Dharma · AI Companion

外護摩

bāhya-homa

外护摩指于曼荼罗中施设火坛焚烧供物,依本尊、真言、印三密和合求世间悉地之火供法。AI-generated

Type PracticeDifficulty IntermediateTruth-level span outside the four-fold two-truths frameworkInitial AI estimate · evolves with use

A Contemporary ReadingAI-generated

What This Concept Is About

"External homa" (外護摩, *bāhya-homa*, "external fire offering") is the externally directed side of the homa (護摩, "fire offering") method in esoteric Buddhism (密教, tantric Buddhism). It is not a folk ritual of burning incense to pray for protection, but a highly rigorous "fire-offering liturgy": within a maṇḍala (曼荼羅), one digs the earth to form an altar, sets up a furnace, prepares offerings according to the color and form of the principal deity (本尊, *iṣṭa-devatā*) — the fire deity (火天, Agni) — and then burns the offerings in accordance with the method of uniting the three secrets (三密) of deity, mantra (真言, *mantra*), and mudrā (印, *mudrā*), seeking mundane siddhis (悉地, *siddhi*, "accomplishment") such as pacification (息災, *śāntika*), increase (增益, *puṣṭika*), and subjugation (降伏, *abhicāraka*).

To understand external homa, one must first understand the original meaning of the word "homa" (護摩). The *Commentary on the Sūtra of Becoming Buddha* (《成佛經疏》) glosses homa as "burning away all karma" (燒除諸業) — the fire of Tathāgata wisdom can burn away the calamities produced by the causes and conditions of karma (業, *karman*). Homa is divided into two branches: internal homa (內護摩, *ādhyātma-homa*) uses the fire of wisdom to burn away afflictions (煩惱, *kleśa*), karma, and suffering, and is a method of contemplative insight (觀慧); external homa, by contrast, sets up the fire altar, offerings, and methods that correspond to the three actions (三業) of body, speech, and mind, and is a method of phenomenal ritual. The two are fundamentally identical in principle and are set up only to guide beings of different capacities: through the externally visible ritual, the practitioner first gains a point of entry, and is then gradually drawn into inner contemplative insight.

The core structure of external homa consists of three layers, none of which can be dispensed with:

First layer: the altar and offerings. The fire altar, also called the "homa altar" or "fire furnace," measures one cubit (一肘量, based on the practitioner's own forearm length), square and equal on all four sides, bounded by four sections, with vajra seals (金剛印) arranged around its circumference. The altar's shape follows the undertaking sought — square, round, triangular, and so forth. The offerings strictly correspond to the fire deity's color-form and the undertaking sought: for pacification, white sweet-mild substances such as ghee (蘇, *ghṛta*), milk, barley, honey, and milk porridge; for increase, yellow full-bodied substances such as milk porridge, curd rice, sesame, and various grains; for subjugation, violent substances such as mustard seed, mustard oil, poison, bones and hair, and thorny wood. Around the altar, kuśa grass (吉祥草) is spread, its tips overlapping and turning to the right, and scented water is sprinkled everywhere — these seemingly fussy details constitute a majestic space "complete in all its parts" (具足支分).

Second layer: the union of the three secrets. In defining external homa, the *Commentary on the Sūtra of Becoming Buddha* particularly emphasizes that the deity, the mantra, and the mudrā must be "properly aligned in their three positions" (三位正相當), and further states that the body, the furnace, and the deity each possess the deity, mantra, and mudrā. The three secrets are correlated with the three actions: the deity corresponds to the mental action (visualizing the deity dwelling in the fire), the mantra corresponds to the verbal action (reciting the deity's mantra), and the mudrā formed by the ācārya's (阿闍梨) body corresponds to the bodily action (the hand seal). Only when the three actions are united can the three works of pacification, increase, and subjugation be accomplished. Each of the three works has its own visualization syllable and color-form: pacification visualizes the dotted syllable *ra* (囉字) as white, increase visualizes the yellow syllable *laṃ* (嚂字), and subjugation visualizes the syllable *āṃ* (暗字) as black or red; the practitioner's clothing color, facing direction, and sitting posture must likewise correspond to the work being cultivated.

