Dharma · AI Companion

佛眼印

buddha-cakṣur-mudrā

密教手印之一,结印加持以清净眼根、成就佛眼,得见如来深密境界。AI-generated

Type PhenomenaDifficulty IntermediateTruth-level span outside the four-fold two-truths frameworkInitial AI estimate · evolves with use

A Contemporary ReadingAI-generated

In the esoteric Buddhist tradition (密教, *mìjiào*), a *mudrā* (印, *yìn*, "seal") is far more than a gesture. It is a deliberate arrangement of body, breath, and mind in which the practitioner's hand becomes a crystallized teaching — a small, visible mandala that the body itself performs. The Buddha-Eye Mudrā is one of the most quietly radical of these seals, because it does not aim to summon a deity, weaponize compassion, or build a palace of visualization. Its entire purpose is to change the way you see.

For a contemporary reader, this is unusual terrain. Most Buddhist concepts that have entered modern circulation — *emptiness*, *mindfulness*, *no-self* — have been softened into general wisdom. The Buddha-Eye Mudrā has not. It is still a ritual technology with specific hand-shapes, a mantra, and a doctrinal core that resists any flattening. So let's walk slowly through it: what it actually says, how it shows up in ordinary life, why it matters now, and where popular interpretations most often go wrong.


What This Concept Is Actually Saying

The Short Sūtra Line, and Why It Matters

The *Mahāvairocana Sūtra* (《大毘盧遮那成佛神變加持經》, *Dàbìlúzhēnài Chéngfó Shénbiàn Jiāchí Jīng* — the central scripture of East Asian esoteric Buddhism) says almost everything about the Buddha-Eye Seal in a single sentence:

「如前,佛頂印,是佛眼印。復有少異,所謂金剛標相。」 *"As before, the Buddha-Top Seal is the Buddha-Eye Seal. There is a small difference, called the vajra-marker."*

That is, the Buddha-Eye Seal takes the Buddha-Top Seal (佛頂印) as its base structure, and adds one distinctive mark. This is already doctrinally loaded: the eye is not a separate organ added onto the Buddha's body. It is born from the very same maternal structure that births the crown of awakening.

The Buddha-Top Seal itself, in the same passage, is described as: meditation-hand (定手) and wisdom-hand (慧手) joined, earth-wheel (地輪, thumb) and water-wheel (水輪, little finger) both pointing downward, the two fire-wheels (火輪, index fingers) extended straight with their tips touching, the two wind-wheels (風輪, ring fingers) bent and resting on the third joint of the fire-wheels, the two space-wheels (虛空輪, middle fingers) standing side by side — forming what the sūtra calls "the shape of three eyes" (如三目形). It then names this whole structure "the Tathāgata-Top Seal, Mother of Buddhas and Bodhisattvas" (如來頂印佛菩薩母).

So the Buddha-Eye Seal sits inside a family of "mother-seals," all sharing the gesture of earth- and water-fingers bending inward, with the upper fingers arranged into eye-like shapes. What distinguishes the Buddha-Eye Seal specifically is its focus on the eye — both the bodily eye and the perceptual faculty — and its specific "vajra-marker."

The Three Hand-Forms in Yixing's Commentary

The commentary (《大毘盧遮那成佛經疏》, *Dàbìlúzhēnài Chéngfó Jīng Shū*) by the Tang dynasty master Yixing (一行) preserves not one but three distinct hand-forms for what is called the Buddha-Eye Seal. This is not contradiction; it is how esoteric ritual works — the same seal is shaped differently for different ritual occasions. Presenting only one would flatten the tradition.

Form 1 — The Basic Form (from the Eight Secret Seals section, 祕密八印): > 「先為拳,乃以空指壓風地二指而申水火指,用右手作之。作已,用此二指柱於其眼,先加右眼、次加左眼。」 > First form a fist. Then press the space-finger (空指) over the wind- and earth-fingers, and extend the water- and fire-fingers. Do this with the right hand. Once formed, take those two extended fingers and bring them to the eyes — first the right eye, then the left.

This is the most intimate of the forms: the practitioner's own hand touches their own eyes. The seal is performed on the body, not held in the air.

