Dharma · AI Companion

如來音聲

tathāgata-svara

佛陀说法时清净微妙的音声。AI-generated

Type AttainmentDifficulty IntroductoryTruth-level span I · dependent arising ⇢ III · nominal designationInitial AI estimate · evolves with use

〔判教镜头〕声闻乘止于佛果德相(第一重);华严读如来音声为法身之用、一音普应随类各解,属名言假有层正面再立(3)。

A Contemporary ReadingAI-generated

What This Concept Is About

In everyday life, our understanding of "sound" is usually built on the mechanical reactions of physics and physiology: vibration of the throat, propagation through air, reception by the eardrum, and finally decoding by the brain into semantic meaning. Such sound necessarily has a beginning, an end, the speaker's subjective intent (the self), and is limited by time and space.

In the Mahāyāna scriptures, however—especially the *Avataṃsaka Sūtra* (《華嚴經》)—「如來音聲」 (Sanskrit: *tathāgata-svara*; also called the Thus Come One's wonderful voice, the sound of all-knowing wisdom, the Thus Come One's speech) is utterly different. It is by no means ordinary sound waves emitted by the Buddha's physical body, but rather **the pure, subtle, wonderful voice that, after the Thus Come One's ultimate liberation, naturally flows forth from the dharma-realm (法界, *dharmadhātu*) in accordance with the faculties and faith-understanding of all beings, pervading the ten directions, and endowed with immeasurable merit and virtue**.

To truly understand 「如來音聲」 (tathāgata-svara, "the Thus Come One's voice"), one must accurately grasp how the classical scriptures define its core essence, its mechanism of operation, and its characteristics:

1. Core Characteristics and Philosophical Essence: Beyond Duality and Effortless Wisdom

The *Avataṃsaka Sūtra* characterizes its essence as: 「非量、非無量;非主、非無主;非智、非無智(唐譯作:非示、非無示)」 ("neither measurable nor immeasurable; neither a sovereign nor without a sovereign; neither wisdom nor without wisdom [the Tang translation reads: neither showing nor not-showing]"). * Not falling into dual boundaries: It is not finite (非量, "not measurable"), yet by no means infinite in the mundane numerical sense (非無量, "not immeasurable"); it is not emitted by a concrete sovereign speaker (非主, "not a sovereign"), yet neither is it blind, disorderly natural noise (非無主, "not without a sovereign"). * Neither inside nor outside, neither born nor destroyed: The scriptures repeatedly emphasize that the Thus Come One's voice 「不從身出,不從心出」 ("does not issue from the body, does not issue from the mind") and 「不從外來,亦不內出」 ("does not come from outside, nor issue from within"). It is like the echo of a valley—the "response to a call": you cannot locate where it accumulates or where it hides. It responds according to what comes, and though the hearer perceives it, there is in reality no graspable entity. * 無功用智 (anābhoga-jñāna, "effortless wisdom"; 無作意, "non-volition"): This is the most crucial philosophical foundation of the Thus Come One's voice. When the Thus Come One emits sounds, there is absolutely no need for the prior deliberation and intention of "I want to speak" that ordinary beings have. It is the effortless response that naturally manifests in the ultimate dharma-realm, powered by the merit and dharma-power accumulated by the Thus Come One through immeasurable kalpas of cultivating all good deeds in the past.

2. Nine Excellent Practices and Metaphors on the Path of Liberation

To help bodhisattvas understand how the Thus Come One's voice operates, the *Avataṃsaka Sūtra* provides an extremely rigorous set of metaphorical correspondences using nine mundane and supramundane phenomena:

