classical definition, one finds that it describes precisely the phenomena we experience every day yet rarely name: the body being measured within containers of various sizes, and different rhythms of growth prevailing in different contexts.

2.1 Walkthrough 1: "Bodily Measure" and "Receptacle Measure" on the Commuting Subway

A rush-hour subway car can serve as the most intuitive site for setting 器量 (receptacle measure) and 身量 (bodily measure) in contrast. The car is over ten meters long and two to three meters wide — this is "receptacle measure," the scale of the receptacle world. The dozens or hundreds of passengers standing inside, each roughly 1.6 to 1.8 meters tall and about half a meter wide — this is "bodily measure," the scale of the sentient beings dwelling within. The treatise says "如外器量別,身量亦別" — meaning that although these two sets of scales share the same units of length (meters, millimeters), they are two independent yet interdependent measures — you cannot say the passengers have shrunk just because the car has become smaller, nor can you say the car has doubled in length because someone is 1.8 meters tall.

Many would think this is just common sense with no deeper significance. But the subtlety of the 《俱舍論》 lies in this: it uses one shared system of units (from the ultimate particle to the yojana) to measure two sets of objects, and uses different progressive rules to characterize the internal hierarchy of each set. The reality of the subway is the same: car size is one measure, passenger height is another; the car's passenger classes (standing, seated, business class) and the height differences among people (adult, adolescent, child) each have their own hierarchies, and they do not replace one another.

2.2 Walkthrough 2: "Doubling in Doubling" and "Increment by One Share" While Scrolling Your Phone

When introducing bodily measure, the 《俱舍論》 gives at least three progressive rules: the Four Continents' "倍倍增" (doubling-doubling), the Desire Realm's six heavens' "一一分增" (increment by one share per layer), and the Form Realm's initial "增半半" (increase by half-half). These three rules are not "one right, one wrong" — they are three hierarchies of different natures. In modern life, these three hierarchies are everywhere.

"倍倍增" corresponds to exponential growth. If a short video has ten thousand views in the first hour, by the logic of "doubling-doubling" it becomes twenty thousand in the second hour, then forty thousand, then eighty thousand — this is an exponential curve, characterized by a slow start and a steep later phase. The Four Continents' 4 → 8 → 16 → 32 is exactly this structure: Pūrvavideha humans at 8 cubits sounds like merely double the 4 cubits of Jambudvīpa, but the further it goes, the more striking it becomes — Uttarakuru's 32 cubits is already eight times that of Jambudvīpa.

"一一分增" corresponds to linear growth. Adding 1/4 of a workload each month, memorizing 5 words daily, setting aside half an hour weekly for study — this is stable, predictable, capped increment. The Desire Realm's six heavens, from 1/4 krośa to 1.5 krośas, is precisely this kind of "each layer adds one more share of the same unit" hierarchy, characterized by stability, controllability, and no sudden doubling.

"增半半" corresponds to stepwise growth. Jumping grades, promotion, transitioning between academic stages — it is not that one grows a little every year, but that at certain nodes one leaps to the next rung all at once. The Form Realm's first four places, each time increasing by "half-half," from half a yojana to one, to one and a half, to two, is exactly this ladder-like leap.

In the moment of scrolling your phone, if you can perceive which curve is carrying you (pushed along by exponential spread, gently propelled by steady feeds, or hoisted onto a new step at a particular moment), you are already using the logic of bodily measure to read the modern world.

2.3 Walkthrough 3: The Fluctuation of "Bodily Measure" on Overtime Nights

Many people who stay up late working overtime for three days feel that their body has "gotten smaller," "been flattened," "shrunk into a ball." This is not rhetoric; this is the felt sense of bodily measure. Bodily measure is not a dead number, but a quantity that fluctuates upward and downward depending on its basis, its time, and the strength of the mind. The fact that Four Continents humans are "mostly three and a half cubits, a few four cubits" already reveals this — within the same continent, sentient beings' bodily measure itself has an upper and lower range of fluctuation; not all Jambudvīpa humans are the same height.

