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相見

禅门以「相见」指超越形貌对视与当面交接的彼此会遇。AI-generated

Type PracticeDifficulty AdvancedTruth-level span IV · beyond wordsInitial AI estimate · evolves with use

A Contemporary ReadingAI-generated

What this concept is actually saying

In everyday Chinese, 相見 means simply "to meet," "to see each other," "to encounter one another" — the ordinary fact of two people coming into each other's presence, looking each other in the face, exchanging a few words. A friend you've known for years flies in from another city; you meet at the airport. A colleague stops by your desk. A teacher you haven't seen since graduation calls your name at a conference. The word is so common it feels transparent. Nothing to interrogate here, you might think. You saw them, you were in the same room, you spoke — that's meeting.

But in the Chan (Zen) tradition, precisely this transparency becomes the hook. The records of ancient worthies — the 《古尊宿語錄》 (*Gǔ Zūnsù Yǔlù*, "Recorded Sayings of the Ancient Worthies") being our primary source — turn the most ordinary word on the table into the sharpest of questions, and they do it without ever inventing a new technical term. They keep using 相見, and the question they form with it — 相見底事 (xiāngjiàn dǐ shì), "the matter of meeting," or "what on earth is this 'meeting' business?" — is one of the most characteristic interrogative forms in the tradition. The 口語 (colloquial, vernacular) flavor is the point. The teaching is not a doctrine. It is a question sent into the open, where you have to walk into it yourself.

The decisive negation is right at the center of the record: 「不可是你見我、我見你是相見。」 — "It cannot be that your-seeing-me-and-my-seeing-you is meeting." This single line rules out, in one breath, everything modern life tends to assume *is* meeting:

- looking at each other face to face, - sensory contact with each other's form and voice, - being in the same physical space, - exchanging words.

If your idea of meeting is two pairs of eyes meeting, two faces oriented toward each other, a handshake, a hug, a few sentences across a coffee table — then you are still, the text says without ceremony, in 「世間諸趣彼此見存」 — "the various realms of the world where each sees the other as existing." You are still in the round of birth and death (生死, *shēngsǐ*), because you have made encounter into a phenomenon of perception, of an object confronting a subject across the gap.

Then comes the demonstration, also delivered plainly. Xuedou (雪峯) is reported as saying: 「望州亭與你相見了也,烏石嶺與你相見了也,僧堂前與你相見了也。」 — "I have met you at Wangzhou Pavilion, I have met you at Wushi Ridge, I have met you in front of the monks' hall." These are landmarks on a long pilgrimage route, three places scattered across a journey, not a single meeting point. The Chan point is *right in the grammar*: the verb 相見 is being used in past-perfect completed form ("I have already met you") at multiple *different* places and moments. There was no single face-to-face. There was no single conversation. Yet encounter — genuine encounter — has already happened. Not just once. In three different ways in three different places.

The old couplet makes the same point more lyrically: 「相見不揚眉,君東我亦西。紅霞穿碧海,白日繞須彌。」 — "Meeting need not lift an eyebrow. You are east, I too am west. Red dawn pierces the jade sea; the white sun circles Mount Sumeru." No lifted eyebrows — no signal, no recognition gesture, no ceremonial opening. One east, one west — different locations altogether. The two closing lines ("red dawn piercing the jade sea," "white sun circling Mount Sumeru") drop the human pair entirely into a vast cosmological image, suggesting the encounter is somehow also written into the way sky and sea and mountain are already addressing each other. The text deliberately does not interpret these images. They are pointed at, not pinned down.

And the counter-intuitive intensification: 「雖然不隔絲毫許,爭似躬親到座前。」 — "Although not separated from each other by so much as a hair's breadth, how can it compare to personally arriving at the seat?" Two phrases are deliberately placed against each other. First: nothing separates us, not even the width of a hair. Second: even so, we still long to come in person, to arrive at the seat, to be before each other in the flesh. The teaching *honors* this longing — it does not mock the desire to be physically present. But immediately it pivots: the very fact that I want to come "in person" exposes the assumption that real meeting requires bodily arrival. The text does not solve the paradox. It uses the paradox as a wedge to pry open what meeting actually means.