Third layer: coordination of mind-state and undertaking. The three works are not merely differences in external materials but differences in inner mind-state: pacification pairs with a calm mind (whose substance is great compassion), increase pairs with a joyful mind, and subjugation pairs with a fierce mind — the wrath that arises from the garbha (胎藏, "womb store") and produces various works. It is worth noting that both pacification and increase must first employ the expedient of subjugation, while subjugation homa can be accomplished directly in a single method — the logic behind this is that, before doing anything, one must first have the capacity to counteract obstacles.

The *Sūtra of the Spiritual Transformation and Empowerment of Becoming Buddha* (《成佛神變加持經》, *Mahāvairocanābhisaṃbodhi-sūtra*) gives an extremely concise definition: "Taking the color and form of the fire, selecting medicines and the like of the same shape and color and burning them — this is called external homa, and siddhis can be accomplished at will." The *Commentary on the Sūtra of Becoming Buddha* gives a structural definition: "The three — deity, mantra, and mudrā — must be properly aligned in their three positions." The former emphasizes the correspondence of offerings; the latter emphasizes the union of the three actions — taken together, the two constitute the complete external homa.

But external homa does not stand alone. The *Commentary on the Sūtra of Becoming Buddha* states plainly: "Although external homa has altar, furnace, fuel, ghee, and offerings, its ultimate function is still to serve as a cause (因緣) for internal homa; if one merely burns firewood without abiding in the corresponding samādhi (三昧), one cannot accomplish the matter being cultivated." In other words, external homa is the expedient (方便, *upāya*); internal homa is the ultimate (究竟). If one only performs "worldly-truth homa" (世諦護摩) without understanding its hidden intention, it becomes conflated with ordinary fire worship. This is the most crucial point for understanding external homa: its value lies not in "what was burned," but in "whether, while burning, the practitioner's three actions corresponded to the deity."


Walking Through It in Daily Life

External homa is an extremely concrete ritual in esoteric Buddhism. To transplant its altar, furnace, and offerings directly into the scenes of commuting, scrolling through a phone, overtime work, and intimate relationships would be wrong — that would reduce the esoteric method to a folk activity. But as a "structure," external homa can be used by us to illuminate things in contemporary life that are overlooked. The following walkthrough does not claim "life is external homa," but rather: the three-layer structure of external homa (altar and offerings → union of the three secrets → mind-state and undertaking) happens to illuminate three kinds of rupture that contemporary people often commit when "doing things."

First-layer walkthrough: altar and offerings — the "field" and "materials" of contemporary action.

External homa places great weight on the majesty of the altar: one digs the radiant altar according to the cubit measure, bounds it with four sections, marks the center with vajra seals, spreads kuśa grass turning to the right, and sprinkles scented water everywhere. Entering this space, the practitioner switches from the everyday state to the "state of practicing the method." Contemporary people do something similar, though often without being aware of it — laying out the yoga mat, dimming the lights, silencing the phone, entering the guided session of a meditation app; changing into training gear at the gym, adjusting the equipment, beginning the workout; clearing the desk of clutter, brewing a pot of tea, opening the laptop, entering deep-work mode. These are all modern variants of "establishing the altar."

Offerings in external homa strictly correspond to the undertaking. What are the "offerings" of contemporary people when they do things? Time, attention, money, data, emotion — all are offerings. But contemporary people rarely configure offerings according to the "undertaking." When seeking "pacification" (stopping losses, avoiding risk), they invest large resources in expansion; when seeking "increase" (growth, opportunity), they allocate resources with a defensive mind; when seeking "subjugation" (competition, confrontation), they go into the field with mild materials — like using ghee and honey for subjugation and mustard seed and poison for pacification: materials mismatched with purposes, half the result with twice the effort.

