Dharma · AI Companion

勞生

生死轮回中奔波不息之众生。AI-generated

Type PhenomenaDifficulty IntroductoryTruth-level span outside the four-fold two-truths frameworkInitial AI estimate · evolves with use

A Contemporary ReadingAI-generated

What This Concept Is Saying

勞生 (láoshēng, “beings wearied by saṃsāric toil”) means living beings who wander without rest through 生死輪迴 (saṃsāra, the cycle of birth and death). It is not simply an old-fashioned word for “busy people,” nor a technical classification of beings. It is a Chan Buddhist expression that makes us feel the condition of saṃsāra rather than merely name it.

The decisive word is 勞—weariness, exertion, ceaseless toil. 生 can refer to living beings, but it also echoes the continuing process of being born and living under conditioned existence. Together, the two characters present beings as caught in a motion they do not fully understand: seeking, resisting, acquiring, losing, dying, and beginning again. One might briefly rest, yet the underlying machinery of craving, aversion, ignorance, and karmic conditioning continues.

The term appears in the supplied passages from two Chan collections, the *Recorded Sayings of Ancient Worthies* (《古尊宿語錄》, X1315) and the *Recorded Sayings of Chan Master Mingjue* (《明覺禪師語錄》, T1996). Neither text pauses to give a scholastic definition. Instead, their verses show four dimensions of the condition.

First, 勞生 is agitation driven by karmically conditioned consciousness. The *Recorded Sayings of Ancient Worthies* says:

「幾多業識茫茫者,問著勞生沸似湯。」 “How many are those lost in karmic consciousness; when questioned about weary beings, they seethe like boiling soup.”

The translation can only approximate the compact verse, but its image is unmistakable. 勞生 is “boiling like soup”: stirred, heated, unable to settle. The preceding expression 業識 (karmically conditioned consciousness) indicates that this agitation is not merely a bad mood. Past intentional patterns condition present perception and reaction; present reactions, when appropriated and enacted, can reinforce further patterns. A person sees through dispositions already laid down, responds from them, and thereby keeps the cycle moving.

This does not mean that consciousness is a permanent entity carrying a fixed identity from life to life. Nor does it mean that karma is fate imposed from outside. In Buddhist teaching, karma centrally concerns intentional action and its conditioning consequences. 勞生 names the beings caught in this conditioned continuity—not an unchanging soul travelling through it.

The boiling-soup image also guards against a sentimental misunderstanding of Chan. A graceful gesture, an enigmatic saying, or a story about awakening can itself become something the mind collects and displays. In the surrounding verse, even the celebrated Chan motif of “holding up a flower and smiling” is criticized as “greatly aberrant” when it becomes a superficial emblem. The point is not necessarily to reject the tradition’s motif altogether, but to confront the immediate plight of confused beings. Elegant talk about awakening is of little use if the pot is still boiling.

Second, 勞生 is a condition of urgency. Another passage says:

「猛燄爐中看月輪,急須著眼莫因循。」 “Look upon the moon-disc from within the furnace of fierce flames; urgently open your eyes—do not delay.”

The same passage continues:

「若未垂得勞生手,如何出得燄光身。」 “If one has not been able to extend the ‘hand of 勞生,’ how could one emerge from the body of blazing light?”

The original does not explain precisely what 「勞生手」 means, so it would be careless to turn it into the name of a specific meditation technique. What the wording clearly preserves is an act of reaching or extending a hand in relation to beings in distress. The corresponding phrase in the *Recorded Sayings of Chan Master Mingjue* is 「解布勞生手」—being able to extend or deploy this “hand” toward 勞生. Both expressions unite insight with responsiveness. Liberation is not presented as private spiritual decoration; the awakened way has hands.

The fierce furnace and the moon must also be kept together. The furnace conveys danger and affliction; the moon suggests clarity that can be seen even there. One need not wait for life to become perfectly quiet before looking directly. Yet “do not delay” does not mean panic, self-hatred, or impulsive spiritual consumption. Panic is another form of boiling. The urgency is the sobriety of recognizing that conditioned habits are operating now and that postponement allows them to deepen.

