Dharma · AI Companion

主中主

临济宗四宾主之最上位,超越宾主、彻底自主之究竟境。AI-generated

Type AttainmentDifficulty AdvancedTruth-level span IV · beyond wordsInitial AI estimate · evolves with use

A Contemporary ReadingAI-generated

What “Host within Host” is saying

Zhǔ zhōng zhǔ (主中主), literally “host within host” or “master within master,” is the culminating position in the Linji Chan framework known as the Four Guest-and-Host Positions (四賓主, sì bīn-zhǔ). It points to radical freedom from being inwardly governed by circumstances, conceptual distinctions, spiritual attainments, or even the authority of Buddhist language.

“Host” here does not mean a metaphysical Self, a dominant personality, or someone who controls other people. Nor does “freedom” mean doing whatever one likes. The host is the capacity not to be carried away by whatever appears; the guest is whatever arises dependently—sensations, emotions, judgments, roles, circumstances, teachings, and responses. These terms are relational devices used to examine whether a practitioner is governed by appearances or can meet them without losing the ground of awakening.

The Four Positions are:

1. Bīn zhōng bīn (賓中賓), “guest within guest”: one is immersed in circumstances and does not recognize that one is being carried by them. A mood, opinion, social role, or sensory object determines both what the world seems to be and who one thinks one is.

2. Bīn zhōng zhǔ (賓中主), “host within guest”: amid changing circumstances, some capacity to discern and respond has awakened. One can recognize a thought as a thought or an emotion as an emotion. Yet the host is still defined through opposition to the guest: “I am the awareness observing my experience.” This is real progress, but a subtle observer and something observed remain.

3. Zhǔ zhōng bīn (主中賓), “guest within host”: the practitioner can function freely from the host position, entering circumstances and employing words, distinctions, and skillful responses. Yet there can still be a trace of occupying the host’s seat and then going out to deal with guests. In the image preserved in the *Rén Tiān Yǎn Mù* (《人天眼目》, *The Eyes of Humans and Devas*), this is “the general’s command beyond the frontier” (塞外將軍令): powerful and effective, but still issued in a particular field of operation.

4. Zhǔ zhōng zhǔ, “host within host”: neither circumstances nor the standpoint of being their observer can bind one. Guest and host are no longer two fixed identities between which one must alternate. Hence the corresponding image is “the emperor’s decree at the center of the realm” (寰中天子勅): authority is not borrowed from a position outside the present situation.

These four expressions are best read as diagnostic positions in Chan encounter and practice, not as four permanent classes of people. A person may speak from clarity in one moment and become a “guest within guest” as soon as praise, fear, or doctrinal pride touches an unexamined attachment.

The fierce language associated with the final position must also be understood correctly. Fengxue’s response is:

“Polish the three-foot sword; wait to cut down the unjust person.” —《古尊宿語錄》, *Recorded Sayings of the Ancient Worthies*

Another verse concludes:

“Not allowing deliberation, cut down the whole body; only then may it be called host within host.” —《古尊宿語錄》

The sword does not authorize violence against people. It represents the uncompromising severing of appropriation: the reflex that makes an experience into “my possession,” a standpoint into “the final standpoint,” or insight into “my attainment.” “Cutting down the whole body” means leaving no privileged conceptual position from which the ego can secretly supervise awakening.

That is also the point of Fenyang’s startling phrase:

“Sitting above Vairocana’s crown, not submitting to Śākyamuni’s words.” —《汾陽無德禪師語錄》, *Recorded Sayings of Chan Master Fenyang Wude*

It does not reject the Buddha or dispense with ethical and contemplative training. It warns against substituting obedience to words for direct realization. A practitioner who merely repeats the Buddha’s teaching remains dependent on a borrowed certificate. Genuine realization accords with the teaching without being imprisoned by its formulations.

Other Fenyang responses disclose complementary aspects of the same position. “Three heads and six arms holding up heaven and earth” presents its unhindered power; the image of sun and moon illuminating the whole realm presents its all-pervading responsiveness. The first stresses decisive capacity, the second unobstructed illumination, and “not submitting to Śākyamuni’s words” freedom from dependence. They are not three definitions to be collapsed into a generic image of power.