Where people most easily misproject: they think "offerings" means "burned to show the gods," so the more burned, the better, and the more expensive, the more devout. But the offerings of external homa "correspond to color and form" — white for pacification, yellow for increase, violent substances for subjugation. The meaning of offerings lies in "correspondence," not in "quantity." If contemporary people remember this structure, they can ask before doing anything: What is the undertaking I am engaged in right now? Does the time and energy I invest match the nature of this undertaking?

Second-layer walkthrough: the union of the three secrets — whether body, speech, and mind are on the same thing.

External homa requires that the deity, mantra, and mudrā be properly aligned in three positions: the body forms the mudrā, the mouth recites the mantra, the mind visualizes the deity — the three actions united on the same object. When contemporary people do things, "separation of body, speech, and mind" is the most common state.

The typical pattern of bodily-action separation: sitting in a meeting "listening" to a report — the body is present, the mind is replying to messages, the mouth occasionally makes an acknowledgment sound — body, speech, and mind each doing its own thing.

The typical pattern of verbal-action separation: the mouth says "let's cooperate for mutual benefit," while the mind calculates how to get the other side to concede more — the mouth says one thing, the mind schemes another.

The typical pattern of mental-action separation: a hundred learning videos saved on the phone, twenty online courses purchased, lying unopened in the collection folder — the mind once "wanted," the body never "did."

The union of the three secrets in external homa requires that the three point to the same deity and operate simultaneously. Mapped to the contemporary: when you decide to do something, the investment of the body, the expression of speech, and the intention of the mind should be three facets of the same thing, not three mutually contradictory things.

Where people most easily misproject: they think the "three secrets" is a religious term with nothing to do with them. But "three secrets" is essentially about "the integration of body, mind, and speech" — the distinctive feature of esoteric Buddhism is that it pushes this integration to an extreme through ritual, and the universal problem contemporary people face is precisely the lack of this integration.

Third-layer walkthrough: mind-state and undertaking — the "underlying color" of doing things.

Each of the three works of external homa has its own mind-state: pacification pairs with stillness, increase pairs with joy, subjugation pairs with ferocity. This correspondence is very profound — it tells us: the same external action, with a different mind-state behind it, is completely different in nature.

Contemporary people also often mismatch "mind-state" and "action." For example, "resigning from a job" can be pacification (still mind, for stopping losses and halting depletion), can be increase (joyful mind, to greet new opportunities), or can be subjugation (fierce mind, to break decisively with a certain environment). Under the three mind-states, the external actions may be identical — submitting the resignation, packing up belongings, walking out the door — but the natures are completely different. If the mind-state is subjugation but one proceeds in the gentle manner of pacification (endlessly explaining, apologizing, leaving escape routes), the result will be messy and drawn out; if the mind-state is pacification but one proceeds in the manner of subjugation (angry confrontation, burning bridges), the result will turn something that could have ended peacefully into trauma.

Where people most easily misproject: they think there is only one kind of "good mind-state" — calm, compassionate, soft. But external homa tells us: a fierce mind paired with subjugation is also the true Dharma; a joyful mind paired with increase is also the true Dharma. What is truly wrong is not that the "mind-state is intense," but that "mind-state and undertaking do not correspond."

Fourth-layer walkthrough: the relationship between external and internal homa — form and ultimate purpose.

The *Commentary on the Sūtra of Becoming Buddha* repeatedly emphasizes: if one merely burns firewood without abiding in the corresponding samādhi, one cannot accomplish the matter being cultivated. In other words, without the inner substance of internal homa, external homa is only "worldly-truth homa," no different from ordinary fire worship.

Mapped to the contemporary: many people stay only at the "external homa" level when doing things — form done to the fullest (groundbreaking ceremonies, mobilization rallies, signing ceremonies), materials complete (PPT, reports, flowcharts) — but the inner three actions (genuine intention, understanding of the nature of the undertaking, awareness of one's own mind-state) do not correspond. The result: the altar is set, the offerings are burned, the ceremony is finished, but the thing itself has not truly happened.