Third, 勞生 is capable of awakening and can receive guidance. The *Recorded Sayings of Chan Master Mingjue* says:

「鷲峯崔嵬,蟾輪乍回,列剎望重,勞生眼開,開也誰覩。」 “Vulture Peak towers high; the moon has just turned; the monasteries stand in solemn array; the eyes of 勞生 open—but who sees that opening?”

勞生 is therefore not a contemptuous label for spiritually inferior people. The weary being is also the being whose eye can open. “But who sees?” resists turning awakening into an observable possession: a badge, personality type, public performance, or item on a spiritual résumé. Others may witness changed conduct, but awakening cannot be substituted for by their approval. It must be directly realized.

The collection also says 「去必示勞生,清風立千古」—on departing, one still “shows” something to 勞生, while the pure wind stands through the ages. Here teaching includes embodied example. What is transmitted is not only doctrine but a way of meeting conditions: how one speaks, responds, relinquishes, and dies.

Fourth, 勞生 is not merely a passive recipient. It can become the subject that questions:

「欲究勞生問,歸思莫厭頻。」 “If you wish to investigate the question of 勞生, do not tire of returning to ponder it again and again.”

The exact syntactic reach of the compact verse admits nuance, but its practical movement is clear: investigate, return, and do not grow weary of repeated reflection. The question is not resolved by one clever answer. “Why am I restless?” may initially produce a social explanation, then a psychological one, then a moral one. Buddhist investigation presses further: What turns contact into grasping? What takes a passing feeling to be “mine”? What keeps constructing a self that must be defended, enlarged, and continued? What is being renewed at every moment of appropriation?

Finally, 勞生 can become an object of self-recognition. The *Recorded Sayings of Ancient Worthies* closes another verse with:

「半夜東軒月,勞生屬幾人。」 “At midnight, the moon above the eastern veranda—how many still belong among 勞生?”

The question receives no numerical answer. “Belong” makes 勞生 sound like an identity or condition to which one remains attached, while the moonlit stillness creates space for examination. The boiling pot and the midnight moon are not two unrelated pictures. One shows the mind from within its compulsive movement; the other shows the possibility of seeing that movement without immediately obeying it.

This locates 勞生 within the whole path of liberation. It names neither the final truth nor a separate stage of meditation. It names the predicament to which the path responds. Ignorance prevents beings from seeing conditioned phenomena accurately; craving and clinging convert experience into “what I must have,” “what I must escape,” and “what I am”; intentional formations perpetuate karmic tendencies; birth, aging, loss, and death disclose the insecurity of everything conditioned. Ethical discipline reduces the fuel added through harmful action, meditative cultivation steadies the boiling mind, and wisdom sees impermanence, unsatisfactoriness, and non-self without turning them into slogans. Compassion extends the “hand” toward others still caught in the furnace.

Thus 勞生 is not simply “everyone who is alive.” It is living existence viewed under the aspect of saṃsāric compulsion. Nor is it simply “people who work hard.” Necessary work may be tiring without being bondage, while someone lying comfortably in bed may be deeply caught in 勞生—scrolling, comparing, resenting, fantasizing, and rebuilding the anxious self.

A Walk-Through in Everyday Life

Consider an ordinary evening commute.

You are standing in a crowded train. Your phone vibrates. A colleague has written, “Can we revisit your proposal tomorrow?” Nothing in the message explicitly says that the proposal failed.

First comes contact with a visible message. Then an unpleasant feeling tone appears: a tightening in the stomach, a flash of unease. That discomfort is not yet the whole of 勞生, and it is not itself a moral failure. Feeling arises dependently; the problem is not solved by commanding yourself never to feel anxious.

Recognition then identifies words, sender, workplace context, and remembered patterns. Here people often make a conceptual mistake: recognition is not the same as an objective verdict. “This is a message from my colleague” is recognition; “my career is collapsing” is an interpretation produced through memory, projection, and fear.

