Dharma · AI Companion

天女

devakanyā

女性形态的天界有情。AI-generated

Type PhenomenaDifficulty IntroductoryTruth-level span outside the four-fold two-truths frameworkInitial AI estimate · evolves with use

A Contemporary ReadingAI-generated

In the long unfolding of Buddhism, 天女 (devakanyā, "celestial maiden") is a concept that has been severely simplified or even misread. In contemporary popular culture, when people mention celestial maidens, what surfaces in the mind is often the flowing rainbow garments of the flying apsaras (飛天) on Dunhuang murals, or the fairy maidens attached to the heavenly court in myth and legend, providing aesthetic delight.

But in the strict definitions of Buddhist scriptures, the celestial maiden is by no means a romantic symbol of the literati, nor a dependent of the heavenly realm. A celestial maiden refers to female beings who dwell in the heavens (欲界天, kāmadhātu-deva, the desire-realm heavens), or, in the evolution of the teaching, female deities endowed with immeasurable supernormal powers, compassion, and awe-inspiring majesty.

In the lineage of the path of liberation (解脱道, vimukti-mārga), the celestial maiden manifests the supreme radiance and exquisite form that life can summon forth through wholesome deeds, while also existing as a witness to the Dharma, a speaker of verses, and a protector in times of distress. To fully explain this concept, one must return to the level of classical texts and restore its dual positioning and evolution within Buddhist doctrine.


What This Concept Is Saying

In Buddhist scriptures, the meaning of the celestial maiden reveals distinct layers depending on the emphasis of the teaching. From the "heavenly beings and Dharma-listening teachers" of the early Āgama scriptures, to the "awe-inspiring deity and savior" of the Mahāyāna scriptural collections, the concept of the celestial maiden possesses a rigorous and richly defined classical taxonomy:

1. The Celestial Maiden in the Āgama Division: High-Ranking Beings Summoned by Wholesome Deeds and Dharma-Endorsed Speakers

In early scriptures such as the *Saṃyuktāgama* (*雜阿含經*, "Miscellaneous Āgama Sūtra"), the celestial maiden is first and foremost a female being of the deva realm (天道, Deva) within the six realms of saṃsāra (六道輪迴, ṣaḍ-gati). Her appearance marks the sublime state that life can attain through cultivating the ten wholesome deeds (十善, daśakuśala), giving, and other meritorious virtues: * Radiance and exquisite body (neither an insubstantial physical form nor an abstract concept): The celestial maiden's body is described as "endowed with a marvelous celestial body" (具足妙天身), possessing an appearance of "supreme beauty of countenance" (容色絕妙). Her appearance is accompanied by intense energy and light, as recorded in the *Saṃyuktāgama*'s account of the celestial maiden Kokanāsā (拘迦那娑天女), who upon appearing could "emit electric light, blazing and burning, illuminating mountains and valleys" (放電光明,炎照熾然,普照山谷) [16826]. This radiance is not merely a visual shock; it is a bodily quality externally manifested by heavenly beings whose mental defilements have diminished and whose wholesome deeds are complete. * Coming and going without a trace, and pure Dharma-listening: The celestial maiden typically descends to the human world at midnight (the latter watch of the night, 後夜, pacchima-yāma) to pay homage to the Buddha [16826, 16848]. Her movements are extremely swift; after "joyfully listening to the Dharma" (聽法歡喜) or "speaking verses" (說偈言), she "immediately vanishes without appearing" (即沒不現) [16826, 16830]. * Independent verse-speaking and the Buddha's dual endorsement: In the *Saṃyuktāgama*, the celestial maiden is not a silent backdrop but a "Dharma speaker" deeply versed in the meaning of the teaching. After prostrating before the Buddha and retiring to sit at one side, she expresses her comprehension of worldly impermanence (無常, anitya) and liberating wisdom in verse [16826, 16848]. The Buddha, after listening, typically gives a dual affirmation (endorsement, 印可, anujñā) in highly formulaic language: "Thus it is, celestial maiden! Thus it is, celestial maiden! Just as you have spoken." (如是,天女!如是,天女!如汝所說。) [16826, 16828, 16832] On the following morning, the Buddha would even specifically recount to the bhikṣu saṅgha (比丘僧團) the exchange with the celestial maiden from the night before [16830, 16848], thereby rousing practitioners in the human world to diligently cultivate goodness and aspire to superior rewards [16996]. * Manifestation of the trial of desire: The celestial maiden is not exclusively a representative of positive teaching. For example, the daughters of Māra Pāpīyān (魔王波旬) — the celestial maiden Love-Thought (愛念天女), the celestial maiden Love-Delight (愛樂天女), among three — represent the most extreme craving and attachment (貪愛執著, tṛṣṇā-abhiniveśa) deep within the desire realm [10701, 10705]. Having failed in their attempts to seduce practitioners, with their wishes unfulfilled, they returned to Māra's side and were mocked in verse [10709]. This shows that celestial maidens likewise remain within the cycle of the desire realm, and their beauty itself can become a formidable obstacle on the path of cultivation.