1. The four sounds at the destruction of the world (the heavenly-drum sound) metaphor: When the world is destroyed, four sounds of dhyāna bliss and peace naturally arise, guiding beings to abandon desire and ascend to heaven. Likewise, the Thus Come One's wonderful voice, without sovereign and without volition, naturally manifests four kinds of teaching sounds: the first guides beings to cultivate goodness and be born among humans and gods; the second causes them to know the "suffering of conditioned activity" (行苦, *saṃskāra-duḥkha*) and obtain 「音聲忍」 (ghoṣānulomikī-kṣānti, "sound-tolerance"), studying the śrāvaka vehicle; the third guides those who delight in the superior path to study the pratyekabuddha vehicle (緣覺乘); the fourth guides those of sharp faculties to arouse the bodhi mind and cultivate the 大乘 (摩訶衍乘, Mahāyāna, "the Great Vehicle"). 2. The echo metaphor: Like a valley echo—without accumulation, invisible, responding to sounds yet in reality responding to nothing—the Thus Come One's wonderful voice has no fixed locus; it responds to stimuli, and is unknowable and inexpressible. 3. The heavenly wonderful sound metaphor: Just as heavenly wonderful sounds naturally arise in space to awaken heedless devas, so too does the Thus Come One's wonderful voice—without sovereign, without volition, neither arising nor ceasing—universally expound for heedless beings the "sound of non-attachment" (無著聲), the "sound of non-heedlessness" (不放逸聲), the "sound of impermanence, suffering, emptiness, and no-self" (無常苦空非我聲), and the "sound of tranquil nirvāṇa" (寂滅涅槃聲). 4. The good-mouth jewel maiden (善口寶女) metaphor: The jewel maiden "Good Mouth" of the sovereign heaven king can produce a hundred thousand sounds of amusement from a single sound. Likewise, the Thus Come One's voice can 「一音中出無量聲」 ("emit immeasurable sounds from a single sound"), causing each being to understand according to the difference in their vessels of transformation (受化器, the mind-vessel that receives the teaching). 5. The Mahābrahman's brahma-sound (大梵天王梵音) metaphor: When the Brahma king emits his voice, it fills the brahma assembly without going beyond it, and yet all gods and men each think, "The Brahma king today is speaking only to me." Likewise with the Thus Come One's wonderful voice: all who are to be transformed hear it, and each hearer feels, "Today the Thus Come One speaks only for me"—while in reality there is nothing emitted and nothing heard. 6. The water-nature one-taste (水性一味) metaphor: The nature of water has a single taste, yet manifests differences according to the vessel that contains it. Likewise, the Thus Come One's wonderful voice 「唯是一味,謂解脫味」 ("is solely of one taste, called the taste of liberation" [解脫味, *vimukti-rasa*]), and according to beings' 「受化器異」 ("different vessels of transformation") it manifests immeasurable differences of teaching, while the Thus Come One himself is utterly free of discrimination and deliberation. 7. The Anavatapta dragon king's rain (阿耨達龍王降雨) metaphor: Rain does not issue from the dragon king's body or mind, yet it can nourish all grains. Likewise, the Thus Come One's voice neither issues from within nor comes from without, yet universally rains the "nectar of the true Dharma" (甘露正法), nourishing beings' roots of goodness. 8. The Manasvin dragon king's cloud-gathering (摩那斯龍王凝雲) metaphor: The dragon king first raises clouds for seven days without raining, and only after beings have completed their harvest does he gradually release fine rain. Likewise, the Thus Come One first raises the "cloud of Dharma" (法雲) to ripen beings' faculties, and only after their minds are free of fear and alarm does he send down the "nectar rain of Dharma" (甘露法雨), so that beings are not suddenly frightened by hearing the profound emptiness. 9. The great majestic dragon king's continuous rain (大莊嚴龍王連雨) metaphor: The dragon king, with inconceivable power, rains continuously for many days without forming the thought of doing so. Likewise, the Thus Come One, with immeasurable speech, expounds the Dharma in countless differentiated ways without forming such a thought, because the dharma-realm is originally pure and free of distinctions; he merely teaches according to what is appropriate for the sake of liberating beings.

3. Ten Kinds of Measurelessness and the Vessel of Transformation

The Thus Come One's voice possesses measurelessness equal to space (虛空等無量), measurelessness equal to the dharma-realm (法界等無量), measurelessness equal to the realm of beings (眾生界等無量), measurelessness equal to karma and deeds (行業等無量), measurelessness equal to afflictions (煩惱等無量), measurelessness equal to the various sounds (種種音聲等無量), measurelessness equal to desires and pleasures (欲樂等無量), measurelessness equal to the three times (三世等無量), measurelessness equal to wisdom (智慧等無量), and measurelessness equal to the irreversible Buddha-sphere (佛境界不退等無量).

