Dharma · AI Companion

回光

pratyavekṣaṇa

禅宗观照工夫,谓将觉照之光由外境迴转返照自心,不向外驰求。AI-generated

Type PracticeDifficulty IntermediateTruth-level span ultimately points to IV · beyond wordsInitial AI estimate · evolves with use

回光返照作为观行不须先立某重见地即可下手(凡夫反照即入手处),故 无初立层;其究竟读法直契离言本心,究竟第四重(比照三昧锚)。

A Contemporary ReadingAI-generated

What This Concept Is Saying

回光 (huíguāng, “turning the light around”) is a Chan Buddhist practice of reversing the direction of awareness. Ordinarily, attention runs outward: toward sights and sounds, other people’s approval, attractive objects, threatening situations, explanations, and even religious teachings conceived as things to acquire. To “turn the light around” is to stop following this outward momentum and let awareness illuminate the very mind that is seeing, hearing, wanting, rejecting, and searching.

The expression is also associated in the supplied classical material with pratyavekṣaṇa, “looking back,” “reviewing,” or “examining.” Yet 回光 is not merely reflective thinking. Its distinctive force lies in the turning itself: awareness ceases to be wholly absorbed in what appears and recognizes the activity by which appearances are being grasped, interpreted, and pursued.

Imagine entering several rooms and finding that everything smells foul. You inspect the furniture, blame the drains, and suspect the people around you. Then you discover that the source is on your own nose. This deliberately coarse image appears in the 《古尊宿语录》 (*Recorded Sayings of the Ancient Worthies*). Its point is not that the external world is unreal or that every problem is “all in your head.” It is that an unexamined condition in the perceiver can seem to belong to everything perceived. The text therefore says:

“若肯回光,就己看之,无所不了。” “If you are willing to turn the light around and look into yourself, nothing will remain unclear.” —《古尊宿语录》

This is especially relevant to afflictions. When anger is not illuminated, the whole world appears offensive. When craving is not illuminated, the desired object appears to contain the happiness we lack. When anxiety is not illuminated, uncertain possibilities appear as established dangers. 回光 does not deny the offensive act, desirable object, or genuine risk. It reveals the extra layer through which the mind turns an event into “my enemy,” “my salvation,” or “my certain disaster.”

The “light” here is not physical light, a mystical substance, or a visual glow one must manufacture in meditation. It is a metaphor for 觉照 (juézhào, “wakeful illumination”): the capacity by which experience is known. “Turning” does not mean moving this capacity from an objectively external location into a little chamber inside the skull. Chan texts explicitly resist turning the mind into another object hidden somewhere within. The 《圆悟佛果禅师语录》 (*Recorded Sayings of Chan Master Yuanwu Foguo*) says that what is disclosed is not elsewhere, but neither is it confined to “self,” “inside,” “outside,” or “in between.” “Inward” is therefore practical language: stop being carried away by objects and notice the knowing-and-grasping occurring here.

The supplied texts present several inseparable dimensions of the practice, though they do not establish them as a rigid ladder.

First, there is a reversal of the six sense faculties. The 《古尊宿语录》 cites the verse:

“一根既返源,六用皆不行。” “Once one faculty returns to the source, the functioning of all six no longer proceeds [in its former outward-running way].”

The six are eye, ear, nose, tongue, body, and mind. “Their functioning no longer proceeds” should not be misread as blindness, deafness, sensory shutdown, or permanent mental blankness. The classical context concerns the cessation of outward pursuit. Seeing can still occur, but the mind need not run after what is seen; hearing can occur without being captured by praise and blame; a thought can arise without recruiting a train of speculation.

Second, 回光 exposes arising and passing. One passage describes sitting upright and gathering the spirit. At first the mind is confused and busy; gradually the “six gates” become quieter. Discrimination may still arise, but one then sees that its arising, alteration, and disappearance appear from mind itself. The instruction is not to beat thoughts into silence. It is to “use this very mind” and “返观一遍” (fǎnguān yī biàn, “turn back and observe once”). The decisive point is seeing thought as an event rather than unconsciously continuing it.