The bodily compression felt on overtime nights is not a change in the absolute value of bodily measure, but rather the mind's strength no longer being able to sustain the body's original extension. The familiar feeling that "after a deep breath and a stretch, I seem to have grown back a bit" is not the bones actually changing, but the mental strength supporting this bodily measure having relaxed by one degree. This resonates with the classical point that 身量 and 身力, though both dependent on the same body, cannot be conflated: when the mind's strength changes, the felt sense of bodily measure changes, but bodily measure itself is characterized by height-and-breadth — it is measurable and relatively stable.

2.4 Walkthrough 4: Two Bodily Measures in Intimate Relationships

People in intimate relationships often describe: "When I'm with them, I feel smaller (or bigger)." This description is not poetic ornamentation, but an accurate feeling for "the mutual adjustment of two bodily measures within different mental bases." When two people are close, the "receptacle measure" (bed, sofa, house) has not changed, but the "bodily measure" (each person's body, the extent reachable by mind-strength) is compressed or expanded by the presence of the other. This is consistent with the classical case — bodily measure takes the individual as its object, but the scale of the basis (a bed, a room) inversely affects the extent to which a sentient being can actually stretch.

2.5 Walkthrough 5: Three Hierarchies Running Simultaneously in Child-Rearing

Anyone who has raised children knows that a child's growth is not uniform but a weaving of three curves:

- The "倍倍增" of the first two years: weight and height often nearly double in the first two years — precisely the exponential hierarchy of the Four Continents' 4 → 8 → 16 → 32. - The "一一分增" after entering kindergarten: each semester shows a steady, small advance — this is the arithmetic hierarchy of the Desire Realm's six heavens. - The "增半半" at key educational transitions: from kindergarten to primary school, from primary to middle school, each jump is a step of half-a-yojana type, not a uniform trickle every month.

Observing these three hierarchies simultaneously on a single child's body precisely confirms the 《俱舍論》's intention in laying down different progressive rules for different realms — each class of sentient beings has its own fitting hierarchy; not all growth should be described by the same rule. To expect "doubling-doubling" where "increment by one share" prevails will breed anxiety; to force "increment by one share" as if it were "increase by half-half" will breed exhaustion. Seeing clearly the hierarchical rules of bodily measure itself is a highly practical lesson for parents and for one's own growth alike.

One Sentence to Point Out What Is Easiest to Mis-Map

When most contemporary readers first encounter 身量, they instinctively map it onto one of three modern labels: "giants," "mythology," or "ancient Indians' astronomical imagination." But the real thrust of 身量 in the 《俱舍論》 is not how tall a body is, nor can it be directly converted to today's astronomical units. It lies in three things: the scale on which sentient beings depend is hierarchical; between the levels there are non-interchangeable progressive rules; and those progressive rules rest on a chain of measurable units beginning from the ultimate particle. Placing these three things into contemporary scenes, they correspond exactly to what we feel every day in commuting, phone-scrolling, overtime, intimacy, and child-rearing — the world has layers, each layer has a different rhythm of growth, and all of this rests on a precise system that can be analyzed, decomposed, and traced down to the smallest unit.


3. Why Contemporary People Need It

Bodily measure is not an ornament; it is one link in the entire analytical tradition of the 《阿毘達磨俱舍論》. The core capacity trained by this tradition is: to take any seemingly chaotic phenomenon and break it into measurable parts, list their hierarchy, mark the progressive rules between levels, and acknowledge exceptions to the rules (such as the Anabhraka heaven subtracting three yojanas). Contemporary people need this capacity in many fields.

First, it is a cool antidote to anthropocentrism. In contemporary discourse, "human exceptionalism" and "anthropocentrism" are repeatedly interrogated, but few cultural traditions have so cleanly, without emotion, placed the human body within a long chain running from the three and a half cubits of Jambudvīpa all the way to the sixteen thousand yojanas of Akaniṣṭha, clearly telling you: you are neither the largest nor the smallest, but merely a specific measure within a specific realm, under specific conditions. Knowing this loosens both arrogance and self-contempt.

Second, it is a ready-made model for training analytical precision. The sevenfold progression beginning from the ultimate particle, the multiplication across twelve layers of units, and the compounding of cubit, bow, krośa, and yojana — the whole system tells us: precision is not the same as fussiness; it means each layer depends on the next and can be traced backward from any layer. This embodies the same work ethic as the modern scientific chain of scales from the Planck scale to the observable universe — although the specific values and units are not interchangeable, the spirit of "from the subtlest to the most manifest, every step can withstand scrutiny" is shared.