Conditioned tendencies rapidly mobilize. You want reassurance, resent the colleague, compose a defensive reply, imagine tomorrow’s humiliation, and check whether anyone else has responded. These are not merely external “actions.” The crucial activity includes intention, impulse, rehearsal, and construction before anything is sent.

Consciousness is present throughout the seeing, feeling, recognizing, and intending, but it should not be imagined as an inner executive standing apart from the process. Nor does the Buddhist analysis require a permanent observer hidden behind experience.

Now the “boiling soup” becomes visible. One short message produces ten imagined conversations. The body remains on the train while the mind is already fighting tomorrow’s meeting. You refresh the chat, open email, check a professional network, and compare yourself with someone recently promoted. Each action briefly promises resolution, but each supplies new material for uncertainty.

This is where 勞生 is more exact than “stress.” Stress can describe a physiological or psychological state. 勞生 points to the wider existential pattern: discomfort becomes craving for certainty; craving becomes compulsive checking; checking reinforces the person who supposedly cannot be safe without control. The issue is not that using a phone is inherently saṃsāric. The issue is the appropriating movement by which “a message has arrived” becomes “my worth is threatened, and I must reconstruct myself immediately.”

Suppose you notice the process. You feel your feet on the train floor, allow the unpleasant sensation to be present, and read the message again without adding an unwritten accusation. This is a small instance of “urgently opening the eyes.” It is not yet final liberation, and calmness alone should not be mistaken for awakening. But the chain has ceased to be entirely invisible.

You decide to reply the next morning after reviewing the proposal. That decision may express restraint and clarity rather than avoidance. Ethical cultivation matters here: you do not send a cruel message merely to discharge discomfort into someone else. Meditative steadiness matters: you can remain with uncertainty long enough to see it. Wisdom matters: the anxious scenario is conditioned, changing, and not a permanent self. Compassion matters: your colleague, too, may be a weary being working under pressures you cannot see.

Now move to a more intimate scene. Your partner says, “You never listen.” Almost instantly, you hear not a complaint about this evening but a judgment on your entire identity. You collect old evidence, prepare countercharges, and struggle to win the status of the injured party. Two people who both want closeness become two defensive systems seeking victory.

The common mapping error is to identify 勞生 only with the outward argument. Silence can be equally bound: one person may stop speaking while internally prosecuting the other for hours. Conversely, vigorous conversation is not necessarily bondage if both people can listen, acknowledge harm, and relinquish the need to defend a fixed self-image. 勞生 concerns the compulsive, ignorance-driven circulation beneath the visible behavior.

Parenting gives another example. A child performs poorly on an exam. Concern is appropriate; care requires action. But concern can be appropriated: “What will this say about me as a parent?” The child then becomes material in an adult’s project of self-confirmation. Extra tutoring may look responsible from outside, yet inwardly be driven by comparison and fear. The same practical choice, made after listening to the child and understanding the difficulty, may instead express wise care. Buddhist analysis therefore asks not only, “What did you do?” but also, “What intention, clinging, and view are being cultivated through doing it?”

Algorithms intensify this landscape without creating its basic mechanism. Recommendation systems can learn which stimuli keep a user engaged and repeatedly present novelty, outrage, envy, or reassurance. That resembles the boiling-pot condition because attention is continuously agitated and redirected. But the analogy has limits: an algorithm is not identical with craving, and computational models do not prove Buddhist teachings about karma or rebirth. The relevant point is experiential. Technology can industrialize opportunities for already-present habits of grasping, while design choices, personal discipline, and social regulation can alter those conditions.

At each scene, the full walk-through is therefore:

1. A condition is encountered. 2. Feeling and recognition arise. 3. Habitual interpretations and intentions gather. 4. Craving seeks pleasure, escape, certainty, status, or continuity. 5. Clinging converts the event into “me” and “mine.” 6. Action strengthens or weakens the relevant disposition. 7. The resulting disposition conditions the next encounter. 8. Mindful attention, ethical restraint, insight, and compassion can interrupt—not magically erase—this circulation.