Form 2 — The Eye-Shape Form (from the Secret Seal section, 祕密印法): > 「作三補吒,雙屈地水入掌,竪二火令如針,二風指轉捻二火指第三節上,由如眼形。」 > Make the *triputa* (三補吒, a joined-palm shape). Bend both earth- and water-fingers into the palm. Raise the two fire-fingers like needles. Twist the wind-fingers onto the third joint of the fire-fingers, so the hand itself forms "the shape of an eye."

Here the seal is the eye — the hand becomes a sculpted eye-shape held in space.

Form 3 — The Five-Prong Form (from the Buddha-Top section, 佛頂部): > 「佛眼印,如前佛母印作之。是中少異者,謂開空指令去火指背一麥許不相著,如似五股之形即是也。」 > Perform the Buddha-Eye Seal as the Buddha-Mother Seal above. The slight difference is: open the space-finger away from the back of the fire-finger by about the width of a single barley grain, forming the shape of a five-pronged vajra.

Here the seal opens into a five-pronged shape (五股之形), gesturing toward the five-pronged vajra — the symbol of the Five Wisdoms in esoteric iconography.

What holds all three together is two things: the eye-shaped gestalt (由如眼形) and the function of purifying the eye-faculty. The hand is not arbitrary. Whether the fingers touch the eyes, sculpt an eye-shape in the air, or open into a vajra-five-prong, the body's gesture constantly points back to the eye as the site of transformation.

What the Seal Is For

The sūtra-śāstra gives the function in one sentence:

「以此祕密方便能淨眼根、成就佛眼、得見如來深密境界。」 "Through this secret expedient means, one can purify the faculty of sight, accomplish the Buddha-eye, and come to see the Tathāgata's profound and secret realm."

Three terms here must be kept precise, because contemporary language tends to collapse them:

- **眼根 (eye-faculty, *cakṣur-indriya*)**: not just the eyeball, but the entire perceptual apparatus — the sense-organ together with its capacity to register visual forms. In the Buddhist analysis of the six sense-faculties (六根, *ṣaḍ-indriya*), "eye" is a way of meeting the world.

- **佛眼 (Buddha-eye, *buddha-cakṣus*): in the classic enumeration of the Five Eyes** (五眼, *pañca-cakṣus*) — flesh-eye (肉眼), divine-eye (天眼), wisdom-eye (慧眼), dharma-eye (法眼), Buddha-eye (佛眼) — the Buddha-eye is the most comprehensive. It sees all phenomena exactly as they are, in their emptiness and their suchness, without obstruction. It is the seeing that comes from full awakening.

- 如來深密境界 (the Tathāgata's profound and secret realm): not a hidden location but a way reality shows itself when the seer has been transformed. "Profound and secret" (深密) here echoes the title of the *Saṃdhinirmocana Sūtra* (《解深密經》) — the realm that cannot be entered with an ordinary eye.

So the seal is a ritual technology for transforming the very organ of seeing — the way perception itself operates — so that what one sees is no longer filtered through the ordinary defilements of greed, aversion, and confusion, but through the awakened eye of the Buddha.

The Doctrinal Core: Great Compassion Is the Eye

Yixing's commentary goes further, into the doctrinal heart of the seal. He reads the mantra (真言) of the seal as expressing a special kind of emptiness:

「虛空雖無相無礙,而不能成辦大事。今此如來之空雖無所依,而能成就一切勝上之事,過彼虛空不可為匹也。」 "Although the empty sky is formless and unobstructed, it cannot accomplish any great matter. The Tathāgata's emptiness, although it has nothing to rely on, can accomplish all supreme matters — it surpasses that empty sky beyond compare."

This is a striking inversion. In ordinary Mahāyāna usage, "emptiness" (空, *śūnyatā*) is sometimes imagined as passive absence. Yixing insists that the Tathāgata's emptiness is not passive: it is the emptiness from which compassionate action spontaneously arises. The Buddha's "emptiness" is more capable than the physical sky.

Then he delivers the line that, in many ways, is the doctrinal key to the entire seal:

「大悲體者,即是如來之眼。此眼從大悲生,能生大悲也。」 "The substance of great compassion is precisely the Tathāgata's eye. This eye is born from great compassion, and can give birth to great compassion."

The deepest nature of the Buddha-eye is not wisdom-as-information, not supernatural clairvoyance, not omniscience as a database. The deepest nature of the Buddha-eye is great compassion (大悲, *mahākaruṇā*). The eye sees because compassion moves it to see. And the eye so moved becomes itself a source of further compassion. The Buddha-eye is a compassion that begets compassion — a seeing that endlessly gives rise to more seeing-in-compassion.

