Dharma · AI Companion

五陰

pañcaskandha

五陰指色、受、想、行、識五種構成眾生身心的要素,本性空寂、無常、苦、無我。

A Contemporary Reading

Imagine for a moment that you are holding a kaleidoscope. When you look through it, you see a beautiful, cohesive, and solid pattern. But if you were to take it apart, you would only find a few loose, colored beads and some mirrors.

In the Buddhist path of liberation, our sense of "self" and our experience of the world are exactly like that kaleidoscope. We feel like a solid, unchanging "I," navigating a solid world. But the Buddha taught that if we look closely, this "I" is actually a composite of five distinct, ever-shifting elements. These elements are called 五陰 (*Wu Yin*, the Five Aggregates or Five Skandhas).

Understanding *Wu Yin* is not just a philosophical exercise; it is the very anatomy of our suffering and the blueprint for our liberation. If we want to drop the heavy burden of our anxieties, we first need to know exactly what we are carrying.

Here is a deep dive into the Five Aggregates, unpacking what they are, how they operate in our daily lives, and why seeing through them holds the key to true freedom.

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### 这个概念在说什么 (What this concept means)

五陰 (*Wu Yin*) refers to the five fundamental elements that constitute a sentient being's physical and mental existence, as well as worldly phenomena. The term "陰" (Yin) or "蘊" (Yun) means an aggregate, a heap, or a collection. The classical texts define these five aggregates as impermanent (無常), unsatisfactory/suffering (苦), empty (空), and devoid of self (無我).

To truly grasp this, we must look at the exact classical definitions of each aggregate, without shrinking or distorting their profound meanings:

1. **色陰 (*Se Yin* - Aggregate of Form):** *Se* refers to all physical matter. Classically, it is defined as the "Four Great Elements" (earth, water, fire, wind—representing solidity, cohesion, temperature, and motion) and everything derived from them. Its core characteristic is "resistance or obstruction" (觸閡/可閡可分)—it takes up space and can collide with other forms. Crucially, this is not just your physical body. It encompasses the entire physical environment: the chair you sit on, the light hitting your eyes, the sounds vibrating in the air. 2. **受陰 (*Shou Yin* - Aggregate of Feeling/Sensation):** *Shou* is the immediate affective tone of an experience (覺相). Whenever your senses meet an object, a feeling arises. It is strictly categorized into three types: pleasant (覺樂), unpleasant (覺苦), or neutral (覺不苦不樂). It is the raw, gut-level reception of an experience before any complex emotions set in. 3. **想陰 (*Xiang Yin* - Aggregate of Perception/Recognition):** *Xiang* is the function of recognizing, identifying, and labeling (想). It grasps the characteristics of an object. When you see a red, round object and instantly know it is an "apple," that is *Xiang* at work. It bridges the current sensory input with past memories to make sense of the world. 4. **行陰 (*Xing Yin* - Aggregate of Volitional Formations/Mental Constructing):** *Xing* has the characteristic of "constructing or doing" (為作相). This is the realm of intention, will, and mental fabrication (思). Based on how we feel (*Shou*) and what we perceive (*Xiang*), *Xing* generates a volitional impulse—the urge to grasp, to push away, to ignore, to love, or to hate. It is the karmic engine of the mind. 5. **識陰 (*Shi Yin* - Aggregate of Consciousness):** *Shi* is the basic cognitive awareness or discernment (別知相). It is the sheer knowing of an object across the six sense doors (eye, ear, nose, tongue, body, and mind). It is the backdrop of awareness that makes the other mental functions possible.

To illustrate their illusory nature, classical texts (like the *Mahāratnakūṭa Sūtra*) provide a breathtaking, strictly one-to-one set of metaphors: * 色如水沫 (Form is like water foam): Look at the foam on a river. It seems to have a shape, but it is hollow, fragile, and constantly bursting. Physical matter is the same. * 受如水泡 (Feeling is like a water bubble): A raindrop hits a puddle, a bubble forms, and a second later, it pops. Our pleasant and unpleasant feelings are just as fleeting; they swell up and vanish in an instant. * 想如野馬 (Perception is like a mirage/heat haze): The ancient Chinese term "野馬" (wild horses) here translates to the shimmering heat haze on a horizon that looks like water. Our perceptions deceive us, projecting solid labels onto things that aren't truly there. * 行如芭蕉 (Volitional formations are like a plantain tree): A plantain (banana) tree has no solid heartwood. If you peel away its layers looking for a solid core, you end up with nothing. Our intentions, habits, and wills seem like a solid "personality," but they are just layered, coreless reactions. * 識如幻化 (Consciousness is like an illusion/magic trick): Like a magician conjuring a tiger out of thin air, consciousness creates a convincing, seamless reality out of disparate sensory inputs, tricking us into believing there is a unified "experiencer."