That repeated circulation is the contemporary face of 勞生. The term includes the person being carried by it, the suffering generated through it, and the possibility that the person’s “eye opens.”

Why Contemporary People Need It

Contemporary culture often interprets exhaustion too narrowly. One explanation says that you need better productivity. Another says that you need more leisure. Another says that the economic system is the whole problem. Another locates everything inside individual psychology. Each can illuminate real conditions, but 勞生 asks a deeper question: even if the schedule improves, what keeps turning experience into an endless project of securing “me”?

This does not make social conditions irrelevant. Poverty, exploitation, discrimination, war, illness, and precarious work cause concrete suffering; it would be cruel to redescribe them as nothing but an individual’s attachment. Buddhist attention to mind should not become an excuse for institutions to avoid responsibility. Yet external reform and inner liberation answer overlapping but non-identical problems. A more just society can remove enormous suffering, while craving, aversion, mortality, and self-clinging still require cultivation and insight. Conversely, private meditation does not excuse participation in injustice.

The word also helps distinguish rest from freedom. Entertainment may interrupt work while continuing the same cycle of seeking stimulation and fleeing unease. A holiday can become another performance project. Meditation itself can become a way to acquire a superior identity. 勞生 is remarkably adaptable: it can wear business clothes, leisure clothes, or robes.

At the same time, the Chan passages refuse despair. 勞生 can ask, receive guidance, open its eyes, and extend a hand. The designation is diagnostic, not a condemnation of someone’s essence. If the condition were an immutable nature, liberation would be impossible. Precisely because it is conditioned, the way it is sustained can be examined and transformed.

The image of the extended hand also corrects an excessively private picture of awakening. One knows the depth of practice not only by unusual experiences but by what happens to one’s hands, speech, and relationships. Does insight make a person more available to suffering, more honest about harm, and less eager to use others for self-confirmation? The path leads beyond egocentric appropriation, so its movement naturally opens into compassion.

Repeated inquiry is equally important. 「歸思莫厭頻」 counsels us not to tire of returning to the question. In practice, this means examining the same knot at increasing depth. At first: “Why am I checking my phone?” Later: “What feeling am I unwilling to experience?” Deeper still: “What imagined self requires constant confirmation?” Finally: “Can this body, feeling, perception, intention, and consciousness be found to constitute an independent owner at all?”

No verbal answer completes that investigation. The concepts orient attention; conduct tests understanding; meditation makes subtler conditioning visible; wisdom releases appropriation. This is why the text can say “the eyes of 勞生 open” and immediately ask who sees the opening.

Common Misreadings and Clarifications

“勞生 means people with demanding jobs.” No. Occupational overwork is one possible manifestation, but the term concerns beings wearied by saṃsāric circulation. A person can be externally busy without strong clinging, or externally idle while internally driven by craving and aversion.

“The term condemns ordinary people as inferior.” No. Its emotional register is closer to compassionate diagnosis than contempt. The cited verses portray 勞生 as confused and imperiled, but also as capable of questioning, receiving guidance, and opening its eyes.

“勞生 is just another exact synonym for 眾生.” Not quite. Both can refer to living beings, but 勞生 selects and intensifies one aspect of their situation: their restless toil within birth and death. The supplied sources consistently use 勞生 rather than replacing it with 眾生, 有情, 含識, or 群萌. That stylistic choice carries interpretive weight.

“業識 means an evil soul produced by bad karma.” No. 業識 points to consciousness conditioned by karmic tendencies; it should not be reified into a permanent soul. “Karmic” also does not simply mean punishment. Intentional patterns bear consequences and shape further experience, while Buddhist traditions analyze that continuity without positing an unchanging self.

“If everything is conditioned, no one can choose differently.” Conditioning is not absolute determinism. The very practices of attention, restraint, reflection, and wisdom become conditions that alter what follows. The verse’s insistence on repeated inquiry would make little sense if transformation were impossible.