Yet, why can we not hear this wonderful voice that pervades the ten directions? The scriptures point out that this depends on the 「眾生根器(受化器)」 ("the faculties of beings, the vessel of transformation"). If beings are not vessels or are obstructed by heavy afflictions, then in the impure world they can only hear evil sounds; only those whose mind-vessels are pure and whose faculties are mature can sense and hear this all-pervasive, nectar-like, gentle sound, thereby obtaining the liberative experience of "the body becoming cool, the mind settled and unconfused, contemplating equality, neither arising nor ceasing" (身清涼,心定不亂,觀察平等,無生無滅).


A Walkthrough in Everyday Life

To keep this profound doctrine from remaining a mere classical Chinese term, we can conduct a walkthrough using an extremely familiar contemporary scenario—information-feed algorithms and intelligent audio devices—mapping it strictly according to the classical definitions:

Scenario: Scrolling Short Videos Late at Night / Smart-Speaker Podcasts

You cannot sleep late at night, so you open your phone and scroll short videos, or you say to your smart speaker: "I'm so tired, play some sound."

* Wrong mapping vs. correct mapping (different vessels of transformation and the one taste of water): * Misunderstanding: You think that behind the algorithm there is a real "Zhang San" or "Li Si" sitting at a computer, specially selecting a painful and anxious video to push to you, or that the speaker in the video is unilaterally "instilling" thoughts into you personally. * Classical mapping: In fact, the vast data reserves of the algorithm platform (symbolizing the immeasurable dharma-doors contained in the Thus Come One's voice) are themselves only "one water-nature." What you see on your screen depends entirely on your past clicks, dwell time, and preferences—your 「受化器」 ("vessel of transformation") and 「行業」 ("karma and deeds"). * Two people sitting on the same sofa, opening the same app, receive completely different content: the anxious person scrolls into more anxiety-inducing recommendations; the person who is pure and free of desire scrolls into peaceful, soothing music. This is precisely 「唯是一味,隨受化器異而有差別」 ("solely of one taste, with differences according to the vessels of transformation"). The audio itself has no subjective discrimination; it is your own "mind-vessel" that determines whether you hear the "evil sound" or the "pure sound."

* Wrong mapping vs. correct mapping (the brahma-sound metaphor and the echo metaphor): * Classical mapping: When millions of people listen to an excellent podcast or livestream at the same moment, each wearing earphones, each may experience an extraordinarily intimate emotional illusion: "This host really understands me; tonight he is resolving my life's confusion especially for me." * This precisely maps the 「大梵天王梵音喻」 ("Mahābrahman's brahma-sound metaphor")—the devas each think "he speaks only with me," whereas in reality the Thus Come One's wonderful voice is "without emission, without abiding, without any locus" (無出無住,無有方處), like a valley echo (the 呼響喻, "echo metaphor"), responding to your mind's thoughts, while no substantial sovereign is actually conducting a concrete conversation with you personally.

* Wrong mapping vs. correct mapping (the dragon king gathering clouds and gradually sending down the dharma-rain): * Classical mapping: When you first enter a completely new field (for example, studying psychology or spiritual practice), if someone immediately hits you with the most profound and thoroughgoing theory of no-self and emptiness, you may feel extreme panic or even annihilationist despair. * The guidance of a good spiritual friend (the operation of the Thus Come One's voice) is like the 「摩那斯龍王凝雲喻」 ("Manasvin dragon king's cloud-gathering metaphor"): first "raise the cloud of Dharma" to lay the groundwork, guiding you with gentle human-and-heaven good dharmas and life wisdom; only when your psychological capacity (your faculties) is mature does he send down the "nectar rain of Dharma" and speak the profound Dharma, sparing you from terror.