Yet the most important corrective to such spectacular language is the teaching on xiāngxù (相續), “continuity.” The *Recorded Sayings of Dongshan Liangjie* gives the plainest criterion:

“If one can only continue without interruption, it is called host within host.” —《瑞州洞山良价禪師語錄》

When a monk displays enough understanding to distinguish “host within host” from “host within guest,” the master replies in effect: speaking this way is easy; continuing it is very difficult. A dramatic breakthrough is not yet complete freedom. Freedom must survive fatigue, embarrassment, desire, conflict, success, and ordinary repetition. It must become “hidden practice and intimate functioning, appearing foolish and inarticulate” (潛行密用,如愚若魯)—less like a brilliant performance, more like an unbroken way of living.

Dongshan’s warning is vivid: many practitioners set out for the capital to meet the sovereign but stop at Tong Pass. They recognize the entrance, perhaps even have a genuine glimpse, and mistake arrival at the gate for complete realization. “Host within host” therefore contains two inseparable dimensions: the cutting off of every foothold and the sustained embodiment of that freedom.

Its place on the path of liberation is precisely here. Buddhist practice begins by noticing bondage to objects, reactions, and views. It develops the capacity to see without immediately grasping. But liberation is not complete if one then grasps the identity of “the one who sees,” “the awakened person,” or “the person beyond attachment.” Host within host points to the collapse of this last refuge. Its test is compassionate, lucid functioning without an owner standing behind the functioning.

A walkthrough in everyday life

Imagine that you send a careful message to someone you love. Hours pass without a reply. Meanwhile, you are commuting home and repeatedly checking your phone.

At the level of guest within guest, the notification screen, bodily tension, remembered disagreements, and imagined rejection form one self-confirming world. “They have not replied” silently becomes “I am being ignored,” then “I do not matter,” and finally “This relationship is unsafe.” You do not merely experience anxiety; anxiety supplies the judge, the evidence, and the verdict. The guest is inside another guest.

It is easy to map this incorrectly by saying that the phone is the guest and “my true self” is the host. The phone is only one condition. The bodily sensation, the image of your partner, the interpretation, the demand for reassurance, and the stance of being a detached observer can all function as guests. Conversely, a phone notification is not inherently delusive. Bondage lies in being unknowingly governed by the arising configuration.

At the level of host within guest, you recognize what is happening: “There is tightness in the chest; there is an urge to check; the mind is constructing a story.” You no longer completely coincide with the story. This is an important recovery of agency.

But a subtle division may remain. You may establish an inner observer who looks down on the anxious part: “I am awareness; that emotion is merely an object.” This can produce calm, but it can also become spiritualized avoidance. The observer depends on having something to observe and may secretly fear being overwhelmed by it. This is why discernment amid the guests, though indispensable, is not yet the final position.

At the level of guest within host, you can deliberately enter the situation. You may put the phone away, attend closely to the body, finish the commute safely, and later ask your partner a direct question without accusation. Words and distinctions are now available as instruments rather than masters. You can say, “When I did not hear back, I became frightened,” without turning fear into an absolute truth.

This is “the general’s command beyond the frontier”: effective action in a concrete field. Yet you may still carry the sense, “I am the composed practitioner managing this messy experience.” A sophisticated host is still guarding its throne.

Host within host is not an additional mental maneuver. The demand to maintain a superior observer is itself cut off. Anxiety can be felt without becoming an identity; silence can remain unexplained without immediately becoming an insult; an appropriate message can be sent without requiring it to secure the self. There is intimate responsiveness, but no fixed controller apart from the responding.

Then comes the harder part: continuity. Can this freedom continue when the reply finally arrives and it is disappointing? Can it continue during the ensuing conversation, when the other person misunderstands you? Can it continue the next morning, without your turning one good meditation into proof that you have transcended attachment?

This is where the sword imagery becomes practical. The “unjust person” to be cut down is not the partner who failed to reply. It is the instant manufacture of a fixed self and fixed other: innocent me, guilty you; enlightened observer, irrational emotion. And “not leaving a blade of grass” does not mean suppressing tenderness or thought. It means not preserving one hidden exemption—especially “my insight”—from examination.

