Dharma · AI Companion

祕密曼荼羅

guhyamaṇḍala

如来以秘密德相庄严之法界总体,摄受众生入于本觉之坛城法门。AI-generated

Type ViewDifficulty AdvancedTruth-level span IV · beyond wordsInitial AI estimate · evolves with use

A Contemporary ReadingAI-generated

What This Concept Is Saying

祕密曼荼羅 (guhyamaṇḍala, “secret mandala”; in the cited Chinese sources chiefly written 祕密漫荼羅) is not simply a sacred diagram. It is the whole Dharma-realm as disclosed through the Tathāgata’s “secret” qualities: awakened wisdom at its center, compassion unfolding into practices, and skillful means reaching beings in every condition. It is at once a vision of reality, a ritual field, a map of the path, and—when properly transmitted—a way of entering that reality.

“Secret” does not primarily mean information guarded for the sake of exclusivity. The *Commentary on the Mahāvairocana Sūtra* (*Dà rì jīng shū*, 《大日經疏》) explains it as the Tathāgata’s profound inner treasury, which cannot simply be exposed indiscriminately. There are at least three reasons for this reserve. Its meaning cannot be exhausted by ordinary conceptual language; its practices require preparation and correct instruction; and powerful ritual forms become misleading when detached from bodhicitta, compassion, ethical discipline, and their intended realization. Secrecy here is therefore both epistemic and pedagogical: some things remain hidden because they have not yet been realized, and some methods are withheld because their safe meaning depends upon a qualified relationship between teacher and disciple.

“Mandala” here means much more than a geometric picture. The same commentary explains 漫荼羅 as the fullness of manifold virtues, self-adorned like a lotus opening. The image is important: awakening is not an isolated blankness. Its wisdom naturally flowers as compassion, vows, practices, forms, words, symbols, and responses suited to different beings. The mandala displays this ordered fullness.

Its basic architecture is a center, the 中胎 (zhōngtāi, “central matrix” or “central womb”), surrounded by three concentric assemblies:

- The central matrix represents the Buddha’s self-realized qualities of bodhi—the wisdom awakening knows directly.

- The first surrounding level manifests through adamantine seals and includes Vajrapāṇi and other inner attendants. It expresses the intimate, indestructible efficacy of awakened realization.

- The second level arises as the innumerable practices of great compassion and is populated by great bodhisattvas. Awakening is now shown as vows and conduct undertaken for beings.

- The third level is 普門方便 (pǔmén fāngbiàn, “universally accessible skillful means”): forms that appear according to the kinds, capacities, and circumstances of beings.

These are not four unrelated departments. Read from the center outward, the mandala shows 本垂迹—the source extending into responsive manifestations. Direct realization becomes compassionate activity, and compassionate activity becomes forms that particular beings can actually encounter. Read from the outermost level inward, it maps the path of reception: beings meet an accessible teaching, are trained through bodhisattva practices, penetrate their deeper significance, and finally realize the central wisdom from which the entire field flows.

This two-way movement gives the secret mandala its place in the path of liberation. It joins the “already” and the “not yet.” Awakening is not manufactured from nothing: the practitioner’s embodied field can be understood as the intrinsically pure Dharma-realm. Yet this does not abolish training. That field must be purified, entered, embodied, and realized through an ordered path. Innate possibility is not the same as accomplished Buddhahood—just as possessing musical capacity is not the same as performing a concerto.

The *Mahāvairocana Sūtra* (*Dà rì jīng*, 《大日經》) calls this tradition “born from the root of great compassion” and the “unsurpassed Great Vehicle.” Its emblematic 悲生漫荼羅 (bēishēng maṇḍala, “mandala born of compassion”) has a bounded, four-sided field, an entrance and passage, vajra markings, a karma-vajra at the center, and above it a perfectly formed eight-petalled lotus. The awakened guide occupies the lotus center and is encircled by the assembly. Other mandalas flow from this foundational form, each arranged according to its teaching, activity, appearance, and intended accomplishment.

Every element therefore carries meaning. Squares, circles, triangles, lotuses, thrones, vajras, conches, vases, swords, wheels, banners, nooses, seed syllables, colors, lights, directions, deities, bodhisattvas, wisdom kings, vidyārājñīs, celestial beings, and other figures are not decorative additions. They articulate distinct awakened qualities and functions. Nor should all the figures be flattened into a vague claim that “everything is divine.” Their identities, places, signs, and relations matter precisely because awakening acts in differentiated ways without ceasing to be one Dharma-realm.