Third, 回光 cuts through 拟议 (nǐyì, “conceptual conjecture and anticipatory calculation”). The 《古尊宿语录》 contrasts the two:

“拟议千差路,回光万里程。” “Conceptual conjecture opens a thousand divergent roads; turning the light around traverses ten thousand miles.”

Chan is not condemning practical reasoning. One still needs thought to read a contract, diagnose an illness, or plan a journey. The target is thought pretending to be direct realization. One may construct an exquisite theory of awareness while never noticing the present impulse to possess that theory. 回光 interrupts this displacement: instead of producing one more explanation of mind, it directly illuminates the one now seeking an explanation.

Fourth, it includes 直下承当 (zhíxià chéngdāng, “directly taking it up here and now”). Yuanwu repeatedly joins turning the light around with “putting one’s own eye to it” and directly taking responsibility. This is not self-affirmation in the modern sense—telling oneself that one is already perfect. Nor is it a claim that an ego owns enlightenment. It means ceasing to outsource awakening to the teacher’s words, impressive experiences, intellectual knowledge, or some future version of oneself. No one else can perform this turn on one’s behalf.

Fifth, there is both sudden recognition and continuing cultivation. Yuanwu speaks of “蓦地回光” (mòdì huíguāng, “suddenly turning the light around”): an encounter, phrase, or ordinary event may precipitate an abrupt reversal. But his record also warns that insight must remain present in daily activity. One must not sink into dullness, become entangled in clever discrimination, revive love and hate, self and other, gain and loss, or lose the thread when circumstances press hard. Sudden seeing is not a license to neglect habituated greed, anger, and delusion.

This is why the 《景德传灯录》 (*Jingde Record of the Transmission of the Lamp*) says:

“暂借回光,日用全功。” “For a moment, borrow the turning light; in daily use its function is complete.”

回光 belongs in cooking, speaking, commuting, working, and meeting conflict. It is not another private mental object maintained far from ordinary life. The same record says, “定慧相合,合而后明” (“Concentration and wisdom unite; once united, there is illumination”), and compares this illumination to a great round mirror that responds to what comes before it. Concentration prevents attention from being scattered; wisdom discerns without being deceived. The record does not declare these sayings to be formal stages of a single scheme, so they should be read as mutually illuminating descriptions rather than an invented progression.

Within the Buddhist path of liberation, 回光 marks the turn from rearranging the objects of bondage to seeing how bondage is made. Greed, aversion, and ignorance require outward-running appropriation: “I must obtain this,” “I must remove that,” “this thought tells me what I am.” Ethical discipline restrains the coarsest enactments of those movements; meditative stability makes them possible to observe; wisdom sees that neither the object nor the grasping mind possesses the fixed, independent character projected onto it. 回光 is a Chan articulation of the pivotal movement by which attention stops feeding delusion and becomes available for direct insight.

It is not by itself a complete synonym for the whole Buddhist path. A moment of lucid self-observation does not replace ethical conduct, compassion, concentration, wisdom, repentance, or sustained training. Its importance is directional: it turns practice away from acquiring a special object and toward seeing the activity that turns anything—including Buddhism—into an object of attachment.

A Walk-Through in Everyday Life

Consider a familiar scene. You are commuting after an exhausting day. Your phone displays a message from someone close to you: “Fine. Do whatever you want.” Within seconds, irritation, fear, and a defensive reply begin to form.

1. Contact is allowed to be contact.

The eyes see characters on a screen. Mental consciousness recognizes words and recalls the relationship. 回光 does not require pretending that no message was received. Nor does “returning the six faculties to the source” mean shutting the eyes or becoming insensible.