The same structure appears while scrolling social media. Guest within guest is being carried from outrage to envy to desire while believing each algorithmically presented stimulus deserves one’s reaction. Host within guest is recognizing the feed’s pull and observing one’s reactions. Guest within host is using the platform deliberately for a chosen purpose. Host within host is neither compulsively absorbed nor invested in the identity of someone “above algorithms”; one uses or leaves the device according to conditions, without manufacturing spiritual superiority.

The comparison with algorithmic life is limited. Recommendation systems can shape attention, but they do not explain the whole Buddhist account of craving, ignorance, karma, or liberation. Likewise, research on attention and habit may illuminate parts of compulsive behavior, but it neither proves nor exhausts what Chan means by awakening.

Why contemporary people need it

Contemporary culture often sells two incomplete versions of freedom. One is consumer freedom: I am free when I can satisfy my preferences. The other is managerial freedom: I am free when I can regulate myself efficiently, optimize my attention, and maintain control.

The first leaves us as guests of desire. The second can create a more competent guest—one whose identity now depends on being calm, productive, informed, or psychologically self-aware. Host within host challenges both. Freedom is not the victory of one preference over another, nor the permanent installation of an internal executive.

This matters in a world of constant solicitation. Platforms ask us to react; workplaces ask us to identify with performance; political media ask us to inhabit outrage; wellness culture can ask us to identify with self-management. Even Buddhist practice can become another dashboard: hours meditated, insights accumulated, emotional disturbances reduced.

The Chan diagnosis is sharper. Anything made into a position can become a place of dependence—including silence, nonduality, mindfulness, emptiness, or the claim that “there is no self.” Host within host is the capacity to use a position without being used by it, and to relinquish it when the living situation no longer calls for it.

Its insistence on continuity is equally contemporary. Brief clarity is now easy to confuse with transformation. One can read a profound passage, have an intense retreat experience, or articulate nonduality persuasively. But what happens under sleep deprivation, professional humiliation, family obligation, or prolonged uncertainty? Dongshan’s “continuity” asks whether insight has entered conduct.

This prevents Chan freedom from becoming merely inward. If “autonomy” makes a person less accountable, less able to apologize, or more dismissive of suffering, the host has probably become another defended identity. Genuine freedom is visible in responsiveness: one can hear unwelcome truth without collapse, exercise authority without clinging to status, and care for another without making care into self-possession.

The old texts often express this through imperial authority, swords, decrees, and fearsome deities. Those images belong to their literary and political worlds. Their enduring point is not authoritarian power but unborrowed spiritual authority: no circumstance, concept, teacher, or attainment can substitute for seeing and living directly. Yet because direct realization is not private whim, its authenticity is tested by continuity, discernment, and conduct.

Common misreadings and clarifications

“Host within host means the true Self.” Not in the sense of an eternal inner substance. “Host” is a functional Chan term within a relational diagnostic framework. Turning it into an indestructible metaphysical witness would preserve precisely the final observer that the teaching cuts away.

“It means total personal independence.” Buddhist liberation is not independence from causes, relationships, teachers, or ethical consequences. Everything embodied occurs through conditions. The freedom at issue is non-captivity amid conditions—not exemption from conditionality.

“It is the most dominant person in the room.” The imperial and martial images describe decisiveness that does not borrow its authority from conceptual hesitation. They do not commend controlling other people. A need to silence others is usually evidence that one’s host position remains fragile.

“It means acting spontaneously on every impulse.” An impulse can be one of the most commanding guests. Unexamined spontaneity is often habit moving too quickly to be recognized. Chan responsiveness is free from compulsive attachment, not free from care, consequences, or moral discernment.

“It means rejecting scripture and teachers.” “Not submitting to Śākyamuni’s words” attacks second-hand realization, not study itself. The same tradition that speaks so fiercely preserves these teachings through records, lineages, training, and teacher-student encounters. Words are medicine when used; they become chains when possessed.

“It is a clever verbal answer to a kōan.” Dongshan addresses this directly: saying it is easy; continuity is difficult. The ability to explain guest and host may at most display a host within the guest. Host within host must be lived when no one is impressed.