The ultimate function of external homa is to serve as the "cause" for internal homa — through the majesty and detail of the external ritual, it mobilizes the practitioner's attention, intention, and concentration, finally pointing toward inner contemplative insight. If contemporary people can remember this structure, they will understand: the value of any external "form" (whether a morning journal, a weekly report, or a weekly review meeting) lies not in the form itself, but in whether it can bring you into a state where the three actions correspond. If it cannot, no matter how refined the form, it is only wasted effort.


Why Contemporary People Need It

The core predicament of contemporary life can perhaps be summarized as "the fragmentation of body, mind, and speech" and "the disconnection between form and substance."

External homa, as a system of ritual of extreme integration, has threefold significance for contemporary people:

First, it provides a model of "wholehearted engagement." In the contemporary world, attention is infinitely divided — attending a meeting while replying to messages, eating while watching videos, accompanying family while scrolling through a phone. "The union of the three secrets" requires body, speech, and mind to point at the same object simultaneously, which is almost a luxury in contemporary life. But precisely because of this, it is precious — it reminds us that the most powerful action is not doing more, but doing more whole.

Second, it provides a model of "structured action." Contemporary people often fall into "undifferentiated busyness" — all things treated the same way, all time allocated the same way. But the logic of external homa is: first determine the undertaking (pacification, increase, subjugation), then configure the offerings according to the undertaking (time, resources, attention), then adjust the mind-state (stillness, joy, ferocity). This sequence — determine the nature first, then allocate the quantity, then tune the mind — is far more effective than "charging ahead blindly."

Third, it provides a model of "form serving substance." Contemporary people easily fall into two extremes: one is "form only" (flawless process, exquisite PPT, full ritual sense, but the inner three actions scattered); the other is "substance only" (feeling that form is all empty, red tape, unworthy of attention). External homa tells us: form and substance are not opposites; form is the "cause" of substance, and substance is the "ultimate purpose" of form. A form without substance is empty; a substance without form is scattered.

Looking deeper, the core metaphor of external homa — "afflictions as fuel, wisdom as fire" — has a structural resonance with certain findings in contemporary psychology. Contemporary people often treat emotions as "problems to be dealt with" or "noise to be eliminated," but the wisdom of esoteric Buddhism is: emotions (afflictions) themselves are the fuel; what matters is having the "fire" (wisdom) to burn them. Without fuel, the fire does not rise; without fire, the fuel is only garbage. On this point, contemporary mindfulness (正念, *smṛti*) research comes close — emotion itself is not the enemy; the relationship with emotion is the key. But we must state clearly: analogy is not equivalence. Psychology's "accepting emotions" and esoteric Buddhism's "burning afflictions with the fire of wisdom" still differ importantly in their ultimate philosophical presuppositions and cannot simply be equated.


Common Misreadings and Clarifications

Misreading one: external homa is "burning incense and worshipping Buddha to pray for protection."

This is the most common misreading. Folk-style incense burning and Buddha worship focuses on "supplication" — the more one burns, the more devout, the more the gods and Buddhas protect. But the focus of external homa is not supplication, but "the union of the three secrets" — what is burned, with what mantra, with what mudrā, visualizing what deity — every step has strict regulations, corresponding to the state of the practitioner's three actions. In other words, external homa is not praying outward to gods for protection, but integrating oneself inward. The *Commentary on the Sūtra of Becoming Buddha* states plainly: if one only performs "worldly-truth homa" without understanding its hidden intention, it becomes conflated with ordinary fire worship — this is precisely a sharp rebuke to this misreading.

Misreading two: external homa is unique to the esoteric school and has nothing to do with ordinary people.

External homa is indeed a distinctive method of esoteric Buddhism, requiring conditions such as receiving abhiṣeka (灌頂, empowerment), obtaining the transmission (傳承), and relying on the guidance of an ācārya (阿闍梨). But its "structure" — altar and offerings, union of the three secrets, mind-state and undertaking — is universal human experience. Anyone doing something important goes through a similar process: arranging the space, preparing the materials, adjusting the mind-state, investing in action. The difference is only that esoteric Buddhism ritualizes, symbolizes, and makes ultimate this process; ordinary people often skip the details and act by feeling. Understanding external homa helps contemporary people consciously structure this process rather than muddling through.