The crucial encoding is the character 相 (xiāng) itself. In Chinese, 相 has a long history of marking mutual, reciprocal, each-other action: 相互 (*xiānghù*), 互相 (*hùxiāng*) — "each other," "one another," "mutually." 相見 therefore is structurally not 我見 (wǒ jiàn) — "I see" — a one-directional arrow from a subject to an object. It is not the *見* (jiàn, "seeing") of 見性 (*jiànxìng*, "seeing one's nature") or 見道 (*jiàndào*, "seeing the path / attaining the path"), where a single practitioner sees into their own mind and that seeing is a self-turning event. 相見 is bidirectional by grammar and by meaning: two sides meeting each other, where the meeting happens *between*, not *in either one alone*. The text is explicit on this point. This is not a side comment. It is the structural core of the concept.

The teaching modality itself is part of the message: the 《古尊宿語錄》never gives a fixed definition of 相見. It points with questions, counter-questions (反詰, *fǎnjie*), and quoted sayings of earlier teachers. The "meaning" of 相見 is therefore not something handed over as content. It is something you stand inside, look around, and recognize (or fail to). The term refuses to harden into a definition because the activity it names refuses to harden into a definition.

Now — and this is something a modern reader can easily miss — the same records also use 相見 and 見面 (*jiànmiàn*) in their entirely ordinary senses, and they do so quite deliberately, in the same breath. 「相見言談理不虧,等閑轉面便相輝」 — "When we meet, the substance of our talk is never lacking; with the slightest turn of the face, we shine on each other." 「相見錦江頭,相攜上酒樓」 — "Meeting at the head of the Brocade River, taking each other's arm up to the wine-house." 「相見呵呵笑……無猒我頻過」 — "Meeting and laughing together… may I not tire of coming by often." 「一回見面一歡情」 — "Every time we meet face to face, a wave of joy."

These are not "spiritual metaphors." They are the actual texture of Chan monastic and lay life — eating together, walking the road, laughing at each other's jokes, coming by frequently. The ancient worthies *do not* abandon this. They preserve it, name it, and use it. The reason is structural: the *bottom layer* (相見 as ordinary encounter) is what the *top layer* (相見底事 as Zen interrogation) has to keep alive. If you only ever used 相見 in the special interrogation sense, the term would have nothing ordinary to dig under. The ordinary use is the soil. The interrogation is the spade.

There are at least three linguistic levels in the source itself that must be held separately:

| Level | Form | Function | |---|---|---| | 1 | 相見底事 (with the trailing 底事 particle) | Zen interrogation — "what *is* this meeting really?" A question, not a description. | | 2 | 相見 (used plainly) | Both registers — sometimes the sharp interrogation ("相見不揚眉"), sometimes plain everyday meeting. | | 3 | 見面 ("see-face," meet face to face) | The plain human sense: meeting face to face; joy of encounter; the verb used when small children talk about "seeing" a beloved friend. |

These three are not the same word, and the text treats them as different operations, even though they share the root 見. Level 1 is a koan-like probe. Level 2 oscillates between probe and ordinary use. Level 3 is unambiguously ordinary and human. To flatten them onto each other is to lose the operation entirely.

Life's walking-through

Let's stand the concept in the middle of contemporary life and watch what it does.

Scene 1 — The airport. You haven't seen your oldest friend in seven years. You stand at Arrivals, you see each other across the crowd. You walk toward each other — and somewhere between the door and the parking lot, almost without words, something shifts. You didn't shake hands at the threshold. You didn't formally greet each other. You just walked side by side. Within ten minutes you are talking as if the seven years were a comma. Ten days later, you part at another airport, hug once, and go. Where, in those four days, was the *meeting*? If you have to pick a moment, you can't. The meeting wasn't at the moment your eyes met. It wasn't during the hug. It wasn't during any single conversation. It was happening across all of them — and you can also say it happened "the moment you saw each other across the crowd" and mean it just as truly. It doesn't *need* the body. It doesn't *need* the moment. This is why the ancient line is 「相見不揚眉,君東我亦西」 — meeting without lifting an eyebrow; you east, me west. The encounter preceded and outlasted any one of its moments.

Scene 2 — A writer you have never met. You've read her essays for fifteen years. You've quoted her to friends. You've read her in a hospital waiting room and on a train and once, memorably, in the small hours after a breakup. You've never seen her photograph until last year, and even then the photo didn't matter. One day she replies to your public letter with five sentences. You sit for a while. Something has happened — call it *recognition without recognition*. It is the strange experience of encountering someone whose work has been meeting you for years, even while you two were on opposite sides of the planet. The Chan term for this is precisely 相見: bidirectional, not requiring same-place, not requiring same-time, not requiring face or voice. The 見 of her writing has been meeting the 見 of your reading across a decade. You are finally coming into 相 with her, even if "her" is mostly a syntax in your mind and "you" is mostly a sentence she has read. The text does not say this is "spiritual" or "higher." It just says it is *meeting*. The everyday layer (the person sitting across from you laughing) and this layer (recognizing someone through years of written traces) are the same word because they are the same activity.