“It is a permanent trance beyond thought.” The records say it is “not reached by discriminating consciousness” and does not permit conceptual deliberation as a foothold. That does not mean ordinary cognition disappears. One can still plan a journey, answer a child, or correct an account. What ceases is dependence on thought as the sovereign authority that establishes a self and guarantees reality.

“The sword means destroying emotion or personality.” The one-to-one meaning of the sword images is severance of fixation and hesitation, not emotional numbness. “Cutting down the whole body” leaves no protected identity behind; it does not mutilate human warmth. If practice produces coldness and rigidity, the practitioner may be clinging to the host against the guest.

“Once there has been awakening, practice is finished.” The teaching of continuity rejects this. Dongshan identifies three kinds of ‘leakage’ (滲漏, shènlòu): leakage of view, in which function remains stuck in a fixed position; leakage of emotion, in which one becomes trapped in attraction and aversion and one’s seeing grows one-sided; and leakage of language, in which subtle expression loses the source and obscures beginning and end. These are not three synonyms for having thoughts. They are distinct ways realization fails to remain whole: fixation in standpoint, bias through emotional orientation, and verbal subtlety severed from the essential matter.

Host within host is therefore both more radical and more ordinary than spiritual invulnerability. It is radical because no standpoint—not even “host,” “awakening,” or “Buddhism”—may become a final refuge. It is ordinary because its decisive evidence is continuity: answering the message, meeting disappointment, caring for a child, using authority, and admitting error without becoming the captive of either circumstance or self-image.

The sword makes the first point: nothing grasped can remain. “Hidden practice and intimate functioning” makes the second: what has been seen must quietly become life. Together they locate zhǔ zhōng zhǔ at the far edge of the liberation path—not as a throne occupied by a perfected ego, but as unhindered functioning after both the guests and the imagined owner of the house have ceased to bind.

Canonical EntryAI-generated

一、定义与核心要义

「主中主」乃临济宗「四宾主」架构之最上位,与「宾中宾、宾中主、主中宾」并列,合为四句层层区辨之序列。其境位居四句之巅,指向超越宾主对待、孤峰独露、彻底自主之究竟位,亦即思量拟议彻底斩断之后方堪立名之境。

二、主要阐述

(一)临济四宾主之框架

《古尊宿语录》以临济宗「四宾主」架构收摄「主中主」之境位,全书各篇反复以四问四答之格式,列示诸家对四句之分别,使「主中主」始终与前三句并举对辨。《汾阳无德禅师语录》亦沿用此架构,数处皆以连续四问之方式呈现四句层次,可知「主中主」乃四句中最上位之宾主关系,即临济所谓彻底自主之境。

(二)风穴示范与转语

《古尊宿语录》首先引风穴全四句之语以示范,「主中主」为「磨砻三尺劒,待斩不平人」;师别云「收番猛将,寸草不留」,以斩绝之喻显示当机果断、不容拟议之旨。此后诸家常以斩截之象应「主中主」之机,如「斩尽不留身」、「大祭不留身」、「耶了」,皆取一刀两断、不容商量之义。书中一则颂文末总结云「不容拟议斩全身,始得名为主中主」,明指「主中主」乃于思量拟议彻底斩断之后方堪立名之境。

(三)汾阳之三种答语

《汾阳无德禅师语录》对「如何是主中主」提供三种不同回答:(1)「三头六臂擎天地。忿怒那咤扑帝钟。」——以忿怒那咤之威猛神力为喻,显示主中主具大威德、能摄伏乾坤之气象;(2)「高齐日月光寰宇。大阐鸿音唱祖歌。」——以日月高悬、光照寰宇、广宣祖道为喻,呈现主中主之圆满自在;(3)「坐断毘卢顶。不禀释迦文。」——以坐断毘卢遮那佛之顶、不禀承释迦文教为喻,凸显主中主超越佛位、不依师教而彻底自主之究竟境。