Why Contemporary People Need It

In contemporary society, we are experiencing an unprecedented 「音聲與信息的過載」 ("overload of sound and information"). Every day we are surrounded and torn by noise, workplace PUA, the panic-mongering of marketing accounts, and the clamor of social media. The core significance of why contemporary people need to understand 「如來音聲」 (tathāgata-svara, "the Thus Come One's voice") lies in:

1. Breaking attachment to "discursive power and the sovereign": Contemporary people easily fall into linguistic dualism (black-or-white, who is right and who is wrong). The Thus Come One's voice tells us that the highest expression of wisdom is 「非主非無主,無生無滅」 ("neither sovereign nor without sovereign, neither arising nor ceasing"). The true voice of liberation does not impose itself on others and does not carry the will to control (無作意, non-volition); it is an extremely pure mirror that manifests according to your own mind's capacity. Understanding this allows us, when facing the world's clamorous criticism or praise, to establish a 「音聲忍」 ("sound-tolerance")—knowing that all worldly sounds are like valley echoes, and not being moved by them.

2. Re-examining one's own "mind-vessel (受化器, the vessel of transformation)": Contemporary people often complain that the environment is bad and that they are surrounded by toxic information and speech. But according to the doctrine of the Thus Come One's voice, the dharma-realm is already filled with the pure and liberative "nectar rain of Dharma"; if you can only hear the "evil sound," it is because your own afflictions are piled up and your mind-vessel is defiled. This concept returns the initiative of liberation to the individual: change your mind-vessel, and the world you inhabit and the sounds you hear will change accordingly.

3. A philosophical mirror for the age of AI and technology: Contemporary AI-generated speech (such as generative audio and large language models) may appear capable of "emitting immeasurable sounds from one sound" and "teaching according to the person." But comparing it with the Dharma clearly reveals the limitation: the algorithms of technology are unconscious, cold logic or probabilistic computation, whereas the Thus Come One's voice is the natural outflow of 無功用智 ("effortless wisdom") and the merit and vows accumulated over immeasurable kalpas of compassion. Science and technology can simulate "the myriad transformations of sound," but they cannot supply the 「解脫味」 ("taste of liberation") that causes one to experience "the body becoming cool, the mind settled and unconfused, contemplating equality, neither arising nor ceasing."


Common Misreadings and Clarifications

* Misreading 1: Understanding 「如來音聲」 as the Buddha's speaking voice being very pleasant and charismatic (vocal-cord phonation). * Clarification: Mundane pleasant sounds (such as a singer's voice) are still physical sound waves composed of the four great elements (四大造色, form produced by the four elements), subject to arising and ceasing, and limited. The Thus Come One's voice, by contrast, is a manifestation of the dharma-realm that transcends all marks and cuts off the path of language (超絕眾相、語言道斷). The scriptures explicitly state that it "does not issue from the body, does not issue from the mind, does not come from outside, nor issue from within" (不從身出,不從心出,不從外來,亦不內出), and it can by no means be reduced to sounds produced by physiological vocal cords.

* Misreading 2: Thinking that 「一音普演,隨類得解」 ("one sound universally expounded, each class understanding accordingly") means the Buddha had mastered all the world's languages (e.g., automatic translation into English, French, etc.). * Clarification: This understanding degrades the Dharma into "simultaneous interpretation software." The essence of 「一音普演」 is that the dharma-realm is uniformly endowed with the single taste of liberation (法界同具一解脫味). The Buddha emits the dharma-sound from the state of ultimate non-discrimination, and beings, because of their own karma, powers of understanding, and differing faculties (受化器異, "different vessels of transformation"), decode it in their own consciousness into languages and doctrines that conform to their own cognitive structures. The key lies in the sentient mind's resonance and decoding, not in the Buddha switching languages in his mind.