2. The Celestial Maiden in the Mahāyāna Scriptural Collections: A Great Deity of Awe-Inspiring Compassion Who Delivers All Beings

By the time of Mahāyāna scriptures such as the *Suvarṇaprabhāsottama Sūtra* (*金光明最勝王經*, "Sūtra of the Most Victorious King of Golden Light"), the function of celestial maidens (such as the celestial maiden Nārāyaṇī (天女那羅延), the great goddess Vāsudhārā (婆蘇大天女), and the Great Goddess (大天女, mahādevī)) underwent a profound divinization and soteriological expansion: * Possessing both beauty and ugliness, and an awe-inspiring dharma-form: Mahāyāna scriptures broke through the narrow understanding of the celestial maiden as "merely gentle and beautiful." The Great Goddess simultaneously possesses both beautiful and ugly countenances; her very eyes can cause those who see them to feel fear [12929]. She wears a robe of blue wild silk, her hair in a topknot, holding a trident in her hand, with sun and moon banners on left and right [12929]. This image fuses the dual powers of life and death, light and darkness, within heaven and earth. * Dwelling in perilous places and taming all creatures: She does not reside in a warm chamber but abides in "deep perilous cliffs and crags, pits and caves, riverbanks, and within great trees and dense groves" (深險的山巖、坎窟、河邊及大樹叢林之中), often surrounded by fierce beasts such as lions, tigers, and wolves, with cattle and sheep also nearby; the sound of her great bell resounds through the valleys [12929]. She is not merely one who arrives at the appointed time in celestial assemblies, but the foremost and tamer of all spirits, including nāgas (龍神) and yakṣas (藥叉) [12929]. * Mastery of arts and all-capable deliverance: The Great Goddess is proficient in the four Vedic sciences (四明法, caturveda) of ancient India and in the arts of illusion (幻化術) [12929]. In the darkest moments when beings encounter battle formations, fire pits, perilous crossings, thieves, fetters, or murder by enemies, if they can "with a focused mind, unwavering, recollect her" (專注心不移地憶念), they can be released from suffering and fear [12929]. Even more sublime, she "protects both the good and the evil" (善惡人皆擁護), and can bestow on beings intelligence, eloquence, and the power of retention (聞持, dhāraṇī, the memory that never forgets what is heard) [12929].


Checking Against Daily Life

To avoid abstracting the "celestial maiden" into a distant myth, we can rigorously cross-check the concrete experiences of contemporary people in work, relationships, and spiritual distress against the classical definition of the celestial maiden in the scriptures.

Scenario 1: Projection onto "Perfect Looks/High-Energy Images" While Scrolling Through One's Phone Late at Night

* Contemporary experience: After working late into the night, you open social media on your phone and see glamorous, perfect-life bloggers with premium filters, or AI-generated perfect female images, and feel envy, inferiority, or a strong desire to possess. * Classical mapping: * Accurate mapping: The celestial maiden in the *Saṃyuktāgama* who "emits electric light, illuminating mountains and valleys" and possesses "supreme beauty of countenance" [16826, 16848] maps to the energy field and exquisite body that life manifests under pure wholesome deeds. The celestial maiden appears in the deep night (the latter watch) to listen to the Dharma, and after listening "immediately vanishes without appearing" [16826] — she does not cling to physical form, nor does she cater to desire. * Commonly mistaken mapping: The public easily maps the celestial maiden onto contemporary "internet influencers" or "aesthetic consumption objects." In the scriptures, the celestial maiden's radiance derives from the accumulation of wholesome deeds and mastery of the Dharma's meaning; the "beauty" under an internet filter is often an illusory phantasm shaped by desire. Before the Buddha, the celestial maiden is an independent verse-speaking rhetorician, not an external symbol for others' enjoyment.