2. Notice the outward rush.

Attention immediately races toward the sender: “They always manipulate me”; “What are they really implying?” It also races toward a desired future: “I need to settle this now.” The phone message is real as an event, but much of what now occupies consciousness is an expanding construction around it.

3. Turn the light.

Before sending the reply, notice what is happening here: tightening in the chest, heat in the face, the urge to strike back, remembered arguments, and a mental image of being disrespected. This is the practical reversal. Instead of asking only, “What is wrong with them?” ask nonverbally, through direct attention, “What is occurring in the one who is reading this?”

The most common mistake at this point is to replace observation with analysis: “I react this way because of my attachment style; they react that way because they are avoidant.” Such explanations may later be useful, but they can also be another form of outward-running thought. 回光 first sees the living movement before naming it.

4. Observe arising and passing.

The first interpretation may be “They despise me.” A few breaths later another appears: “Perhaps they are hurt.” Then comes “I should make them regret this.” Each presents itself as the truth while present, yet each changes. “观之又观,则辨真妄” (“Observe it and observe it again; then true and false are distinguished”), says the 《景德传灯录》. Repeated observation reveals the difference between the actual message and the meanings rapidly projected onto it.

This is not a demand to decide that every interpretation is false. The sender may indeed be angry or manipulative. The discovery is that an interpretation’s intensity is not proof of its accuracy.

5. Do not turn 回光 into suppression.

Suppose anger remains. The practice is not “A Buddhist must not be angry,” followed by forcing the feeling underground. Now the light should also illuminate the wish to look spiritual, the shame about anger, and the attempt to control experience. Suppression is another act of grasping; clear awareness can include the unpleasant state without obeying or beautifying it.

6. Do not install a spectator-self.

A subtler error is to imagine a pure inner observer standing apart from the messy mind: “Here is the real me, serenely watching my anger over there.” Turn the light once more. The image of “me as the watcher,” the pride in being mindful, and the wish to secure a peaceful identity are also known events. The classical instruction does not ask us to build a metaphysical witness inside. It asks for the outward chase to cease, including the chase after an exalted inner self.

7. Let non-pursuit make a wiser response possible.

Once the immediate momentum loosens, you may decide to wait, call the person, ask what they meant, apologize, or establish a boundary. 回光 does not prescribe one socially passive response. Its ethical value lies in preventing an unexamined affliction from disguising itself as certainty. The resulting action can be gentle or firm, but it is less likely to be driven blindly by retaliation and self-protection.

8. Continue in relationship.

The real test comes when the other person replies harshly. A calm state achieved alone is easy to protect by avoiding contact. Yuanwu’s warning is sharper: do not guard a pure state as a refuge or “nest.” Practice must mature amid “walking, standing, sitting, and lying down,” amid changing things and events. If composure collapses, that collapse itself becomes the next place to turn the light.

The same walk-through applies while scrolling social media. A glamorous image appears; comparison arises; the mind concludes, “My life is behind.” Turning the light does not mean declaring the image nonexistent. It means seeing perception, comparison, bodily contraction, self-story, and the impulse to keep scrolling as they assemble. Recommendation algorithms can intensify the outward pull by selecting stimuli likely to retain attention. But the Buddhist analysis is not identical to a theory of algorithms: even without a platform, craving and identification can operate, while platform design also involves social and economic forces that cannot be reduced to individual mind.

It also applies in parenting. A child refuses to cooperate. Before the parent’s whole awareness becomes “this impossible child,” 回光 reveals fear of losing control, embarrassment before others, fatigue, and an inherited image of what a “good parent” should be. Seeing these does not eliminate the need for a boundary. It helps prevent the parent’s unexamined distress from being imposed on the child as moral judgment.

Why Contemporary People Need It

Contemporary life continually trains attention to move outward. Notifications ask for immediate response; metrics convert approval into numbers; work cultures encourage people to experience themselves through performance; commercial systems present dissatisfaction and its proposed cure in the same gesture. Even spiritual material can become part of this economy: another teaching to save, another teacher to compare, another meditative state to obtain.