The same ordered field is expressed through 身語意三密 (shēn-yǔ-yì sānmì, the “three mysteries” of body, speech, and mind):

- Body-mystery consists here in the mudrās or secret seals of the deities in the fourfold great mandala. It is not merely “using the body mindfully”; particular embodied forms disclose particular awakened qualities.

- Speech-mystery consists in the mantras of the respective deities. It is not ordinary positive self-talk, nor are mantras interchangeable mood-setting sounds.

- Mind-mystery consists in deity-yoga contemplations structured according to the positions of the fourfold mandala. It is not fantasy for its own sake, but disciplined contemplative identification with the qualities represented by the field.

Mudrā, mantra, and contemplation form a coordinated practice. Body, speech, and mind—the very media through which confusion ordinarily perpetuates itself—are reorganized as expressions of awakening. This is the distinctive liberative logic of the tantric path: embodiment is not merely escaped; it is ritually and contemplatively transformed.

The external altar is only one dimension. In the 內心漫荼羅 (nèixīn maṇḍala, “inner-heart mandala”), the practitioner’s own embodied ground is treated as the self-nature of the Dharma-realm. The mind is first prepared as carefully as the ground of an external altar. Within it, an immense Buddha assembly is established, the ten directions opening into one Buddha-field. Mahāvairocana occupies the lotus platform; buddhas and bodhisattvas occupy the eight petals, while the stamens, lower petals, stem, and surrounding oceanic assembly each have their own significance. The *Mahāvairocana Sūtra* gives a still more detailed arrangement, placing four buddhas in the cardinal directions, Samantabhadra, Avalokiteśvara, Mañjuśrī, and Maitreya at the corners, and further assemblies around them.

Calling this “inner” does not make the outer forms dispensable. External mandala and internal mandala mutually interpret one another. The outer field makes awakened order visible and teachable; the inner practice prevents ritual from becoming mere construction and ornament. The commentary explicitly warns that mechanically performing the external procedures without understanding their purport does not count as accomplishing the mandala well.

For the same reason, a secret mandala is not complete merely because somebody has drawn it accurately. The sources require the convergence of teacher, mandala, and disciple. The ācārya first uses syllabic arrangements to form the body in conformity with the Buddha, establishes the mandala, and guides the disciple in doing likewise. Entry requires empowerment of teacher, field, and disciple through mantra. Abhiṣeka, or consecratory initiation, may be externally elaborate, conducted through seals, or performed inwardly, but it remains dependent on a suitable disciple, a correspondingly qualified teacher, and instruction according to the Dharma.

The governing bond is 三昧耶 (sānmèiyē, samaya): not merely a promise to obey rules, but a non-contradictory accord joining practitioner, awakened assembly, commitments, and practice. The *Mahāvairocana Sūtra* presses this to its deepest point: the practitioner’s body and that into which the practitioner enters are not different—hence “samaya.” This should not be reduced to the ego declaring itself a Buddha. The ordinary personality, with all its habits and blind spots, is not being canonized. Rather, practice reveals that the practitioner, the path entered, and the awakened qualities to be embodied belong to one undivided Dharma-realm. Realizing that nonseparation requires—not cancels—purification, commitment, wisdom, and compassion.

A Walk-Through in Everyday Life

Imagine an exhausted commuter on a crowded train. A message arrives from their partner: “You never listen to me.” The body tightens; the mind supplies a defense; the thumb begins composing a sharp reply.

The mandala offers a way to read this event, although this everyday walk-through is an analogy, not the secret ritual itself.

Begin at the outermost level, the domain of forms suited to beings. The glowing phone, the sentence on the screen, the crowded carriage, the remembered argument, and the partner’s chosen words are the accessible surfaces through which the situation appears. This outer level is not “false” or spiritually worthless. In the mandala, the outermost manifestations are precisely how compassion reaches beings where they are. The first question is therefore not, “How do I escape appearances?” but, “What compassionate possibility is trying to become accessible through this form?”