Scenario 2: "Unbounded Demandingness and Seduction" in Emotion and Consumerism

* Contemporary experience: Demanding that one's partner unconditionally fulfill one's romantic fantasies in intimate relationships, or, under the brainwashing of consumerism, believing that owning a certain luxury item confers dignity — and falling into deep heartbreak and resentment when one cannot obtain it. * Classical mapping: * Accurate mapping: This corresponds precisely to the mechanism of the daughters of Māra Pāpīyān (the celestial maidens Love-Thought and Love-Delight) in the *Saṃyuktāgama* [10701, 10705]. They represent the attachment of desire-realm beings to "craving" and "entanglement." When these celestial maidens' "wishes remain unfulfilled," they can only return to Māra, caught in a cycle of mockery and suffering [10709]. * Commonly mistaken mapping: People often blame temptation and desire on external "femmes fatales." But in Buddhist doctrine, the broken wings of the Love-Thought celestial maiden are essentially the backlash of the mind's clinging to "illusory phantasms of the desire realm." It is not the external environment harming you; it is the unsevered craving controlling you.

Scenario 3: Moments of Despair During Sudden Layoffs, Serious Illness, or Systemic Crisis

* Contemporary experience: Receiving a layoff notice, facing mortgage default, contracting a serious illness, or being caught in force-majeure risk. This feeling of isolation and despair, as if plunged into an icy abyss, is like being in a cruel battlefield or an invisible prison. * Classical mapping: * Accurate mapping: This maps exactly to the extreme predicaments described in the *Suvarṇaprabhāsottama Sūtra*: "terror of battle formations, falling into fire pits, peril at river fords, encountering thieves and robbers, fetters and enemies" (戰陣恐怖、墮火坑、河津險難、遭遇賊盜、枷縛怨仇) [12929]. The Great Goddess Nārāyaṇī who appears at such times is not a fragile fairy but an awe-inspiring savior "clad in a robe of blue wild silk, holding a trident, bearing sun and moon banners" [12929]. She rings her bell among cliffs, caves, and wild beasts [12929], providing a fearless barrier for those in desperate straits. * Commonly mistaken mapping: People easily assume that the sacred power of Buddhism is always gentle and submissive. The scriptures explicitly state that the Great Goddess "possesses both beauty and ugliness, and her eyes cause beholders to feel fear" [12929]. This fearful countenance exists precisely to intimidate and tame the most extreme afflictions and perils of the world. Seeking the power of the celestial maiden is essentially awakening, in the midst of desperation, the inner "focused, unwavering" concentration (定力, samādhi-bala) and faith in the wholesome Dharma [12929].


Why Contemporary People Need It

Understanding the concept of the "celestial maiden" holds extremely practical spiritual re-formation value for contemporary life:

1. Re-Cognizing the Complete Spectrum of "Female Divinity and Power"

In the contemporary context, female power often falls into two poles: either objectified "gentleness and beauty" or hard-edged "toughness" under adversarial confrontation. The concept of the celestial maiden (especially the Great Goddess in the *Suvarṇaprabhāsottama Sūtra*) offers a complete perspective that transcends binary opposition: she can manifest the "marvelous celestial body" and bestow compassion, yet she can also "tame nāgas and yakṣas" on perilous cliffs, holding a trident [12929]; she bestows gentle protection upon the world, yet possesses a majesty that makes evildoers fear [12929]. This paradigm of "beauty and fear together," "compassion and power coexisting," provides a profound spiritual reference for contemporary people to rebuild their inner subjectivity.

2. Gaining "Unconditional Inclusiveness and Cognitive Empowerment" Amid Anxiety and Crisis

Contemporary society is saturated with performance anxiety; everyone fears being eliminated by the system for being "not good enough" or "having made mistakes." Yet the Great Goddess's logic of deliverance in the scriptures is: "She protects both the good and the evil" [12929]. She sets no moral threshold; as long as beings in peril can "with a focused mind, unwavering, recollect her" [12929], they can receive rescue. More importantly, what the celestial maiden bestows on beings is not merely material protection but "intelligence, eloquence, and the power of retention" [12929] — which in contemporary terms can be understood as the wisdom to break through impasses, the ability to articulate clearly, and strong memory and cognitive capacity. Her way of saving people is to directly elevate the inner cognitive energy of life.