回光 addresses something deeper than distraction. Distraction is only one symptom. The underlying pattern is alienation from the activity of one’s own mind. We know what everyone has posted but not what envy feels like before it becomes resentment. We can describe a partner’s faults in detail but fail to see the fear directing our speech. We can ask an AI system for increasingly refined accounts of consciousness while overlooking the craving for certainty that drives the questioning.

Here the Buddhist practice can be compared cautiously with contemporary research on attention and metacognition. Psychology and neuroscience study capacities for monitoring mental processes, regulating attention, and changing one’s relation to thoughts. Such work can offer useful descriptions of mechanisms and measurable effects. But 回光 should not simply be equated with metacognition, brain monitoring, or executive control. Scientific models remain contested and methodologically limited; they investigate specified functions and correlations, whereas Chan texts situate the practice within an ethical and liberative inquiry into grasping, delusion, birth and death, and awakening. Science has not “proved” the Chan account, and Chan sayings are not substitutes for empirical neuroscience.

回光 is particularly valuable because it shifts the central question from “How do I control everything that affects me?” to “How is this experience being grasped right now?” The former question has legitimate uses, but if made absolute it produces endless vulnerability: peace depends on arranging every person, message, sensation, and outcome. The latter question discovers a point of freedom within conditions. One may not control what appears, but the process by which appearance becomes fixation can be illuminated.

This does not make liberation a private act disconnected from society. Sometimes suffering is sustained by exploitation, violence, discrimination, or material deprivation, and external change is necessary. “Turn the light around” must never be weaponized to tell an injured person that injustice is merely their projection. The classical nose-smell analogy diagnoses distorted attribution; it does not establish that all foul smells come from one’s own nose. Clear inward illumination should make outward action more discerning, not excuse indifference.

Its deepest promise is therefore not constant calm. It is freedom from being unconsciously turned by whatever appears. Yuanwu describes people as “认光认影” (rèn guāng rèn yǐng, “mistaking reflected light and shadows for the real”), chasing traces at the six sense gates. 回光 reveals the chase. When the chase is not fed, a sound is simply heard before it becomes praise or insult; a thought is known before it hardens into identity; a desire is felt before it becomes command.

At its mature edge, the distinction between an inward light and outward objects can no longer be held rigidly. If one keeps trying to find “the mind inside,” one has merely created a subtler external object. Yuanwu’s language of “回光自照” (“turning the light to illuminate itself”) and “回光内烛” (“turning the light inward to shine”) points toward a knowing that cannot be divided neatly into an illuminating subject and illuminated object. This is why the practice is said to culminate in directly seeing one’s own mind rather than obtaining a picture or definition of it.

Yet even a profound opening must return to conduct. If someone claims to have seen the mind but remains habitually dishonest, cruel, exploitative, or unable to receive correction, the classical emphasis on daily maturation has been missed. “日用全功”—its full function in everyday use—is the more demanding measure.

Common Misreadings and Clarifications

- “Turning the light around means thinking about myself.” Not quite. Ordinary introspection often replaces one thought with more thoughts about that thought. 回光 directly illuminates the present activity of thinking, grasping, resisting, and seeking. Reflection may follow, but it is not the decisive turn.

- “It means withdrawing permanently from the external world.” No. The senses continue to function, and daily responsibilities remain. What ceases—or gradually weakens—is compulsive outward pursuit. The 《景德传灯录》 explicitly associates 回光 with “日用,” everyday functioning.

- “Everything outside is an illusion, so practical problems do not matter.” This confuses insight into projection and impermanence with denial of conventional reality. A harmful relationship, unsafe workplace, or medical condition may require concrete action. 回光 clarifies the mind from which one acts; it does not forbid acting upon conditions.