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### 生活里的走查 (Life Walkthrough)

Let’s map this onto a highly relatable modern scenario.

Imagine you are commuting on a crowded subway. You take out your phone, and a message pops up from your boss: *"We need to talk about your project performance immediately."* Your heart sinks, your mind races, and you hurriedly type out a defensive reply.

You feel like "I" am having a terrible morning. But let’s run a walkthrough using the Five Aggregates:

1. 色 (Form): The physical glass of your phone screen, the pixels of light emitting from it, your retinas receiving the light, the swaying metal carriage of the subway, and the physical tension arising in your chest muscles. (Note: *Form* includes both the phone and your bodily organs). 2. 受 (Feeling): The instant your eyes meet the screen, a sharp, visceral spike of *unpleasantness* (苦受) arises. You haven't even formed a full thought yet; it's just a raw, physiological and mental "ouch." 3. 想 (Perception): Almost simultaneously, your brain recognizes the shape of the letters. It identifies the sender’s icon. It pulls from memory: *"This is my boss. This word means performance. This means danger."* It categorizes the visual input into a meaningful, threatening concept. 4. 行 (Volitional Formation): Driven by the unpleasant feeling and the threatening perception, the mind springs into action. An urge arises: the impulse to defend yourself, the spike of anxiety, the *will* to quickly type a justification. This mental constructing and the intention to act is *Xing*. 5. 識 (Consciousness): Visual consciousness is aware of the phone; mental consciousness is aware of the thoughts. It is the underlying "knowing" that ties the screen, the panic, the labels, and the urges into one seamless experience.

Because these five aggregates operate at lightning speed, you are completely mesmerized by the illusion. You think, *"I am under attack. I am anxious."* But in reality, there is no solid "I" being attacked. There is only a momentary collision of Form, a flash of Feeling, a mirage of Perception, an urge of Volition, and a flicker of Consciousness. They arose due to conditions (the message), and they will pass away.

***

### 当代人为什么需要它 (Why modern people need it)

Contemporary life is an engine designed to inflate our sense of self. From curated social media profiles to hyper-individualistic career paths, we spend enormous energy defending, upgrading, and polishing our "self." In Buddhist terms, this is grasping at the aggregates, turning them into what the texts call 五受陰 (The Five Aggregates *subject to clinging*). We carry them like a "heavy burden" (重擔), treating them as our inner dictator or an enemy (怨家) that constantly holds us hostage to our own neuroses.

Modern neuroscience and AI offer an interesting, albeit incomplete, parallel here. In cognitive science, predictive processing theories suggest that our brain is essentially an algorithm, constantly hallucinating a cohesive reality from fragmented sensory data to survive. Our sense of a unified "self" is much like the user interface (UX) on your smartphone—it hides the chaotic, fragmented lines of code underneath to give you a smooth, manageable experience.

However, science only describes the mechanics of this illusion. The Buddha’s teaching on the Five Aggregates goes a crucial step further: it offers a method of *liberation*.

We suffer because we mistake the UX interface for reality. We demand that the water bubble (Feeling) become permanent; we demand that the heat haze (Perception) give us water; we demand that the coreless plantain tree (Volition) provide a solid soul.

By practicing mindfulness (like the Four Foundations of Mindfulness, 四念處), we learn to hack this algorithm. We observe the aggregates arising and passing away—their "flavor" (味, the fleeting pleasure they bring), their "danger" (患, their impermanence and unreliability), and the "escape" from them (離, letting go of craving). When a modern person truly internalizes this, the daily anxiety of "imposter syndrome," "status anxiety," or relationship conflicts begins to dissolve. You realize you are defending a castle made of foam and bubbles.