This is why the seal is named for the eye and not, say, the mind, the heart, or wisdom. In this tradition, the awakened capacity to perceive the world as it truly is is identical with the awakened capacity to respond to the world's suffering. To see truly and to love truly are the same act.

Its Place in the Seal-Family — and What It Is Not

The Buddha-Eye Seal is not an isolated technical term. It belongs to a family of seals — Buddha-Top Seal (佛頂印), Buddha-Mother Seal (佛母印), Buddha-Bodhisattva-Mother Seal (佛菩薩母印) — that share a common gestalt: bending earth- and water-fingers into the palm, with variations on how the other fingers stand. The commentary explicitly notes: "如前名為佛母印。此中名佛頂印,亦名佛菩薩母印也" — "What was earlier called the Buddha-Mother Seal is here called the Buddha-Top Seal, also called the Buddha-Bodhisattva-Mother Seal." Same hand-shape, different ritual names. The names themselves — *mother*, *top*, *bodhisattva-mother* — point at the same root: the great-compassion womb from which all awakening is born.

What distinguishes the Buddha-Eye Seal specifically is its functional focus on the eye and its specific vajra-marker.

It is also important to note what the Buddha-Eye Seal is not. The same *Mahāvairocana Sūtra* describes two other seals using eyebrow and ūrṇā vocabulary that may sound similar:

- 「正覺白毫相,慧手金剛拳,而在於眉間」 — "The ūrṇā mark of right awakening: the wisdom-hand forms a vajra-fist, placed between the brows." This is called a body-secret seal (身密印), not the Buddha-Eye Seal. - The Great Seal (大印) shaped "like a *bīja*" (如毘俱知形) at the ūrṇā, used against demons and obstacles.

Both use similar imagery — brows, ūrṇā, vajra-fist — but the sūtra names them differently, and they should be kept distinct from the Buddha-Eye Seal.


Walking Through It in Everyday Life

A reasonable question at this point: *what does any of this have to do with me, who will never enter a Tang-dynasty tantric ritual hall?*

A lot, actually. Because the seal is not only a hand-shape. It is a claim about the eye-faculty — that it can be defiled, that it can be purified, and that its purified nature is compassion. That claim applies to every pair of eyes, in every century. The hand-shape is one way to operationalize the claim; the principle can be carried in many ways.

Let me walk this through several contemporary scenes, mapping each to the classical terms.

Scene 1 — The morning scroll. You wake, reach for the phone. Within three minutes, the algorithm has your eye-faculty (眼根). By minute ten, you have seen twelve things you didn't intend to see — a friend's vacation, a political outrage, a product you don't need. The eye has been recruited.

In the classical framework, eye-faculty + visible form (色) + eye-consciousness (眼識) is producing a stream of experience shaped by *vāsanās* — old habit-patterns — that the algorithm has learned to exploit. This is what the seal calls an "impure eye." The eye is functioning, but it is functioning in the service of craving and aversion, not in the service of insight.

The seal's gesture — touching the eyes with the extended fingers, first right then left — can be translated, at the level of principle, into something like: *pause*; *notice* what the eye is being drawn to; *name* it ("this is the algorithm recruiting my attention, not me freely seeing"); *let the seeing settle back to its source*. The two extended fingers, in the classical seal, are water- and fire-fingers — water for cooling the burning of craving, fire for the discriminating clarity that knows what is happening. The eye, in this moment, is being given back to itself.

Scene 2 — The work meeting. You sit in a meeting. Someone presents an idea you disagree with. Your eye is now doing two things at once: hearing the words and scanning for threats — to your status, to your team's plan, to your own sense of being right.

The Buddha-Eye Seal's deepest doctrinal claim — that great compassion is the substance of the eye — is tested here. An "impure eye" sees the colleague as an obstacle, a competitor, a threat. The Buddha-eye would see... what? Not a nicer version of the colleague. Not a softened version of the disagreement. But rather, the colleague as a being with suffering and hopes, whose idea is arising from their own conditioning, just as your disagreement is arising from yours.

This is the "see the Tathāgata's profound realm" (得見如來深密境界) part. The "Tathāgata's realm" is not a hidden place. It is what shows up when the eye-faculty is no longer dominated by the eight concerns (八風: gain, loss, fame, disgrace, praise, blame, pleasure, pain). When the eye is purified, the same meeting-room shows up — but the seeing is different.