“Opening the eyes means obtaining a special mystical vision.” The passage does not define it that way. In Chan language, opening the eye indicates awakening or clear seeing, but 「開也誰覩」 immediately prevents us from turning it into a spectacle. Unusual experiences may occur in practice, yet intensity, altered perception, or emotional bliss is not by itself liberation from ignorance and clinging.

“The ‘hand of 勞生’ names a particular secret Chan method.” The sources do not say this. 「垂得勞生手」 and 「解布勞生手」 evoke reaching, capacity, and compassionate engagement, but neither record specifies a single technique called “the hand of 勞生.” Preserving the image is more faithful than inventing a system around it.

“Urgency means rushing toward enlightenment.” No. Rushing can reproduce the very agitation being diagnosed. Urgency means not wasting one’s conditions for practice and not treating suffering as a merely theoretical matter. It can coexist with patience, repetition, and careful ethical cultivation.

“Buddhism says all activity is exhausting and one should withdraw from life.” The problem is not activity as such. Teaching, caring for a child, doing difficult work, opposing injustice, or helping a stranger can all require strenuous action. What binds is activity governed by ignorance, craving, and appropriation. The awakened response may be very active; the image of extending a hand is deliberately active.

“Modern neuroscience or recommendation algorithms prove the Buddhist account.” They do not. Research on attention, habit, predictive processing, stress, or reward can offer useful comparisons, and digital systems visibly exploit repetitive behavior. But scientific models operate with their own methods and unresolved debates; they neither establish the full Buddhist account of karma and rebirth nor translate without remainder into Buddhist categories. Comparison can clarify experience, but it is not identity or proof.

The deepest point of 勞生 is therefore not “life is hard.” It is that beings repeatedly participate in the machinery that exhausts them while failing to see the machinery clearly. The Chan verses give us boiling soup, a fierce furnace, an opening eye, an extended hand, persistent questioning, and a moonlit veranda. Each image retains its own function: agitation, urgency, awakening, compassionate guidance, sustained investigation, and quiet self-recognition.

To hear the word properly is already to receive a question: In this very moment, what is doing the needless labor? What conditions are feeding it? Can they be seen without hatred? And when the eye begins to open, does the hand also extend toward others still moving through the flames?

Canonical EntryAI-generated

定义与核心要义

「劳生」指生死轮回中疲于奔波、不得安歇之众生。此词重在「劳」字所带之奔波、勤动之动感,描绘众生在生死海中头出头没、流转不息之姿,合禅宗语录题解所言「在生死中劳碌不息之众生」。两部禅宗语录皆未对此词作义学性之抽象界定,而是透过禅门问答、警策与诗偈,从不同侧面刻画其处境与转化之可能。

主要阐述

其一,炽盛扰动之相。《古尊宿语录》以「几多业识茫茫者,问着劳生沸似汤」形容劳生一经触问便如沸汤翻腾,业识昏茫而扰动迫切,不得安歇;此偈又将「拈花微笑」斥为「大乖张」,使对劳生之追问与表面之举扬形成鲜明对照,所重者乃眼前茫茫众生之炽盛困迫。 又以「猛燄炉中看月轮,急须着眼莫因循」将处境写成猛燄炉中之危迫境地,警策不可迟疑因循。

其二,觉悟与受化之机。《明觉禅师语录》载「鹫峰崔嵬,蟾轮乍回,列刹望重,劳生眼开,开也谁覩」,劳生于灵鹫山巍峨、月轮方转、丛林道场森列之境中,心眼开启;然「开也谁覩」指出此眼开之机,当下难以言诠,唯有自悟方知。 又载「去必示劳生,清风立千古」,少林祖之风范虽已立于千古,然其去化之际仍须「示」于劳生,以行履作则,使劳生有所观摩。「解布劳生手,寄言来白云」将禅师施予解脱法门之动作比作「布手」,形象点出劳生蒙受接引、垂手扶持之意。

其三,能动之求解意愿。《明觉禅师语录》载「欲究劳生问,归思莫厌频」,劳生不仅是受教者,更是主动发问者,欲追穷终极疑情;末句「归思莫厌频」尤为关键,此种究问非一蹴可几,须多次往返、频频致意,方有所归。