* Misreading 3: Since the Thus Come One's voice 「周遍法界、無處不至」 ("pervades the dharma-realm, reaching everywhere"), my not hearing it means the Buddha is unfair or un-compassionate. * Clarification: The scriptures use the analogies of water-nature and vessels, and of sunlight and the blind. The sunlight shines universally upon the earth; the blind do not see it, and this is not the fault of the sunlight. The rain falls universally; a broken, overturned bowl cannot hold water, and this is not the fault of the nectar. The Thus Come One's voice is "without sovereign, without volition, without discrimination" (無主無作,無有分別); not hearing it is because beings' afflictions are deep and heavy and they are not vessels (受化器未熟, "the vessel of transformation is not yet mature"). As long as one purifies one's own karmic obstructions through practice and matures one's faculties, one can at any time and in any place enter into this unbroken wonderful voice of the dharma-realm.

Canonical EntryAI-generated

一、 定义与核心要义

如来音声(梵语:tathāgata-svara),亦称「如来微妙音声」、「如来妙音」、「一切智音声」或「如来言音」,是如来为度化一切众生,随顺其根器与信解而自然流现的清净微妙音声。其本质超越世俗的二元对立,非量非无量,非主非无主,无起无灭,不从内出亦不从外来,却能周遍法界,令一切听闻者皆得欢喜与解脱。

二、 主要阐述

1. 核心特征与哲学本质

如来音声具有遍至、随心乐与信解皆令欢喜、化不失时、无生灭(如呼响)、无主(修习一切业所起)、甚深、无邪曲、无断绝、无变易等特征。在哲学本质上,如来音声超越了世俗的二元对立,被描述为「非量、非无量;非主、非无主,非智、非无智」,或作「非量、非无量,非主、非无主,非示、非无示」。它「不从身出,不从心出」,「不从外来,亦不内出」,且「非实,不可觉知,不可言说」,最终「超绝众相,言语道断」。听闻如来音声者,能「身清凉,心定不乱,观察平等,无生无灭」。

2. 菩萨知见如来音声的九种胜行与譬喻

经中以九种生动的世间与出世间现象作譬喻,说明菩萨如何知见如来音声的运作与度化机制: * 世界坏时四声(或天鼓之音)喻:世界将坏时自然发出四种禅定安乐之声,引导众生离欲升天。如来妙音亦无主、无作者,自然出生四种妙音:第一引导众生修善生人天;第二令知行苦而得「音声忍」,修学声闻乘;第三引导乐胜道者学「缘觉乘」;第四引导根猛利者发菩提心修「大乘」(或称「摩诃衍乘」)。唐译中亦以天鼓之音喻其无主无作,演说无着、不放逸、无常、苦、无我、寂灭、涅槃等无量妙法。 * 呼响喻:如山谷回响,无积聚、不可见,随声应对而实无所应。如来妙音亦无有方处,随应而出,非实且不可言说。 * 天妙音声喻:如虚空中自然出天妙音声,觉悟放逸天子。如来妙音亦无主、无作者、不起不灭,普为放逸众生演出「无着声」、「不放逸声」、「无常、苦、空、非我之声」及「寂灭涅槃声」。 * 善口宝女喻:自在天王的宝女「善口」,一音中能出百千娱乐音声。如来音声亦于一音中出无量声,随应令众生开解。 * 大梵天王梵音喻:梵王梵音遍满梵众而不出众外,诸天各念「唯与我语」。如来妙音亦然,应受化者皆闻,不出众外,闻者各念「今日如来唯为我说」,而实无所出、无所闻。 * 水性一味喻:水性同一味,随器异而味有差别。如来妙音皆同「解脱味」,随众生受化器(「受化器异」)而有差别,如来无作意。 * 阿耨达龙王降雨喻:雨水不从龙王身心出而能滋长百谷。如来音声不从外来、不从内出,普雨「甘露正法」,饶益众生。 * 摩那斯龙王凝云喻:先兴云七日不雨,令众生究竟诸业后渐降微雨。如来亦先兴法云令众生熟根,渐降甘露法雨,避免众生突闻深法而恐怖。 * 大庄严龙王连雨喻:龙王以不思议力连雨多日而不作是念。如来亦以无量种音声分别说法,不作是念,因法界清净无差别,仅为化众生而所说不同。