The three forms of the seal can be read here as three levels of practice. Form 1 is the level of *receiving* — touching your eyes with fresh seeing, sitting quietly and letting something open. Form 2 is the level of *reshaping* — not just adjusting what you look at but how looking itself is structured, so that the eye-hand gestalt becomes the eye of the meeting. Form 3 is the level of *opening* — when the ordinary threat-scanning eye opens into its five-wisdom form, and you see the colleague, the disagreement, and your own reactivity all at once, in a single non-clenched gaze.

Scene 3 — Watching your child. A parent watches a child struggle. The eye-faculty is fully engaged — perhaps over-engaged. There is love here, but the love is filtered through anxiety: will they be okay, will they fail, will they be hurt.

This is one of the most common contemporary forms of "impure eye." The eye is wide open and very alert, but it is dominated by fear. The seal's teaching is not that you should look away — the contemplative tradition does not advocate negligent parenting. The teaching is that **the eye can be wide open *and* spacious**. Wide-open fear-seeing is what the seal calls the ordinary, defiled eye. Wide-open compassion-seeing is what the seal calls the Buddha-eye.

The mantra-śāstra's line — "great compassion is precisely the Tathāgata's eye" — is, for parents, almost literal. The reason you are watching is compassion. The reason the watching often becomes anxious rather than compassionate is that compassion has been overlaid with grasping. The seal's work is to strip the grasping off, so that the original watching-compassion can shine through.

Scene 4 — The commute, the news cycle. A person watches the news. The eye is being trained to scan for threats, ideological enemies, confirmations. This is a contemporary, distributed, algorithmic version of the defiled eye — millions of eyes being constantly conditioned by systems optimized for engagement, not awakening.

The Buddha-Eye Seal offers, here, not a technique but a diagnostic: most of our contemporary "seeing" is being shaped by forces that do not have our awakening as their goal. The seal is a reminder that the eye *can* be otherwise. The seal says: your eye is not inherently the algorithm's instrument. The eye, at its root, is great compassion.

Where Most Contemporary Mappings Go Wrong — Already

Before moving on, let me flag some of the most common errors in how Buddha-eye talk gets mapped onto modern life, because they will reappear:

1. Reducing "eye" to "physical vision." The seal becomes an eye-health ritual or a "third eye" mystical claim. The Buddhist 眼根 is the entire perceptual-cognitive apparatus, not the eyeball. 2. Reducing "Buddha-eye" to "positive thinking." The seal becomes a kind of optimistic seeing. But the Buddha-eye is not nicer-seeing. It is seeing-as-it-is, which often involves seeing suffering very clearly. 3. Reducing "great compassion" to a warm feeling. The seal's doctrinal core is that compassion is not an occasional feeling but the substance of the awakened eye itself. This is a much stronger claim. 4. Treating the seal as a hand-gesture done for a few minutes, then returning to ordinary seeing. In the classical framework, the seal is a transformation of the eye-faculty itself, with effects on how one sees throughout the day. The hand-shape is a beginning, not the whole practice. 5. Performing the seal without transmission. Esoteric seals are transmitted within a ritual lineage under a qualified teacher (阿闍梨, *ācārya*). Reading a description and imitating it is not the practice. The principle can be carried; the seal itself cannot be self-administered from a text.


Why Contemporary People Need This

Three things make this teaching — almost a thousand years old, embedded in a ritual practice most contemporary readers will never perform — surprisingly urgent now.

1. We are living through an unprecedented experiment in perceptual conditioning.

For most of human history, the shaping of the eye-faculty happened slowly, within local cultures, through face-to-face relationships. Now, in the span of a single generation, billions of eyes are being simultaneously conditioned by algorithmic systems whose explicit goal is to maximize engagement — which is, by definition, the opposite of purifying the eye. The eye is being trained to seek novelty, threat, comparison, outrage. None of these are the eye's native function, in the seal's terms.

The Buddha-Eye Seal's diagnostic — that the eye-faculty can be defiled, and that this defilement matters — was always important. It is now existentially important. The seal does not offer a technological fix. But it offers a framework in which the contemporary situation can be seen clearly: most of what feels like "natural" seeing today is in fact highly conditioned, and the conditioning is not in our awakening-interest.