Third, it distinguishes three progressive models, freeing us from illusions about "growth." In career, education, relationships, and personal cultivation, we often use a single ruler (usually the "doubling-doubling" ruler) to measure progress in everything, and then feel anxious, discouraged, or arrogant. The 《俱舍論》 offers three different temporal rhythms — doubling-doubling, increment by one share, increase by half-half — plus one subtractive exception. This means different domains have different rhythms — fields where slow is fast will collapse if forced to follow an exponential expectation; fast fields will bore if measured by a linear one. Recognizing the rhythm one is currently in matters more than blind effort.

Fourth, it reduces the "body" to a "measurable object," countering attachment to self (我執). The importance of bodily measure lies precisely in the fact that it does not discuss the body's dignity, soul, meaning, or value — it treats the body simply as an object that can be measured with a ruler. This is one link in the 《俱舍論》's entire deconstructive work: when the body is purified into a span of height-and-breadth, "I" loses one more handle to grasp. This is the basis of the 身念處 (kāya-smṛtyupasthāna, "contemplation of the body"), 不淨觀 (aśubha-bhāvanā, "contemplation of impurity"), and 白骨觀 (contemplation of the white skeleton) on the path of liberation — first reduce the body to the extension of form (色法), then speak of letting go.

Fifth, it bridges abhidharma analysis and the path of liberation. The abhidharma does not directly expound emptiness, nirvāṇa, or buddha-nature; it first lays out, one by one, bodily measure, receptacle measure, the ultimate particle, karma, and dependent origination. This is the foundation work for supramundane wisdom. Without this foundation, so-called "perceiving that the five aggregates are all empty" becomes mere speculation — for one who has not first analyzed the aggregates into what can be dismantled and measured can hardly truly set about "perceiving" them. The checkpoint of bodily measure is precisely the step that returns 色 (form) from an eternal, whole entity to a segment of height-and-breadth that can be dismantled, compared, and recursively advanced.

Let me cite a well-known original passage from the 《心經》 (Heart Sūtra) as a comparison: "照見五蘊皆空,度一切苦厄。" — *"Perceiving that the five aggregates are all empty, one transcends all suffering and calamity."* (《般若波羅蜜多心經》, Prajñāpāramitā-hṛdaya-sūtra) The "form" (色) of the five aggregates that the Heart Sūtra refutes is precisely the object that the 《俱舍論》 analyzes with bodily measure as its entry point. The two are not at the same level — one refutes, one establishes; one speaks of emptiness, one speaks of analysis; but both reverse-reduce the form aggregate from an eternal, undividable whole into a process that can be measured, divided, and emptied.


4. Common Misreadings and Clarifications

4.1 Misreading 1: "Bodily Measure Is Just a Giant Myth in Buddhist Cosmography"

The numbers of bodily measure look exaggerated, but its function is not storytelling. The purpose of establishing the section on bodily measure in the 《俱舍論》 is to lay out a hierarchical analysis of the scale on which sentient beings depend, coordinated with the hierarchical analysis of receptacle measure and the unit system of the ultimate particle, so that sentient beings and the receptacle world each find their proper place within the treatise. If one reads it merely as myth, one loses all its value as "one link in an analytical tradition." If one can read it as a full methodology — "the scale on which sentient beings depend is hierarchical; the levels share one set of units but differ in progressive rules" — then the contemporary significance of bodily measure opens up.

4.2 Misreading 2: "Bodily Measure = Bodily Strength = Bodily Expression, All the Same Thing"

These three terms all appear frequently in Chinese Buddhist contexts, but the 《俱舍論》's treatment keeps them clearly distinct —

- 身量 (bodily measure) measures height and breadth. - 身力 (bodily strength) measures strength, with the Nārāyaṇa force as its maximum, referenced to elephant strength increasing seventyfold per level. - 身表 (bodily expression) measures the body's manifested karma (changes in visible form that serve as signals), ceasing moment by moment, unlike the permanently measurable height-and-breadth dimension.

All three share the character "body" as their root and all depend on the sentient faculties and body, but what they measure, what they depend on, and the apparatus by which they are established are completely different. Understanding "he is very strong" as bodily measure, or "he has a handsome figure" as bodily measure, is to conflate the three concepts.