Misreading three: external homa and internal homa are opposed — one must choose either this or that.

This is a serious misreading. The *Commentary on the Sūtra of Becoming Buddha* states plainly: the two are fundamentally identical in principle; external homa is the expedient that leads into internal homa. This means: external homa is not the opposite of internal homa, but its "preceding step." Through the majesty and detail of the external ritual, the practitioner is brought into a state where the three actions correspond, ultimately pointing toward inner contemplative insight (internal homa). If one stays only at external homa, it is merely worldly-truth homa; if one speaks of internal homa without passing through external homa, one easily falls into "lip service." The two are a stair-step relationship, not a choice relationship.

Misreading four: the three works of external homa (pacification, increase, subjugation) are a classification of "what to pray for."

This is a superficial understanding. The distinction among the three works lies not in "what to pray for," but in "with what mind-state, with what materials, doing what structure of thing." Pacification (still mind, white, ghee milk barley), increase (joyful mind, yellow, milk porridge curd rice), subjugation (fierce mind, red-black, mustard seed poison) — behind this is a complete system of correspondences, including mind-state, materials, visualization syllables, color-forms, sitting direction, and altar shape. To reduce it to "praying for peace, praying for wealth, praying for disaster relief" completely loses the original meaning.

Misreading five: external homa is just burning things, and it's over when the burning is done.

The complete procedure of external homa includes: sprinkling purification (灑淨), boundary protection (結界), inviting the fire deity (奉請火天), visualization (觀想), recitation, forming mudrās, casting offerings into the fire, and dedicating merit (迴向, *pariṇāma*). Every link has its meaning. Burning things is only one link (the fire offering), but not the whole. If one only remembers "burning," one forgets "sprinkling purification" (purifying the field), "boundary protection" (defining the range), "invitation" (summoning the deity), "visualization" (union of the three secrets), and "dedication of merit" (returning merit to the dharmadhātu). This completeness is precisely the fundamental difference between external homa and ordinary fire worship.


One final point worth noting: external homa, as a set of esoteric Buddhist rituals, has strict transmission requirements — one who has not received abhiṣeka or the transmission should not practice it on one's own. This article is not intended to lead readers to "perform" external homa, but to use the structure of external homa to illuminate the ruptures contemporary people often commit when "doing things": the separation of form and substance, the fragmentation of body, speech, and mind, the mismatch of mind-state and action. If readers can, in their own daily lives — whether writing an important letter, making a difficult decision, ending a relationship — recall the four dimensions of external homa's "altar, offerings, three secrets, mind-state" and use them for conscious examination, then understanding external homa will not be merely an intellectual excursion, but a contemporary practice.

Canonical EntryAI-generated

一、定义与核心要义

外护摩(bāhya-homa)为密教护摩法之一种,指于曼荼罗中施设火坛,焚烧乳木、苏、酪、蜜、谷物、香花等供物,依本尊、真言、印三密和合之方轨,求息灾、增益、降伏等世间悉地之火供仪轨。与内护摩以智火烧烦恼业苦之观慧法相对,外护摩重在外在坛场、供物与身口意三业相应之施设。

二、主要阐述

《成佛神变加持经》将外护摩置于灌顶、度弟子等曼荼罗法事的次第中。行者完成花、涂香、焚香、饮食、灯烛、幡盖、香水瓶等供养,为弟子洒净、授香花、令发菩提心,并以诸印与三昧耶加护后,乃作「寂然护摩」。护摩坛自中胎藏至第二重之外设于曼荼罗中,依自身肘量掘作光明坛,以四节为周界,中标金刚印;阿阇梨居右,护摩具备诸支分,弟子居左蹲踞而表敬意。

《成佛神变加持经》续述略护摩处的庄严与作法:敷吉祥草而坐,或以彩色布置,使其严丽;坛场周匝布祥茅,草端相互覆加皆向右旋,遍洒香水。行者思惟「火光尊」,以哀愍一切之心持满器供养。此处显示外在火坛并非仅为焚烧之所,其座次、草茅方向、洒净、观念与供养均有规定。