***

### 常见误读与澄清 (Common misunderstandings and clarifications)

Because these ancient terms have migrated into modern language, they are often flattened or misunderstood. Here are the most common pitfalls to avoid:

误读 1:把「色蕴」等同于「肉身」 (Misreading: Equating "Form" solely with the physical body) * 澄清 (Clarification): Many people think "Form" means their flesh and blood. As classical texts strictly define, *Se* includes *all* physical phenomena—both internal (organs, senses) and external (mountains, buildings, light, sound waves). Clinging to *Se* means clinging to your body, but it also means clinging to your house, your clothes, and the physical aesthetic of your environment.

误读 2:把「想蕴」等同于「想法/思考」 (Misreading: Equating "Perception" with thinking/thoughts) * 澄清 (Clarification): In modern Chinese, "想" means to think. But in the aggregates, *Xiang* is strictly *recognition and labeling* (taking characteristics). It is the act of identifying "this is a dog" or "this is an insult." Complex, narrative thinking, planning, and reacting actually belong to 行蕴 (Volitional Formations), which is the mind's active, constructing force.

误读 3:把「行蕴」等同于「外在行动」 (Misreading: Equating "Volitional Formations" with physical actions) * 澄清 (Clarification): *Xing* (行) is often mistaken for walking or doing things physically. In the context of the aggregates, *Xing* is primarily *mental volition* (思). It is the intention, the urge, the mental habit pattern that *precedes* physical action.

误读 4:修行就是消灭五阴 (Misreading: Spiritual practice means destroying the Five Aggregates) * 澄清 (Clarification): The *Samyukta Agama* (雜阿含經) makes a brilliant and vital distinction between 五陰 (Five Aggregates) and 五受陰 (Five Aggregates *subject to clinging/craving*). The aggregates themselves are just natural phenomena—nature doing what nature does. The problem is not the aggregates; the problem is our *craving and grasping* (有漏、是取) toward them. An awakened being (like an Arhat or the Buddha) still has form, feelings, and consciousness while alive, but their mind "does not abide" (不住) in them. They have dropped the *clinging*, thereby dropping the heavy burden, while the natural processes simply run their course, empty and peaceful.