- “All problems are my fault.” The practice reveals one’s participation in suffering, not universal personal blame. Responsibility means seeing what greed, fear, and identification contribute. It does not erase another person’s responsibility or larger social causes.

- “The light is a literal luminous object inside me.” Classical Chan employs light, sun, lamp, and mirror imagery for knowing and illumination. Visual brightness may occur in meditation, but pursuing it as the essence of 回光 would be another case of “mistaking light and shadow.”

- “It reveals a permanent little observer behind experience.” 回光 does not require positing a hidden ego or soul. If a sense of being “the observer” appears, that too can be illuminated. Yuanwu’s refusal to locate the matter exclusively inside, outside, in oneself, or elsewhere guards against spatializing or reifying it.

- “No conceptual thought is ever allowed.” The texts criticize 拟议 when conceptual construction substitutes for direct seeing. They do not make ordinary reasoning impossible. Wisdom includes knowing when thought is a useful instrument and when it has become an avoidance of immediate experience.

- “Returning the faculties to their source means sensory blankness.” It refers to ending their dispersal in grasping, not destroying sensory capacity. The mirror metaphor is useful here: a mirror responds to forms without running after them or keeping them once they depart.

- “A sudden turn completes the whole path.” “蓦地回光” allows for sudden breakthrough, but Yuanwu also stresses prolonged maturation amid circumstances. A glimpse must penetrate habits, relationships, ethical choices, and moments of pressure. Otherwise it becomes a memory used to protect a spiritual identity.

- “Once peaceful, I should hold on to peace.” Yuanwu explicitly warns that guarding a purified state becomes a “nest.” Attachment to silence is still attachment. Genuine illumination must remain unobstructed amid sound, work, disagreement, and change.

- “回光, 返观, 返照, 自照, and 内烛 are a fixed series of stages.” The supplied records use these as closely related or overlapping expressions. They highlight reversal, observation, self-illumination, and inward shining, but the texts cited here do not define them as a mandatory graded sequence. Likewise, the 《景德传灯录》 passages on examining appearances and uniting concentration with wisdom illuminate the practice without establishing a formal staircase.

- “The teacher—or an explanation—can give me the realization.” Teachings can indicate the turn, correct errors, and provide conditions for awakening. But “回光直下承当” means that the actual recognition cannot be delegated. Even the most accurate description remains something seen outwardly until awareness turns and directly recognizes its own activity.

The heart of 回光 is consequently very simple, though not easy: when the mind is racing toward the object that supposedly contains bondage or salvation, do not immediately race after it. Let the seeing illuminate the seer, the hearing illuminate the hearer, and the search disclose the one who is searching. Do not manufacture another answer too quickly. In that reversal, the machinery of grasping becomes visible; when it is visible without being continued, the path of release is no longer merely an idea about somewhere else.

Canonical EntryAI-generated

一、定义与核心要义

回光,梵语 pratyavekṣaṇa,禅宗观照工夫,指将觉知之光由外境迴转返照自心,不向外驰求、不落拟议思量。其特质在于觉照之「迴转」——从逐外转为照内,从分别转为直承,以期当下彻见本心。三部经论虽分属不同部类,然其论「回光」之核心指向一致:以觉照迴转破除向外驰求与拟议思量。

二、主要阐述

《古尊宿语录》以譬喻开显回光之要:凡夫如人睡时粪著鼻端,起后嗅一切皆臭,却不知臭在自身;唯有肯「回光」向己观照,种种颠倒疑惑方得消除,正所谓「若肯回光,就己看之,无所不了」。此语将回光的本质归结为将觉照从外境收回自身、不假外求。又引古德偈「一根既返源,六用皆不行」,将回光落实为六根摄用归源的具体操作——眼耳鼻舌身意一旦返照自心,外逐之能即息。另有偈颂云「回光如到此,必也见师心」,视回光为彻见本心的关键一步;又以「拟议千差路,回光万里程」,凸显其不落思量分别的顿悟特质。工夫次第方面,该录详述端坐收神、六门稍歇之后,「还用心,返观一遍。一返不再,圆光顶戴」,使「灵焰腾辉,心心无碍」、「生死永息」。