(四)人天眼目之多方刻画

《人天眼目》以「主中主」及「主中之主」为主要术语,从多面刻画此位:克符说「横按镆鎁全正令,太平寰宇斩痴顽」,以「不许夜行刚把火,直须当道与人看」回应太平之世何以仍斩痴顽;雪窦则用「大千揑聚」及「揭」概括,状将大千世界一手揑聚之势;另有颂语以帝王威权说明此位:「七宝无亏金殿宇,千子常围绕圣颜,诸天不顺飞轮举。」;又有「当头坐须怖,万里涉流沙,谁云佛与祖」,以当头而坐、令人敬畏,以及不以佛祖名言相拘之语写其峻绝。孜禅师答「如何是主中主」为「寰中天子勅」,并说「主中辨主,饮气吞声」,与「主中宾」的「塞外将军令」相对,「主中主」使用的是天下中央之天子敕令。

(五)洞山之「相续」枢纽

《瑞州洞山良价禅师语录》承用临济四宾主之框架,而以「相续」二字作为整个概念的枢纽眼目。僧问「如何是主中主」,师云「阇黎自道取」;僧云既能自道,即是「宾中主」,复问主中主如何。师云「恁么道即易,相续也大难」。正面定义则云:「但能相续,名主中主。」其上文云「非情识到,宁容思虑」,显明此境非分别情识所能企及,亦不容思量拟议;「臣奉于君,子顺于父,不顺非孝,不奉非辅」,以君臣父子之必然承当关系为喻,状其不可须臾离之义;「潜行密用,如愚若鲁」,则状其内证深密而外相浑朴——主中主不以机辩聪利为能事,而在于悟后绵密无间、恒常相续。此经对「主中主」之独特侧面,在于将「相续」立为其核心判准:主中主不仅是一念顿悟之境,更须是悟后绵密承当、潜行密用之事。

(六)机用中之究竟位

汾阳于上堂语中将四宾主与「兼带」、「探竿影草」、「一句中三玄三要」并列为机锋之不同层面,显示主中主乃机用中之究竟位。又云:「这个是宾主。语明得也未。若明得横担拄杖。穿云渡水。证据诸方曲[木东]木头里老和尚。见伊开口动舌。便识得伊了也。」明示主中主乃透脱之境,悟得此境者能横担拄杖、穿云度水、游历诸方,于一切开口动舌处皆能辨识,不被瞒昧。

三、不同部类与译本的表述差异

各经所用术语基本一致,然亦有微别:

- 《古尊宿语录》用「主中主」为标准名称,与「宾中宾、宾中主、主中宾」并称四宾主;东林之颂则以「主宾都落第三机」之句将宾主合说,以「机」字点出宾主皆机用之特质。 - 《瑞州洞山良价禅师语录》沿用「主中主」「宾中主」之名,而立「相续」为核心判准,又立反面之「渗漏」——「见渗漏」谓机不离位、堕在毒海;「情渗漏」谓滞在向背、见处偏枯;「语渗漏」谓究妙失宗、机昧终始。 - 《汾阳无德禅师语录》一律沿用「主中主」之标准临济名称,与「宾中宾」、「宾中主」、「主中宾」合称四宾主,或总称「宾主」,未见别译异名。 - 《人天眼目》除「主中主」外,亦明用「主中之主」一称,并以「正令齐举,长剑倚天,谁敢当御」作释,此一异体术语与「主中主」所表内容相应;安曰又以「奇特受用」与「人境俱夺」明之;在门句配列中,「当门句」即「主中主」。