Canonical Entry

一、定義與核心要義 「五陰」或「五蘊」(梵語:pañcaskandha),是指構成眾生身心與世間現象的五種基本要素,即色、受、想、行、識[chunk:5066, 12514, 15766]。在經典中,五陰被定義為無常、苦、空、無我的變易之法[chunk:5049, 13771, 16260]。凡夫因無明而對五陰產生欲貪與執著,妄計為我或我所,因而流轉生死[chunk:5080, 15306];而聖弟子與菩薩則能如實觀察五陰的本質,斷除欲貪,捨棄五陰重擔,從而證得解脫與涅槃[chunk:5049, 12661, 18277]。 二、主要闡述 1. 五陰的具體特徵與定義: 經典對五陰(或五受陰)的特徵進行了具體界定: - 色受陰:指一切四大及四大所造色[chunk:5066, 5123],其特徵為「可閡可分」的「觸閡」之相[chunk:5082]。 - 受受陰:指六受身(眼觸生受至意觸生受)[chunk:5066, 5123],其特徵為「覺相」,即覺苦、覺樂、覺不苦不樂[chunk:5082]。 - 想受陰:指六想身(眼觸生想至意觸生想)[chunk:5066, 5123],其特徵為「想」,包括少想、多想、無量想等[chunk:5082]。 - 行受陰:指六思身(眼觸生思至意觸生思)[chunk:5123],其特徵為「為作相」,即於色、受、想、行、識中有所為作[chunk:5082]。 - 識受陰:指六識身(眼識身至意識身)[chunk:5123],其特徵為「別知相」,即對色、聲、香、味、觸、法進行識別[chunk:5082]。 2. 無常、苦、空、無我的本質: 各經一致強調五陰的虛妄與不實。五陰是無常、敗壞之法[chunk:16260, 17865],在行住坐臥等一切威儀中皆名為苦,是「苦聚」[chunk:18611],五陰空無所起即是「苦義」[chunk:12343]。其本性空寂,陰體畢竟不可得,雖世間和合假名為「陰」,實無真實積聚[chunk:16956, 16962, 18896]。五陰之中實無有我及我所[chunk:16260],凡夫因無明而於五受陰中計我(如見色是我、色異我、我在色、色在我等二十種我見)[chunk:5080, 5110, 5127, 5344, 18379]。若五陰是我,則不應在五陰中生起病與苦,亦應能隨心所欲令其如是或不如是;正因為五陰無我,所以有病苦生,且不得自在[chunk:5049, 5051, 5351]。 3. 生動的譬喻: 經典中運用了豐富的譬喻來闡釋五陰的虛妄與危害: - 泡沫幻化之喻:如「色如水沫,受如水泡,想如野馬(或焰),行如芭蕉,識如幻化」[chunk:18539, 18850],或稱「諸陰如夢如響,如像如影,如化」[chunk:13771, 18913, 18923]。 - 重擔之喻:五陰是眾生流轉生死所荷負的「重擔」[chunk:5163, 12199, 13514, 14743, 18277]。 - 怨家與魁膾之喻:五陰被比喻為「怨家」[chunk:5324, 19369]、篋中的「五拔刀怨」[chunk:11233],以及在三界囹圄中常恒尋逐眾生的「魁膾」(劊子手)[chunk:15589]。 - 婦人之喻:因世間婦人能令眾生不捨五蘊重擔,故將五蘊比喻為「婦」[chunk:15731, 15732]。 4. 觀修方法與果證: - 如實知味、患、離、集、滅:修行者須如實知五陰的「味」(因緣生喜樂)、「患」(無常、苦、變易)與「離」(調伏、斷、越欲貪)[chunk:5066, 5116],以及其「集」與「滅」(如愛喜集是色集,觸集是受、想、行集,名色集是識集)[chunk:5119]。 - 觀五陰如病、如癰、如刺、如殺:應將五受陰視為「如病、如癰、如刺、如殺、無常、苦、空、非我」[chunk:5349, 5702, 11240]。精勤思惟此理,能依次證得須陀洹、斯陀含、阿那含乃至阿羅漢果[chunk:5702, 5703]。 - 出入息與四念處觀:修習四念處是遠離五陰的途徑,即修身念處遠離色陰,修受念處遠離受陰,修心念處遠離識陰,修法念處遠離想、行二陰[chunk:13687];法行比丘在修持時,亦於出入息中觀察五受陰的生滅[chunk:13301, 16228]。 - 校計與斷魔:通過「十校計」觀察心意識及諸入在百八種煩惱活動中「中有五陰、中有習」的微細狀態,關五陰習令心不動以斷生死之痛[chunk:16499, 16501, 16502, 16503, 16506, 16507, 16508, 16509, 16511, 16512, 16513, 16514];觀五陰如幻亦能破除「陰魔」[chunk:12136, 12635]。修行者即使正觀五陰非我,若仍有微細的「我慢、我欲、我使」未斷,亦不能稱為漏盡阿羅漢,必須進一步觀察五陰生滅以徹底清除我慢[chunk:5317, 5318]。 三、不同部類與譯本的表述差異 在不同部類及譯本中,對於該概念的稱呼與細分存在多種表述: - 《雜阿含經》(阿含部):主要使用「五陰」或「五受陰」[chunk:5066, 5115]。經中明確區分了「陰」與「受陰」:凡過去、未來、現在等一切色,總稱為「色陰」;而若色是「有漏、是取」,能生起貪欲、瞋恚、愚癡等種種煩惱,則稱為「色受陰」,受、想、行、識亦然[chunk:5105]。 - 《大寶積經》(寶積部,唐菩提流志譯):譯名中「五陰」與「五蘊」並存。在具體指代五種要素時,既有稱「色陰、受想行識陰」[chunk:18539]或「色受及與想,行識」[chunk:18896]的,也有稱「色蘊、受蘊、想蘊、行蘊、識蘊」[chunk:15731]或直接簡稱為「色、受、想、行、識」[chunk:11350]的。此外,經中還常使用「四陰」(特指受、想、行、識四種無形之陰)[chunk:16260]、「諸陰」[chunk:14967]、「諸蘊」[chunk:16387]等簡稱。 - 《大方等大集經》(大集部):主要使用「五陰」[chunk:11665]、「五受陰」[chunk:12664]以及「五眾」[chunk:14064]等術語。 四、與相關概念的關係 1. 五陰與受(五受陰): 《雜阿含經》指出,五陰與受的關係是「非五陰即受,亦非五陰異受」,只有對五陰產生欲貪者,才稱為五受陰[chunk:5115]。 2. 五陰與眾生(空陰聚): 眾生只是「空陰聚」,諸陰因緣和合而假名為眾生,猶如眾材和合假名為車[chunk:13237]。在生命流轉中,神識在捨棄此身後,會隨業緣在彼處「復受餘諸陰」以成就新身[chunk:19188, 19193]。 3. 五陰與四聖諦: 知五陰無出生相(或見五陰苦相)即是「知苦」;畢竟遠離作為五陰之因的「愛結」即是「離集」;觀五陰畢竟盡相(過去已滅、未來未生、現在不住)即是「證滅」[chunk:11884, 13772]。 4. 五陰與菩提、如來: 菩薩若能觀五陰與菩提性無二無別(「知是五陰如菩提」),即得「菩薩不退印」[chunk:11913],並能觀「五陰法陰平等」[chunk:12167]。而如來的慧識不住於五陰[chunk:12297],其法身非五眼能見,亦不依止於五蘊[chunk:18361]。菩薩在修行中應「不求色受想行識,求無漏法」[chunk:11350],不與陰合越於五陰[chunk:19478],拂去五陰以達真頭陀境界[chunk:19007]。 五、代表性原文引用 1. 《雜阿含經》:「凡所有色,若過去、若未來、若現在……若遠、若近,彼一切總說色陰。……若色有漏、是取,彼色能生愛、恚……是名色受陰。」[chunk:5105] 2. 《雜阿含經》:「色受陰,四大及四大所造色。受受陰,六受身. 想受陰,六想身。行受陰,六思身。識受陰,六識身。」[chunk:5123] 3. 《大寶積經》:「色如水沫,受如水泡,想如野馬,行如芭蕉,識如幻化。」[chunk:18539] 4. 《大方等大集經》:「諸陰如夢如響,如像如影,如化……五陰諸入十八界……如是諸法悉無實。」[chunk:11680, 13771]