《景德传灯录》则以「暂借回光,日用全功」一句概括其日用当下的转照功能,指出回光不是语言推求,也不是刻意增添繁复心意,而是在日常运用之中暂借返照,使其功用完整呈现。经又以「迷徒自背」点出迷者之失不在道有所隔绝,而在自己背离此一现成、无间的功用。另以「以心中眼观心外相」说明反复审观外相之生起与消失,「观之又观,则辨真妄」,并以「定慧相合,合而后明」「照彼万物,物无遁形」「如大圆镜,有应无情」说明定慧相合方有明照之理。

《圆悟佛果禅师语录》以「回光直下承当」为要,工夫只在「当人略回光相自著眼看」,即可证无生、超越方便;又劝上根之人「略请回光」,由此千眼顿开、万缘透脱。其所返照者,为「各各当人脚跟下」圆明朗照之本分,譬如大日轮;「人人回光得度」,既不在他处,也不局限于己处、内、外或中间。其省要为:入息不居阴界,出息不涉万缘,工夫在于不随境转,返归自己脚跟下究取家珍。实际行履上明言「迴光返照」:因深信而返照,便看出人间如梦如幻、随变灭而虚妄,转而印定千劫不坏、不移易的根本。又以「回光自照」形容斗顿照了本心圆融无际、色声诸尘不能相对之境;以「回光内烛,脱体通透」形容拟议不容、桶底脱落,入大圆寂照胜妙解脱门。更有「蓦地回光」之语,指闻诵因缘中忽然转身,见得先前言句著力相为之处,显示机缘触发下的顿然照破。

三、不同部类与译本的表述差异

三部经论所属部类不同,所用术语形式亦各有异:

- 《古尊宿语录》(禅宗语录部)主要使用「回光」一词,兼用「返观」、「返源」、「返照」、「返己」等近义词,未见其他异名。其对治对象明确为「拟议」、「向己看之外下寻会解」、「做计较」、「走作」等向外驰求之病。 - 《景德传灯录》(史传部)所用术语形式明确为「回光」,并未在所引原文中另称「返照」「反观」或其他名称。其独特侧面在于「日用全功」之转照,而非另立一个远离日常的观境。另有「心中眼」「心外相」「辨真妄」「定慧相合」「照彼万物」「大圆镜」等具体措辞。 - 《圆悟佛果禅师语录》(诸宗部)所见术语形式最为丰富,包括「回光」、「迴光返照」、「回光自照」、「回光内烛」、「回光直下承当」、「回光得度」、「蓦地回光」等。其行文特点为未以一个固定名相作抽象界说,而在开示与机语中呈现迴转、照见、承当、透脱等层次。

各经所用「回光」虽形式略异,核心皆指向觉照由外返内的转照工夫。

四、与相关概念的关系

回光与禅宗常见的「返观」、「返照」、「自照」、「内烛」等术语关系密切,多部经论中互用或连用。如《古尊宿语录》「回光」与「返源」会通;《圆悟佛果禅师语录》则以「回光自照」「回光内烛」层层深入。其所破斥的对象为「拟议」、向外驰求、「认光认影」等病。与《景德传灯录》所说「定慧相合」「照彼万物」之明照相互呼应,然各经未明言三者构成固定次第,不宜另行推定阶位。