就概念的直接界定,《成佛神变加持经》称依火所具的色相,选取与其形色相同的药物等而行焚烧,名为「外护摩」,并说可「随意成悉地」。其后立即与「瑜祇内护摩」对举:内心「一性而具三」,三处合一,称为内护摩。经又以大慈大悲心说「息灾法」,兼具喜心说「增益法」,以从胎藏而起的忿怒造作诸事业;实行时,须依所说处、相应事业与信解而焚烧。

《成佛神变加持经》又述金刚手问火炉尺度、散洒、吉祥草铺设及众物具备,佛答火炉如一肘量,四方均等,以四节为界,周匝安置金刚印;以生茅绕炉右旋,铺草时不得以末压本,而应以本加末。又持吉祥草依法右洒,次以涂香、花、灯供献火天;行者以一花供养「没栗荼」,安置座位后再行灌洒,并以本真言作满施,继而修息灾护摩或增益法。

《成佛经疏》界定外护摩时,特别提出「本尊、真言、印」三者,行法时须令三位正相当;又说身、𬬻、本尊三位皆具本尊、真言、印。其义在净治身口意三业:本尊配意业,真言配口业,阿阇梨身所结之印配身业,由三业和合而成息灾、增益、降伏三事。三事各有观字与色相:息灾观加点之啰字而作白色,增益观黄色嚂字,降伏观暗字而作黑色或赤色;本尊及自身之色亦须与所修事业相应。

《成佛经疏》又以如来慧火解释护摩,谓其能烧尽业因缘所生灾横;火坛中的金刚印,表示慧火从金刚性生而不可破坏。供物与护摩支分又被解作众因缘,转而作为慧火之资,用以供养一切普门身,故引「烦恼为薪,智慧为火」说明其深义。

在具体方轨上,《成佛经疏》称火坛亦为「护摩坛」或「火𬬻」。坛形随事业而有方、圆、三角等差别;作法时设乳木薪、苏、酪、蜜、谷物、香花等,并须洒净、结界、奉请火天及依法投供。修法者先在漫荼罗中供养持诵,继而出外作火法,观火尊、火漫荼罗与自身三处同一相,再以火天真言奉请。

三种事业的外相区分极为明确:息灾、增益、降伏分别配合寂静、欢喜、威猛之心,以及白、黄、赤等衣色、不同坐向、坛形、薪材与供物。息灾常用苏、乳、大麦、蜜、乳粥等;增益用乳粥、酪饭、胡麻、诸谷等;降伏则用芥子、芥子油、毒药、骨发及有刺之木。息灾与增益之前均须先作降伏方便,降伏护摩则可一法直成。

另有成就护摩,须使本尊、火𬬻、所成就物、苏器、阿阇梨座位五处相直;若为人作护摩,投火时须逐一称名。若无大漫荼罗,亦可绕𬬻作一重漫荼罗,安置诸尊座位。 外护摩亦可随条件详略施设:若石上或重阁不能穿𬬻,可用彩色画坛,名「略作护摩处」;道场狭窄时,则于室外望见道场之处依法作𬬻。

三、不同部类与译本的表述差异

《成佛神变加持经》对外护摩的术语使用前后有别:前文直接称「外护摩」,后文则将同类仪轨称为「世护摩」,并明言「说名为外事」;与之相对者称「内护摩」。外事重在火炉、茅草、供物、散洒、供火与焚烧等可见仪则;内护摩则说了知自末那,远离色声等境,观眼、耳、鼻、舌、身及语意业皆从心起,以火灭除智慧未生之障,烧除妄分别而成净菩提心。此内外对举,是本经界定外护摩时最鲜明的表述方式。

《成佛经疏》则直接以「外护摩」「内护摩」分称两种层次,并以「外事」「世护摩」指火坛施作之事;同时反复使用「息灾」「增益」「降伏」三种事业,部分段落又以「折伏」称第三种事业。其判准不只在有无外在火法,更在本尊、火与自身是否相应:外护摩三位正相当,内护摩则观本尊即火、火即自身。