Contemporary neuroscience has begun to study how attentional training changes perceptual processing — for instance, how contemplative practitioners show differences in how the brain registers sensory input. But this research is still young, the mechanisms are not fully understood, and it would be wrong to claim that science has "proved" the Buddha-Eye Seal. At best, neuroscience provides suggestive parallels: the eye-faculty really is plastic, really is trainable, and really is shaped by what we attend to. The seal's claim goes further than any current science can confirm.

2. The doctrine of "compassion as the substance of the eye" is a serious metaphysical claim.

Contemporary philosophy of mind and cognitive science have generally treated perception as one faculty and emotion as another. The seal's claim — that at the deepest level, the awakened eye *is* great compassion — cuts across this division. It says that pure seeing and compassionate responding are not two separate achievements but one act.

This is not a metaphor in this tradition. It is a metaphysical claim about how awakened awareness operates. It has interesting resonances with strands in contemporary phenomenology and enactivist cognitive science, which emphasize that perception is not neutral information-receipt but is already oriented, already value-laden, already a way of being-in-the-world. The seal would say: yes, and the orientation that runs perception, when purified, is compassion. Whether or not one accepts the full claim, it is a serious proposal — more serious than the pop-philosophy version that says "perception is interpretation."

3. The principle can be transmitted through teaching, even when the ritual cannot.

Most contemporary people will never receive the Buddha-Eye Seal in a tantric transmission. The ritual form requires a qualified teacher, proper ritual space, and a community of practice. But the principle — that the way you see can be purified, that its deepest nature is compassion, that ordinary daily seeing can be the site of awakening — can be carried by anyone, anywhere.

This is, in fact, exactly what the three forms of the seal suggest. Form 1 is the level of *receiving* — letting some fresh seeing interrupt the habitual. This is accessible: pause, notice what your eye is doing, let the seeing be touched by something other than its habits. Form 2 is the level of *reshaping* — actively restructuring the perceptual apparatus. This requires more sustained practice: meditation, study with teachers, deliberate attention to one's perceptual patterns. Form 3 is the level of *opening* — when seeing opens into something larger than usual, into the five-wisdom gestalt. This is rare, and traditionally comes only after long cultivation. But it is not unrelated to moments many people have already experienced — moments of seeing through the habitual filter, often in crisis or in deep contact with beauty or suffering.


Common Misreadings and Clarifications

Even with the careful walk-through above, certain misreadings of the Buddha-Eye Mudrā keep recurring. Let me address the most persistent ones directly.

"This is just a ritual for better eyesight." No. The seal's function is the purification of the eye-faculty (眼根) — the entire perceptual-cognitive apparatus through which visual form is received, recognized, and reacted to. Reading this as an eye-health practice flattens it to ophthalmology and misses the entire perceptual-cognitive and doctrinal dimension.

"Buddha-eye means seeing things more positively." No. The Buddha-eye is not optimism. It is seeing as it is (如實知見), which the Mahāyāna tradition has always insisted includes seeing suffering, impermanence, and emptiness clearly. The seal's doctrinal core — that compassion is the substance of the eye — does not mean the Buddha-eye prettifies the world. It means the Buddha-eye does not flinch from the world.

"The mantra's 'emptiness' means a kind of blankness or passivity." Yixing's commentary is explicit on the opposite: the Tathāgata's emptiness *accomplishes* all supreme matters; it is not the empty sky's passive non-obstruction. The seal's emptiness is an active, responsive, compassionate emptiness. This is one of the central points of the commentary and should not be flipped.

"Great compassion means a feeling of warmth or kindness." The seal says something stronger: great compassion is the substance (體) of the awakened eye. It is not an occasional emotional state overlaid on perception. It is what perception is when purified. This is why the eye that sees truly and the heart that responds truly are, in this tradition, the same act.

"The Buddha-Eye Seal and the ūrṇā / white-brow seals are the same thing." They are not. The *Mahāvairocana Sūtra* explicitly distinguishes them: the body-secret seal and the great seal of the ūrṇā, both involving the brow and vajra-fist, are named separately and serve different ritual functions. The Buddha-Eye Seal focuses on the eye itself and the eye-shaped gestalt of the hand. The two should be kept distinct, especially given that all three appear in the same sūtra.