This is also where a common mapping error begins. It would be wrong to identify the phone, the partner, or every accidental event as literally one of the mandala deities. Classical placements have defined symbols, directions, seals, and functions; they are not labels to paste arbitrarily onto whatever catches the eye. The everyday scene illustrates the mandala’s movement, not its formal iconography.

Move one level inward, to the great bodhisattva practices born from compassion. The commuter pauses before replying. Generosity may appear as giving the partner undivided attention later. Ethical restraint appears as declining to weaponize a private vulnerability. Patience makes room for the sting without instantly returning it. Diligence keeps the conversation from collapsing into avoidance. Concentration stays with the actual sentence rather than rehearsing ten old grievances. Wisdom asks what is present and what has been projected.

These are not generic “good vibes.” They show how central awakening becomes a path of conduct. Compassion that never takes the form of patient listening, truthful speech, restraint, or courageous repair has not yet unfolded through the second surrounding assembly.

Move further inward, to the adamantine level. Here the issue is not merely producing a nicer response but finding an unshakable orientation beneath defensiveness. Can body, speech, and mind cease pulling in different directions?

At the level of body, the commuter releases the jaw, stops typing, and turns toward a posture capable of listening. This is only an everyday analogue of body-mystery, not a tantric mudrā. At the level of speech, they choose words that do not inflame the situation: “I can hear that you feel alone in this. I want to understand when I get home.” This is not a mantra and should not be called one; it merely illustrates speech becoming aligned with compassion. At the level of mind, they recognize anger without building an identity around it and recall the intention to understand rather than win. This resembles the integrative logic of the three mysteries, but it is not the authorized deity-yoga described in the scriptures.

Finally, approach the central matrix. Beneath “my position” and “your accusation,” awareness need not be reduced to either story. Its openness makes a fresh response possible, while compassion gives that openness direction. The center is not emotional numbness, a blank mental screen, or a hidden “true self” whose opinions are always correct. It represents the self-realized wisdom of buddhahood—the source from which non-defensive compassionate action can flow.

Now read the same event outward. A moment of non-grasping clarity at the center becomes an adamantine resolve not to retaliate. That resolve flowers as patience, truthful speech, and care. Those practices take the concrete outer form of putting away the phone, returning home, listening for twenty uninterrupted minutes, apologizing where appropriate, and establishing a better way to signal distress.

The complete movement is therefore:

central wisdom → stable awakened orientation → compassionate practices → a response fitted to this person and circumstance;

and, from the other direction:

an ordinary message → an opening for practice → deeper reorientation → a glimpse of nonseparate awakened ground.

A similar walk-through applies to algorithmic life. A recommendation feed presents an endless outer ring of forms tailored to desire. One can meet it through a skillful boundary, practice patience with the urge to refresh, examine the bodily, verbal, and mental machinery of craving, and return toward a less compulsive center. But the algorithm is not a mandala, and neuroscience has not proved tantric doctrine. Contemporary models may help describe attention, habit formation, or prediction; they cannot establish the soteriological claims of the *Mahāvairocana Sūtra*, and the scientific interpretation of consciousness remains disputed.

Why Contemporary People Need It

Contemporary life often feels like a mandala whose center has been replaced by a notification system. Work, consumption, public identity, family demands, political outrage, and algorithmic recommendation compete to organize our attention. We still inhabit an ordered field, but its governing principle may be anxiety, status, or monetized desire.

The secret mandala asks a decisive question: What occupies the center, and what flows from it?

If insecurity occupies the center, competence becomes self-protection, relationships become reassurance markets, and technology becomes an instrument for avoiding silence. If bodhicitta—the resolve for awakening for the sake of beings—occupies the center, the same capacities can be reorganized. Intelligence becomes discernment; speech becomes teaching or reconciliation; work becomes service; boundaries become compassion with structure; technology becomes a conditional tool rather than an unconscious sovereign.

Its concentric form also corrects two common spiritual imbalances. One is inwardism: the belief that private calm is the whole path. The mandala refuses to leave wisdom at the center; it must unfold as great compassion and universally accessible skillful means. The other is activism without a center: ceaseless intervention driven by reactivity, exhaustion, or hatred. The inward movement insists that compassionate action must repeatedly return to wisdom, non-grasping, and the purification of motive.