两部类对「护摩」义的解释亦有微别:《成佛神变加持经》侧重以「依火色相选取药物焚烧」作外护摩之定义;《成佛经疏》侧重以「本尊、真言、印三密相应」作外护摩之判准。前者强调供物之对应,后者强调三业之和合。

四、与相关概念的关系

外护摩与内护摩对举,乃护摩法之二分。护摩(homa)本义为烧除诸业。《成佛经疏》以如来慧火解释护摩,谓其能烧尽业因缘所生灾横。二者本理无别,但为求世间成就者作此分别;外护摩又能成为引入内护摩的方便。若不依所说方轨,只随无明妄作,便是徒费其功,不能获得世出世间悉地。

《成佛经疏》又明言,外护摩虽有坛𬬻、薪苏与供物,其究竟作用仍是为内护摩作因缘;若仅焚薪木而不住相应三昧,便不能成办所修之事。 又指出若只作「世谛护摩」而不了解密意,便会与一般火祀相滥。

五、代表性原文引用

「作寂然护摩,护摩坛在第二重之外……以自身肘量掘作光明坛,四节为周界,中标金刚印。」(《成佛神变加持经》)

「依火所具色相,选取与其形色相同之药物等而行焚烧,名为外护摩,可随意成悉地。」(《成佛神变加持经》)

「外事重在火炉、茅草、供物、散洒、供火与焚烧等可见仪则;内护摩说了知自末那,远离色声等境,观眼、耳、鼻、舌、身及语意业皆从心起,以火灭除智慧未生之障,烧除妄分别而成净菩提心。」(《成佛神变加持经》)

「外护摩以施设火坛、供物及身口意相应之法;内护摩以智火烧烦恼业苦。」(《成佛经疏》)

「本尊、真言、印三者须三位正相当;息灾观加点之啰字而作白色,增益观黄色嚂字,降伏观暗字而作黑色或赤色。」(《成佛经疏》)

「烦恼为薪,智慧为火;外护摩诸供物与支分皆为慧火之资,用以供养一切普门身。」(《成佛经疏》)

By SutraAI-generated

大毘盧遮那成佛神變加持經(大日經)T0848 · 密教部

《大毘盧遮那成佛神變加持經(大日經)》論外護摩,先將其置於灌頂、度弟子等曼荼羅法事的次第中。行者完成花、塗香、焚香、飲食、燈燭、幡蓋、香水瓶等供養,為弟子灑淨、授香花、令發菩提心,並以諸印與三昧耶加護後,乃「作寂然護摩」。護摩壇自中胎藏至第二重之外設於曼荼羅中,依自身肘量掘作光明壇,以四節為周界,中標金剛印;阿闍梨居右,護摩具備諸支分,弟子居左,蹲踞而表敬意。

經中續述略護摩處的莊嚴與作法:敷吉祥草而坐,或布置彩色,使其嚴麗;壇場周匝布祥茅,草端相互覆加,皆向右旋,並遍灑香水。行者思惟「火光尊」,以哀愍一切之心持滿器供養。此處顯示外在火壇並非僅為焚燒之所,其座次、草茅方向、灑淨、觀念與供養均有規定。

就概念的直接界定而言,經稱依火所具的色相,選取與其形色相同的藥物等而行焚燒,名為「外護摩」,並說可「隨意成悉地」。其後立即與「瑜祇內護摩」對舉:內心「一性而具三」,三處合一,稱為內護摩。經又以大慈大悲心說「息災法」,兼具喜心說「增益法」,以從胎藏而起的忿怒造作諸事業;實行時,須依所說處、相應事業與信解而焚燒。

金剛手問火爐尺度、散灑、吉祥草鋪設及眾物具備,佛答火爐如一肘量,四方均等,以四節為界,周匝安置金剛印;以生茅繞爐右旋,鋪草時不得以末壓本,而應以本加末。又持吉祥草依法右灑,次以塗香、花、燈供獻火天;行者以一花供養「沒栗荼」,安置座位後再行灌灑,並以本真言作滿施,繼而修息災護摩或增益法。