"All 'eye' mudrās in esoteric Buddhism are interchangeable." They are not. Within the same sūtra and its commentary, the Buddha-Eye Seal is named alongside the Buddha-Top Seal, Buddha-Mother Seal, Buddha-Bodhisattva-Mother Seal, and the ūrṇā seals — and they are deliberately distinguished. The Buddha-Eye Seal's specific identity is its focus on the eye and its eye-shaped gestalt; this is what differentiates it within the family.

"If I read about the mudrā, I can perform it myself." No. In the esoteric Buddhist tradition, *mudrās* are transmitted within a ritual lineage, under a qualified teacher (阿闍梨, *ācārya*), often alongside mantra transmission and consecration. Reading a description gives access to the principle, which is valuable and can be carried in ordinary life. But the ritual seal itself is not self-administered from a text, and trying to do so would misunderstand what a *mudrā* is — a body-teaching that requires initiation to mean what it means.

"Since the seal has multiple hand-forms, the tradition is inconsistent or confused." No. The three forms appear in three different ritual contexts (Eight Secret Seals, Secret Seal section, Buddha-Top section). Esoteric ritual works on the principle that the same seal is shaped differently for different occasions. This is not confusion; it is ritual precision. The unity across the forms is not in the hand-shape but in the function (purifying the eye-faculty) and the gestalt (由如眼形 — the eye-shape signature).


A Closing Reflection

What is most quietly remarkable about the Buddha-Eye Mudrā is that it does not ask you to add anything to your seeing. It does not ask you to visualize a deity, to imagine a third eye, to take a supplement, to chant a magic word for better vision. It asks you to notice what your seeing already is — and to notice that its deepest nature, when purified, is not threat-scanning, not comparison, not control, but great compassion.

In a century when billions of eyes are being conditioned to see through the filter of engagement-optimized systems, this teaching is not ancient curiosity. It is a diagnosis. And the diagnosis comes with a proposal: that the eye which sees truly, sees compassionately, and that this is not two achievements but one.

The seal itself may remain, for most contemporary readers, a ritual they will never perform. But the principle — that how we see is the deepest practice, and that the deepest seeing is love — is something that can be carried into every scroll, every meeting, every parental glance, every news cycle.

The hand-shape is a beginning. The eye is the work.

Canonical EntryAI-generated

一、定义与核心要义

佛眼印(buddha-cakṣur-mudrā),又作如来眼印,乃密教手印之一。其核心要义在于以特定之印相加持行者眼根,令其清净而成就佛眼之智,由此得见如来深密不可思议之境界。印相之共通特征在于「由如眼形」之表征。

二、主要阐述

《大毘卢遮那成佛神变加持经》(大日经)以「佛眼印」为名直接列举,将其置于如来顶、佛顶等密印系列之中。经云:「如前,佛顶印,是佛眼印。复有少异,所谓金刚标相。」即以先前所述之佛顶印为基本印相,而以「金刚标相」标示其特异之处。佛顶印之具体作法为定手、慧手相合,地轮、水轮皆向下,二火轮伸直而指端相连,二风轮屈置于火轮第三节上,二虚空轮并列,形成「如三目形」之相,经称之为「如来顶印佛菩萨母」。佛眼印在此结构上与如来顶印、佛顶印及三目形相连,特有之标志则为「金刚标相」。

《大毘卢遮那成佛经疏》(唐一行记)对佛眼印之修法、印相、功用与真言义理有详尽发挥,可归纳为三方面:

其一,根本印相与修法:疏于秘密印法中详述结法,「先为拳,乃以空指压风地二指而申水火指,用右手作之。作已,用此二指柱于其眼,先加右眼、次加左眼」——先结拳,再以空指叠压风、地二指而伸水、火二指,以右手结已,即以所伸二指触眼,先右后左。其密意在「以此秘密方便能净眼根、成就佛眼,得见如来深密境界」。

其二,真言诠释与大悲本怀:疏对此印真言义理特别发挥。先释真言中所诠之空义:「虚空虽无相无碍,而不能成办大事。今此如来之空虽无所依,而能成就一切胜上之事,过彼虚空不可为匹也」——以如来空智超越于世间虚空,能成就一切胜事。然后点明眼之本性:「大悲体者,即是如来之眼。此眼从大悲生,能生大悲也」——佛眼之体即如来大悲,从大悲而生,亦能再生大悲,是佛眼印最深意趣。