4.3 Misreading 3: "Doubling-Doubling Is the Only Progressive Rule for Bodily Measure in Buddhism"

This is the most severely oversimplified point. The treatise gives at least three progressive rules:

- 倍倍增如次 (doubling-doubling, in order) — applied to the latter three continents of the Four Continents and most of the Form Realm devas. - 一一分增 (increment by one share per layer) — applied to the six heavens of the Desire Realm, each layer adding one quarter of a krośa. - 初四增半半 (the first four increase by half-half) — applied to the first four places of the Form Realm, each increasing by half a yojana. - 减三踰缮那 (subtracting three yojanas) — the special case of the Anabhraka heaven, which does not strictly follow doubling.

Compressing these four rules into "Buddhism says bodily measure always doubles" amounts to erasing the treatise's precise, differentiated arrangement for each class of sentient beings, and makes it hard to explain why the treatise deliberately preserves phrases like "the first four increase by half-half" and "subtracting three" that sound awkward on the tongue.

4.4 Misreading 4: "Units of Bodily Measure Can Be Directly Converted to Modern Astronomical Units"

The cubit, krośa, and yojana of the 《俱舍論》 constitute a self-consistent system of scale internal to the treatise, with no official conversion to modern meters and kilometers. Forcing them onto kilometers, AU (astronomical units), or light-years produces two problems: first, it erases the treatise's starting point in using bodily measure to analyze the scale of sentient beings (not measuring celestial distances); second, it reduces a complete internal metrological system to a numerical game of one-way conversion. If a contemporary person wishes to draw an analogy, it should be to its working method (the layer-by-layer causal chain from the ultimate particle, the mutual dependence of the unit chain), not to its specific values.

4.5 Misreading 5: "Bodily Measure Is Equivalent to the Form Aggregate (色蘊, rūpa-skandha)"

The form aggregate contains far more than bodily measure. The form aggregate is one of the five aggregates, comprising all form produced by the four great elements (四大, mahābhūta) — it includes the sentient faculties and body (the part highly relevant to bodily measure), but also the external mountains, rivers, earth, houses, plants, sounds, smells, and so on. Bodily measure is merely one specific apparatus within the form aggregate concerning the height-and-breadth of sentient beings; it cannot be equated with the form aggregate. Reading bodily measure as the form aggregate loses the basic definition that "the form aggregate includes the body but is not limited to the body," and easily leads to counting external bodily measure (which is actually receptacle measure) as bodily measure.

4.6 Misreading 6: "Bodily Measure Is So Concrete That the 《俱舍論》 Must Be Literal, Not Symbolic"

This is a question raised repeatedly, and the answer is not a binary choice. The 《俱舍論》's position is: with respect to the dharmas it establishes, it must be precise — for example, the ultimate particle as the smallest indivisible unit, the cubit as twenty-four fingers, the krośa as five hundred bows, the yojana as five hundred krośas — every step of conversion can withstand reverse calculation. But this precision is not a physical statement about the external physical world. Its purpose is to allow the scale on which sentient beings depend to be precisely identified and distinguished from one another within the treatise, thereby serving subsequent contemplative practice and discernment. Reading bodily measure as historical material for ancient astronomy, or as a purely literary symbol, both miss its original intent as an analytical tool of the abhidharma.


Writing this far, 身量 returns from a seemingly obscure term to its proper place: the height-and-breadth measure upon which sentient beings depend, established according to fixed units, divided according to realm and ground, ordered according to progression. Its contemporary significance lies not in making us believe a particular number, but in teaching us to use a precise yet not fussy system of units to describe the hierarchies — originally murky and unclear — within a world that seems seamless. This capacity, from ancient treatise-masters to today's programmers, parents, organizational designers, and ecologists, has always been in use — only under different names. The 《俱舍論》 calls it 身量.