五、代表性原文引用

- 「若肯回光,就己看之,无所不了。」(《古尊宿语录》) - 「一根既返源,六用皆不行。」(《古尊宿语录》) - 「回光如到此,必也见师心。」(《古尊宿语录》) - 「拟议千差路,回光万里程。」(《古尊宿语录》) - 「一返不再,圆光顶戴」;「灵焰腾辉,心心无碍」;「生死永息」(《古尊宿语录》) - 「暂借回光,日用全功」(《景德传灯录》) - 「观之又观,则辨真妄」(《景德传灯录》) - 「定慧相合,合而后明」「照彼万物,物无遁形」「如大圆镜,有应无情」(《景德传灯录》) - 「当人略回光相自著眼看」(《圆悟佛果禅师语录》) - 「人人回光得度」(《圆悟佛果禅师语录》) - 「回光直下承当」(《圆悟佛果禅师语录》) - 「迴光返照」(《圆悟佛果禅师语录》) - 「回光内烛,脱体通透」(《圆悟佛果禅师语录》) - 「蓦地回光」(《圆悟佛果禅师语录》)

By SutraAI-generated

圓悟佛果禪師語錄T1997 · 諸宗部

《圓悟佛果禪師語錄》論「回光」,以返照自己、直下承當為要,並常與「著眼看」「返照」「自照」「內燭」等語連用。語錄說,一塵含法界、一念遍十方,遍地皆是真實人與大解脫;工夫只在「當人略回光相自著眼看」,即可證無生、超越方便。又勸上根之人「略請回光」,由此千眼頓開、萬緣透脫,顯示回光不是追逐外在法相,而是當下轉向自心,親見本具之妙。

其所返照者,語錄稱為「各各當人脚跟下」圓明朗照之本分,譬如大日輪;「人人回光得度」,既不在他處,也不局限於己處、內、外或中間。此處特別避免把回光理解成尋覓某個方所,而以本來不作、不為、不動搖,卻能建立奇特、圓成殊勝來描述其體用。

回光亦被置於禪者不逐六塵、停止向外認取的脈絡中。眾生在六根門頭「認光認影」,疑惑由此而生;所以須「回光直下承當」,不依他人言語指示,不從語言、機境與知解中求取。語錄又以出入息說其省要:入息不居陰界,出息不涉萬緣,指出工夫在於不隨境轉,返歸自己根脚下究取家珍。

在實際行履上,語錄明言「迴光返照」:因深信而返照,便看出人間如夢如幻、隨變滅而虛妄,轉而印定千劫不壞、不移易的根本。返照後仍須使此心長時現前,不墮沈昏,不生聰慧分別,不立愛憎、取捨、彼我與得失;尤須防止臨境忘失、依前紛亂。古人之修行,正是在日用中以所證照了,截斷塵勞,久久純熟,而非停留於高談。

語錄進一步用「回光自照」與「回光內燭」形容其深入處。既照了本心圓融無際,色聲諸塵便不能相對;但須「斗頓回光自照」,令形段斷絕,分明圓證,於萬變千化中無改無移。又說「回光內燭,脫體通透」,直至擬議不容、桶底脫落,入大圓寂照勝妙解脫門。此時不可守住清淨境界,因「守住便落窠窟」;仍須斷割知見,於行住坐臥、物物頭頭間透徹,長養綿密,使工夫純熟。

本經所見術語形式包括「回光」「迴光返照」「回光自照」「回光內燭」,並以「回光直下承當」「回光得度」表其作用;未以一個固定名相作抽象界說,而在開示與機語中呈現回轉、照見、承當、透脫等層次。另有「驀地回光」之語,指聞誦因緣中忽然轉身,見得先前言句著力相為之處,顯示回光亦可表達機緣觸發下的頓然照破。

景德傳燈錄T2076 · 史傳部

《景德傳燈錄》論此工夫,最直接的核心表述是「暫借回光,日用全功」。原文先說「道由悟達,不在語言」,又以「密密堂堂,曾無間隔,不勞心意」形容其當下狀態;因此,「回光」在本經中不是語言推求,也不是刻意增添繁複心意,而是在日常運用之中暫借返照,使其功用完整呈現。經文並以「迷徒自背」指出,迷者之失不在道有所隔絕,而在自己背離此一現成、無間的功用。