四、与相关概念之关系

(一)与「宾中主」之对辨

《古尊宿语录》明云「直饶你如是解,只是个宾中主」,强调纵已通晓照用同时、宾主互用之机,仍未臻于「主中主」;「主中主」另需转关始得。

(二)与「主中宾」之对辨

《人天眼目》中孜禅师以「寰中天子勅」对「塞外将军令」:「主中主」为天下中央之天子敕令,「主中宾」为塞外将军令,二者于「主」之位次与摄受力有别。

(三)与机用之关系

汾阳将「主中主」与「兼带」、「探竿影草」、「一句中三玄三要」并列为机锋之不同层面。《人天眼目》以「正中来乃奇特受用,即主中主」,判作「第三句人境俱夺也」。

(四)与三种渗漏之关系

洞山以「见渗漏」、「情渗漏」、「语渗漏」三种反面渗漏烘托主中主之难臻,正因三种渗漏使学人不能相续究竟,故非主中主。

五、代表性原文引用

1. 风穴示范:「磨砻三尺劒,待斩不平人。」 2. 颂文总结:「不容拟议斩全身,始得名为主中主。」 3. 洞山正面定义:「但能相续,名主中主。」 4. 洞山警喻:「恰似入京朝圣主,祇到潼关即便休。」 5. 汾阳三答: - 「三头六臂擎天地。忿怒那咤扑帝钟。」 - 「高齐日月光寰宇。大阐鸿音唱祖歌。」 - 「坐断毘卢顶。不禀释迦文。」 6. 克符语:「横按镆鎁全正令,太平寰宇斩痴顽。」 7. 人天眼目颂语:「七宝无亏金殿宇,千子常围绕圣颜,诸天不顺飞轮举。」 8. 孜禅师语:「寰中天子勅。」「主中辨主,饮气吞声。」 9. 「主中之主」释义:「正令齐举,长剑倚天,谁敢当御。」 10. 安曰判语:「正中来乃奇特受用,即主中主」,判作「第三句人境俱夺也」;当门句即主中主:「坐断千差路,舒光照万机」。

By SutraAI-generated

瑞州洞山良价禪師語錄T1986B · 諸宗部

《瑞州洞山良价禪師語錄》論「主中主」,承用臨濟四賓主之框架,而以「相續」二字作為整個概念的樞紐眼目,全文從勘辨、警喻、正面定義、反面滲漏四個層層展開。

一、以機鋒勘辨主中主與賓中主之別。僧問「如何是主中主」,師云「闍黎自道取」;僧云既能自道,即是「賓中主」,復問主中主如何。師云「恁麼道即易,相續也大難」。此段將主中主與賓中主作出明確區隔:能言說者僅居賓中之主,唯有在實地上綿密承當、究竟不斷相續者,方名主中主。

二、以「入京朝聖主,祇到潼關即便休」為喻,警示學人滯於門頭之失。頌云:「嗟見今時學道流,千千萬萬認門頭,恰似入京朝聖主,祇到潼關即便休。」意謂學者雖有入京之志,卻止於潼關,未曾親覲聖主——雖於機境上稍有所契,卻不能一往直前、究竟自主,故非主中主之境。此段以朝聖主之喻,側寫主中主乃親至親證之位,不可僅在門外彷彿。

三、正面定義主中主:「但能相續,名主中主。」其上文云「非情識到,寧容思慮」,顯明此境非分別情識所能企及,亦不容思量擬議;「臣奉於君,子順於父,不順非孝,不奉非輔」,以君臣父子之必然承當關係為喻,狀其不可須臾離之義;「潛行密用,如愚若魯」,則狀其內證深密而外相渾樸——主中主不以機辯聰利為能事,而在於悟後綿密無間、恆常相續。

四、立主中主之反面,即末法時代學人三種「滲漏」:一見滲漏,謂機不離位、墮在毒海;二情滲漏,謂滯在向背、見處偏枯;三語滲漏,謂究妙失宗、機昧終始。師云「學者濁智流轉,不出此種」,正因三種滲漏使學人不能相續究竟,故非主中主。此段以反面烘托主中主之難臻。

此經對「主中主」的獨特側面,在於將「相續」立為其核心判準:主中主不僅是一念頓悟之境,更須是悟後綿密承當、潛行密用之事。所用語即「主中主」「賓中主」「相續」「滲漏」等,沿曹洞家風而承用臨濟四賓主之框架立論。

汾陽無德禪師語錄T1992 · 諸宗部

【《汾陽無德禪師語錄》對「主中主」之論述】

一、四賓主並舉之提問格式。本經沿用臨濟宗「四賓主」之架構,數處皆以連續四問之方式呈現四句層次:「問如何是賓中賓……如何是賓中主……如何是主中賓……如何是主中主」,可知「主中主」乃四句中最上位之賓主關係,即臨濟所謂徹底自主之境。

二、對「如何是主中主」之三種答語。本經對此同一問句提供三種不同回答:(1)「三頭六臂擎天地。忿怒那吒撲帝鐘。」——以忿怒那吒之威猛神力為喻,顯示主中主具大威德、能攝伏乾坤之氣象;(2)「高齊日月光寰宇。大闡鴻音唱祖歌。」——以日月高懸、光照寰宇、廣宣祖道為喻,呈現主中主之圓滿自在;(3)「坐斷毘盧頂。不稟釋迦文。」——以坐斷毘盧遮那佛之頂、不稟承釋迦文教為喻,凸顯主中主超越佛位、不依師教而徹底自主之究竟境。