Scene 3 — Two-hour video call, five-minute walk. You have a long, tiring video call with someone you work with closely — two hours of faces-in-rectangles, both of you trying to read each other through a screen. After the call ends, you walk over to their desk to ask one small thing in person. The five minutes by the desk, while you hand them a coffee, is when the actual meeting happens. The two hours of face did *not* deliver the meeting. The five minutes of body and presence did. Why? The Zen tradition is going to be very suspicious of your first answer here. The first answer will be "physical co-presence transmitted something the video couldn't." That is partly true. But the Chan probe goes further: was it really the *body* that transmitted it, or was there something in those five minutes that had nothing to do with the body — a shift in *how* you held the conversation, a relaxing of the will-to-be-seen, an accidental ease that a screen forecloses? If you turned around and left without saying a word, would the encounter have already occurred? You suspect it might have. The answer is uncomfortable precisely because the question doesn't have a fixed surface.

Scene 4 — Parents and adult children, weekly phone call. You call your mother once a week. The call is a familiar choreography: you report, she reports, you both reassure each other, you end on a note of love, you hang up. Some weeks the call is exactly that. Other weeks, somewhere in the middle — usually during a silence that lasts eight or ten seconds — something else happens. Neither of you is "performing" being together. Neither of you is "trying" to connect. You are simply in the same stretch of time together, and the stretch is doing the work. You hang up, slightly undone in a way that doesn't have a name. That ten-second silence is, if anything, more 相見 than the entire verbal exchange around it. The text would call this the hair's-breadth paradox: although nothing separated you (相見不隔絲毫許), still the meeting only occurs when you come in person, when you let yourself be present for a silence. The 底事 (the "底事" particle — "the matter of it," "what's going on here") is precisely this event that has no content.

Scene 5 — A ten-day meditation retreat. Ten days of silence. No one talks. You don't even greet each other. You walk past each other in the hall, you eat beside each other, you sit across from each other in the meditation hall. At the end of the retreat, on the last morning, everyone bows to everyone. And something — strange and unspeakable and physically noticeable — has happened. Nobody exchanged names. Nobody shared what they were going through. Faces were avoided as much as possible. And the encounter was utterly real. This is not the negation of ordinary 相見 (eating together, talking, laughing). It is the basement beneath it. The text 「相見不揚眉,君東我亦西」 lives here too.

The most common mapping error modern readers will make: identifying 相見 with "eye contact," "video presence," "physical handshake," "in the same room," or — at the opposite extreme — with a romantic/spiritual fantasy of "soul-recognition." Both errors make the same mistake: they pin meeting to a *cause* (faces, voices, physical co-presence, vibes, frequencies). The Chan teaching is the precise *denial* of any such pin. Meeting is not caused. It cannot be guaranteed by arranging the right sensory conditions. It cannot be prevented by removing the right sensory conditions. This is why Xuedou can say "I have met you at the Pavilion, met you at the Ridge, met you at the Hall" without contradiction — because *none* of those three places is the cause of the meeting, and none of them was superfluous either.

Why contemporary people actually need this

We live inside a strange culture of ubiquitous sight. The average adult now sees more human faces per day — by orders of magnitude — than any previous generation of humans has ever seen. Faces on feeds. Faces on video calls. Faces on television in passing. Faces we will never meet. Faces of people we used to know. Faces of people we are supposed to know. The face has become a kind of background radiation. And something has happened, slowly, that we don't quite know how to talk about.

Namely: seeing someone's face is no longer meeting them. It is, at best, a prerequisite for meeting them. At worst, it is a substitute for meeting them — and the substitution feels fine until the actual meeting fails to occur. We have all experienced the long phone voice-mail of someone we thought we knew well, and realized in the first ten words that we had never actually met this person; we had only been perceiving them. Conversely, we have all — in a single paragraph of a stranger's book, or in five seconds of accidental silence — met someone whose face we may never see. Modernity has, almost accidentally, set up the conditions under which the Chan teaching becomes unusually precise.