3. 如来音声的十种无量

菩萨摩诃萨知见如来音声具有十种无量特征:虚空等无量(无处不至)、法界等无量(无处不彻)、众生界等无量(令众生欢喜)、行业等无量(广说果报)、烦恼等无量(究竟寂灭)、种种音声等无量(随应受化无不闻)、欲乐等无量(说诸解脱)、三世等无量(无分际)、智慧等无量(深入一切法)、佛境界不退等无量(随顺如如法界)。

三、 不同部类与译本的表述差异

在《华严经》的东晋译本(《大方廣佛華嚴經(六十華嚴)》,佛驮跋陀罗译)与唐译本(《大方廣佛華嚴經(八十華嚴)》,实叉难陀译)中,对于「如来音声」的描述存在诸多用词与细节上的分歧: * 核心特征的表述:晋译描述其本质为「非量、非无量;非主、非无主,非智、非无智」;唐译则作「非量、非无量,非主、非无主,非示、非无示」。 * 乘别的称呼:晋译在世界坏时四声喻中,将第四种音声引导的对象称为「大乘」或「摩诃衍乘」;唐译则多直接表述为大乘或菩萨行。 * 法雨与法云的隐喻:晋译使用「甘露正法」或「甘露法雨」指代佛法;唐译则常作「甘露法雨」或「法雨」。 * 音声忍与解脱味:晋译明确提出「音声忍」、「解脱味」、「受化器」等独特概念;唐译亦保留「解脱味」之说,但行文更偏向唐代译经的流畅风格,如将「受化器异」表述为随众生心器不同。 * 偈颂的呈现:唐译中多有「佛演一妙音,周闻十方刹」、「化声无有尽」等整齐的偈颂,赞叹如来音声周遍法界、转净法轮的功德,而晋译在相应处的译词则显得更为古雅。

四、 与相关概念的关系

* 与「众生根器(受化器)」的关系:如来音声的显现与众生的根器密切相关。若众生非器或为烦恼所障,则不见如来意,甚至在浊恶佛刹常闻弊恶之音;而在清净佛刹则能常闻甘露音、柔软声、清净业道音。如来音声虽「唯是一味,谓解脱味」,但随众生「受化器」之不同而显现无量差别。 * 与「法界、虚空」的关系:如来音声与虚空、法界等同无量。其音声「无处不至」、「无处不彻」,具有「佛演一妙音,周闻十方刹」的周遍性。 * 与「无功用智(无作、无主)」的关系:如来音声的发出是「无主无作,无有分别,非入非出」的,如同天鼓自鸣、龙王降雨,不从身心出,不作是念,完全是如来无功用智与功德法力的自然流露。

五、 代表性原文引用

1. 《大方广佛华严经》卷三十六(晋译):「如来音声,非量、非无量;非主、非无主,非智、非无智。……不从身出,不从心出,亦不从余处出。」 2. 《大方广佛华严经》卷五十(唐译):「如来言音,非量非无量,非主非无主,非示非无示。……无主无作,无有分别,非入非出。」 3. 《大方广佛华严经》卷五十(唐译):「如来言音,唯是一味,谓解脱味。随诸众生心器不同,而能显现无量差别,而如来实无念虑,亦无分别。」 4. 《大方广佛华严经》卷二(唐译):「佛演一妙音,周闻十方刹,众音悉具足,法雨皆充洽。」

By SutraAI-generated

大方廣佛華嚴經(六十華嚴)T0278 · 華嚴部

《大方廣佛華嚴經(六十華嚴)》以「如來微妙音聲」一語為核心,闡述菩薩摩訶薩如何「知見」此音聲。經文首先揭示其本質:無處不至,令一切眾生皆大歡喜,演說無量諸佛正法,隨應化者悉得解了,教化不失時,並令聞者身清涼、心定不亂、觀察平等、無生無滅。