Most importantly, this teaching reframes liberation as participation in an awakened order. The practitioner is not a defective individual trying to acquire exotic spiritual powers from somewhere else. Nor is the practitioner told that no transformation is necessary because everything is “already Buddha.” One enters, receives, practices, keeps samaya, purifies obscurations, and learns to embody what the mandala discloses. The path is possible because the practitioner’s embodied ground is not alien to the Dharma-realm; the path is necessary because this truth is not yet lived without distortion.

Thus bodhicitta is its substance and great compassion its root. Without bodhicitta, the mandala becomes spiritual self-enhancement. Without compassion, secrecy becomes prestige and power. Without wisdom, ritual becomes magical thinking. Without disciplined form, lofty nonduality becomes an excuse for vagueness. The full mandala holds all four together: awakened ground, compassionate motive, exact method, and liberative embodiment.

Common Misreadings and Clarifications

1. “It is an ornate Buddhist picture.” A painted mandala is one manifestation of the teaching, not its entirety. The secret mandala encompasses the Dharma-realm, its awakened qualities, the assembly expressing those qualities, ritual construction, the three mysteries, the inner contemplative field, initiation, and the teacher–mandala–disciple relationship.

2. “Secret means deliberately obscure or elitist.” The sources do restrict transmission, but secrecy is not reducible to social exclusion. The practices cannot be understood from shapes and syllables alone, and their integrity depends on qualification, oral instruction, empowerment, and samaya. A medical procedure is not “secret” merely because it requires supervised training; yet tantric reserve goes further, because the method’s significance is also said to exceed what writing can fully convey.

3. “The inner mandala means I can ignore teachers and ritual.” The inner mandala internalizes the field; it does not authorize self-initiation by imagination. In the cited tradition, inner realization and external forms correspond, while entry remains tied to a qualified ācārya, an appropriate disciple, empowerment, and correct instruction. Reading about a practice is not equivalent to receiving it.

4. “Every symbol means whatever it means to me.” Personal response may be spiritually useful, but the scriptural mandalas employ precise forms, colors, directions, seats, emblems, seed syllables, seals, and sequences. A sword, vase, lotus, vajra, triangle, or deity cannot simply be exchanged for another without changing the doctrinal and ritual grammar.

5. “All the deities are separate gods.” The commentary treats buddhas, bodhisattvas, śrāvakas, celestial beings, and the eight classes of nonhuman beings as expressions of the Tathāgata’s secret qualities of body, speech, and mind. Their plurality displays differentiated awakened functions within the total Dharma-realm. But saying this does not make their distinctions irrelevant; unity is expressed through an exact plurality.

6. “If my body is the Dharma-realm, I am already enlightened and need do nothing.” This confuses ground with realization. The inner mandala begins by purifying and preparing the mental ground. Initiation, samaya, mantra, mudrā, contemplation, compassionate conduct, and wisdom remain indispensable. The teaching offers the basis and possibility of buddhahood, not a certificate for the unexamined ego.

7. “Samaya just means obeying a guru.” Teacher–disciple commitments are part of its ritual setting, but the cited explanation reaches deeper: samaya is the accord in which the practitioner’s embodied field and the awakened field entered are not different. This nonseparation cannot responsibly be used to erase ethical judgment, excuse coercion, or make a teacher’s conduct immune from examination.

8. “The mandala is a Buddhist version of a psychological personality map.” Psychological models can sometimes illuminate how a person organizes attention, emotion, and action. They do not exhaust a mandala whose aim is buddhahood and whose framework includes initiation, mantra, mudrā, deity-yoga, samaya, compassion, and realization of the Dharma-realm. Comparison may open a door; equivalence would shrink the teaching to the assumptions of contemporary psychology.

9. “The secret mandala promises a shortcut around ordinary Buddhist ethics.” Its claim to an unsurpassed or direct vehicle does not remove the need for bodhicitta and great compassion; these are its very substance and root. The mandala’s center must flower through bodhisattva conduct and means suited to beings. A practice that magnifies self-importance, exploitation, or indifference has reversed the direction of the mandala, whatever ritual vocabulary it uses.

The deepest point is therefore not that the world has been decorated as sacred. It is that awakening possesses an inner architecture: wisdom does not remain enclosed in itself but becomes compassion, practice, and precisely fitted response. Conversely, the bewildered being at the edge is not abandoned there. Every authentic gate, practice, and compassionate manifestation leads inward toward the central matrix. The secret mandala is the complete circulation between those two truths—the Buddha reaching beings, and beings being received into the awakening from which they were never ultimately separate.