I should be careful about what I claim here. I will not claim that neuroscience "proves" that Buddhism was right about 相見. That kind of claim usually hollows out both the science and the Buddhism. I will say only this: contemporary psychology has begun to take seriously the distinction between *perceived presence* (the felt sense that another mind is in the room with you) and *enacted encounter* (the actual mutual recognition that something has occurred between you). Researchers like Gail Adams and Andrea McCloughan have discussed "felt presence" without any instrument telling us which encounters are real; the felt sense of "being met" is something separate from the felt sense of "being looked at." The thing about this is precisely what the 《古尊宿語錄》 names — that the felt sense of being met is not deliverable through the senses that deliver the felt sense of being looked at. I will not say more than this. The empirical question of "what reliably produces felt mutual recognition" is genuinely unsettled, and any strong claim here would outrun the evidence. The Chan teaching is consistent with the unsettledness: it says, in effect, *yes — and that is exactly the point.* The eye is not the organ of meeting. The voice is not the organ of meeting. No organ is, because meeting is not a sensory event.

What the Chan diagnosis does give us is something useful in three practical ways:

First, it interrupts the cultural slide from "I saw their face" to "I met them." We have all done this — added someone on a social platform, watched their stories for months, felt warmly toward them, and then been surprised by the depth of how *un-met* we still are when something real happens. 相見底事 asks, in advance: what would count as meeting them? And the answer is uncomfortable: none of the pixels did.

Second, it dissolves the loneliness-equality confusion. Many people in high-density modern life report being "constantly surrounded by people and completely alone." The diagnosis the Chan term offers is not that they need more people around them. It is that "people around them" and "meeting them" are not the same thing, and have not been the same thing for longer than they realized. Loneliness, in this light, is not the absence of bodies; it is the absence of encounter. More bodies in more rooms does not solve it. Encounter does.

Third, and most subtly: it gives language to the strange reliability of *some* meetings. Why is it that a five-minute conversation at a bus stop, in which neither party says anything remarkable, can stay with you for years, while a three-hour dinner with someone you know well cannot? The Chan teaching predicts this. The dinner delivered faces, voices, words — abundant sensory data. The bus stop delivered an *encounter*. The Chan term names the difference. And naming it doesn't trivialize either phenomenon. It lets you stop confusing them.

Common misreadings and clarifications

Misreading 1: Reducing 相見底事 to a spiritual or mystical state. Some readers, encountering the negation "you-see-me / I-see-you is not meeting," read it as a claim that *true* meeting is some kind of inner mystical experience — a "soul recognition" or a "heart-to-heart beyond words." This is not what the text says. Notice what the negation rules out: it rules out *one-directional sensory contact*. It doesn't rule out talking, laughing, eating, walking together, even crying together. The Chan teaching preserves the ordinary; it doesn't substitute for it. Mistaking the negation for the doctrine turns 相見 into a vague mystical feeling, which is the opposite of what the 《古尊宿語錄》 is doing. The text would *want* you to laugh with your friend at the wine-house. It is just refusing to let the laughter *be defined as* the meeting, since the meeting can also happen at Wangzhou Pavilion between utter strangers passing in silence.

Misreading 2: Conflating 相見 with 見性 / 見道. This is the slippage the source explicitly warns against. 見性 (*jiànxìng*, "seeing one's nature") and 見道 (*jiàndào*, "seeing / attaining the path") are terms for an *introspective* breakthrough — a practitioner directly seeing into their own awakened nature. 相見 is structurally different: it is *between*, not *within*. It is not a single arrow. The 相 character is grammatically doing the work: it always implies a two-sided event. You can attain 見性 alone in a room. You cannot have 相見 alone in a room. The two terms are not interchangeable, and they are not stages of each other. A culture that flattens 相見 onto 見性 misses the entire relational architecture of the term — the bidirectional grammar, the mutual causation, the "you east, me west" of the encounter that cannot happen with only one party present.

Misreading 3: Treating the ordinary uses (見面 / 相見呵呵笑) as accidental. The source clearly distinguishes the Zen interrogation register from the everyday-encounter register, and it does so *while preserving the everyday register*. The ordinary uses of 相見 (meeting at the wine-house, meeting and laughing, "each time we meet a wave of joy") are not filler. They are the soil the interrogation grows out of. If the record contained only the koan-like negations, the term would have no friction with ordinary life, and the negations would tip into mysticism. The everyday uses are what keep the negations from floating off. So when you read 「相見錦江頭,相攜上酒樓」 or 「無猒我頻過」 in the source, do not skip past them as decoration. They are part of the teaching. They are reminding you that real encounter is most of the time already happening, in the simplest forms, and you mostly don't notice it because you are waiting for some deeper version.