本經最獨特之處在於以十種譬喻(每一喻皆標為「勝行」或「勝妙行」)逐層顯揚如來妙音之德,自「初勝妙行」至「第十勝行」。第一喻以世界將壞時自然演出四種音聲(勸證初、二、三、四禪),喻如來自然出生四種妙音,令眾生分別修聲聞乘、緣覺乘、大乘,永度生死海。第二喻以「呼響」喻音聲「無主、不可覩見、隨種種聲悉能應對、實無所應」。第三喻以天妙音聲覺悟放逸天子,明其「不起不滅、無主無作」而普利群生。第四喻以自在天王寶女「善口」一音出生百千音聲,顯「於一音中出無量聲,隨其所應悉令開解」。第五喻以大梵天王梵音不出眾外,明「音聲無所出,聞者無所聞」,各各皆謂「如來唯為我說」。第六喻以水性同一味而隨器異味,明如來妙音「皆同解脫味」,隨眾生根器而有差別。第七喻以阿耨達龍王降雨不從身心出。第八喻以摩那斯龍王凝雲七日後漸降微雨,明如來先令眾生成熟諸根,方漸雨甘露法雨。第九喻以海中大莊嚴龍王或十日、百日乃至百千日雨,明如來以十種、百千種乃至八萬四千種音聲分別說法。第十喻以娑伽羅龍王興種種色雲、震種種雷音(天女歌音、龍女歌音、緊那羅女歌音、大海音、鹿王音等)、普雨種種異雨於六天,喻如來於法界中普雨無上甘露正法。

經文反覆強調如來微妙音聲「不從身出、不從心出、不從外來、亦不內出」,並說「如來妙音,超絕眾相,言語道斷」,明其超越言說思量之相。

末段總結如來音聲具「十種無量」:虛空等、法界等、眾生界等、行業等、煩惱等、種種音聲等、欲樂等、三世等、智慧等、佛境界不退等無量,稱「十種無量阿僧祇」,由普賢菩薩以偈頌重頌上述諸喻。

本經用語以「如來音聲」「如來妙音」「如來微妙音聲」三者並用,又出現「音聲忍」一詞(聞妙音而得忍者學聲聞乘),為本經較獨特之術語。

大方廣佛華嚴經(八十華嚴)T0279 · 華嚴部

《大方廣佛華嚴經(八十華嚴)》以「如來音聲」為核心概念,立十相之喻層層敷演。經文首先標舉如來音聲之十種德相——遍至、隨心令喜、隨解令喜、化不失時、無生滅、無主、無邪曲、無斷絕、無變易——並以雙遮句式遮其量與無量、主與無主、示與無示之執,顯示其離於二邊之體性。經復以世界將壞時法爾出現勸修四禪之四種音聲為喻,明示如來音聲「無主無作,無有分別,非入非出」,乃從如來「功德法力」自然流出。

第三相以「天鼓音」為喻:放逸諸天聞天鼓無主無作之音而生憂怖,求法行道;如來亦然,為覺悟放逸眾生出無量妙法音聲,列舉「無著聲、不放逸聲、無常聲、苦聲、無我聲、不淨聲、寂滅聲、涅槃聲、無有量自然智聲、不可壞菩薩行聲、至一切處如來無功用智地聲」等,遍法界而開悟之;此相中明言「如來音不住方所,無有言說」。第四相以「善口天女」一口出百千種音為喻,顯「於一音中出無量聲,隨諸眾生心樂差別,皆悉遍至」之妙。第五相以「大梵天王」住梵宮出音為喻,顯音聲雖遍聞而不出眾外,「根未熟者不應聞故」,其聞者咸念「如來世尊獨為我說」。第六相以「眾水一味」為喻,闡如來言音「唯是一味,謂解脫味」,隨眾生心器異故而有無量差別,卻「無念慮亦無分別」。此處別用「言音」一詞,可與「音聲」互參。