Canonical EntryAI-generated

定义与核心要义

秘密曼荼罗(guhyamaṇḍala),原典中主要以「秘密漫荼罗」书写,为如来以自身秘密德相庄严之法界总体,乃大乘无上诸佛最秘之根原。大日经疏释「秘密」为如来秘奥之藏,非可普遍显露;释「漫荼罗」为具足种种德,如莲华开敷而自庄严。其法以菩提心为体、大悲为根本,能由一言含摄一切义味。

主要阐述

整体结构(中胎与三重眷属)

此漫荼罗以中胎与三重眷属呈现:中胎是佛菩提自证之德;第一重由金刚密印现金刚手等内眷属;第二重由大悲万行现诸大菩萨眷属;第三重由普门方便现随众生类而示现之身。由中胎向外,是本垂迹、层层流出;由第三重向内,则众生受摄、次第成就而终见中胎藏,故能摄受法界中应度众生,统摄其本性信解与成佛之行。

身语意三密与诸尊表义

本法以身、语、意三密说明坛中尊位之表义:身密是四重大漫荼罗各本尊之密印;语密是诸尊真言;意密是依四重方位而作的本尊瑜伽观。由印、真言与观行,可了知诸尊所表之秘密之德;经中所列佛、菩萨、二乘、诸天八部等位,皆表如来身口意秘密之德。

布字、师坛弟子和合与内心漫荼罗

布字分为四分,即四重漫荼罗;师先以字轮合集成身,使身同于佛,再将漫荼罗如是布置,并令弟子同作,师、坛、弟子三事皆成,方名秘密漫荼罗。此法须由师以口相授,不能尽载文字;若不解其意趣,徒依外在事法营作,亦不名善作。 所谓「内心漫荼罗」,以行者身地为法界自性,先净治内心,如平治外坛之地,然后于自心建立佛会大海,使十方通同为一佛土;此境唯自明了、他人不见,故称秘密漫荼罗;其中以毘卢遮那居花台,八叶安置诸佛菩萨,花蘂、叶下、花茎及海众亦各有所表。

入坛与灌顶

入秘密漫荼罗须以真言加持阿阇梨、坛场与弟子,使弟子坚固安住秘密藏中;若不了知入坛方便,前述漫荼罗终不得成。其灌顶既可依事业广作,也有仅以印法或内心而作的方式,但皆以弟子堪任、师资相应及如法教授为限。

大日经所说之悲生曼荼罗根本形制

大日经称此法为「大悲根本生」及「无上摩诃衍」,并说曼荼罗初业须由行者住于本三昧、解了瑜伽道而作;阿阇梨须通达印与真言,能知深广秘义,方可择可传者授之。 经中所说「密中之秘密,大悲胎藏生」之悲生曼荼罗:四方周匝,具一门、通道与金刚印,中置羯磨金刚,其上为妙莲华;莲华八叶圆正,华台遍布十二支生句,其上安置成正觉之导师,眷属环绕。此为最初悲生曼荼罗,诸坛由此流出,各依本教配置事业、形相与悉地。

诸尊秘密曼荼罗之施设

经文逐一宣说如来、观世自在者及其他圣尊的秘密曼荼罗,以方、圆、三角等坛形,白莲、青莲、宝座等座相,金刚、商佉、宝瓶、刀、轮、幢、羂索等标志,以及种子字、空点、光明、色彩与方位来表现。诸佛子、菩萨、明王、明妃、持明众及世间诸天,皆依其类别与所应之形色、密印、方位安置;经文所重在于如法图画与次第布列,使诸业得以成就。

大日经之内心漫荼罗与入坛三昧耶

经文明说身地即是法界自性,以真言、密印加持,因本性清净及羯磨金刚护持而净除尘垢。其内为四门方坛与八叶大莲华王,中安如来,四方安宝幢、开敷华王、鼓音、无量寿四如来,四隅安普贤、观自在、妙吉祥童子、慈氏,并有六波罗蜜三昧眷属、持明忿怒众、持金刚主菩萨及无量地居天环绕。行者为成三昧耶,复以意生香华、灯明、涂香及肴膳供养。 通达「秘密坛」者,如法为弟子烧尽一切罪,以字烧字、因字更生,使其寿与生清净无垢;再以十二支句成其法器。解得一切如来、菩萨、声闻乃至世间平等不违逆之誓,便能入一切法教,于诸坛得自在;行者之身与所入者不相异,故名三昧耶。