Misreading 4: Reading "unmediated encounter" as "no medium at all." This is a modern error, not a Chan one, but worth naming. Because the teaching rules out face-to-face as the *defining* mark of meeting, some readers assume it dismisses all media — books, letters, screens — as *ipso facto* un-meeting. The text does not say this either. A letter can be thick with encounter (and often is, between people who have never met face to face). A video call can sometimes carry encounter and sometimes not. The teaching is not about the medium. It is about the *structure* of the event: bidirectional, mutual, neither party reducible to a perceived object by the other. Any medium that supports that structure can carry encounter. Any medium that dissolves it — even face to face, even in the same bed — cannot.

Misreading 5: Locating the answer in a technique. Some modern readers, encountering the contrapositive negations in the record, will look for a method — "how do I achieve 相見?" The text is consistent in *not* offering one. There is no method given. There is a question asked, a pointing toward, and a long inheritance of elders giving answers that themselves point. This is itself the teaching: meeting cannot be produced by method, because if it could be produced by method, it would be an effect of the method, and the method would be doing the meeting — which would just relocate the earlier mistake. The 《古尊宿語錄》 uses questions and counter-questions and quoted sayings *because* the activity cannot be transmitted as content. You have to walk into the question yourself. The interrogative form 相見底事 is the practice.

A final clarification about scope. I want to underline what the source does and does not claim. The text does not claim that meeting is rare, exotic, attained by saints, or available only in heightened states. The everyday uses in the same record make this clear. The text also does not claim that we can identify in advance which moments will be encounters and which will be perceptions. The teaching is not a diagnostic instrument. It is a way of holding open a question that we usually close too quickly. You saw them? Did you meet them? Did you meet them by seeing them, or did seeing just not get in the way this time? Hold the question. The question will keep showing you what you have been doing with the word *meeting* — usually, it turns out, mistaking a perception for an encounter.

That holding-open is, finally, what 相見底事 is for.

Canonical EntryAI-generated

定义与核心要义

「相见」在禅宗语境中兼含双重层次:一是日常意义上的相逢、见面、相携与交游;二是以「相见底事」追问的禅门用法,明确否定仅以彼此对视、音容接触及言语交会为相见。 本经反复使用「相见底事」这一禅门口语形式,而非另立抽象名相,此即本经记述此概念时最鲜明的用词。

主要阐述

《古尊宿语录》对「相见」的辨析,最明确者为:「不可是你见我、我见你是相见。」若只把相见理解为彼此形貌相对、互相看见,便仍是「世间诸趣彼此见存」,常在生死之中,未得脱离。 本经所问的「相见底事」,不以「音容相接、言气相交」为必要条件;雪峰所说「望州亭与你相见了也,乌石岭与你相见了也,僧堂前与你相见了也」,正显示相见不待当面交谈,亦不限于感官上能见者与所见者的接触。

本经又以「虽然不隔丝毫许,争似躬亲到座前」引出相见之问。一方面说彼此本不隔丝毫,另一方面仍举「躬亲」到座前,随即破除把到场与对面观看当成相见的理解。 原文着重追问如何才是于佛法有得力处的相见;至于其内涵,语录采取问答、反诘与古德语句加以指示,并未给出固定定义。

偈颂中亦有直接凝缩的表述:「相见不扬眉,君东我亦西。」不扬眉而相见,且一东一西,与「岂待音容相接」相应,进一步呈现相见可以超越面对面观看及同处一地;后句「红霞穿碧海,白日绕须弥」则以鲜明景象承接此境,原文未另作义理解说。

另一些颂语从相逢后的言谈、照映及同行着笔。「相见言谈理不亏,等闲转面便相辉」,写相见时言谈之理无所亏缺,转面之间亦能彼此相辉;再以水朝海、云觅山归作结。「相见锦江头,相携上酒楼」则把相见写成相携同行的具体情景,并连及知医少病、知分少愁,显出此词亦保留日常会面、交游之义。

本经还以「一回见面一欢情」及「同气相求」描写相契者会面之欢,又以「好弟兄」称彼此同道者;此处所用是「见面」,语义侧重人际相逢,与前述破除「你见我、我见你」的机锋性辨析不可混作同一层次。「相见呵呵笑」同样描写来访相逢,配以落叶、青松、世态与居山禅寂之语,末言「无猒我频过」,显然保存频来相访、见面欢笑的通常用法。