第七相以「阿那婆達多龍王」興密雲普霔甘雨為喻,明如來「興大悲雲遍十方界,普雨無上甘露法雨」,令眾生皆生歡喜、增長善法、滿足諸乘,且音聲「不從外來、不從內出」。第八相以「摩那斯龍王」先起大雲凝停七日再降微細雨為喻,明如來「將降法雨,未便即降,先興法雲成熟眾生」,待熟然後普降甘露法雨。第九相以海中「大莊嚴龍王」能降十種乃至百千種莊嚴雨為喻,明如來「以無量百千億那由他音聲各別說法」,「如來音聲無所分別,但以諸佛於甚深法界圓滿清淨,能隨眾生根之所宜,出種種言音皆令歡喜」。第十相以「娑竭羅龍王」起大雲網、現種種電光與雷聲為喻,雷聲「隨眾生心皆令歡喜」,後降種種諸雨——於大海雨清冷水、於他化天雨簫笛音、於化樂天雨大摩尼寶等——各隨其處所雨不同。

通觀全段,本經論如來音聲之獨特處在於:始終以「無主無作」「非入非出」之空寂體性為本,以「功德法力」「甚深法界圓滿清淨」為所依,以「隨眾生心」「隨根之所宜」為起用;以龍王雨雲、梵王出音、眾水一味等十喻層層展開「一音中出無量聲」「遍法界」「不住方所」「無有言說」之妙德。所用術語包括「如來音聲」「言音」「法音」「甘露法雨」「大悲雲」「法雲」「解脫味」「八萬四千音聲說八萬四千行」等,辭彙豐富而統一以「如來音聲」為主稱。

究竟一乘寶性論T1611 · 瑜伽部

《究竟一乘寶性論》以多重譬喻闡明如來說法音聲的體性與功用,呈現出該經獨特的詮釋進路。

一、業感聞法,天鼓之喻:論中先以天界妙法鼓聲為先導,指出「天妙法鼓聲,依自業而有,諸佛說法音,眾生自業聞」。如來音聲並非單向的傳播,而是隨眾生各自業力而得聞——天鼓之聲本無功用造作,卻令諸天「離怖得寂靜」;佛聲同樣「離功用身心」,令一切眾生「得證寂滅道」。此處凸顯如來說法離一切身語意之功用造作,純以清淨微妙之音聲應機而作,與天鼓之聲同屬離功用而自然成就之境。

二、破惑離苦,退敵之喻:論中復以阿修羅戰爭中「因鼓出畏聲,令修羅退散」為例,類顯如來出世說法的究竟目的:「為眾生滅諸煩惱苦,為世間說法,示勝禪定道」。如來音聲不同於戰鼓所出之畏怖聲,而是以寂滅之道聲摧破眾生煩惱之力,顯示其本質為拔苦與示道之清淨音聲。

三、依他而起,如響無分別:論以「響聲」之喻,揭示如來音聲的緣生本性:「譬如諸響聲,依他而得起,自然無分別,非內非外住。如來聲亦爾,依他心而起,自然無分別,非內非外住。」此處明確指出如來音聲乃依他(聽法眾生之心)而起,具自然性、無分別性,且非內非外住——不執著於佛自身之內,亦不執著於外境,此乃其法爾如是的清淨微妙之性。

四、依佛地生,如地長諸草木:論更以大地為喻:「一切諸草木,依止大地生,地無分別心,而增長成就。眾生心善根,依止佛地生,佛無分別心,而增廣成就。」如來音聲(連同佛之全體功德)依於「佛地」而成就眾生善根,而佛自身卻無分別心。論中並標示「佛聲猶如響,以無名字說」——如來音聲實為超越名相、離言說相之法音;「佛身如虛空,遍不可見常」,則進一步顯示佛之全體(非僅音聲)之周遍常住。

五、法藥遍施,不限一人:論末以藥喻總結:「依佛地諸法,白淨妙法藥,遍為諸眾生,不限於一人。」如來音聲所流出的清淨法藥,平等普徧地利益一切眾生,無有偏限。

本經用詞特色: - 兼用「佛聲」、「諸佛說法音」指稱如來音聲,而以「佛地」指稱佛之究竟所證(不同於其他經論或用「佛土」、「佛剎」指國土)。 - 以「白淨妙法藥」喻如來所說正法,強調其清淨與遍益之德。 - 三喻並舉:天妙法鼓、響聲、大地,分別從業感自然、緣起無住、無分別遍成三個側面顯示如來音聲之體性,三喻皆指向「離功用」、「無分別」之同一核心。

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