本經在術語上並用兩種表述:前文直接稱「外護摩」,後文則將同類儀軌稱為「世護摩」,並明言「說名為外事」。與之相對者稱「內護摩」。外事重在火爐、茅草、供物、散灑、供火與焚燒等可見儀則;內護摩則說了知自末那,遠離色聲等境,觀眼、耳、鼻、舌、身及語意業皆從心起,以火滅除智慧未生之障,燒除妄分別而成淨菩提心。此內外對舉,是本經界定外護摩時最鮮明的表述方式。

大毘盧遮那成佛經疏(大日經疏)T1796 · 經疏部

《大毘盧遮那成佛經疏(大日經疏)》以「外護摩」與「內護摩」對舉。護摩義為燒除諸業;內護摩以智火燒煩惱業苦,外護摩則施設火壇、供物及身口意相應之法。二者本理無別,但為求世間成就者作此分別;外護摩又能成為引入內護摩的方便。若不依所說方軌,只隨無明妄作,便是徒費其功,不能獲得世出世間悉地。

本疏界定外護摩時,特別提出「本尊、真言、印」三者,行法時須令三位正相當;又說身、鑪、本尊三位皆具本尊、真言、印。其義在淨治身口意三業:本尊配意業,真言配口業,阿闍梨身所結之印配身業,由三業和合而成息災、增益、降伏三事。三事各有觀字與色相:息災觀加點之囉字而作白色,增益觀黃色嚂字,降伏觀暗字而作黑色或赤色;本尊及自身之色亦須與所修事業相應。

外護摩不是單純焚薪供養。疏中以如來慧火解釋護摩,謂其能燒盡業因緣所生災橫;火壇中的金剛印,表示慧火從金剛性生而不可破壞。若只作「世諦護摩」而不了解密意,便會與一般火祀相濫。供物與護摩支分又被解作眾因緣,轉而作為慧火之資,用以供養一切普門身,故引「煩惱為薪,智慧為火」說明其深義。

在具體方軌上,本疏稱火壇亦為「護摩壇」或「火鑪」。壇形隨事業而有方、圓、三角等差別;作法時設乳木薪、蘇、酪、蜜、穀物、香花等,並須灑淨、結界、奉請火天及依法投供。修法者先在漫荼羅中供養持誦,繼而出外作火法,觀火尊、火漫荼羅與自身三處同一相,再以火天真言奉請。

三種事業的外相亦有明確區分:息災、增益、降伏分別配合寂靜、歡喜、威猛之心,以及白、黃、赤等衣色、不同坐向、壇形、薪材與供物。息災常用蘇、乳、大麥、蜜、乳粥等;增益用乳粥、酪飯、胡麻、諸穀等;降伏則用芥子、芥子油、毒藥、骨髮及有刺之木。息災與增益之前均須先作降伏方便,降伏護摩則可一法直成。

本疏又說外護摩可隨條件詳略施設:若石上或重閣不能穿鑪,可用彩色畫壇,名「略作護摩處」;道場狹窄時,則於室外望見道場之處依法作鑪。另有成就護摩,須使本尊、火鑪、所成就物、蘇器、阿闍梨座位五處相直;若為人作護摩,投火時須逐一稱名。若無大漫荼羅,亦可繞鑪作一重漫荼羅,安置諸尊座位。

本經此疏的特色用語,是直接以「外護摩」「內護摩」分稱兩種層次,並以「外事」「世護摩」指火壇施作之事;同時反覆使用「息災」「增益」「降伏」,而部分段落又以「折伏」稱第三種事業。其判準不只在有無外在火法,更在本尊、火與自身是否相應:外護摩三位正相當,內護摩則觀本尊即火、火即自身。故疏明言,外護摩雖有壇鑪、薪蘇與供物,其究竟作用仍是為內護摩作因緣;若僅焚薪木而不住相應三昧,便不能成辦所修之事。

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