3. Comparison and Boundary with Contemporary Technology (AI/Algorithms)

* Analogy and comparison: Contemporary people often liken AI algorithms or always-responsive intelligent systems to "omnipresent guardian deities." The Great Goddess's "arrival at the appointed time" and immediate fulfillment of various petitions [12929] is, in functional form, indeed similar to an extremely high-dimensional intelligent entity with supercomputing power and cross-domain capability ("mastery of the four Vedic sciences and the arts of illusion") [12929]. * Boundary and limitation: But the technological analogy has strict limits. AI algorithms are unconscious code, trained on data, and cannot provide genuine "compassion" (慈悲, karuṇā) or "fearlessness" (無畏); the celestial maiden in the scriptures, by contrast, derives her divine power from "merit made in past lives" (過去所作功德) [1230] and from her reverence for and endorsement of the truth of the Dharma (impermanence, emptiness (空性, śūnyatā)) [16826, 16828]. Modern science has yet to verify the existence of heavenly beings or the physical mechanisms of supernormal powers (神通, ṛddhi); such an analogy is merely a cognitive borrowing and must never equate science with the Dharma.


Common Misreadings and Clarifications

Misreading 1: The Celestial Maiden Is Merely a "Handmaiden" or "Instrument of Pleasure" in the Heavens

* Clarification: This is a typical secularizing narrowness. In the Āgamas, the celestial maiden is a wise being who can speak verses independently before the Buddha in the latter watch of the night and receive the Buddha's dual endorsement ("Thus it is, celestial maiden! Thus it is, celestial maiden!") [16826, 16828]; in Mahāyāna scriptures, the Great Goddess is the foremost of all spirits, a great deity of sovereign freedom [12929]. They are carriers of spiritual power and the fruition of wholesome karma — by no means dependents.

Misreading 2: Believing in the Celestial Maiden Is Falling into "Feudal Superstition and Non-Buddhist Prayer to Gods"

* Clarification: The celestial-maiden faith in Buddhism is fundamentally different from non-Buddhist blind worship. The celestial maiden can manifest deliverance only on the precondition that beings themselves "cultivate wholesome deeds" or "keep their minds focused and unwavering" [12929, 16996]. In the *Saṃyuktāgama*, the ultimate purpose of the celestial maiden's manifestation is to inspire bhikṣus and the world to "diligently cultivate wholesome deeds" (當增修善業) [16996], thereby leading to liberation. Seeking help from the celestial maiden is essentially using her merit as a mirror to awaken one's own inner purity and concentration.

Misreading 3: The Celestial Maiden Is Always Gentle, Perfect, and Sweet-Faced

* Clarification: This understanding ignores the celestial maiden's extremely awe-inspiring side. The *Suvarṇaprabhāsottama Sūtra* explicitly records that the Great Goddess "sometimes manifests an ugly countenance, with eyes that cause beholders to feel fear" (或現醜陋容儀,眼目令見怖畏), holding a trident, dwelling on perilous cliffs surrounded by wild beasts [12929]. True sacred power includes the intimidation of darkness and evil; this "fearful countenance" (怖畏相) is itself an extremely fierce manifestation of great compassion.