不同部类与译本的表述差异

1. 用字差异:题示概念「秘密曼荼罗」在所引原典中之主要字形实为「秘密漫荼罗」;「漫荼罗」与「曼荼罗」并见于大日经疏,不可径以后世常见之「曼陀罗」替代。大日经亦以「漫荼罗」为主。

2. 相关异名:大日经疏用「秘密漫荼罗」「入秘密漫荼罗」「住秘密漫荼罗」「内心漫荼罗」「心漫荼罗」「秘密坛」等;大日经亦用「秘密漫荼罗」「内心漫荼罗」「秘密坛」,另有「大漫荼罗」「悲生漫荼罗」「如来漫荼罗」等具体称名,应保留其原有字形与层次,不宜以单一现代译名抹平。

3. 同部类说法之侧面:大日经疏侧重以「如来秘奥之藏」与「莲华开敷而自庄严」释其名义,并详述布字分四分、师坛弟子三事和合之旨;大日经本经则以「大悲根本生」「无上摩诃衍」立名,并详列诸尊坛形、座相、标志及方位。

与相关概念之关系

- 与「内心漫荼罗」:内心漫荼罗为秘密漫荼罗之内化相,以行者自身为法界安立处,与外坛事相对应而互融。 - 与「秘密坛」:秘密坛为秘密漫荼罗之异名,于入坛加持、灌顶传授之脉络中尤常用。 - 与「三昧耶」:入秘密漫荼罗须以三昧耶为本,行者之身与所入者不相异方名三昧耶。 - 与「四重漫荼罗」:四重漫荼罗为身密之总相,与语密(真言)、意密(瑜伽观)相配。 - 与「大漫荼罗」「悲生漫荼罗」「如来漫荼罗」:皆为秘密漫荼罗之具体称名,各有所指之坛法与眷属。

代表性原文引用

- 大日经疏释「秘密」「漫荼罗」之文:「如来秘奥之藏……具足种种德,如莲华开敷而自庄严。」 - 大日经疏论中胎三重眷属之文:「中胎是佛菩提自证之德……统摄其本性信解与成佛之行。」 - 大日经疏论身语意三密之文:「身密是四重大漫荼罗各本尊之密印……皆表如来身口意秘密之德。」 - 大日经疏论内心漫荼罗之文:「以行者身地为法界自性……花蘂、叶下、花茎及海众亦各有所表。」 - 大日经说悲生曼荼罗根本形制之文:「密中之秘密,大悲胎藏生……各依本教配置事业、形相与悉地。」 - 大日经说入坛三昧耶之文:「通达秘密坛者……行者之身与所入者不相异,故名三昧耶。」

By SutraAI-generated

大毘盧遮那成佛神變加持經(大日經)T0848 · 密教部

《大毘盧遮那成佛神變加持經(大日經)》將祕密曼荼羅置於如來所說「諸佛最祕密」之法中,稱其為「大悲根本生」及「無上摩訶衍」,並說曼荼羅初業須由行者住於本三昧、解了瑜伽道而作。阿闍梨須通達印與真言,能知深廣祕義,方可擇可傳者授之;故祕密曼荼羅不只是圖式,也與師資、灌頂、三摩耶及真言行相連。

在壇城根本形制方面,經文先說「密中之祕密,大悲胎藏生」的悲生曼荼羅:四方周匝,具一門、通道與金剛印,中置羯磨金剛,其上為妙蓮華;蓮華八葉圓正,華臺遍布十二支生句,其上安置成正覺之導師,眷屬環繞。經文並明言此為最初悲生曼荼羅,諸壇由此流出,各依本教配置事業、形相與悉地。

經中又逐一宣說如來、觀世自在者及其他聖尊的祕密曼荼羅,以方、圓、三角等壇形,白蓮、青蓮、寶座等座相,金剛、商佉、寶瓶、刀、輪、幢、羂索等標誌,以及種子字、空點、光明、色彩與方位來表現。諸佛子、菩薩、明王、明妃、持明眾及世間諸天,皆依其類別與所應之形色、密印、方位安置;經文所重在於如法圖畫與次第布列,使諸業得以成就。