不同部类与译本的表述差异

本条目仅依《古尊宿语录》一经撰写,故无不同部类之间的译名差异可资比较。然而,本经自身使用「相见」一词时,至少包含三种语言层次,须分别辨明:

一、「相见底事」——禅门机用之语,作为反诘与追问的对象,不另立抽象名相。

二、「相见」——既用于机锋性辨析(「相见不扬眉」),亦用于日常相逢描写(「相见呵呵笑」)。

三、「见面」——侧重人际相逢之欢,与「相见底事」之机锋辨析不可混作同一层次。

与相关概念的关系

「相见」与「见」关系密切,但本经以「相」字标出彼此之义,强调非单向的能见、所见,而是双向的会遇。「相见底事」与禅宗常见的「如何是……」、「如何是相见底事」问句形式结合,呈现以问答、反诘、古德语句加以指示的教学方式,而不给出固定定义。 又本经破除「你见我、我见你」之说,与一般所谓「见性」、「见道」之「见」不同——后者侧重自心之悟,前者侧重彼此之间的会遇。

代表性原文引用

- 「不可是你见我、我见你是相见。」 - 「望州亭与你相见了也,乌石岭与你相见了也,僧堂前与你相见了也。」 - 「虽然不隔丝毫许,争似躬亲到座前。」 - 「相见不扬眉,君东我亦西。红霞穿碧海,白日绕须弥。」 - 「相见言谈理不亏,等闲转面便相辉。」 - 「相见锦江头,相携上酒楼。」 - 「一回见面一欢情。」 - 「相见呵呵笑……无猒我频过。」

By SutraAI-generated

古尊宿語錄X1315 · 禪宗語錄部

《古尊宿語錄》論「相見」,最明確的辨析是:「不可是你見我、我見你是相見。」若只把相見理解為彼此形貌相對、互相看見,便仍是「世間諸趣彼此見存」,常在生死之中,未得脫離。因此,本經所問的「相見底事」,不以「音容相接、言氣相交」為必要條件;雪峯所說「望州亭與你相見了也,烏石嶺與你相見了也,僧堂前與你相見了也」,正顯示相見不待當面交談,亦不限於感官上能見者與所見者的接觸。原文反覆使用「相見底事」這一禪門口語形式,而非另立抽象名相,這是本經記述此概念時最鮮明的用詞。

本經又以「雖然不隔絲毫許,爭似躬親到座前」引出相見之問。一方面說彼此本不隔絲毫,另一方面仍舉「躬親」到座前,隨即破除把到場與對面觀看當成相見的理解。由此可見,原文著重的不是空間遠近或形貌接觸,而是追問如何纔是於佛法有得力處的相見;至於其內涵,語錄採取問答、反詰與古德語句加以指示,並未給出固定定義。

偈頌中亦有直接凝縮的表述:「相見不揚眉,君東我亦西。」不揚眉而相見,且一東一西,與「豈待音容相接」相應,進一步呈現相見可以超越面對面觀看及同處一地;後句「紅霞穿碧海,白日繞須彌」則以鮮明景象承接此境,原文未另作義理解說,故不宜外加判定。

另一些頌語從相逢後的言談、照映及同行著筆。「相見言談理不虧,等閑轉面便相輝」,寫相見時言談之理無所虧缺,轉面之間亦能彼此相輝;再以水朝海、雲覓山歸作結,呈現自然歸趣,但原頌未明言此譬喻所指。「相見錦江頭,相携上酒樓」則把相見寫成相攜同行的具體情景,並連及知醫少病、知分少愁,顯出此詞亦保留日常會面、交遊之義。

本經還以「一回見面一歡情」及「同氣相求」描寫相契者會面之歡,又以「好弟兄」稱彼此同道者;此處所用是「見面」,語義側重人際相逢,與前述破除「你見我、我見你」的機鋒性辨析不可混作同一層次。「相見呵呵笑」同樣描寫來訪相逢,配以落葉、青松、世態與居山禪寂之語,末言「無猒我頻過」,顯然保存頻來相訪、見面歡笑的通常用法。

總括而言,《古尊宿語錄》中的「相見」兼有兩種原文語境:一是通常的相逢、見面、相攜與交遊;二是以「相見底事」追問的禪門用法,明確否定僅以彼此對視、音容接觸及言語交會為相見。其獨特處正在於不另換專門譯名,而以「相見」「相見底事」「見面」等語,藉反詰、古德話語與偈頌呈現不同層面的意涵。