三、機用中之究竟位。汾陽於一段上堂語中云:「或明賓中主。或明主中賓。或明賓中賓。或明主中主。或兼帶叶通。或探竿影草。或一句中。有三玄三要。」——將四賓主與「兼帶」、「探竿影草」、「一句中三玄三要」並列為機鋒之不同層面,顯示主中主乃機用中之究竟位。

四、悟得主中主後之風光。汾陽於四賓主問答結束後云:「這箇是賓主。語明得也未。若明得橫擔拄杖。穿雲渡水。證據諸方曲[木東]木頭裏老和尚。見伊開口動舌。便識得伊了也。」——明示主中主乃透脫之境,悟得此境者能橫擔拄杖、穿雲度水、遊歷諸方,於一切開口動舌處皆能辨識,不被瞞昧。

五、如何辨認主中主。本經另設「聞聲見色。觸目舒光。山高海闊。地久天長。作麼生辨得主中主」之提問,顯示主中主並非徒存名目,而須學人於聞聲見色、實際機用中辨認之。

六、術語說明。本經一律沿用「主中主」之標準臨濟名稱,與「賓中賓」、「賓中主」、「主中賓」合稱四賓主,或總稱「賓主」,未見別譯異名;概念名稱在本經中保持一致,無須歸併異稱。

人天眼目T2006 · 諸宗部

《人天眼目》以「主中主」及「主中之主」為主要術語,將其置於「賓中賓、賓中主、主中賓、主中主」四位之中論說。風穴答以「磨礲三尺劍,待斬不平人」;克符則說「橫按鏌鎁全正令,太平寰宇斬癡頑」,並以「不許夜行剛把火,直須當道與人看」回應太平之世何以仍斬癡頑。此處集中使用劍、正令、斬除與當道示人等語,顯出主位正令全提、決斷無礙的形象。

同一組答語又從多面刻畫此位:汾陽說「高提日月光寰宇,大闡洪音唱楚歌」,又說「三頭六臂擎天地,忿怒那吒撲帝鍾」;慈明以「劍握甑人手」表之,石門以「萬里絕同侶」表之,雪竇則用「大千揑聚」及「揭」概括。其語勢或為光明遍照、洪音大闡,或為威猛擎持、孤絕無侶,或為將大千世界一手揑聚,皆以強烈而直接的動作用語呈現「主中主」。

另有頌語以帝王威權說明此位:「七寶無虧金殿宇,千子常圍繞聖顏,諸天不順飛輪舉。」金殿、聖顏、千子圍繞及飛輪之舉,共同構成居中統御、號令不虧的表述。 又有「當頭坐須怖,萬里涉流沙,誰云佛與祖」,以當頭而坐、令人敬畏,以及不以佛祖名言相拘的語句寫其峻絕。

《人天眼目》亦明用「主中之主」一稱,並以「正令齊舉,長劍倚天,誰敢當禦」作釋。此一異體術語與「主中主」所表內容相應,核心仍落在正令全舉、長劍倚天而無可當禦。

孜禪師答「如何是主中主」為「寰中天子勅」,並說「主中辨主,飲氣吞聲」。與「主中賓」的「塞外將軍令」相對,「主中主」使用的是天下中央之天子敕令;其辨主之際,則以飲氣吞聲形容,突出敕令既出而眾聲止息的語勢。

本經又把此位與其他綱目互相配屬。安曰「正中來乃奇特受用,即主中主」,並判作「第三句人境俱奪也」;故其明確用語是「奇特受用」與「人境俱奪」。 在門句的配列中,「當門句」即「主中主」:汾陽說「坐斷千差路,舒光照萬機」,石門說「開門不扄戶,按劍看四方」,又以「斬」收束。這使主中主兼具坐斷歧路、舒光應機、開門無礙、按劍四顧等表述,而其凝鍊的機語仍是「斬」。

Related