其三,同名异制之结法:同名「佛眼印」之结法,于疏中不同仪轨段落出现不同形制。(1)于秘密八印中之基本结法,为先结拳、以空指压风地而伸水火、用右手触眼。(2)于秘密印法段落别出之结法:「作三补咤,双屈地水入掌,竖二火令如针,二风指转捻二火指第三节上,由如眼形」。(3)于佛顶部印法中:「佛眼印,如前佛母印作之。是中少许异者,谓开空指令去火指背一麦许不相着,如似五股之形即是也」。此显示疏文随事施设,同称佛眼印而印相各异,然共通意趣皆在「由如眼形」之表征及眼根清净之功能。

三、不同部类与译本的表述差异

《大日经》与《大日经疏》两部文献在佛眼印之记述上各有侧重,须分别看待:

- 《大日经》:以经文形式列出佛眼印之名,采用「如前」承接之方式,以先前所说之佛顶印为基本印相,其特异在「金刚标相」。经中未另立完整之印相步骤。 - 《大日经疏》(唐一行记):作为经疏,对印相之具体结法、真言义理、功用境界作详细解说。疏中并存三种不同印相之结法,分别见于秘密八印、秘密印法及佛顶部之段落,可见印相之施设随事而有差异。

关于印名之互通,疏中显示佛眼印与佛母印、佛顶印、佛菩萨母印有密切联系。如佛顶部段落即云:「如前名为佛母印。此中名佛顶印,亦名佛菩萨母印也」——同结地水屈入之相,于不同部类中互称互通,皆以如来大悲母德为其根本体性。

四、与相关概念之关系

- 与佛顶印之关系:《大日经》明言佛眼印「如前,佛顶印」为其基本印相,特异处在「金刚标相」。佛顶印「如三目形」之相,即为佛眼印之基本结构。 - 与佛母印、佛菩萨母印之关系:《大日经疏》显示同名异制之情形,三印于不同部类段落中互称互通,皆以如来大悲母德为根本体性。 - 与眉间白毫印之关系:《大日经》另说「正觉白毫相,慧手金刚拳,而在于眉间」之身密印,又说以智慧手作金刚拳直舒风轮加于白毫之际「如毘俱知形」,称为「大印」,念之能除众魔、令诸障者退散。此等印同样运用眉间、白毫、金刚拳及标帜性形相语汇,但经文分别称为「身密印」与「大印」,并未明言即为佛眼印,故不宜径行等同。

五、代表性原文引用

1. 「如前,佛顶印,是佛眼印。复有少异,所谓金刚标相。」——《大毘卢遮那成佛神变加持经》

2. 「先为拳,乃以空指压风地二指而申水火指,用右手作之。作已,用此二指柱于其眼,先加右眼、次加左眼。」——《大毘卢遮那成佛经疏》(唐一行记)

3. 「以此秘密方便能净眼根、成就佛眼,得见如来深密境界。」——《大毘卢遮那成佛经疏》(唐一行记)

4. 「虚空虽无相无碍,而不能成办大事。今此如来之空虽无所依,而能成就一切胜上之事,过彼虚空不可为匹也。」——《大毘卢遮那成佛经疏》(唐一行记)

5. 「大悲体者,即是如来之眼。此眼从大悲生,能生大悲也。」——《大毘卢遮那成佛经疏》(唐一行记)

6. 「作三补咤,双屈地水入掌,竖二火令如针,二风指转捻二火指第三节上,由如眼形。」——《大毘卢遮那成佛经疏》(唐一行记)

7. 「佛眼印,如前佛母印作之。是中少许异者,谓开空指令去火指背一麦许不相着,如似五股之形即是也。」——《大毘卢遮那成佛经疏》(唐一行记)

8. 「如前名为佛母印。此中名佛顶印,亦名佛菩萨母印也。」——《大毘卢遮那成佛经疏》(唐一行记)

9. 「正觉白毫相,慧手金刚拳,而在于眉间。」——《大毘卢遮那成佛神变加持经》

10. 「如毘俱知形。」——《大毘卢遮那成佛神变加持经》

By SutraAI-generated

大毘盧遮那成佛神變加持經(大日經)T0848 · 密教部

《大毘盧遮那成佛神變加持經(大日經)》直接以「佛眼印」為名,將其列入一系列如來頂、佛頂等密印之中。經文的核心說法是:「如前,佛頂印,是佛眼印。復有少異,所謂金剛標相。」亦即佛眼印以先前所說的佛頂印為基本印相,但又容許一種小異,其差別被稱作「金剛標相」。這是本經對佛眼印最明確而集中的界定;原文並未在此另立完整手印步驟,而採用「如前」的承接方式,須由同段前文所述佛頂印理解其基本形制。