其四,反观所系之境。《古尊宿语录》载「旷怀随处乐,大器任天真」之后,以「半夜东轩月,劳生属几人」收束。此处之「属」字尤其值得注意,把劳生表述为人所系属之一种身分或境况;「属几人」却不作明确回答,留下反观与辨认之意味。月夜之澄明景象与劳生之问相接,使此词不仅关涉炽热翻腾,亦可在清寂语境中成为检点人物所处境况之问句。

不同部类与译本的表述差异

本概念见于《古尊宿语录》(禅宗语录部·X1315)与《明觉禅师语录》(诸宗部·《明覺禪師語錄》)两部禅宗语录之中。两录皆以「劳生」为固定用语,未见「众生」、「有情」、「含识」、「群萌」等他译常见之同义名相替代。

两录相关变式各有不同:《古尊宿语录》有「劳生沸似汤」、「垂得劳生手」、「劳生属几人」三种用法;《明觉禅师语录》则有「劳生眼开」、「示劳生」、「解布劳生手」、「究劳生问」等用法。两录皆出现「劳生手」一语——《古尊宿语录》作「垂得劳生手」,重点在于先能向劳生垂手,方谈得上从燄光之身而出;《明觉禅师语录》作「解布劳生手」,将施予解脱法门之动作比作布手。 两语语形相近而语境微异,惟皆凸显面向劳生困境之行动与能力,原文皆未进一步解说此手所指何法,只宜记为「劳生手」此一具体用语。

与相关概念的关系

「劳生」与「业识」关系密切。《古尊宿语录》以「几多业识茫茫者」紧接「问着劳生沸似汤」,将识情昏茫与扰动迫切并列,呈现劳生之困迫根于业识流转。

此词亦与禅宗「向上一路」之超越关怀相呼应。「劳」字之奔波、勤动之动感,恰合众生在生死海中头出头没、流转不息之姿,亦与禅宗对沉沦众生之悲悯与期许相应,称名本身已寓价值判断于其中。

「劳生手」一语在两录中皆出现,凸显面向劳生困境之迫切行动与接引能力,惟两录皆未进一步解说此手所指何法。

代表性原文引用

1. 「几多业识茫茫者,问着劳生沸似汤。」(《古尊宿语录》·X1315) 2. 「若未垂得劳生手,如何出得燄光身。」(《古尊宿语录》·X1315) 3. 「半夜东轩月,劳生属几人。」(《古尊宿语录》·X1315) 4. 「鹫峰崔嵬,蟾轮乍回,列刹望重,劳生眼开,开也谁覩。」(《明觉禅师语录》·《明覺禪師語錄》) 5. 「去必示劳生,清风立千古。」(《明觉禅师语录》·《明覺禪師語錄》) 6. 「欲究劳生问,归思莫厌频。」(《明觉禅师语录》·《明覺禪師語錄》) 7. 「解布劳生手,寄言来白云。」(《明觉禅师语录》·《明覺禪師語錄》)

By SutraAI-generated

明覺禪師語錄T1996 · 諸宗部

《明覺禪師語錄》為宋惟蓋竺所編禪師語錄,收入諸宗部。書中「勞生」一詞凡四見,皆以詩偈形式出之,並非義學性之定義,而為禪者抒懷之用語,合題解所言「在生死中勞碌不息之眾生」。此錄對「勞生」之論述有以下幾個側面:

一、作為覺悟之對象。偈云「鷲峯崔嵬,蟾輪乍回,列剎望重,勞生眼開,開也誰覩」,將「勞生」置於靈鷲山巍峨、月輪方轉、叢林道場森列之境中,勞生於此心眼開啟。然緊接一句「開也誰覩」,指出此眼開之機,當下難以言詮,唯有自悟方知。此處「勞生」之眼含藏覺悟之端緒,是被喚醒之機。