Canonical EntryAI-generated

一、定义与核心要义

「身量」(kāya-pramāṇa)在《阿毘達磨俱舍論》中,专指有情身体的高广尺度。论中将它与「器量」对举:器量衡量器世间,身量衡量居住其中的有情;二者虽同以肘、俱盧舍、踰繕那等长度单位表示,却分别具有自身的度数与层级。论以问答发起此义:「如外器量別,身量亦別耶?」答曰:「亦別。」由此表明,身量不是泛指一切数量,也不是身力或身体动作,而是关于有情身体大小的专门设施。

身量的核心在于依有情所居处所与界地,建立由小至大的差别阶序。四大洲人、欲界诸天与色界诸天各用不同的主要单位,其数值或依次倍增,或逐级增加,间有特定例外,显示身量之说具有明确的界地分际。

二、主要阐述

四大洲人的身量以「肘」计算。南贍部洲人多数为三肘半,少数为四肘;东勝身洲人为八肘,西牛貨洲人为十六肘,北俱盧洲人为三十二肘。后三洲依次呈倍增关系,论颂以「倍倍增如次」概括其阶序。

欲界六天的身量改以「俱盧舍」计算。最下层天众之身为一俱盧舍的四分之一,其后诸天逐层各增一分,至第六天为一俱盧舍半。因此,此处并非每层倍增,而是以一俱盧舍之四分之一为递增单位,形成六天之间的身量等级。

色界诸天则以「踰繕那」计算。梵眾天身量为半踰繕那,梵輔天为一踰繕那,大梵天为一踰繕那半;少光天为二踰繕那。论以「初四增半半」说明最初四处每次增加半踰繕那。少光天以上,其余诸天大体依倍增而进;但无雲天不完全遵循倍增数,而有「減三踰繕那」的特例。自无量光天起,身量由二踰繕那倍增为四踰繕那,逐级上升,至色究竟天达到一万六千踰繕那。

这些数值建立在一套由微至著的长度单位系统上:从「極微」开始,依次为金尘、水尘、兔毛尘、羊毛尘、牛毛尘、隙游尘、蟣、虱、麦、指节,后后一类各为前者七倍;二十四指为一肘,四肘为一弓,五百俱盧舍为一踰繕那。四洲人身、欲界天身与色界天身虽分别主要使用肘、俱盧舍、踰繕那,仍同属这一连续的度量层级。

论末总结说,已经「約踰繕那等」辨明器世间与身量差别,说明身量是依既定长度单位而安立的数量差别,并非脱离度量体系而孤立存在。

三、不同部类与译本的表述差异

现有材料仅涉及毘曇部《阿毘達磨俱舍論》一部,即世親造、玄奘译的《阿毘達磨俱舍論》,未提供其他部类经典或同论异译本,因而没有可据以逐一比对的异名、异译及数值分歧。就本论内部而言,相关表述有层次上的差别:「身量」是总称;四洲人身以「肘」表示,欲界天身以「俱盧舍」表示,色界天身以「踰繕那」表示;递进方式又分别出现「倍倍增如次」「後後一一分增」「初四增半半」以及无雲天「減三」等说法。这些是同一论中针对不同界地所作的分别设施,不应改写成单一的递增规则。

四、与相关概念的关系

身量与「器量」相对而又相依。前者说明有情身体尺度,后者说明外在器世间尺度;论中先辨器世间,继而问身量是否也有差别,答以「亦別」,明确区分二者。结颂又将二者并提,表明其共同依托踰繕那等量度单位,却各自说明不同对象。

身量也不同于「身表」。论说「身表許別形」,是在辨析身表之体,指出身表以「別形」为性,并联系诸有为法刹那即灭而讨论;这里的「身」涉及形色与表业,并非测定身体高广的「身量」。

身量又不同于「身力」。论以「身那羅延力」表示有情身力的极量,并以象等力量逐层七十倍增加来衡量。身力与身量同以身体为所依,也都可作数量分级,但前者所量的是力量,后者所量的是高广尺度,二者不应混同。

五、代表性原文引用

「如外器量別,身量亦別耶?亦別。」此问答直接确立器量与身量的区别。

「倍倍增如次。」此语概括四大洲人身量依次递增的主要规则。

「初四增半半。」此语说明色界最初四处的身量每次增加半踰繕那。

「如是已約踰繕那等辯器世間身量差別。」此语总结身量与器世间尺度皆依踰繕那等单位而辨其差别。

「身表許別形。」此语虽含「身」字,所论为身表之体性,可用以反显身表与身量的不同。

By SutraAI-generated

阿毘達磨俱舍論T1558 · 毘曇部

《阿毘達磨俱舍論》論「身量」,係於器世間(外在世界)之尺度框架下,逐層對勘有情身體之形量。論主先立大千世界之成壞單位——千四大洲乃至梵世為一小千,千倍小千為一中千,千中千界為一大千,大千同成同壞——隨即設問:「如外器量別,身量亦別耶?」答曰「亦別」,由此將身量納入與器世間量同構的比較體系中。