By Sutra

T0099 · 阿含部

《T0099》(雜阿含經)中,對「五陰」這一概念進行了極為系統和深入的論述。以下為該經對五陰論述的核心內容:一、 術語形式與定義。該經主要使用「五陰」或「五受陰」來稱呼構成眾生身心的五種要素,具體為:色受陰、受受陰、想受陰、行受陰、識受陰 [chunk:5066, 5115]。經中明確區分了「陰」與「受陰」:凡過去、未來、現在等一切色,總稱為「色陰」;而若色是「有漏、是取」,能生起貪欲、瞋恚、愚癡等種種煩惱,則稱為「色受陰」,受、想、行、識亦然 [chunk:5105]。五陰與受陰的關係是「非五陰即受,亦非五陰異受」,只有對五陰產生欲貪者,才稱為五受陰 [chunk:5115]。二、 五受陰的具體特徵與定義。經中對五受陰的特徵進行了具體界定 [chunk:5082]:1. 色受陰:指一切四大及四大所造色 [chunk:5066, 5123],其特徵為「可閡可分」,即具有「觸閡」之相 [chunk:5082];2. 受受陰:指六受身(眼觸生受至意觸生受) [chunk:5066, 5123],其特徵為「覺相」,即覺苦、覺樂、覺不苦不樂 [chunk:5082];3. 想受陰:指六想身(眼觸生想至意觸生想) [chunk:5066, 5123],其特徵為「想」,包括少想、多想、無量想等 [chunk:5082];4. 行受陰:指六思身(眼觸生思至意觸生思) [chunk:5123],其特徵為「為作相」,即於色、受、想、行、識中有所為作 [chunk:5082];5. 識受陰:指六識身(眼識身至意識身) [chunk:5123],其特徵為「別知相」,即對色、聲、香、味、觸、法進行識別 [chunk:5082]。三、 核心論述:無常、苦、無我。經中反覆強調,五受陰皆是「無常、苦、變易之法」 [chunk:5049, 5082, 5123]。1. 非我、非我所:聖弟子應當正觀五受陰「非我、非我所」 [chunk:5046, 5049, 5173]。若五陰是我,則不應在五陰中生起病與苦,亦應能隨心所欲令其如是或不如是;正因為五陰無我,所以有病苦生,且不得自在 [chunk:5049, 5051, 5351]。2. 破除我見與我慢:凡夫因無明而於五受陰中計我(如見色是我、色異我、我在色、色在我等二十種我見) [chunk:5080, 5110, 5127, 5344]。修行者即使正觀五陰非我,若仍有微細的「我慢、我欲、我使」未斷,亦不能稱為漏盡阿羅漢,必須進一步觀察五陰生滅以徹底清除我慢 [chunk:5317, 5318]。四、 觀修方法與果證。1. 如實知味、患、離、集、滅:修行者須如實知五陰的「味」(因緣生喜樂)、「患」(無常、苦、變易)與「離」(調伏、斷、越欲貪) [chunk:5066, 5116]。同時要如實知其「集」與「滅」:如愛喜集是色集,觸集是受、想、行集,名色集是識集 [chunk:5119]。2. 觀五陰如病、如癰、如刺、如殺:經中多次教導,應將五受陰視為「如病、如癰、如刺、如殺、無常、苦、空、非我」 [chunk:5349, 5702, 11240]。精勤思惟此理,是未得無間等法者求得果證的方便,能依次證得須陀洹、斯陀含、阿那含乃至阿羅漢果 [chunk:5702, 5703]。3. 譬喻闡釋:經中將五受陰比喻為「重擔」 [chunk:5163]、詐親欲害人的「怨家」 [chunk:5324]、篋中的「五拔刀怨」 [chunk:11233];並指出眾生只是「空陰聚」,諸陰因緣和合而假名為眾生,猶如眾材和合假名為車 [chunk:13237]。總之,該經指出,唯有如實觀察五受陰的無常、苦、空、非我,斷除對其的欲貪與執著,方能自覺涅槃,不受後有 [chunk:5049, 5121, 5195]。

T0310 · 寶積部

在《T0310》(寶積部,唐菩提流志譯)中,对“五阴”这一概念进行了多角度、深层次的论述,主要体现在其术语使用、本质属性的剖析、生动的隐喻以及修行实践中的观照。 一、 术语使用与译名特征 在这部经典中,“五阴”与“五蕴”两种译名并存使用。在具体指代五种要素时,既有称“色阴、受想行识阴”[chunk:18539]或“色受及与想,行识”[chunk:18896]的,也有称“色蕴、受蕴、想蕴、行蕴、识蕴”[chunk:15731]或直接简称为“色、受、想、行、识”[chunk:11350]的。此外,经中还常使用“四阴”(特指受、想、行、识四种无形之阴)[chunk:16260]、“诸阴”[chunk:14967]、“诸蕴”[chunk:16387]等简称。 二、 五阴的本质属性:无常、苦、空、无我 1. 无常与苦:经中明确指出五阴是无常、败坏之法[chunk:16260, chunk:17865]。五阴身在行住坐卧等一切威仪中皆名为苦,是“苦聚”[chunk:18611],五阴空无所起即是“苦义”[chunk:12343]。 2. 空寂无实与无积聚:五阴/五蕴本性空寂,阴体毕竟不可得[chunk:16962, chunk:18850]。虽然世间和合假名为“阴”,但其体性不可得,实际上并无真实的“积聚”[chunk:16956, chunk:18896]。 3. 无我与无我所:五阴之中实无有我及我所[chunk:16260]。凡夫因愚痴而妄执五阴为我或我所[chunk:15306, chunk:18379],而菩萨则能了知五阴本性空而无我我所[chunk:18850]。 三、 独特的隐喻与侧面 1. 水沫、泡、幻之喻:经中多次使用经典比喻来形容五阴的虚妄不实,如“色如水沫,受如水泡,想如野马,行如芭蕉,识如幻化”[chunk:18539],或形容为“色聚沫性、受水泡性、想阳焰性、行芭蕉性、识幻性”[chunk:18850],并称“五阴聚如梦”[chunk:18923]、“当观五阴犹如幻”[chunk:18913]。 2. “重担”与“妇”之喻:经中将五阴比喻为众生所荷负的“重担”[chunk:18277]。同时,指出世间妇人能令众生不舍五蕴重担,故将五蕴(五阴)比喻为“妇”[chunk:15731, chunk:15732]。 3. “怨家”与“魁脍”之喻:修行者应“畏于生死观五阴如怨家”[chunk:19369],并视五蕴为“魁脍”(刽子手),常恒寻逐众生于三界囹圄之中[chunk:15589]。 四、 修行实践与如来境界 1. 菩萨的观照与不取著:菩萨在修行中应“不求色受想行识,求无漏法”[chunk:11350];应观见阴体本性自空,不生“我能觉知”之念[chunk:18921, chunk:18923];在修行中“不与阴合越于五阴”[chunk:19478],“拂去五阴”以达真头陀境界[chunk:19007]。 2. 神识去来与受阴:在论述生命流转时,指出神识在舍弃此身形后,会随善恶业缘在彼处“复受余诸阴”以成就新的身体[chunk:19188, chunk:19193]。 3. 如来不住五阴:如来的慧识不住于五阴[chunk:12297],如来法身非五眼能见,亦不依止于五蕴[chunk:18361]。