此一概念亦被內化為「內心漫荼羅」。經文明說身地即是法界自性,以真言、密印加持,因本性清淨及羯磨金剛護持而淨除塵垢。其內為四門方壇與八葉大蓮華王,中安如來,四方安寶幢、開敷華王、鼓音、無量壽四如來,四隅安普賢、觀自在、妙吉祥童子、慈氏,並有六波羅蜜三昧眷屬、持明忿怒眾、持金剛主菩薩及無量地居天環繞。行者為成三昧耶,復以意生香華、燈明、塗香及餚膳供養。

在入壇與三昧耶的意義上,經文說通達「祕密壇」者,如法為弟子燒盡一切罪,以字燒字、因字更生,使其壽與生清淨無垢;再以十二支句成其法器。解得一切如來、菩薩、聲聞乃至世間平等不違逆之誓,便能入一切法教,於諸壇得自在;行者之身與所入者不相異,故名三昧耶。

術語上,經文並用「祕密漫荼羅」「內心漫荼羅」「祕密壇」,且「曼荼羅」多寫作「漫荼羅」;題示概念所稱「祕密曼荼羅」,在所引原文中的主要字形實為「祕密漫荼羅」。此外又有「大漫荼羅」「悲生漫荼羅」「如來漫荼羅」等具體稱名,應保留其原有字形與層次,不宜以單一現代譯名抹平。

大毘盧遮那成佛經疏(大日經疏)T1796 · 經疏部

《大毘盧遮那成佛經疏(大日經疏)》論此概念,主要使用「祕密漫荼羅」一詞;「漫荼羅」亦與「曼荼羅」並見,而相關表述尚有「入祕密漫荼羅」「住祕密漫荼羅」「內心漫荼羅」「心漫荼羅」「祕密壇」等。此處應記錄本經用詞為「漫荼羅/曼荼羅」,不可逕以後世常見的「曼陀羅」替代。

其義首先在表徵如來祕密之德與法界總體。疏釋「祕密」為如來祕奧之藏,非可普遍顯露;釋「漫荼羅」為具足種種德,如蓮華開敷而自莊嚴。此法又被稱為大乘無上諸佛最祕之根原,以菩提心為體、大悲為根本,能由一言含攝一切義味。

其整體結構以中胎與三重眷屬呈現:中胎是佛菩提自證之德,第一重由金剛密印現金剛手等內眷屬,第二重由大悲萬行現諸大菩薩眷屬,第三重由普門方便現隨眾生類而示現之身。由中胎向外,是本垂迹、層層流出;由第三重向內,則是眾生受攝、次第成就而終見中胎藏。因此,此漫荼羅法門能攝受法界中應度眾生,統攝其本性信解與成佛之行。

本經尤其以身、語、意三密說明壇中尊位的表義:身密是四重大漫荼羅各本尊之密印,語密是諸尊真言,意密是依四重方位而作的本尊瑜伽觀。由印、真言與觀行,可以了知諸尊所表的祕密之德;經中所列佛、菩薩、二乘、諸天八部等位,皆表如來身口意祕密之德。

祕密漫荼羅不僅是外在壇場,更是行者身心中的法界安立。疏明言布字分為四分,即四重漫荼羅;師先以字輪合集成身,使身同於佛,再將漫荼羅如是布置,並令弟子同作,師、壇、弟子三事皆成,方名祕密漫荼羅。此布字法須由師以口相授,不能盡載文字;若不解其意趣,徒依外在事法營作,亦不名善作。

又有所謂「內心漫荼羅」:以行者身地為法界自性,先淨治內心,如平治外壇之地,然後於自心建立佛會大海,使十方通同為一佛土。此境唯自明了、他人不見,故稱祕密漫荼羅;其中以毘盧遮那居花臺,八葉安置諸佛菩薩,花蘂、葉下、花莖及海眾亦各有所表。

入壇與傳授亦屬其核心。入祕密漫荼羅須以真言加持阿闍梨、壇場與弟子,使弟子堅固安住祕密藏中;若不了知入壇方便,前述漫荼羅終不得成。其灌頂既可依事業廣作,也有僅以印法或內心而作的方式,但皆以弟子堪任、師資相應及如法教授為限。

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