本經所承接的佛頂印,具體作法為定手、慧手相合,地輪、水輪皆向下,二火輪伸直而指端相連,二風輪屈置於火輪第三節上,二虛空輪並列,形成「如三目形」。經文隨即稱此為「如來頂印佛菩薩母」。佛眼印因此在文字結構上與「如來頂印」「佛頂印」及「三目形」相連,而其特有標誌則是上述「金剛標相」。這裡的「定慧手」「地水輪」「火輪」「風輪」「虛空輪」皆是本經敘述密印手勢所用的術語形式。

同段又依次列舉白傘佛頂印、勝佛頂印、最勝佛頂印、除業佛頂印、火聚佛頂印、發生佛頂印及無量音聲佛頂印,並多用「如前」承接刀印、輪印、鉤印、蓮華印、商佉印等既述印相。佛眼印正置於這套密印次第之內,顯示本經的表述重點在於印相之間的承接、同異及標相,而非另作義理性的智慧解說。

此外,本經另說與眉間白毫相關的身密印:「正覺白毫相,慧手金剛拳,而在於眉間」;又說以智慧手作金剛拳,直舒風輪,加於白毫之際,「如毘俱知形」,並稱此印為「大印」,念之能除眾魔、令諸障者退散。 這些文字與佛眼印同樣運用眉間、白毫、金剛拳及標幟性的形相語彙,但原文分別稱為「身密印」與「大印」,並未明言它們就是佛眼印,故不宜逕行等同。本經記錄此概念時,應保留其確切名稱「佛眼印」,並保留「佛頂印」與「金剛標相」這兩項直接限定,不以其他印名代稱。

大毘盧遮那成佛經疏(大日經疏)T1796 · 經疏部

《大毘盧遮那成佛經疏》(唐一行記)論「佛眼印」,可歸納如下:

一、根本印相與修法 疏於祕密印法中詳述佛眼印之結法:「先為拳,乃以空指壓風地二指而申水火指,用右手作之。作已,用此二指柱於其眼,先加右眼、次加左眼」——先結拳,再以空指疊壓風、地二指而伸水、火二指,以右手結已,即以所伸二指觸眼,先右後左。

二、功用與境界 其密意在「以此祕密方便能淨眼根、成就佛眼,得見如來深密境界」——謂由作此印之祕密加行,能清淨行者眼根、成就佛眼智,得見如來深密不可思議之境界。

三、真言詮釋與大悲本懷 疏對此印真言義理特別發揮。先釋真言中所詮之空義:「虛空雖無相無礙,而不能成辦大事。今此如來之空雖無所依,而能成就一切勝上之事,過彼虛空不可為匹也」——以如來空智超越於世間虛空,能成就一切勝事。然後點明眼之本性:「大悲體者,即是如來之眼。此眼從大悲生,能生大悲也」——佛眼之體即如來大悲,其能從大悲而生,亦能再生大悲,是佛眼印最深意趣。

四、同名異製——結法並存 值得注意的是,同名「佛眼印」之結法,於疏中不同儀軌段落出現不同形制: (1)於祕密八印中之基本結法,先結拳、以空指壓風地而伸水火、用右手觸眼(如前引)。 (2)於祕密印法段落別出之結法:「作三補吒,雙屈地水入掌,竪二火令如針,二風指轉捻二火指第三節上,由如眼形」——結三補吒合掌,雙屈地、水指入掌,豎火指如針,風指捻於火指第三節作眼形。 (3)於佛頂部印法中:「佛眼印,如前佛母印作之。是中少許異者,謂開空指令去火指背一麥許不相著,如似五股之形即是也」——基本如佛母印作之,唯稍開空指離火指背,約一麥芒間距,成五股之形。 此顯示疏文隨事施設,同稱佛眼印而印相各異,然共通意趣皆在「由如眼形」之表徵及眼根清淨之功能。

五、與佛母印、佛頂印之互通 疏中顯示佛眼印與佛母印、佛頂印、佛菩薩母印有密切聯繫。如佛頂部段落即云:「如前名為佛母印。此中名佛頂印,亦名佛菩薩母印也」——同結地水屈入之相,於不同部類中互稱互通,皆以如來大悲母德為其根本體性。

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