本經所用的術語形式明確為「回光」,並未在所引原文中另稱「返照」「反觀」或其他名稱。它與「日用全功」緊密相連,顯示此詞的獨特側面在於日用當下的轉照,而非另立一個遠離日常的觀境。其前後語勢又將「悟達」「不在語言」「不勞心意」連成一體,故記錄此概念時,應保留本經「回光」這一原詞,並注意它所處的語境是無間隔、不費心意而又落實於日用。

另一段以「心中眼」與「心外相」說明觀察的方法:「以心中眼觀心外相」,繼而追問外相「從何而有,從何而喪」。這裡的重點不是追逐外相本身,而是反覆審觀其生起與消失;原文以「觀之又觀,則辨真妄」收束,指出持續觀察所達到的作用,是辨明真與妄。本經在此使用的具體措辭是「心中眼」「心外相」及「辨真妄」,宜依原文記載,不改換成其他經論的固定名相。

本經又從定與慧的配合說明照觀之明:「定慧相合,合而後明」。此「明」表現為「照彼萬物,物無遁形」,即所照之物無所隱藏;原文再以「如大圓鏡,有應無情」作譬,呈現如鏡照物、隨所來而應的面貌。這一段所強調的不是單獨偏舉定或慧,而是二者相合之後方有明照;其術語形式為「定慧相合」「照彼萬物」與「大圓鏡」,可與「回光」的日用、無間及不勞心意並列理解,但原文並未明言三段為一套次第,故不宜另行推定階位或宗派義理。

古尊宿語錄X1315 · 禪宗語錄部

《古尊宿語錄》論「回光」,側重於禪觀中返照自心、不向外馳求的工夫,用語以「回光」為主,亦見「返觀」、「返源」、「返照」等近義表述。

一、核心表述方面,卷中以譬喻說明,凡夫如人睡時糞著鼻端,起來後嗅一切皆臭,卻不知臭在自身;唯有肯「回光」向己觀照,種種顛倒疑惑方得消除,正所謂「若肯回光,就己看之,無所不了」。此語指出回光的本質是將覺照從外境收回自身、不假外求。

二、「回光」與「返源」會通。同段引古德偈「一根既返源,六用皆不行」,將回光落實為六根攝用歸源的具體操作——眼耳鼻舌身意一旦返照自心,外逐之能即息,與下文「返觀」之語前後呼應。

三、「回光」即徹見本心之機。另有偈頌云「回光如到此,必也見師心」,將回光視為徹見本心的關鍵一步,到此則師家密意自現。

四、「回光」對治向外馳求。另一偈云「擬議千差路,回光萬里程」,意謂心思擬議則歧路紛然,唯有回光內照,方能一了百了、直達究竟。此處「回光」與「擬議」對舉,凸顯其不落思量分別的頓悟特質。

五、工夫次第方面,另有一段長篇開示詳述:先須端坐收神,初時紛紜,久之六門稍歇;然後「於中分別,分別纔生,似成起滅。起滅轉變,從自心現。還用自心,返觀一遍。一返不再,圓光頂戴」。此段顯示回光並非壓抑念頭,而是「還用自心」以自心觀自心,一返之後自然「圓光頂戴」、「靈焰騰輝,心心無礙」、「生死永息」。

六、獨特術語與用詞:本錄主要使用「回光」一詞,兼用「返觀」、「返源」、「返照」、「返己」等近義詞,未見其他異名。「回光」在此非指物理之光的反射,而是「覺照迴轉」之義,即覺知之光由外境返照於自心。其所破斥的對象為「擬議」、「向己看之外下尋會解」、「做計較」、「走作」等向外馳求之病。

綜上,《古尊宿語錄》論「回光」,核心在以覺照迴轉、自心返觀,破除向外馳求與擬議思量,達到「一返不再」、「心心無礙」的境界。

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