二、作為教化之對象。偈云「去必示勞生,清風立千古」,少林祖之風範雖已立於千古,然其去化之際仍須「示」於勞生——以行履作則,使勞生有所觀摩。又云「賓主分不分,顢頇絕異聞,解布勞生手,寄言來白雲」,將禪師施予解脫法門之動作比作「布手」,形象點出勞生蒙受接引、垂手扶持之意。勞生於此處為受化之眾,禪師之風範與手段皆為其而設。

三、作為發問之主體。偈云「欲究勞生問,歸思莫厭頻」,勞生不僅是受教者,更是主動發問者——欲追窮終極疑情。末句「歸思莫厭頻」尤為關鍵:此種究問非一蹴可幾,須多次往返、頻頻致意,方有所歸。勞生於此被賦予能動之求解意願。

四、用語特色。全錄不用「眾生」、「有情」、「含識」、「群萌」等他譯常見之同義名相,獨取「勞生」二字。「勞」字帶有奔波、勤動之動感,恰合眾生在生死海中頭出頭沒、流轉不息之姿,亦與禪宗「向上一路」之超越關懷相呼應。此一稱名本身已寓價值判斷於其中。

小結:《明覺禪師語錄》中之「勞生」,其核心意涵仍指生死輪迴中疲於奔波之眾生,然此錄並非以教理闡釋之姿態立論,而以詩偈寄意,將勞生置於覺悟、教化、發問三種角色之中,呈現禪者對沉淪眾生之悲憫與期許。

古尊宿語錄X1315 · 禪宗語錄部

《古尊宿語錄》以「勞生」為固定用語,並未另以其他名稱替代。其論述不是抽象界定此詞,而是置於禪門問答、警策與詩偈之中,從眾生受業識驅使、亟須援引,以及反觀誰仍繫屬勞生等側面,刻畫其在生死間紛擾不息的情狀。

一、語錄先以「幾多業識茫茫者」指陳眾多迷茫之人,緊接「問著勞生沸似湯」,將「勞生」寫成一經觸問便如沸湯翻騰的狀態。這裏的核心關聯是「業識茫茫」與「勞生沸似湯」:前者點出識情昏茫,後者以沸騰之湯形容其擾動、迫切而不得安歇。此偈又將「拈花微笑」斥為「大乖張」,使對勞生的追問與表面上的舉揚形成鮮明對照;原文所著重者,是眼前茫茫眾生的熾盛困迫,而非徒事標舉。

二、另一段以「若未垂得勞生手,如何出得燄光身」論及「勞生」。其中「勞生手」是本錄頗具特色的術語形式,依句法所示,重點在於先能向勞生垂手,方談得上從燄光之身而出。其前文又說「猛燄爐中看月輪,急須著眼莫因循」,把處境寫成猛燄爐中的危迫境地,並以「急須著眼」警策不可遲疑因循。因此,此處對勞生的表述不只呈現受困者,也凸顯面向勞生而伸手的動作與能力;但原文並未進一步解說此手所指何法,故只宜記為「垂得勞生手」這一具體用語。

三、題詠中又以「半夜東軒月,勞生屬幾人」收束。前文寫「曠懷隨處樂,大器任天真」,並提到居處、貧困與蒙塵,末句遂以反問追究:在此曠懷、隨處而樂的境界之前,究竟還有幾人屬於「勞生」。此處的「屬」字尤其值得注意,它把「勞生」表述為人所繫屬的一種身分或境況;「屬幾人」卻不作明確回答,留下反觀與辨認的意味。月夜的澄明景象與勞生之問相接,使此詞不僅關涉熾熱翻騰,也可在清寂語境中成為檢點人物所處境況的問句。

總括而言,《古尊宿語錄》所用名相即「勞生」,相關變式有「勞生沸似湯」、「勞生手」與「勞生屬幾人」。三處分別以沸湯喻其擾迫,以垂手寫面向其困境的迫切行動,又以「屬幾人」反問其繫屬。原文共同呈現的,是業識茫茫、熾盛難安且不可因循的眾生處境;其文字重在形象、動作與詰問,並未另立完整的義理解釋。

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