Canonical EntryAI-generated

一、定义与核心要义 天女(devakanyā)在佛教经典中主要指居住于天界的女性众生,或被赋予无量神力、慈悲与威严的女性神祇。在阿含部经典中,天女多以容色绝妙、身具光明的形象示现,通过与佛陀的互动、听法说偈,起到启迪人间修行者的作用;而在大乘经集部经典中,天女则进一步神格化,化现为具足大神通、通达智艺、能救度众生并接受世俗供养的伟大神祇。 二、主要阐述 1. 外貌特征与神通能力:天女拥有非凡的身体特征。在《雜阿含經》中,天女现身时往往伴随着强烈的光芒,如拘迦那娑天女能放电光明,炎照炽然,普照山谷;她们容色绝妙,拥有具足妙天身;且能来去无踪,常于后夜时分覲见佛陀,听法欢喜后即没不现。而在《金光明最勝王經》中,大天女的形象更为威猛独特,她同时具备美好与丑陋的容仪,眼目令见者产生怖畏,身穿青色野蚕衣,发型为圆髻,手执三戟,左右持日月旗。 2. 化现、眷属与栖息所:天女具有多重化现。在《金光明最勝王經》中,她可化现为天女那罗延、婆苏大天女、少女天、牧牛欢喜女等,亦被视为阎罗之长姊。她多依止于深险的山岩、坎窟、河边及大树丛林之中,常有师子、虎、狼等猛兽围绕,牛、羊、鸡等动物相依,其振大铃铎之声能响彻频陀山。 3. 供养仪轨与救度功能:天女在世俗中受到广泛信仰。即使是山林野人,也常以孔雀羽制作幡旗,并在黑月九日十一日之时对其进行供养。天女精通大婆罗门四明法及幻化咒术,在天仙中得大自在。她能调伏龙神、药叉等众,满足众生求愿,赐予聪明、辩才与闻持之力。在众生遭遇战阵、火坑、险难、贼盗、枷缚或怨仇杀害时,若能专注忆念她,即可解脱忧苦、消除怖畏,她对善恶之人皆予以拥护。 4. 与佛陀的互动及对修行者的启示:天女与佛陀的互动具有高度程式化的叙述结构。天女至佛所后,稽首佛足或恭敬作礼,退坐一面。她们在佛前说偈,佛陀则以“如是,天女!如是,天女!如汝所說”等双重肯定之语给予印可。次日清晨,佛陀会向比丘们转述夜间与天女对答的经过。天女的示现能激发修行者的精进心,使其决定增修善业以期未来生于天上。 三、不同部类与译本的表述差异 1. 译名与称呼差异:在《雜阿含經》中,天女多以其特定名称或数字排序出现,如“拘迦那娑天女”(后文亦作“拘迦娑天女”)、“朱盧陀天女”、魔王波旬之女“愛念天女”与“愛樂天女”,以及“第二天女”、“第三天女”、“第四天女”、“第五天女”等。而在《金光明最勝王經》中,则使用了“天女那羅延”、“婆蘇大天女”、“大天女”、“少女天”、“牧牛歡喜女”等极具神格化的多重称呼。 2. 角色定位差异:在阿含部经典中,天女主要作为天界的女性众生,扮演听法者、说偈者以及修行启迪者的角色;而在大乘经集部经典中,天女(如大天女那罗延)则被塑造成一位集威猛、慈悲、智慧与救度功能于一身的伟大女性神祇,不仅能调伏诸神,还能满足众生世俗与出世间的种种求愿。 四、与相关概念的关系 1. 与魔王波旬的关系:在《雜阿含經》中,爱念天女与爱乐天女等三天女为魔王波旬之女,她们曾因志愿不满而回到魔王身边,并受到魔王的偈言戏弄。 2. 与佛陀及比丘的关系:天女对佛陀极度恭敬,通过说偈向佛陀请法或表达见解,并获得佛陀的印可。佛陀将天女的对答转述给比丘,以此作为对僧团的教化。 3. 与诸天、龙神、药叉的关系:在《金光明最勝王經》中,大天女是诸天女集会时的应期而至者,亦为龙神、药叉等众的上首,具有调伏众灵的至高地位。 五、代表性原文引用 1. 《雜阿含經》卷二十二:“時,有拘迦那娑天女,容色絕妙,於後夜時,放電光明,炎照熾然,普照山谷。往詣佛所,稽首佛足,退坐一面。” 2. 《雜阿含經》卷二十二:“佛告天女:‘如是,天女!如是,天女!如汝所說。’” 3. 《金光明最勝王經》卷九:“第一擁護讚歎天女那羅延功德品:‘天女那羅延,於世界中得大自在……或現婆蘇大天女,常懷愍念對怨敵。’” 4. 《金光明最勝王經》卷九:“爾時,婆羅門以妙伽他,禮拜讚歎大天女曰:‘我今歸依諸天女,曾於過去作功德……’” 5. 《金光明最勝王經》中亦有天女亲自向世尊请法的记载。

By SutraAI-generated

雜阿含經T0099 · 阿含部

《雜阿含經》對於「天女」——女性形態的天界有情——的論述,主要透過多則天女前來禮敬世尊、以偈頌問答的情節展開,呈現天界有情化現女身、光明具足、親近正法的形象。

第一,天女之光明身相。本經明言拘迦那娑天女「光明之天女,放電光明,炎照熾然」,能於後夜來詣佛所時「光明普照山谷」;又記二天女「容色絕妙」,偈中讚其「具足妙天身」,顯示天女身形莊嚴、勝妙異常,並具光明威神。