具體數值方面,本論以「肘」為人間尺度:贍部洲人身多長三肘半,少分有長四肘;東勝身人八肘;西牛貨人十六肘;北俱盧人三十二肘——四洲人身量呈倍增之序。欲界六天則改用「俱盧舍」為單位:最下天身量為一俱盧舍四分之一,其後逐天「一一分增」,至第六天身一俱盧舍半。

色界諸天改以「踰繕那」計:初梵眾天半踰繕那,梵輔天一全,大梵天一半,少光天二全;此上餘天「皆增倍倍」,唯無雲天特減三踰繕那;無量光天倍增為二,遞增至色究竟天滿一萬六千踰繕那。此處術語值得注意:本論用「踰繕那」(梵 yojana 之音譯)而非他經常見之「由旬」,用「俱盧舍」(梵 krośa)表較短距離,用「肘」(梵 hasta)表人身尺度,三者構成由小至大的度量層級。

論主於身量既畢後,即刻追問「壽量別不」,答亦別,並指出身量與壽量「二量不同未說應說」,且二者之建立「無不依名」,故須先辯「三極少量」作為度量之基礎。由此可見本論將「身量」視為與「壽量」並列、共同依於名數施設而有的一類量度,並非孤立描述身體高矮,而是置於器世間量、壽量、極微量相互支撐的阿毘達磨分析架構之中。全篇以問答(「云何?頌曰」)推進,先總問、後以頌列數、再以長行釋之,為典型俱舍論述體式。

瑜伽師地論T1579 · 瑜伽部

《瑜伽師地論》於「有情量建立」門下,以「身量」一詞統攝三界有情形體之大小,並依所處界地逐層給出確定數值或判定原則,構成一套完整的量度體系。其所用計量單位有三:人間以「肘」計,欲界天以「拘盧舍」計,色界天以「踰繕那」計,術語形式整齊而層次分明。

人間四洲方面,論中明言贍部洲人「身量不定,或時高大,或時卑小」,然以「隨自肘三肘半量」為通則——即以身體比例而非絕對尺度來界定,故雖高卑不定而比例恆同。東毘提訶則「身量決定」,亦隨自肘三肘半,但「身又高大」;西瞿陀尼、北拘盧洲「身量亦爾,轉復高大」。四洲之間以「決定」與「不定」對舉,是本論描述人身量的獨特切入角度。

欲界天方面,四大王眾天身量為「拘盧舍四分之一」,三十三天「復增一足」(增四分之一),帝釋與時分天皆為「半拘盧舍」;此上諸天「漸漸各增一足」,即以拘盧舍的四分之一為等差逐級遞增。此處以「一足」為增量單位,是本論特有的表述方式。

色界天方面,梵眾天「半踰繕那」,梵前益天「一踰繕那」,大梵天「一踰繕那半」,少光天「二踰繕那」;此上餘天「各漸倍增」,唯無雲天例外,「減三踰繕那」。色界以倍數遞增取代欲界的等差遞增,兩界量度邏輯由此分途。

惡趣方面,大那落迦「身量不定」,其判定標準不在界地而在業力:「若作及增長極重惡不善業者,彼感身形其量廣大;餘則不爾。」寒那落迦、獨一那落迦、近邊那落迦、傍生、餓鬼皆同此例。此即以業感釋身量不定,與人間贍部洲之「不定」形成對照——人間不定是常態,惡趣不定則視業輕重。

此外,論中稱阿修羅為「諸非天」,言其「身量大小,如三十三天」,以欲界天為參照而定位。無色界則以「無有色故,無有身量」一句收束,將身量概念限定於有色法範圍之內,無色界不在量度之列。

綜觀本論用語:以「身量」為核心術語,以「那落迦」稱地獄(非「地獄」之通名),以「非天」稱阿修羅,以「拘盧舍」「踰繕那」為天界量度單位,以「有情量建立」為所屬門目。全段不作價值判斷,純以數值與規則羅列各界形量,體現瑜伽行派分析名相的論書風格。

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