T0397 · 大集部

在《T0397》中,该经主要使用“五陰”[chunk:11665]、“五受陰”[chunk:12664]以及“五眾”[chunk:14064]等术语来指代由“色、受、想、行、識”[chunk:12514, 15766]构成的身心要素。 首先,关于五阴的本质,经中指出“五陰諸入十八界……如是諸法悉無實”[chunk:11680],并明确说明“說五陰如幻如化”[chunk:11885]。经中运用了生动的比喻来阐释其虚妄性,如“受喻如泡,想喻如焰,行如芭蕉,識喻如幻”,并称“諸陰如夢如響,如像如影,如化”[chunk:13771]。五阴即是世间相,其本质是可坏相,具有无常、苦、无我、寂灭之性[chunk:13771]。凡夫因颠倒而见五阴为“常樂我淨”,菩萨则应为其宣说“無常、苦、空、無我”以令其得真实智[chunk:12137]。此外,经中反复将五阴比喻为众生流转生死的“重擔”[chunk:12199, 13514, 14743],而菩萨的大誓庄严之一便是要令众生“捨五陰重擔”[chunk:12661]。 其次,在修行实践上,经中提出了多种观照五阴的方法: 1. 真知与断魔:真实了知五阴名之为“淨”[chunk:11665];菩萨具足“真智觀於五陰”能得三昧[chunk:12009];知阴方便、观五阴如幻,能破除或远离“陰魔”[chunk:12136, 12635]。 2. 四念处与五阴的对应:修习四念处是远离五阴的途径,即修身念处远离色阴,修受念处远离受阴,修心念处远离识阴,修法念处远离想、行二阴[chunk:13687]。 3. 出入息与五阴观:法行比丘在修持时,“觀息入出,則觀五陰”[chunk:13301]。修行者应在一切出入息中观察五受阴的生灭,如实了知出入息中的色受阴、受想行阴与识受阴[chunk:16228]。 4. 四圣谛与五阴:知五阴无出生相(或见五阴苦相)即是“知苦”;毕竟远离作为五阴之因的“愛結”即是“離集”;观五阴毕竟尽相(过去已灭、未来未生、现在不住)即是“證滅”[chunk:11884, 13772]。 5. 平等与不退印:菩萨若能“知是五陰如菩提”,观五阴与菩提性无二无别,即得“菩薩不退印”[chunk:11913],并能观“五陰法陰平等”[chunk:12167]。 最后,在“十校計”的微细观照中,经中详细阐述了心、意、识以及眼、耳、鼻、舌、身、意等诸入在产生贪着、疑、颠倒、欲欲、堕、爱、栽、罪识、因缘著痛、种痛、贯生等百八种烦恼活动时,其核心皆在于“中有五陰、中有習”[chunk:16499, 16501, 16502, 16503, 16506, 16507, 16508, 16509, 16511, 16512, 16513, 16514]。菩萨必须通过校计并“關五陰習令心不動”来断除生死之痛[chunk:16513, 16514]。

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