第二,天女禮佛說偈的固定結構。本經常見「時,天女……於後夜時來詣佛所,稽首佛足,退坐一面」的敘述,如拘迦那娑天女、朱盧陀天女皆循此模式。天女以偈頌陳述義理或請法,如「拘迦娑天女復說偈言」,並有「第二天女復說偈言」、「第三天女復說偈言」、「第四天女復說偈言」、「第五天女復說偈言」,乃至「愛念天女復說偈言」、「愛樂天女復說偈言」,顯示天女不僅以身相供養,亦能以偈頌參與法義對論。

第三,佛對天女問答的回應方式。世尊對天女多以「如是,如是,天女!如汝所說」加以印可;亦有由比丘轉述,以「我時答言:『如是,天女!如是,天女!如汝所說』」記錄,呈現佛陀對天女問答的肯定與尊重。

第四,天女聞法後的離去方式。經中描述天女聞佛所說後,「歡喜稽首,即沒不現」,顯示天女能以神通隱沒,與人間聽法者行儀有別。

第五,天女與天界主魔波旬的關係及名號。本經亦載「三天女志願不滿,還詣其父魔波旬所」,點出部分天女乃魔波旬之女,與魔有血緣關係;經中亦見「愛念天女」「愛樂天女」等具名天女,顯示天女各有其名號。

綜上,《雜阿含經》論述「天女」主要從光明身相、禮佛說偈、聞法歡喜隱沒、與天魔關係及個別名號等側面展開,呈現天界女性有情親近佛法、以偈頌問答的形象。

金光明最勝王經T0665 · 經集部

本經論述「天女」主要集中於一處偈頌式的長篇讚歎文。經文先以「是時天女請世尊曰」一句作為引子,隨即展開一段由他口(或天界有情)對天女所作的全面讚頌。

一、術語形式:本經既用通名「天女」,又冠以具體名號「那羅延」,合稱「天女那羅延」,呈現通名與別名兼具的形式。「那羅延」一詞本常譯作 Narayana,本經以此作為此位天女之名,是本經較獨特的名稱用法。

二、形貌與威儀:經文描寫天女「常著青色野蠶衣」,能現好醜容儀,「眼目能令見者怖」,常持三戟、頭圓髻,左右執日月旗。其外相兼具可畏與莊嚴兩面。

三、親緣關係之獨特側面:本經稱天女為「閻羅之長姊」,將天女與閻羅王建立姊妹關係,這是本經獨特的身份設定。

四、住處與眷屬:天女「或在山巖深險處,或居坎窟及河邊,或在大樹諸叢林」;常以孔雀羽作幡旗,「於一切時常護世」;師子虎狼環遶,牛羊雞等相依;大鈴鐸出音,頻陀山眾皆聞響。

五、方便示現與通達:經文說天女能「或現婆蘇大天女」、「權現牧牛歡喜女」,具「大婆羅門四明法,幻化呪等悉皆通」,於天仙中得自在,可為「種子及大地」,於諸天女集會時「如大海潮必來應」,為龍神藥叉眾之上首。

六、功德地位:經文稱天女「於諸女中最梵行」,面貌「猶如盛滿月」,辯才「勝出若高峯」;「千眼帝釋主,以殷重心而觀察」,「阿蘇羅等諸天眾,咸共稱讚其功德」。

七、利益眾生:天女能令眾生所求速成,「亦令聰辯具聞持」,「如大燈明常普照」。於戰陣恐怖、火坑、河險、賊盜、王法枷縛、怨讎殺害等處,「悉能令彼除怖畏」、「決定解脫諸憂苦」,「於善惡人皆擁護,慈悲愍念常現前」。

八、供養時節之具體細節:本經特別指出應於「黑月九日十一日」供養天女,此為本經所記的具體修供時日。

九、超越性總結:經文以「唯有天女獨稱尊,不見有情能勝者」、「如少女天常離欲,實語猶如大世主」作結,於欲界諸天宮中標舉其最尊地位。

本經此段以偈頌讚體呈現,並未從義理層面深入剖析「天女」概念,而是以文學性頌揚為主,呈現出該經獨特的論述風格。